|
Kaiju
is a Japanese media genre that focuses on stories involving giant monsters. The word ''kaiju'' can also refer to the giant monsters themselves, which are usually depicted attacking major cities and battling either the military or other monsters. The ''kaiju'' genre is a subgenre of ''tokusatsu'' entertainment. The 1954 film ''Godzilla'' is commonly regarded as the first ''kaiju'' film. ''Kaiju'' characters are often somewhat metaphorical in nature; Godzilla, for example, serves as a metaphor for nuclear weapons, reflecting the fears of post-war Japan following the atomic bombings of Hiroshima and Nagasaki and the '' Lucky Dragon 5'' incident. Other notable examples of ''kaiju'' characters include Rodan, Mothra, King Ghidorah and Gamera. Etymology The Japanese word ''kaijū'' originally referred to monsters and creatures from ancient Japanese legends; it earlier appeared in the Chinese ''Classic of Mountains and Seas''. After ''sakoku'' had ended and Japan was opened to for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gamera
is a fictional monster, or '' kaiju'', originating from a series of Japanese films. Debuting in the 1965 film ''Gamera, the Giant Monster'', the character and the first film were intended to compete with the success of Toho's ''Godzilla'' film series. Since then, Gamera has become a Japanese icon in his own right, appearing in a total of 12 films produced by Daiei Film and later Kadokawa Daiei Studio, and various media. Gamera is depicted as a giant, fire-breathing, prehistoric turtle monster, mutated by exposure to nuclear weapons. In the first film, Gamera is portrayed as aggressive and destructive, though he also saves a child. As the films progressed, Gamera took on a more benevolent role, becoming a protector of humanity, and especially children, from extraterrestrial races and other giant monsters. To date, ''Gamera, the Giant Monster'' is the only film to be released theatrically in the United States; however, it was heavily localized and retitled ''Gammera the Invin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Ghidorah
is a fictional monster, or ''kaiju'', which first appeared in Ishirō Honda's 1964 film ''Ghidorah, the Three-Headed Monster''. Although the name of the character is officially trademarked by Toho as "King Ghidorah", the character was originally referred to as Ghidorah or Ghidrah in some English markets. Although King Ghidorah's design has remained largely consistent throughout its appearances (an armless, bipedal, golden and yellowish-scaled dragon with three heads, two fan-shaped wings and two tails), its origin story has varied from being an extraterrestrial planet-destroying dragon, a genetically engineered monster from the future, a guardian monster of ancient Japan, or a god from another dimension. The character is usually portrayed as an archenemy of Godzilla and a foe of Mothra, though it has had one appearance as an ally of the latter. Despite rumors that Ghidorah was meant to represent the threat posed by China, which had at the time of the character's creation jus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rodan
is a fictional monster, or '' kaiju'', which first appeared as the title character in Ishirō Honda's 1956 film ''Rodan'', produced and distributed by Toho. Following its debut standalone appearance, Rodan went on to be featured in numerous entries in the ''Godzilla'' franchise, including ''Ghidorah, the Three-Headed Monster'', ''Invasion of Astro-Monster'', ''Destroy All Monsters'', '' Godzilla vs. Mechagodzilla II'' and '' Godzilla: Final Wars'', as well as in the Legendary Pictures-produced film '' Godzilla: King of the Monsters''. Rodan is depicted as a colossal, prehistoric, irradiated species of ''Pteranodon''. In 2014, IGN ranked Rodan as #6 on their "Top 10 Japanese Movie Monsters" list, while ''Complex'' listed the character as #15 on its "The 15 Most Badass Kaiju Monsters of All Time" list. Overview Name The Japanese name ''Radon'' is a contraction of '' Pteranodon''. The spelling of Radon in Japanese also corresponds to the name of Ladon, the dragon guarding the H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Godzilla
is a fictional monster, or '' kaiju'', originating from a series of Japanese films. The character first appeared in the 1954 film ''Godzilla'' and became a worldwide pop culture icon, appearing in various media, including 32 films produced by Toho, four American films and numerous video games, novels, comic books and television shows. Godzilla has been dubbed the "King of the Monsters", a phrase first used in ''Godzilla, King of the Monsters!'' (1956)'','' the Americanized version of the original film. Godzilla is an enormous, destructive, prehistoric sea monster awakened and empowered by nuclear radiation. With the nuclear bombings of Hiroshima and Nagasaki and the '' Lucky Dragon 5'' incident still fresh in the Japanese consciousness, Godzilla was conceived as a metaphor for nuclear weapons. Others have suggested that Godzilla is a metaphor for the United States, a giant beast woken from its slumber which then takes terrible vengeance on Japan. As the film series expan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monster Movie
A monster movie, monster film, creature feature or giant monster film is a film that focuses on one or more characters struggling to survive attacks by one or more antagonistic monsters, often abnormally large ones. The film may also fall under the horror, comedy, fantasy, or science fiction genres. Monster movies originated with adaptations of horror folklore and literature. Typically, movie monsters differ from more traditional antagonists in that many exist due to circumstances beyond their control; their actions are not entirely based on choice, potentially making them objects of sympathy to film viewers. Traditional concepts The most common aspect of a monster movie is the struggle between a human collective of protagonists against one or more monsters, who often serve as the antagonistic force. In Japanese cinema, giant monsters known as ''kaiju'' often take up this role. The monster is often created by a folly of mankind – an experiment gone wrong, the effects of radi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mothra
is a fictional monster, or ''kaiju'', that first appeared in the 1961 film '' Mothra'', produced and distributed by Toho Studios. Mothra has appeared in several Toho ''tokusatsu'' films, most often as a recurring character in the ''Godzilla'' franchise. She is typically portrayed as a colossal sentient larva (caterpillar) or imago, accompanied by two miniature fairies speaking on her behalf. Unlike other Toho monsters, Mothra is a largely heroic character, having been variously portrayed as a protector of her own island culture,'' Mothra'' (1961). Directed by Ishirō Honda. Toho the Earth'' Godzilla vs. Mothra'' (1992). Directed by Takao Okawara. Toho and Japan.'' Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack'' (2001). Directed by Shusuke Kaneko. Toho. Mothra's design is influenced by silk worms, their imagos, and those of giant silk moths in the family Saturniidae. The character is often depicted hatching offspring (in some cases, twins) when approaching ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tokusatsu
is a Japanese term for live action film or television drama that makes heavy use of practical special effects. ''Tokusatsu'' entertainment mainly refers to science fiction, War film, war, fantasy, or Horror film, horror media featuring such technology but is sometimes dubbed a genre itself. The most popular subgenres of include ''kaiju'' such as the ''Godzilla (film series), Godzilla'' and ''Gamera'' series; superhero such as the ''Kamen Rider Series, Kamen Rider'' and ''Metal Hero Series, Metal Hero'' series; and mecha like ''Giant Robo (tokusatsu), Giant Robo'' and ''Super Robot Red Baron''. Some television programs combine several of these subgenres, for example the ''Ultra Series, Ultraman'' and ''Super Sentai'' series. is one of the most popular forms of Japanese entertainment, but only a small proportion of films and television programs are widely known outside of Japan. Nevertheless, certain properties have attained popularity outside of Japan; ''Godzilla'' is featu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Godzilla (1954 Film)
is a 1954 Japanese ''kaiju'' film directed by Ishirō Honda, with special effects by Eiji Tsuburaya. Produced and distributed by Toho Co., Ltd., it is the first film in the ''Godzilla'' franchise. The film stars Akira Takarada, Momoko Kōchi, Akihiko Hirata, and Takashi Shimura, with Haruo Nakajima and Katsumi Tezuka as Godzilla. In the film, Japan's authorities deal with the sudden appearance of a giant monster, whose attacks trigger fears of nuclear holocaust during post-war Japan. ''Godzilla'' entered production after a Japanese-Indonesian co-production collapsed. Tsuburaya originally proposed for a giant octopus before the filmmakers decided on a dinosaur-inspired creature. ''Godzilla'' pioneered a form of special effects called suitmation, in which a stunt performer wearing a suit interacts with miniature sets. Principal photography ran 51 days, and special effects photography ran 71 days. ''Godzilla'' was theatrically released in Japan on November 3, 1954, and ear ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-occupation Japan
Post-occupation Japan is the period in postwar Japanese history which started when the Allied occupation of Japan ended in 1952 and lasted to the end of the Showa era in 1989. Despite the massive devastation it suffered in the Second World War, Japan established itself as a rich global economic power at peace with the world. In terms of political power it was more reluctant, especially in the nonuse of military force. The post-war constitution of 1946 included Article 9 clause, which restricted Japan from having a military force and engaging in war. However, it has operated military forces in the form of the Japanese Self-Defense Forces since 1954. Over the years, the meaning of article 9 has been interpreted differently, because the United States now encourages Japan to control its own security and to join their military strategy more. The Liberal Democratic Party would like to see the Constitution and Article 9 amended. Politics The Allied occupation ended on April 28, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Pet
''Dream of the Rarebit Fiend'' is a newspaper comic strip by American cartoonist Winsor McCay, begun September 10, 1904. It was McCay's second successful strip, after ''Little Sammy Sneeze'' secured him a position on the cartoon staff of the ''New York Herald''. ''Rarebit Fiend'' appeared in the '' Evening Telegram'', a newspaper published by the ''Herald''. For contractual reasons, McCay signed the strip with the pen name "Silas". The strip had no continuity or recurring characters, but a recurring theme: a character has a nightmare or other bizarre dream, usually after eating a Welsh rarebit—a cheese-on-toast dish. The character awakens in the closing panel and regrets having eaten the rarebit. The dreams often reveal unflattering sides of the dreamers' psyches—their phobias, hypocrisies, discomforts, and dark fantasies. This was in great contrast to the colorful fantasy dreams in McCay's signature strip ''Little Nemo'', which he began in 1905. Whereas children wer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_Atomic_ray.png "Click for more on -> Godzilla")
