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Gott Sei Gelobet Und Gebenedeiet
"Gott sei gelobet und gebenedeiet" (God be praised and blessed) is a Lutheran hymn of 1524 with words written by Martin Luther who used an older first stanza and melody. It is a song of thanks after communion. Luther's version in three stanzas was printed in the ''Erfurt Enchiridion'' of 1524 and in Johann Walter's choral hymnal ''Eyn geystlich Gesangk Buchleyn'' the same year. Today, the song appears in German hymnals, including both the Protestant '' Evangelisches Gesangbuch'' (EG 214), and in a different version in the Catholic ''Gotteslob'' (GL 215). History Text and melody are based on a ''Leise'', a German congregational refrain ending on Kyrie eleison, of the Latin sequence ''Lauda Sion'' for Corpus Christi. Luther knew it in a version which first appeared at the end of the 14th century in a processional from the Franciscan monastery Miltenberg, made in Mainz, at the end of the 14th century: Luther praised the Leise in his writing ''Von der Winkelmesse und Pfaffenweihe' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Hymns By Martin Luther
The reformer Martin Luther, a prolific hymnodist, regarded music and especially hymns in German as important means for the development of faith. Luther wrote songs for occasions of the liturgical year ( Advent, Christmas, Purification, Epiphany, Easter, Pentecost, Trinity), hymns on topics of the catechism (Ten Commandments, Lord's Prayer, creed, baptism, confession, Eucharist), paraphrases of psalms, and other songs. Whenever Luther went out from pre-existing texts, here listed as "text source" (bible, Latin and German hymns), he widely expanded, transformed and personally interpreted them. Luther worked on the tunes, sometimes modifying older tunes, in collaboration with Johann Walter. Hymns were published in the ''Achtliederbuch'', in Walter's choral hymnal ''Eyn geystlich Gesangk Buchleyn ' ("A spiritual song booklet"), sometimes called First Wittenberg Hymnal and ' (Choir hymnal), was the first German hymnal for choir, published in Wittenberg in 1524 by Johann Walter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miltenberg
Miltenberg () is a town in the ''Regierungsbezirk'' of Lower Franconia (''Unterfranken'') in Bavaria, Germany. It is the seat of the like-named district and has a population of over 9,000. Geography Location The old town lies on the Main’s left bank on the "left knee" of the ''Mainviereck'' ("Main Square") between the Spessart and Odenwald ranges. Since the Main riverbed in the Miltenberg area is relatively near the foot of the Odenwald, only a narrow strip of usable land is left, little over 150 meters in width, which in past centuries was time and again flooded by the Main. The historic centre, which stands on this land, often sustained considerable damage in these floods. Only in the 21st century efficient flood control measures, most of all a wall, have significantly reduced the adverse effects of these floods. Since about the beginning of the 20th century, after buying land from the neighbouring community of Großheubach, Miltenberg has been expanding on the right b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
16th Century In Music
16 (sixteen) is the natural number following 15 and preceding 17. 16 is a composite number, and a square number, being 42 = 4 × 4. It is the smallest number with exactly five divisors, its proper divisors being , , and . In English speech, the numbers 16 and 60 are sometimes confused, as they sound very similar. Sixteen is the fourth power of two. For this reason, 16 was used in weighing light objects in several cultures. The British have 16 ounces in one pound; the Chinese used to have 16 ''liangs'' in one ''jin''. In old days, weighing was done with a beam balance to make equal splits. It would be easier to split a heap of grains into sixteen equal parts through successive divisions than to split into ten parts. Chinese Taoists did finger computation on the trigrams and hexagrams by counting the finger tips and joints of the fingers with the tip of the thumb. Each hand can count up to 16 in such manner. The Chinese abacus uses two upper beads to represent the 5s and 5 low ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bach Digital
Bach Digital (German: ), developed by the Bach Archive in Leipzig, is an online database which gives access to information on compositions by Johann Sebastian Bach and members of Bach family, his family. Early manuscripts of such compositions are a major focus of the website, which provides access to high-resolution digitized versions of many of these. Scholarship on manuscripts and versions of compositions is summarized on separate pages, with references to scholarly sources and editions. The database portal has been online since 2010. History In 2000, two years after Uwe Wolf (musicologist), Uwe Wolf had suggested the possibility of supporting the publication of the New Bach Edition (NBE) with digital media, a project named Bach Digital started as an initiative of the Internationale Bachakademie Stuttgart, but without direct involvement of the then editor of the NBE, the Johann Sebastian Bach Institute in Göttingen. After four years the project remained unconvincing: it lagge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vandenhoeck & Ruprecht
Vandenhoeck & Ruprecht (V&R) is a scholarly publishing house based in Göttingen, Germany. It was founded in 1735 by (1700-1750) in connection with the establishment of the Georg-August-Universität in the same city. After Abraham Vandenhoeck's death in 1750, his English-born widow, Anna Vandenhoeck, née Parry (d. 1787) successfully continued the business together with Carl Friedrich Günther Ruprecht (born 1730), who had entered the business as an eighteen-year-old apprentice in 1748. At the death of Anna Vandenhoeck in 1787, Ruprecht took over the business which he led until his death in 1816, when he was succeeded by his 25-year-old son Carl August Adolf Ruprecht (1791-1861). The management of the company remained in the hands of the Ruprecht family for seven generations. The traditional core areas of the publications of V&R are Theology and Religion, History, Ancient History, Philosophy and Philology. Current production also includes schoolbooks and non-academic publi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gotteslob (1975)
The 1975 edition of ''Gotteslob'' (''God's Praise'') was the first combined prayerbook and hymnbook authorised by the bishops of all German-speaking Roman Catholics in Germany and Austria. It contains texts and songs for liturgy, communal prayer and private prayer, divided into a section which is common for all, and an appendix for the local songs in a diocese. Forerunners for a common hymnal were the hymnal '' Cantate!'', published by Heinrich Bone in 1847 and used by multiple diocese of German-speaking countries, and '' Kirchenlied'', a 1938 hymnal that included songs by Protestant hymnwriters. Maria Luise Thurmair was a member of the commission preparing the edition, and also contributed several songs to the book. Her "Den Herren will ich loben", based on the Magnificat and many other liturgical hymns appeared there first. Friedrich Dörr was a member of the commission who contributed mostly his translations of Latin hymns, such as "Komm, Heilger Geist, der Leben schafft", f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kirchenlied
''Kirchenlied'' ("Church song") is a German Catholic hymnal published in 1938. It was a collection of 140 old and new songs, including hymns by Protestant authors. It was the seed for a common Catholic hymnal which was realised decades later, in the ''Gotteslob'' (1975). History ''Kirchenlied'' was published in 1938 by , Adolf Lohmann and Georg Thurmair. It was a collection of 140 songs from different periods, starting in the 16th century, and it included several Protestant songs as well as ten of Thurmair's own songs. Known as the "Standard Songbook", it was designed to be a common hymnal for German-speaking Catholics. ''Kirchenlied'' was published first by the , subtitled ''Eine Auslese geistlicher Lieder für die Jugend'' ("A selection of sacred songs for youth"). The hymnal, unlike other publications by Thurmair, was not immediately banned by the Nazis, because of its many Protestant songs. From the fourth edition, the subtitle was shortened to "Eine Auslese geistlicher Lied ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Vehe
Michael Vehe (c. 1480–1539) was a German monk and theologian. Life Vehe was born in Biberach (now part of Heilbronn, near Bad Wimpfen). He joined the Dominicans in Wimpfen and was sent to Heidelberg in 1506, where he taught in 1512 and received a doctorate in theology in 1513. In 1515 he was appointed regent of the Dominican house of studies at Heidelberg; later Cardinal Albert of Mainz chose him as theologian and put him in charge of the church of Halle, Saxony. He was summoned to Augsburg in 1530 to refute the Lutheran Confession of Faith and took a prominent part in a debate against the Lutherans in 1534 in Leipzig. He was called to the bishopric of Halberstadt on February 21, 1539. He died in Halle in April 1539. Works Some Catholic commentators view Vehe's writings as the best apologetical treatises that appeared in Germany during the sixteenth century. His works include the following: *"Von dem Gesatz der Niessung des h. hochw. Sacraments" (Leipzig, 1531) and "Errett ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the '' Schubler Chorales'' and the Toccata and Fugue in D minor; and vocal music such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanza
In poetry, a stanza (; from Italian language, Italian ''stanza'' , "room") is a group of lines within a poem, usually set off from others by a blank line or Indentation (typesetting), indentation. Stanzas can have regular rhyme scheme, rhyme and Metre (poetry), metrical schemes, but they are not required to have either. There are many different : Stanzaic form, forms of stanzas. Some stanzaic forms are simple, such as four-line quatrains. Other forms are more complex, such as the Spenserian stanza. Fixed verse, Fixed verse poems, such as sestinas, can be defined by the number and form of their stanzas. The stanza has also been known by terms such as ''batch'', ''fit'', and ''stave''. The term ''stanza'' has a similar meaning to ''strophe'', though ''strophe'' sometimes refers to an irregular set of lines, as opposed to regular, rhymed stanzas. Even though the term "stanza" is taken from Italian, in the Italian language the word "strofa" is more commonly used. In music, groups of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martin Luther (Lucas Cranach) 1526
Martin Luther (; ; 10 November 1483 – 18 February 1546) was a German priest, theologian, author, hymnwriter, professor, and Augustinian friar. He is the seminal figure of the Protestant Reformation who gave his name to Lutheranism. Luther was ordained to the priesthood in 1507. He came to reject several teachings and practices of the Roman Catholic Church; in particular, he disputed the view on indulgences. Luther proposed an academic discussion of the practice and efficacy of indulgences in his ''Ninety-five Theses'' of 1517. His refusal to renounce all of his writings at the demand of Pope Leo X in 1520 and the Holy Roman Emperor Charles V at the Diet of Worms in 1521 resulted in his excommunication by the pope and condemnation as an outlaw by the Holy Roman Emperor. Luther taught that salvation and, consequently, eternal life are not earned by good deeds but are received only as the free gift of God's grace through the believer's faith in Jesus Chri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anamnesis (Christianity)
Anamnesis (from the Attic Greek word , meaning "reminiscence" or "memorial sacrifice") is a liturgical statement in Christianity in which the Church refers to the memorial character of the Eucharist or to the Passion, Resurrection and Ascension of Jesus. It has its origin in Jesus' words at the Last Supper, "Do this in memory of me" (, (Luke 22:19, 1 Corinthians 11:24-25). In a wider sense, anamnesis is a key concept in the liturgical theology: in worship the faithful recall God's saving deeds. This memorial aspect is not simply a passive process but one by which the Christian can actually enter into the Paschal mystery. In Eucharistic prayers Almost all Eucharistic prayers (or '' anaphoras'') contain an anamnesis. This part of the anaphora is usually placed after the consecration, i.e. after the account of the Last Supper in which are pronounced the Words of Institution spoken by Jesus. The Words of Institution are usually ended by the sentence "Do this in memory of me", which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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