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Kanō School
The is one of the most famous schools of Japanese painting. The Kanō school of painting was the dominant style of painting from the late 15th century until the Meiji period which began in 1868, by which time the school had divided into many different branches. The Kanō family itself produced a string of major artists over several generations, to which large numbers of unrelated artists trained in workshops of the school can be added. Some artists married into the family and changed their names, and others were adopted. According to the historian of Japanese art Robert Treat Paine, "another family which in direct blood line produced so many men of genius ... would be hard to find". The school began by reflecting a renewed influence from Chinese painting, but developed a brightly coloured and firmly outlined style for large panels decorating the castles of the nobility which reflected distinctively Japanese traditions, while continuing to produce monochrome brush paintin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kano Eino - Birds And Flowers Of Spring And Summer - Google Art Project
Kano may refer to: Places *Kano State, a state in Northern Nigeria *Kano (city), a city in Nigeria, and the capital of Kano State **Kingdom of Kano, a Hausa kingdom between the 10th and 14th centuries **Sultanate of Kano, a Hausa kingdom between the 14th and 19th centuries **Kano Emirate, a 19th-century Islamic state People Mononym *Kano (British musician) (born 1985), British rapper *Kano (comics) (born 1973), Spanish comic book artist *Kano (Japanese musician), Japanese musician and virtual YouTuber Surname *Kanō Jigorō (1860–1938), Japanese founder of Judo *Aminu Kano (1920–1983), Nigerian politician *David Kano (actor) (born 1987), American actor, writer and producer *Eiko Kano (born 1982), Japanese comedian and singer * Kano sisters, Kyoko (born 1962) and Mika (born 1967), Japanese celebrities *Michihiko Kano (born 1942), Japanese politician *, Japanese volleyball player *Noriaki Kano (born 1940), Japanese developer of the Kano model *, Japanese footballer *Thea Ka ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gold Leaf
Gold leaf is gold that has been hammered into thin sheets (usually around 0.1 µm thick) by goldbeating and is often used for gilding. Gold leaf is available in a wide variety of karats and shades. The most commonly used gold is 22-karat yellow gold. Gold leaf is a type of metal leaf, but the term is rarely used when referring to gold leaf. The term ''metal leaf'' is normally used for thin sheets of metal of any color that do not contain any real gold. Pure gold is 24 karat. Real, yellow gold leaf is approximately 91.7% pure (i.e. 22-karat) gold. Silver-colored white gold is about 50% pure gold. Layering gold leaf over a surface is called gold leafing or gilding. Traditional water gilding is the most difficult and highly regarded form of gold leafing. It has remained virtually unchanged for hundreds of years and is still done by hand. In art Gold leaf is sometimes used in art in a "raw" state, without a gilding process. In cultures including the European Bronze Age it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gold Ground
Gold ground (both a noun and adjective) or gold-ground (adjective) is a term in art history for a style of images with all or most of the background in a solid gold colour. Historically, real gold leaf has normally been used, giving a luxurious appearance. The style has been used in several periods and places, but is especially associated with Byzantine and medieval art in mosaic, illuminated manuscripts and panel paintings, where it was for many centuries the dominant style for some types of images, such as icons. For three-dimensional objects, the term is gilded or gold-plated. Gold in mosaic began in Roman mosaics around the 1st century AD, and originally was used for details and had no particular religious connotation, but in Early Christian art it came to be regarded as very suitable for representing Christian religious figures, highlighting them against a plain but glistering background that might be read as representing heaven, or a less specific spiritual plane. Full- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daimyō
were powerful Japanese magnates, feudal lords who, from the 10th century to the early Meiji era, Meiji period in the middle 19th century, ruled most of Japan from their vast, hereditary land holdings. They were subordinate to the shogun and nominally to the Emperor of Japan, emperor and the ''kuge''. In the term, means 'large', and stands for , meaning 'private land'. From the ''shugo'' of the Muromachi period through the Sengoku period, Sengoku to the ''daimyo'' of the Edo period, the rank had a long and varied history. The backgrounds of ''daimyo'' also varied considerably; while some ''daimyo'' clans, notably the Mōri clan, Mōri, Shimazu clan, Shimazu and Hosokawa clan, Hosokawa, were cadet branches of the Imperial family or were descended from the ''kuge'', other ''daimyo'' were promoted from the ranks of the samurai, notably during the Edo period. ''Daimyo'' often hired samurai to guard their land, and they paid the samurai in land or food as relatively few could aff ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Castle
are fortresses constructed primarily of wood and stone. They evolved from the wooden stockades of earlier centuries, and came into their best-known form in the 16th century. Castles in Japan were built to guard important or strategic sites, such as ports, river crossings, or crossroads, and almost always incorporated the landscape into their defenses. Though they were built to last and used more stone in their construction than most Japanese buildings, castles were still constructed primarily of wood, and many were destroyed over the years. This was especially true during the Sengoku period (1467–1603), when many of these castles were first built. However, many were rebuilt, either later in the Sengoku period, in the Edo period (1603–1867) that followed, or more recently, as national heritage sites or museums. Today there are more than one hundred castles extant, or partially extant, in Japan; it is estimated that once there were five thousand. Some castles, such as the ones a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yamato-e
is a style of Japanese painting inspired by Tang dynasty paintings and fully developed by the late Heian period. It is considered the classical Japanese style. From the Muromachi period (15th century), the term Yamato-e has been used to distinguish work from contemporary Chinese-style paintings , which were inspired by Chinese Song and Yuan-era ink wash paintings. Characteristic features of Yamato-e include many small figures and careful depictions of details of buildings and other objects, the selection of only some elements of a scene to be fully depicted, the rest either being ignored or covered by a "floating cloud", an oblique view from above showing interiors of buildings as though through a cutaway roof, and very stylised depiction of landscape. Yamato-e very often depict narrative stories, with or without accompanying text, but also show the beauty of nature, with famous places or the four seasons . The pictures are often on scrolls that can be hung on a wall (), hand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tosa School
of Japanese painting was founded in the early Muromachi period (14th–15th centuries),,p.988 and was devoted to ''yamato-e'', paintings specializing in subject matter and techniques derived from ancient Japanese art, as opposed to schools influenced by Chinese art, notably the Kanō school (狩野派). Tosa school paintings are characterised by "areas of flat opaque colour enclosed by simple outlines, where drawing is precise and conventional", with many narrative subjects from Japanese literature and history. However, by the 17th century both Tosa and Kanō artists broadened their range, and the distinction between these and other schools became less clear. The origins of this school of painting can be traced to (fl. first half 15th century), ''Encyclopedia of World Art"", pp. 1032–3 who first used the professional name of Tosa, though unverified claims to earlier origins were made later by Mitsunobu (1434?–?1525) who formally founded the school. Mitsunobu served as the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tosa Mitsunobu
was a Japanese painter, the founder of the Tosa school of Japanese painting. Born into a family that had traditionally served as painters to the Imperial court, he was head of the court painting bureau from 1493 to 1496. In 1518, he was appointed chief artist to the Ashikaga shogunates. See also * Higashiyama Bunka in Muromachi period The is a division of Japanese history running from approximately 1336 to 1573. The period marks the governance of the Muromachi or Ashikaga shogunate (''Muromachi bakufu'' or ''Ashikaga bakufu''), which was officially established in 1338 by ... References External links Bridge of dreams: the Mary Griggs Burke collection of Japanese art a catalog from The Metropolitan Museum of Art Libraries (fully available online as PDF), which contains material on Tosa Mitsunobu (see index) Japanese painters 1434 births 1525 deaths {{Japan-painter-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kanō Motonobu
was a Japanese painter and calligrapher. He was a member of the Kanō school of painting. Through his political connections, patronage, organization, and influence he was able to make the Kanō school into what it is today. The system was responsible for the training of a great majority of painters throughout the Edo period (1603–1868). After his death, he was referred to as Kohōgen (古法眼). Family Background The Kanō family are presumed to be the descendants from a line of warriors from the Kanō district. The Kanō district is now called Shizuoka Prefecture. The forebear of this family was Kanō Kagenobu. He seems to have been a retainer of the Imagawa family. It has been reported that he painted a picture of Mount Fuji for a visit to the ''shōgun'' Ashikaga Yoshinori in 1432. The Kanō family dominated the painting world from the end of the Muromachi period (1336–1573) to the end of the Edo period (1603–1868). Kanō Masanobu, Motonobu's father, was the founder o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Treasure Of Japan
Some of the National Treasures of Japan A is the most precious of Japan's Tangible Cultural Properties, as determined and designated by the Agency for Cultural Affairs (a special body of the Ministry of Education, Culture, Sports, Science and Technology). A Tangible Cultural Property is considered to be of historic or artistic value, classified either as "buildings and structures" or as "fine arts and crafts." Each National Treasure must show outstanding workmanship, a high value for world cultural history, or exceptional value for scholarship. Approximately 20% of the National Treasures are structures such as castles, Buddhist temples, Shinto shrines, or residences. The other 80% are paintings; scrolls; sutras; works of calligraphy; sculptures of wood, bronze, lacquer or stone; crafts such as pottery and lacquerware carvings; metalworks; swords and textiles; and archaeological and historical artifacts. The items span the period of ancient to early modern Japan before the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
