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Ehon Hyaku Monogatari
The , also called the is a book of ''yōkai'' illustrated by Japanese artist Takehara Shunsensai, published about 1841. The book was intended as a followup to Toriyama Sekien's ''Gazu Hyakki Yagyō'' series. Like those books, it is a supernatural bestiary of ghosts, monsters, and spirits which has had a profound influence on subsequent yōkai imagery in Japan. The author's pen name is ; however, in the preface it is written as . According to the '' Kokusho Sōmokuroku'' (Iwanami Shoten) this is considered to be a gesaku author from the latter half of the Edo period, . It can be said that this is a kind of hundred-tale ''kaidan'' (ghost story) book popular in the Edo period, as "100 Tales" is part of the title, but rather than being tales with story titles, yōkai names are printed with illustrations of yōkai, so it could be said that this work is a fusion of kaidan book and picture book. This book is also known by the title ''Tōsanjin Yawa'' because the title on the first pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yōkai
are a class of supernatural entities and spirits in Japanese folklore. The word is composed of the kanji for "attractive; calamity" and "apparition; mystery; suspicious." are also referred to as , or . Despite often being translated as such, are not literally demons in the Western sense of the word, but are instead spirits and entities. Their behavior can range from malevolent or mischievous to benevolent to humans. often have animal features (such as the , depicted as appearing similar to a turtle, and the , commonly depicted with wings), but may also appear humanoid in appearance, such as the . Some resemble inanimate objects (such as the ), while others have no discernible shape. are typically described as having spiritual or supernatural abilities, with shapeshifting being the most common trait associated with them. that shapeshift are known as or . Japanese folklorists and historians explain as personifications of "supernatural or unaccountable phenomena to th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Papermaking
Papermaking is the manufacture of paper and cardboard, which are used widely for printing, writing, and packaging, among many other purposes. Today almost all paper is made using industrial machinery, while handmade paper survives as a specialized craft and a medium for artistic expression. In papermaking, a dilute suspension consisting mostly of separate cellulose fibres in water is drained through a sieve-like screen, so that a mat of randomly interwoven fibres is laid down. Water is further removed from this sheet by pressing, sometimes aided by suction or vacuum, or heating. Once dry, a generally flat, uniform and strong sheet of paper is achieved. Before the invention and current widespread adoption of automated machinery, all paper was made by hand, formed or laid one sheet at a time by specialized laborers. Even today those who make paper by hand use tools and technologies quite similar to those existing hundreds of years ago, as originally developed in China and other ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Books
Japanese may refer to: * Something from or related to Japan, an island country in East Asia * Japanese language, spoken mainly in Japan * Japanese people, the ethnic group that identifies with Japan through ancestry or culture ** Japanese diaspora, Japanese emigrants and their descendants around the world * Japanese citizens, nationals of Japan under Japanese nationality law ** Foreign-born Japanese, naturalized citizens of Japan * Japanese writing system, consisting of kanji and kana * Japanese cuisine, the food and food culture of Japan See also * List of Japanese people * * Japonica (other) * Japonicum * Japonicus * Japanese studies Japanese studies ( Japanese: ) or Japan studies (sometimes Japanology in Europe), is a sub-field of area studies or East Asian studies involved in social sciences and humanities research on Japan. It incorporates fields such as the study of Japan ... {{disambiguation Language and nationality disambiguation pages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Foster (academic)
Michael Dylan Foster is a professor of Folklore and the current Chair of the East Asian Languages and Cultures department at the University of California, Davis. He has taught in some capacity since 1989, starting in Japan teaching the English language on the Japanese Exchange and Teaching Programme, returning to the United States to teach Japanese folklore and literature. In addition to his academic career, which has mainly focused on Japanese literature and culture, he has published several short stories, articles, and novels. Much of his work on Japanese folklore has centered on tales of the supernatural—the strange and the weird. That is the subject of his first book, ''Pandemonium and Parade: Japanese Monsters and the Culture of Yôkai'', which received the Chicago Folklore Prize in 2009. He is the current editor of the Journal of Folklore Research. Education Foster studied English in his undergraduate institution of Wesleyan University, and graduated with Honors. For his Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yōkai
are a class of supernatural entities and spirits in Japanese folklore. The word is composed of the kanji for "attractive; calamity" and "apparition; mystery; suspicious." are also referred to as , or . Despite often being translated as such, are not literally demons in the Western sense of the word, but are instead spirits and entities. Their behavior can range from malevolent or mischievous to benevolent to humans. often have animal features (such as the , depicted as appearing similar to a turtle, and the , commonly depicted with wings), but may also appear humanoid in appearance, such as the . Some resemble inanimate objects (such as the ), while others have no discernible shape. are typically described as having spiritual or supernatural abilities, with shapeshifting being the most common trait associated with them. that shapeshift are known as or . Japanese folklorists and historians explain as personifications of "supernatural or unaccountable phenomena to th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Konjaku Hyakki Shūi
is the third book of Japanese artist Toriyama Sekien's ''Gazu Hyakki Yagyō'' tetralogy, published c. 1781. These books are supernatural bestiaries, collections of ghosts, spirits, spooks and monsters, many of which Toriyama based on literature, folklore, and other artwork. These works have had a profound influence on subsequent ''yōkai'' imagery in Japan. ''Konjaku Hyakki Shūi'' is preceded in the series by ''Gazu Hyakki Yagyō'' and ''Konjaku Gazu Zoku Hyakki'', and succeeded by ''Gazu Hyakki Tsurezure Bukuro''. A version of the tetralogy translated and annotated in English was published in 2016, which included this work, whose title is rendered as ''More of the Demon Horde from Past and Present''. List of creatures The three volumes were titled Cloud (雲), Mist (霧), and Rain (雨). 2 (kiri)3 (ame)( First Volume – Cloud File:SekienShinkiro.jpg, is a clam that has grown to an enormous size, at which point it rises to the surface of the sea and breathes out a mirage ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Konjaku Gazu Zoku Hyakki
is the second book of Japanese artist Toriyama Sekien's famous ''Gazu Hyakki Yagyō'' tetralogy, published c. 1779. A version of the tetralogy translated and annotated in English was published in 2016. These books are supernatural bestiaries, collections of ghosts, spirits, spooks, and monsters, many of which Toriyama based on literature, folklore, other artwork. These works have had a profound influence on subsequent ''yōkai'' imagery in Japan. ''Konjaku Gazu Zoku Hyakki'' is preceded in the series by ''Gazu Hyakki Yagyō'', and succeeded by ''Konjaku Hyakki Shūi'' and ''Gazu Hyakki Tsurezure Bukuro''. List of creatures The three volumes were titled 雨, 晦, and 明. From this book, Toriyama added captions. First Volume – 雨 (Rain) Image:SekienOmagatoki.jpg, Image:SekienOni.jpg, Image:SekienSansei.jpg, Image:SekienHiderigami.jpg, Image:SekienSuiko.jpg, Image:SekienSatori.jpg, Image:SekienShuten-doji.jpg, Image:SekienHashihime.jpg, Image:SekienHannya.jpg, I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hiroko Yoda
Hiroko Yoda is a Japanese entrepreneur, translator, writer, folklorist, and president of the localization company AltJapan Co., Ltd. She was also a Tokyo city editor for the CNN travel website CNNGo. She is a translator of video games and the author of numerous books about Japanese history and culture. She is particularly known for her pioneering work contextualizing yokai culture for English-speaking audiences. Education Born in Tokyo, she studied at the University of Maryland, then earned a Master's degree in International Peace and Conflict Resolution from American University in Washington, D.C. Personal life In 2005, she played the role of a yokai frog in the Takashi Miike film The Great Yokai War.> She also had a cameo in the 2010 Tomoo Haraguchi film Death Kappa.> In 2008, she was denied a Facebook account. She was told that "Facebook blocks the registration of a number of names that are frequently abused on the site. The name Yoda, also being the name of a popular Star ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kanō School
The is one of the most famous schools of Japanese painting. The Kanō school of painting was the dominant style of painting from the late 15th century until the Meiji period which began in 1868, by which time the school had divided into many different branches. The Kanō family itself produced a string of major artists over several generations, to which large numbers of unrelated artists trained in workshops of the school can be added. Some artists married into the family and changed their names, and others were adopted. According to the historian of Japanese art Robert Treat Paine, "another family which in direct blood line produced so many men of genius ... would be hard to find". The school began by reflecting a renewed influence from Chinese painting, but developed a brightly coloured and firmly outlined style for large panels decorating the castles of the nobility which reflected distinctively Japanese traditions, while continuing to produce monochrome brush paintin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shogun
, officially , was the title of the military dictators of Japan during most of the period spanning from 1185 to 1868. Nominally appointed by the Emperor, shoguns were usually the de facto rulers of the country, though during part of the Kamakura period, shoguns were themselves figureheads, with real power in hands of the Shikken of the Hōjō clan. The office of shogun was in practice hereditary, though over the course of the history of Japan several different clans held the position. The title was originally held by military commanders during Heian period in the eighth and ninth centuries. When Minamoto no Yoritomo gained political ascendency over Japan in 1185, the title was revived to regularize his position, making him the first shogun in the usually understood sense. The shogun's officials were collectively referred to as the ; they were the ones who carried out the actual duties of administration, while the Imperial court retained only nominal authority.Beasley, William G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bookbinding
Bookbinding is the process of physically assembling a book of codex format from an ordered stack of ''signatures'', sheets of paper folded together into sections that are bound, along one edge, with a thick needle and strong thread. Cheaper, but less permanent, methods for binding books include loose-leaf rings, individual screw-posts (binding posts), twin loop spine coils, plastic spiral coils, and plastic spine combs. For protection, the bound stack of signatures is wrapped in a flexible cover or is attached to stiffened boards. Finally, an attractive cover is placed onto the boards, which includes the publisher's information, and artistic decorations. The trade of binding books is in two parts; (i) stationery binding (vellum binding) for books intended for handwritten entries, such as accounting ledgers, business journals, blank-page books, and guest logbooks, and notebooks, manifold books, day books, diaries, and portfolios. (ii) letterpress printing and binding deals with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woodblock Printing In Japan
Woodblock printing in Japan (, ''mokuhanga'') is a technique best known for its use in the ''ukiyo-e'' artistic genre of single sheets, but it was also used for printing books in the same period. Widely adopted in Japan during the Edo period (1603–1868) and similar to woodcut in Western printmaking in some regards, the mokuhanga technique differs in that it uses water-based inks—as opposed to western woodcut, which typically uses oil-based inks. The Japanese water-based inks provide a wide range of vivid colors, glazes, and transparency. History Early, to 13th century In 764 the Empress Kōken commissioned one million small wooden pagodas, each containing a small woodblock scroll printed with a Buddhist text (''Hyakumantō Darani''). These were distributed to temples around the country as thanks for the suppression of the Emi Rebellion of 764. These are the earliest examples of woodblock printing known, or documented, from Japan. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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