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Faydi Al-Atassi
Abu al-Faiz ibn Mubarak, popularly known by his pen-name, Faizi (20 September 1547 – 15 October 1595) was a poet and scholar of late medieval India whose ancestors ''Malik-ush-Shu'ara'' (poet laureate) of Akbar's Court. Blochmann, H. (tr.) (1927, reprint 1993). ''The Ain-I Akbari by Abu'l-Fazl Allami'', Vol. I, Calcutta: The Asiatic Society, pp.548–50 He was the elder brother of Akbar's historian Abul Fazl. Akbar highly recognised the genius in him and appointed him tutor for his sons and gave place to him among his decorative 'Navaratnas'. Life Faizi was born in Agra on 5 Sha'ban, AH 954 (20 September 1547), he was the eldest son of Shaikh Mubarak of Nagaur in Rajputana, India. His father, Shaikh Mubarak, was a scholar in the philosophy literature of Greece as well as in Islamic theology. He was educated mostly by his father. In AH 974 (1566–8), he reached Akbar's court. Akbar successively appointed him tutor for his princes, Salim, Murad and Daniyal. In AH 990 (1581 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poet
A poet is a person who studies and creates poetry. Poets may describe themselves as such or be described as such by others. A poet may simply be the creator ( thinker, songwriter, writer, or author) who creates (composes) poems (oral or written), or they may also perform their art to an audience. The work of a poet is essentially one of communication, expressing ideas either in a literal sense (such as communicating about a specific event or place) or metaphorically. Poets have existed since prehistory, in nearly all languages, and have produced works that vary greatly in different cultures and periods. Throughout each civilization and language, poets have used various styles that have changed over time, resulting in countless poets as diverse as the literature that (since the advent of writing systems) they have produced. History In Ancient Rome, professional poets were generally sponsored by patrons, wealthy supporters including nobility and military officials. For inst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ahmednagar
Ahmednagar (), is a city located in the Ahmednagar district in the state of Maharashtra, India, about 120 km northeast of Pune and 114 km from Aurangabad. Ahmednagar takes its name from Ahmad Nizam Shah I, who founded the town in 1494 on the site of a battlefield where he won a battle against superior Bahamani forces. It was close to the site of the village of Bhingar. With the breakup of the Bahmani Sultanate, Ahmad established a new sultanate in Ahmednagar, also known as Nizam Shahi dynasty. Ahmednagar has several dozen buildings and sites from the Nizam Shahi period. Ahmednagar Fort, once considered almost impregnable, was used by the British to house Jawaharlal Nehru (the first prime minister of India) and other Indian Nationalists before Indian independence. A few rooms there have been converted to a museum. During his confinement by the British at Ahmednagar Fort in 1944, Nehru wrote the famous book ''The Discovery of India''. Ahmednagar is home to the Indian A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Solomon
Solomon (; , ),, ; ar, سُلَيْمَان, ', , ; el, Σολομών, ; la, Salomon also called Jedidiah (Hebrew language, Hebrew: , Modern Hebrew, Modern: , Tiberian Hebrew, Tiberian: ''Yăḏīḏăyāh'', "beloved of Yahweh, Yah"), was a monarch of ancient Israel and the son and successor of David, according to the Hebrew Bible and the Old Testament. He is described as having been the penultimate ruler of an amalgamated Kingdom of Israel (united monarchy), Israel and Judah. The hypothesized dates of Solomon's reign are 970–931 BCE. After his death, his son and successor Rehoboam would adopt harsh policy towards the northern tribes, eventually leading to the splitting of the Israelites between the Kingdom of Israel (Samaria), Kingdom of Israel in the north and the Kingdom of Judah in the south. Following the split, his Patrilineality#In the Bible, patrilineal descendants ruled over Judah alone. The Bible says Solomon built the Solomon's Temple, First Temple in Jerus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Damayanti
''Damayanti'' (Sanskrit: दमयंती) is a character in a love story found in the Vana Parva book of the Mahabharata. She was the daughter of Bhima (not the Pandava one) and a princess of the Vidarbha Kingdom, who married King Nala of the Nishadha Kingdom. The character is also found in other Hindu texts by many authors in numerous Indian languages. She, along with Nala, are the central characters in the 12th century text Nishadha Charita, one of the five ''mahakavyas'' (great epic poems) in the canon of Sanskrit literature, written by Sriharsha. Story Damayanti was the Yadava princess of Vidarbha Kingdom. One day, a beautiful swan came to her and told her about Nala, king of Nishadha. The swan was sent by Nala after hearing about her from it. After hearing about Nala, she was impressed with him and wanted to marry him. A swayamvara was organized by Damayanti's father and Nala was also invited. Damayanti chose Nala out of the kings and princes and married. After a few y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nala
Nala (Sanskrit: नल) is a character in the ''Vana Parva'' book of the ''Mahabharata''. He was the king of Nishadha Kingdom and the son of Veerasena. Nala was known for his skill with horses and for his culinary expertise. He married princess Damayanti, of the Vidarbha Kingdom. He was blessed by goddess Kali. He was also a great cook and wrote the first-ever book on cookery, Pakadarpanam (Sanskrit: पाकदर्पण). Even today, a consistently good chef/cook is credited as someone with Nala-Bhagam to mean that their dish tastes as if Nala has prepared it. He is said to have been able to cook a full meal without lighting fire. Story Nala's story is told in the Vana Parva of the Mahabharata and was adapted into various versions. According to the 12th century text Nishadha Charita, one of the five ''mahakavyas'' (great epic poems) in the canon of Sanskrit literature, written by Sriharsha, Nala, King of Nishadha, found a beautiful swan in a forest. The swan told him ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nizami Ganjavi
Nizami Ganjavi ( fa, نظامی گنجوی, lit=Niẓāmī of Ganja, translit=Niẓāmī Ganjavī; c. 1141–1209), Nizami Ganje'i, Nizami, or Nezāmi, whose formal name was ''Jamal ad-Dīn Abū Muḥammad Ilyās ibn-Yūsuf ibn-Zakkī'',Mo'in, Muhammad(2006), "Tahlil-i Haft Paykar-i Nezami", Tehran.: p. 2: Some commentators have mentioned his name as “Ilyas the son of Yusuf the son of Zakki the son of Mua’yyad” while others have mentioned that Mu’ayyad is a title for Zakki. Mohammad Moin, rejects the first interpretation claiming that if it were to mean 'Zakki son of Muayyad' it should have been read as 'Zakki i Muayyad' where izafe (-i-) shows the son-parent relationship but here it is 'Zakki Muayyad' and Zakki ends in silence/stop and there is no izafe (-i-). Some may argue that izafe is dropped due to meter constraints but dropping parenthood izafe is very strange and rare. So it is possible that Muayyad was a sobriquet for Zaki or part of his name (like Muayyad al-D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pantheism
Pantheism is the belief that reality, the universe and the cosmos are identical with divinity and a supreme supernatural being or entity, pointing to the universe as being an immanent creator deity still expanding and creating, which has existed since the beginning of time, or that all things compose an all-encompassing, immanent god or goddess and regards the universe as a manifestation of a deity. This includes all astronomical objects being viewed as part of a sole deity. The worship of all gods of every religion is another definition but is more precisely termed Omnism. Pantheist belief does not recognize a distinct personal god, anthropomorphic or otherwise, but instead characterizes a broad range of doctrines differing in forms of relationships between reality and divinity. Pantheistic concepts date back thousands of years, and pantheistic elements have been identified in various religious traditions. The term ''pantheism'' was coined by mathematician Joseph Raphson ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghazal
The ''ghazal'' ( ar, غَزَل, bn, গজল, Hindi-Urdu: /, fa, غزل, az, qəzəl, tr, gazel, tm, gazal, uz, gʻazal, gu, ગઝલ) is a form of amatory poem or ode, originating in Arabic poetry. A ghazal may be understood as a poetic expression of both the pain of loss or separation and the beauty of love in spite of that pain. The ghazal form is ancient, tracing its origins to 7th-century Arabic poetry. The ghazal spread into South Asia in the 12th century due to the influence of Sufi mystics and the courts of the new Islamic Sultanate, and is now most prominently a form of poetry of many languages of the Indian subcontinent and Turkey. A ghazal commonly consists of five to fifteen couplets, which are independent, but are linked – abstractly, in their theme; and more strictly in their poetic form. The structural requirements of the ghazal are similar in stringency to those of the Petrarchan sonnet. In style and content, due to its highly allusive nature, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Qasida
The qaṣīda (also spelled ''qaṣīdah''; is originally an Arabic word , plural ''qaṣā’id'', ; that was passed to some other languages such as fa, قصیده or , ''chakameh'', and tr, kaside) is an ancient Arabic word and form of writing poetry, often translated as ode, passed to other cultures after the Arab Muslim expansion. The word ''qasidah'' is still used in its original birthplace, Arabia, and in all Arab countries. Well known ''qasā'id'' include the Seven Mu'allaqat and Qasida Burda ("Poem of the Mantle") by Imam al-Busiri and Ibn Arabi's classic collection "The Interpreter of Desires". The classic form of qasida maintains a single elaborate metre throughout the poem, and every line rhymes on the same sound.Akiko Motoyoshi Sumi, ''Description in Classical Arabic Poetry: ''Waṣf'', Ekphrasis, and Interarts Theory'', Brill Studies in Middle Eastern literatures, 25 (Leiden: Brill, 2004), p. 1. It typically runs from fifteen to eighty lines, and sometimes more th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diwan (poetry)
In Islamic cultures of the Middle East, North Africa, Sicily and South Asia, a Diwan ( fa, دیوان, ''divân'', ar, ديوان, ''dīwān'') is a collection of poems by one author, usually excluding his or her long poems ( mathnawī). The vast majority of Diwan poetry was lyric in nature: either ghazals or ''gazel''s (which make up the greatest part of the repertoire of the tradition), or ''kasîde''s. There were, however, other common genres, most particularly the ''mesnevî'', a kind of verse romance and thus a variety of narrative poetry; the two most notable examples of this form are the ''Layla and Majnun'' (ليلى و مجنون) of Fuzûlî and the ''Hüsn ü Aşk'' (حسن و عشق; "Beauty and Love") of Şeyh Gâlib. Originating in Persian literature, the idea spread to the Arab and Turkish worlds, and South Asia, and the term was sometimes used in Europe, not always in the same way. Etymology The English usage of the phrase "diwan poetry" comes from the Arab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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