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Godzilla (franchise)
franchise is a Japanese media franchise created and owned by Toho, Toho Co., Ltd., centered on the fictional ''kaiju'' character Godzilla. It is the longest-running film franchise, having been in ongoing production from 1954, with several hiatuses of varying lengths. The film franchise consists of 38 films; 33 produced by Toho, one produced by TriStar Pictures, and four produced by Legendary Entertainment, Legendary Pictures. The first film, ''Godzilla (1954 film), Godzilla'', was directed by Ishirō Honda and released by Toho in 1954. It became an influential classic of the genre. It featured political and social undertones relevant to Japan at the time. The original introduced an acclaimed music score by Akira Ifukube, reused in many later films. The 1954 film and its special effects director Eiji Tsuburaya are largely credited for establishing the template for ''tokusatsu'', a technique of practical special effects filmmaking that would become essential in Japan's film indust ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Godzilla Vs
is a fictional monster, or '' kaiju'', originating from a series of Japanese films. The character first appeared in the 1954 film ''Godzilla'' and became a worldwide pop culture icon, appearing in various media, including 32 films produced by Toho, four American films and numerous video games, novels, comic books and television shows. Godzilla has been dubbed the "King of the Monsters", a phrase first used in ''Godzilla, King of the Monsters!'' (1956)'','' the Americanized version of the original film. Godzilla is an enormous, destructive, prehistoric sea monster awakened and empowered by nuclear radiation. With the nuclear bombings of Hiroshima and Nagasaki and the '' Lucky Dragon 5'' incident still fresh in the Japanese consciousness, Godzilla was conceived as a metaphor for nuclear weapons. Others have suggested that Godzilla is a metaphor for the United States, a giant beast woken from its slumber which then takes terrible vengeance on Japan. As the film series expan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Godzilla
is a fictional monster, or '' kaiju'', originating from a series of Japanese films. The character first appeared in the 1954 film ''Godzilla'' and became a worldwide pop culture icon, appearing in various media, including 32 films produced by Toho, four American films and numerous video games, novels, comic books and television shows. Godzilla has been dubbed the "King of the Monsters", a phrase first used in ''Godzilla, King of the Monsters!'' (1956)'','' the Americanized version of the original film. Godzilla is an enormous, destructive, prehistoric sea monster awakened and empowered by nuclear radiation. With the nuclear bombings of Hiroshima and Nagasaki and the '' Lucky Dragon 5'' incident still fresh in the Japanese consciousness, Godzilla was conceived as a metaphor for nuclear weapons. Others have suggested that Godzilla is a metaphor for the United States, a giant beast woken from its slumber which then takes terrible vengeance on Japan. As the film series expan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tomoyuki Tanaka
was a Japanese film producer. He is best known for co-creating the ''Godzilla'' franchise and its associated spin-offs. Early life Tanaka was born on April 26, 1910, in Kashiwara, Osaka. As a child, he would often walk miles to the nearest theater to watch silent adventure and ninja films in the afternoons. At the age of 14, Tanaka saw the silent Western film ''The Covered Wagon'' and was so enamored by its cinematography that it remained his all-time favorite film. In his youth, Tanaka was once disowned by his parents because he focused more on his interests, films and acting, than on his studies. Career Soon after graduating from Kansai University in 1940, Tanaka joined Taisho Studios which merged with Toho Studios in 1941. After four years with the company, he began producing his own films, and his first effort, '' Three Women of the North'', was released in 1945. In his 60-year career with Toho, Tanaka produced more than 200 films. He is best known as the creator, wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Final Wars (soundtrack) , ''The War to End All Wars'', or the ''Great War''
{{disambiguation ...
Final War or Final Wars may refer to: Fiction * Final War, a term used in ''Honorverse'', a military science-fiction book series by David Weber * ''The Final War'', a 1959 Japanese science fiction film made by Toei (released in U.S. in 1962) * ''Final War'', a 1968 novelette by Barry N. Malzberg * "Final Wars", a song by Buckethead from his 2006 studio album ''The Elephant Man's Alarm Clock'' * '' Godzilla: Final Wars'', a 2004 Japanese science-fiction kaiju film directed by Ryuhei Kitamura History * War of Actium, the final war of the Roman Republic * Byzantine–Sasanian War of 602–628, the last war between the Byzantine Empire and Persia * World War I World War I (28 July 1914 11 November 1918), often abbreviated as WWI, was one of the deadliest global conflicts in history. Belligerents included much of Europe, the Russian Empire, the United States, and the Ottoman Empire, with fightin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shared Universe
A shared universe or shared world is a fictional universe from a set of creative works where more than one writer (or other artist) independently contributes a work that can stand alone but fits into the joint development of the storyline, characters, or world of the overall project. It is common in genres like science fiction. It differs from collaborative writing in which multiple artists are working together on the same work and from crossovers where the works and characters are independent except for a single meeting. The term ''shared universe'' is also used within comics to reflect the overall milieu created by the comic book publisher in which characters, events, and premises from one product line appear in other product lines in a media franchise. A specific kind of shared universe that is published across a variety of media (such as novels and films), each of them contributing to the growth, history, and status of the setting is called an "imaginary entertainment enviro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinema Of Japan
The has a history that spans more than 100 years. Japan has one of the oldest and largest film industries in the world; as of 2021, it was the fourth largest by number of feature films produced. In 2011 Japan produced 411 feature films that earned 54.9% of a box office total of US$2.338 billion. Films have been produced in Japan since 1897, when the first foreign cameramen arrived. ''Tokyo Story'' (1953) ranked number three in ''Sight & Sound'' critics' list of the 100 greatest films of all time. ''Tokyo Story'' also topped the 2012 ''Sight & Sound'' directors' poll of The Top 50 Greatest Films of All Time, dethroning '' Citizen Kane'', while Akira Kurosawa's '' Seven Samurai'' (1954) was voted the greatest foreign-language film of all time in BBC's 2018 poll of 209 critics in 43 countries. Japan has won the Academy Award for the Best International Feature Film four times, more than any other Asian country. Japan's Big Four film studios are Toho, Toei, Shochiku and Kadoka ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Godzilla In Popular Culture
As an enduring and iconic symbol of post-World War II cinematic history, the fictional giant monster Godzilla has been referenced and parodied numerous times in popular culture. Godzilla and other atomic monsters have appeared in a variety of mediums, including cartoons, film, literature, television, and video games. Toho, the Japanese company which owns the licensing rights to Godzilla, has in recent years become aggressive about protecting its intellectual property and has sued or sent cease-and-desist letters to individuals, groups or businesses that it believes may be infringing upon its rights. Name usage "-zilla" is a well-known slang suffix, used to imply some form of excess to a person, object or theme; some examples being the reality show ''Bridezillas'' and the Netscape-derived web browser Mozilla Firefox. "-Zilla" is rumored to mean "reptilian" as shown in the kaiju name, "Zilla". It has no word before its meaning, therefore it is not purely a suffix. This puts int ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raymond Burr
Raymond William Stacy Burr (May 21, 1917September 12, 1993) was a Canadian actor known for his lengthy Hollywood film career and his title roles in television dramas ''Perry Mason'' and '' Ironside''. Burr's early acting career included roles on Broadway, radio, television, and film, usually as the villain. His portrayal of the suspected murderer in the Alfred Hitchcock thriller ''Rear Window'' (1954) is his best-known film role, although he is also remembered for his role in the 1956 film ''Godzilla, King of the Monsters!'', which he reprised in the 1985 film ''Godzilla 1985''. He won Emmy Awards for acting in 1959 and 1961 for the role of Perry Mason, which he played for nine seasons (1957–1966) and reprised in a series of 26 Perry Mason TV movies (1985–1993). His second TV series, '' Ironside,'' earned him six Emmy and two Golden Globe nominations. Burr died of cancer in 1993, and his personal life came into question, as many details of his biography appeared to be unve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Godzilla, King Of The Monsters!
is a 1956 '' kaiju'' film directed by Terry O. Morse and Ishirō Honda. It is a heavily re-edited American localization, commonly referred to as an "Americanization", of the 1954 Japanese film ''Godzilla''. The film was a Japanese- American co-production, with the original footage produced by Toho Co., Ltd., and the new footage produced by Jewell Enterprises. The film stars Raymond Burr, Takashi Shimura, Momoko Kōchi, Akira Takarada, and Akihiko Hirata, with Haruo Nakajima and Katsumi Tezuka as Godzilla. In the film, an American reporter covers a giant reptilian monster's attack on Japan. In 1955, Edmund Goldman acquired the 1954 film from Toho and enlisted the aid of Paul Schreibman, Harold Ross, Richard Kay, and Joseph E. Levine to produce a revised version for American audiences. This version dubbed most of the Japanese dialogue into English, altered and removed key plot points and themes. New footage was produced with Burr interacting with body-doubles and Japanese-A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tokusatsu
is a Japanese term for live action film or television drama that makes heavy use of practical special effects. ''Tokusatsu'' entertainment mainly refers to science fiction, War film, war, fantasy, or Horror film, horror media featuring such technology but is sometimes dubbed a genre itself. The most popular subgenres of include ''kaiju'' such as the ''Godzilla (film series), Godzilla'' and ''Gamera'' series; superhero such as the ''Kamen Rider Series, Kamen Rider'' and ''Metal Hero Series, Metal Hero'' series; and mecha like ''Giant Robo (tokusatsu), Giant Robo'' and ''Super Robot Red Baron''. Some television programs combine several of these subgenres, for example the ''Ultra Series, Ultraman'' and ''Super Sentai'' series. is one of the most popular forms of Japanese entertainment, but only a small proportion of films and television programs are widely known outside of Japan. Nevertheless, certain properties have attained popularity outside of Japan; ''Godzilla'' is featu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Akira Ifukube
was a Japanese classical and film music composer, best known for his works on the ''Godzilla'' franchise. Biography Early years in Hokkaido Akira Ifukube was born on 31 May 1914 in Kushiro, Japan as the third son of a police officer Toshimitsu Ifukube. The origins of this family can be traced back to at least the 7th century with the birth of Ifukibe-no-Tokotarihime. He was strongly influenced by the Ainu music as he spent his childhood (from age of 9 to 12) in Otofuke near Obihiro, where was with a mixed population of Ainu and Japanese. His first encounter with classical music occurred when attending secondary school in Sapporo city. Ifukube decided to become a composer at the age of 14 after hearing a radio performance of Igor Stravinsky's ''The Rite of Spring'', and also cited the music of Manuel de Falla as a major influence. Ifukube studied forestry at Hokkaido Imperial University in Sapporo and composed in his spare time, which prefigured a line of self-taught Jap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kaiju
is a Japanese media genre that focuses on stories involving giant monsters. The word ''kaiju'' can also refer to the giant monsters themselves, which are usually depicted attacking major cities and battling either the military or other monsters. The ''kaiju'' genre is a subgenre of ''tokusatsu'' entertainment. The 1954 film ''Godzilla'' is commonly regarded as the first ''kaiju'' film. ''Kaiju'' characters are often somewhat metaphorical in nature; Godzilla, for example, serves as a metaphor for nuclear weapons, reflecting the fears of post-war Japan following the atomic bombings of Hiroshima and Nagasaki and the '' Lucky Dragon 5'' incident. Other notable examples of ''kaiju'' characters include Rodan, Mothra, King Ghidorah and Gamera. Etymology The Japanese word ''kaijū'' originally referred to monsters and creatures from ancient Japanese legends; it earlier appeared in the Chinese ''Classic of Mountains and Seas''. After ''sakoku'' had ended and Japan was opened to for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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