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Laocoön Group
Laocoön (; grc, , Laokóōn, , gen.: ), is a figure in Greek and Roman mythology and the Epic Cycle. Laocoon was a Trojan priest. He and his two young sons were attacked by giant serpents, sent by the gods. The story of Laocoön has been the subject of numerous artists, both in ancient and in more contemporary times. Family Laocoön was variously called as the son of Acoetes, Antenor, or Poseidon; or the son of Priam and Hecuba. He had two sons. Death The most detailed description of Laocoön's grisly fate was provided by Quintus Smyrnaeus in ''Posthomerica'', a later, literary version of events following the ''Iliad''. According to Quintus, Laocoön begged the Trojans to set fire to the Trojan horse to ensure it was not a trick. Athena, angry with him and the Trojans, shook the ground around Laocoön's feet and painfully blinded him. The Trojans, watching this unfold, assumed Laocoön was punished for the Trojans' mutilating and doubting Sinon, the undercover Greek soldi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Priam
In Greek mythology, Priam (; grc-gre, Πρίαμος, ) was the legendary and last king of Troy during the Trojan War. He was the son of Laomedon. His many children included notable characters such as Hector, Paris, and Cassandra. Etymology Most scholars take the etymology of the name from the Luwian 𒉺𒊑𒀀𒈬𒀀 (Pa-ri-a-mu-a-, or “exceptionally courageous”), attested as the name of a man from Zazlippa, in Kizzuwatna. A similar form is attested transcribed in Greek as ''Paramoas'' near Kaisareia in Cappadocia. Some have identified Priam with the historical figure of Piyama-Radu, a warlord active in the vicinity of Wilusa. However, this identification is disputed, and is highly unlikely, given that he was known in Hittite records as being an ally of the Ahhiyawa against Wilusa. A popular folk etymology derives the name from the Greek verb , meaning 'to buy'. This in turn gives rise to a story of Priam's sister Hesione ransoming his freedom, with a golden veil that A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Journal Of Philology
The ''American Journal of Philology'' is a quarterly academic journal established in 1880 by the classical scholar Basil Lanneau Gildersleeve and published by the Johns Hopkins University Press. It covers the field of philology, and related areas of classical literature, linguistics, history, philosophy, and cultural studies. In 2003, the journal received the award for Best Single Issue from the Professional and Scholarly Publishing Division of the Association of American Publishers. The current editor-in-chief is Joseph Farrell (University of Pennsylvania). Editors: * Basil Lanneau Gildersleeve (1880 - 1919) * C.W.E. Miller (1920 - 1934) * Benjamin Dean Meritt (1934 - 1935, 1943 - 1946) * Tenney Frank (1936 - 1939) * Harold Cherniss (1940 - 1942) * Henry T. Rowell (1946 - 1971) * Georg Luck * David H. J. Larmour * Joseph Farrell References External links * ''American Journal of Philology'' at Project MUSE Project MUSE, a non-profit collaboration between libraries ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aeneid
The ''Aeneid'' ( ; la, Aenē̆is or ) is a Latin Epic poetry, epic poem, written by Virgil between 29 and 19 BC, that tells the legendary story of Aeneas, a Troy, Trojan who fled the Trojan_War#Sack_of_Troy, fall of Troy and travelled to Italy, where he became the ancestor of the Ancient Rome, Romans. It comprises 9,896 lines in dactylic hexameter. The first six of the poem's twelve books tell the story of Aeneas' wanderings from Troy to Italy, and the poem's second half tells of the Trojans' ultimately victorious war upon the Latins (Italic tribe), Latins, under whose name Aeneas and his Trojan followers are destined to be subsumed. The hero Aeneas was already known to Greco-Roman legend and myth, having been a character in the ''Iliad''. Virgil took the disconnected tales of Aeneas' wanderings, his vague association with the foundation of Ancient Rome, Rome and his description as a personage of no fixed characteristics other than a scrupulous ''pietas'', and fashioned th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apollo
Apollo, grc, Ἀπόλλωνος, Apóllōnos, label=genitive , ; , grc-dor, Ἀπέλλων, Apéllōn, ; grc, Ἀπείλων, Apeílōn, label=Arcadocypriot Greek, ; grc-aeo, Ἄπλουν, Áploun, la, Apollō, la, Apollinis, label=genitive, , ; , is one of the Olympian deities in classical Greek and Roman religion and Greek and Roman mythology. The national divinity of the Greeks, Apollo has been recognized as a god of archery, music and dance, truth and prophecy, healing and diseases, the Sun and light, poetry, and more. One of the most important and complex of the Greek gods, he is the son of Zeus and Leto, and the twin brother of Artemis, goddess of the hunt. Seen as the most beautiful god and the ideal of the ''kouros'' (ephebe, or a beardless, athletic youth), Apollo is considered to be the most Greek of all the gods. Apollo is known in Greek-influenced Etruscan mythology as ''Apulu''. As the patron deity of Delphi (''Apollo Pythios''), Apollo is an oracul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bibliotheca (Pseudo-Apollodorus)
The ''Bibliotheca'' (Ancient Greek: grc, Βιβλιοθήκη, lit=Library, translit=Bibliothēkē, label=none), also known as the ''Bibliotheca'' of Pseudo-Apollodorus, is a compendium of Greek myths and heroic legends, arranged in three books, generally dated to the first or second century AD. The author was traditionally thought to be Apollodorus of Athens, but that attribution is now regarded as false, and so "Pseudo-" was added to Apollodorus. The ''Bibliotheca'' has been called "the most valuable mythographical work that has come down from ancient times." An epigram recorded by the important intellectual Patriarch Photius I of Constantinople expressed its purpose:Victim of its own suggestions, the epigraph, ironically, does not survive in the manuscripts. For the classic examples of epitomes and encyclopedias substituting in Christian hands for the literature of Classical Antiquity itself, see Isidore of Seville's ''Etymologiae'' and Martianus Capella. It has the follo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Athena
Athena or Athene, often given the epithet Pallas, is an ancient Greek goddess associated with wisdom, warfare, and handicraft who was later syncretized with the Roman goddess Minerva. Athena was regarded as the patron and protectress of various cities across Greece, particularly the city of Athens, from which she most likely received her name. The Parthenon on the Acropolis of Athens is dedicated to her. Her major symbols include owls, olive trees, snakes, and the Gorgoneion. In art, she is generally depicted wearing a helmet and holding a spear. From her origin as an Aegean palace goddess, Athena was closely associated with the city. She was known as ''Polias'' and ''Poliouchos'' (both derived from ''polis'', meaning "city-state"), and her temples were usually located atop the fortified acropolis in the central part of the city. The Parthenon on the Athenian Acropolis is dedicated to her, along with numerous other temples and monuments. As the patron of craft and weav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sinon
In Greek mythology, Sinon (Ancient Greek: Σίνων, from the verb "σίνομαι"—''sinomai'', "to harm, to hurt") or Sinopos, was a Greek warrior during the Trojan War. Family Sinon was the son of Aesimus, son of Autolycus. He was the cousin of Odysseus through his mother Anticlea, daughter of Autolycus. Mythology ''Aeneid'' In the ''Aeneid'', Sinon pretended to have deserted the Greeks and, as a Trojan captive, told the Trojans that the giant wooden horse the Greeks had left behind was intended as a gift to the gods to ensure their safe voyage home. He told them that the horse was made too big for the Trojans to move it into their city, because if they did they would be invincible to later Achaean invasion. His story convinced the Trojans because it included the former details as well as an explanation that he was left behind to die by the doing of Odysseus, who was his enemy. The Trojans brought the Trojan Horse into their city against the advice of Cassandra (gi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trojan Horse
The Trojan Horse was a wooden horse said to have been used by the Greeks during the Trojan War to enter the city of Troy and win the war. The Trojan Horse is not mentioned in Homer's ''Iliad'', with the poem ending before the war is concluded, and it is only briefly mentioned in the ''Odyssey''. But in the ''Aeneid'' by Virgil, after a fruitless 10-year siege, the Greeks constructed a huge wooden horse at the behest of Odysseus, and hid a select force of men inside, including Odysseus himself. The Greeks pretended to sail away, and the Trojans pulled the horse into their city as a victory trophy. That night, the Greek force crept out of the horse and opened the gates for the rest of the Greek army, which had sailed back under cover of darkness. The Greeks entered and destroyed the city, ending the war. Metaphorically, a "Trojan horse" has come to mean any trick or stratagem that causes a target to invite a foe into a securely protected bastion or place. A malicious computer pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iliad
The ''Iliad'' (; grc, Ἰλιάς, Iliás, ; "a poem about Ilium") is one of two major ancient Greek epic poems attributed to Homer. It is one of the oldest extant works of literature still widely read by modern audiences. As with the ''Odyssey'', the poem is divided into 24 books and contains 15,693 lines in its most widely accepted version, and was written in dactylic hexameter. Set towards the end of the Trojan War, a ten-year siege of the city of Troy by a coalition of Mycenaean Greek states, the poem depicts significant events in the siege's final weeks. In particular, it depicts a fierce quarrel between King Agamemnon and a celebrated warrior, Achilles. It is a central part of the Epic Cycle. The ''Iliad'' is often regarded as the first substantial piece of European literature. The ''Iliad'', and the ''Odyssey'', were likely written down in Homeric Greek, a literary amalgam of Ionic Greek and other dialects, probably around the late 8th or early 7th century BC. Homer's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Posthomerica
The ''Posthomerica'' ( grc-gre, τὰ μεθ᾿ Ὅμηρον, translit. ''tà meth᾿ Hómēron''; lit. "Things After Homer") is an epic poem in Greek hexameter verse by Quintus of Smyrna. Probably written in the 3rd century AD, it tells the story of the Trojan War, between the death of Hector and the fall of Ilium. The first four books, covering the same ground as the ''Coming of Memnon'' of Arctinus of Miletus, describe the doughty deeds and deaths of Penthesileia the Amazon, of Memnon, son of the Morning, and of Achilles; and the funeral games in honour of Achilles. Books five through twelve, covering the same ground as the ''Little Iliad'' of Lesches, span from the contest between Ajax and Odysseus for the arms of Achilles, the death of Ajax by suicide after his loss, the exploits of Neoptolemus, Eurypylus and Deiphobus, the deaths of Paris and Oenone, to the building of the wooden horse. The remaining books, covering the same ground as Arctinus' ''Destruction of Troy'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quintus Smyrnaeus
Quintus Smyrnaeus (also Quintus of Smyrna; el, Κόϊντος Σμυρναῖος, ''Kointos Smyrnaios'') was a Greek epic poet whose ''Posthomerica'', following "after Homer", continues the narration of the Trojan War. The dates of Quintus Smyrnaeus' life and poetry are disputed: by tradition, he is thought to have lived in the latter part of the 4th century AD, but early dates have also been proposed. His epic in fourteen books, known as the ''Posthomerica'', covers the period between the end of Homer's ''Iliad'' and the end of the Trojan War. Its primary importance is as the earliest surviving work to cover this period, the archaic works in the Epic Cycle, which he knew and drew upon, having been lost. His materials are borrowed from the cyclic poems from which Virgil (with whose works he was probably acquainted) also drew, in particular the '' Aethiopis'' (''Coming of Memnon'') and the ''Iliupersis'' (''Destruction of Troy'') of Arctinus of Miletus, the now-lost ''Heleneis' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
