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Antonio Lotti
Antonio Lotti (5 January 1667 – 5 January 1740) was an Italian composer of the Baroque era. Biography Lotti was born in Venice, although his father Matteo was ''Kapellmeister'' at Hanover at the time. Oral tradition says that in 1682, Lotti began studying with Lodovico Fuga and Giovanni Legrenzi, both of whom were employed at St Mark's Basilica, Venice's principal church, although there is no documentary evidence. Venice Lotti made his career at St Mark's, first as an alto singer (from 1689), then as assistant to the second organist, then as second organist (from 1692), then (from 1704) as first organist, and finally (from 1736) as ''maestro di cappella'', a position he held until his death. Because of the paucity of solid scholarship until recent decades, older reference books cite a good deal of misinformation regarding Lotti’s biography. Cicogna’s 1834 Delle inscrizioni Veneziane and Francesco Caffi’s 1854 ''Storia della Musica'' relied on oral tradition more than a ...
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Venice
Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 bridges. The islands are in the shallow Venetian Lagoon, an enclosed bay lying between the mouths of the Po River, Po and the Piave River, Piave rivers (more exactly between the Brenta (river), Brenta and the Sile (river), Sile). In 2020, around 258,685 people resided in greater Venice or the ''Comune di Venezia'', of whom around 55,000 live in the historical island city of Venice (''centro storico'') and the rest on the mainland (''terraferma''). Together with the cities of Padua, Italy, Padua and Treviso, Italy, Treviso, Venice is included in the Padua-Treviso-Venice Metropolitan Area (PATREVE), which is considered a statistical metropolitan area, with a total population of 2.6 million. The name is derived from the ancient Adri ...
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Giovanni Battista Pescetti
Giovanni Battista Pescetti (c. 170420 March 1766) was an organist, harpsichordist, and composer known primarily for his operas and keyboard sonatas. Musicologist and University of California, Santa Barbara professor John E. Gillespie wrote that Pescetti "stylistically stands as a bridge between Alberti and Domenico Scarlatti". Life Born in Venice, Pescetti was the son of organ builder Giacinto Pescetti. His mother, Giulia Pescetti (née Pollarolo), was the daughter of opera composer and organist Carlo Francesco Pollarolo and the sister of composer and organist Antonio Pollarolo. He studied in his native city under the organist and opera composer Antonio Lotti. He developed a friendship with Baldassare Galuppi, a fellow pupil of Lotti's, with whom he collaborated in creating and revising operas. From 1725 to 1732 he wrote operas for various theatres in Venice, sometimes in collaboration with Galuppi. Pescetti left Italy for London in 1736, where he initially worked as a harpsichord ...
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A Cappella
''A cappella'' (, also , ; ) music is a performance by a singer or a singing group without instrumental accompaniment, or a piece intended to be performed in this way. The term ''a cappella'' was originally intended to differentiate between Renaissance polyphony and Baroque concertato musical styles. In the 19th century, a renewed interest in Renaissance polyphony, coupled with an ignorance of the fact that vocal parts were often doubled by instrumentalists, led to the term coming to mean unaccompanied vocal music. The term is also used, rarely, as a synonym for ''alla breve''. Early history A cappella could be as old as humanity itself. Research suggests that singing and vocables may have been what early humans used to communicate before the invention of language. The earliest piece of sheet music is thought to have originated from times as early as 2000 B.C. while the earliest that has survived in its entirety is from the first century A.D.: a piece from Greece called the ...
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Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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Madrigal (music)
A madrigal is a form of secular vocal music most typical of the Renaissance music, Renaissance (15th–16th c.) and early Baroque music, Baroque (1600–1750) periods, although revisited by some later European composers. The Polyphony, polyphonic madrigal is Accompaniment, unaccompanied, and the number of voices varies from two to eight, but usually features three to six voices, whilst the Metre (music), metre of the madrigal varies between two or three tercets, followed by one or two couplets. Unlike the verse-repeating strophic forms sung to the same music, most madrigals are through-composed, featuring different music for each stanza of lyrics, whereby the composer expresses the emotions contained in each line and in single words of the poem being sung. As written by Italianized Franco–Flemish composers in the 1520s in music, 1520s, the madrigal partly originated from the three-to-four voice frottola (1470–1530); partly from composers' renewed interest in poetry written in ...
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Cantata
A cantata (; ; literally "sung", past participle feminine singular of the Italian verb ''cantare'', "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir. The meaning of the term changed over time, from the simple single-voice madrigal of the early 17th century, to the multi-voice "cantata da camera" and the "cantata da chiesa" of the later part of that century, from the more substantial dramatic forms of the 18th century to the usually sacred-texted 19th-century cantata, which was effectively a type of short oratorio. Cantatas for use in the liturgy of church services are called church cantata or sacred cantata; other cantatas can be indicated as secular cantatas. Several cantatas were, and still are, written for special occasions, such as Christmas cantatas. Christoph Graupner, Georg Philipp Telemann and Johann Sebastian Bach composed cycles of church cantatas for the occasions of the liturgical year. ...
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Mass (music)
The Mass ( la, missa) is a form of sacred musical composition that sets the invariable portions of the Christian Eucharistic liturgy (principally that of the Catholic Church, the Anglican Communion, and Lutheranism), known as the Mass. Most Masses are settings of the liturgy in Latin, the sacred language of the Catholic Church's Roman Rite, but there are a significant number written in the languages of non-Catholic countries where vernacular worship has long been the norm. For example, there have been many Masses written in English for a United States context since the Second Vatican Council, and others (often called "communion services") for the Church of England. Masses can be ''a cappella'', that is, without an independent accompaniment, or they can be accompanied by instrumental ''obbligatos'' up to and including a full orchestra. Many masses, especially later ones, were never intended to be performed during the celebration of an actual mass. History Middle Ages The earli ...
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Lotti Kyrie Missa Brevis
Lotti may refer to any of the following: * Antonio Lotti (c.1667–1740), Italian composer * Brian Lotti, U.S. professional skateboarder * Carlo Lotti (1916–2013), Italian engineer and professor of hydraulic construction * Carola Lotti (1910–1990), Italian actress * Cosimo Lotti (1571–1643), Italian engineer and landscape designer * Helmut Lotti (born 1969), Belgian singer and songwriter * Luca Lotti (born 1982), Italian politician * Marcella Lotti della Santa (1831–1901), Italian opera singer * Mariella Lotti (1921–2006), Italian film actress * Massimo Lotti (born 1969), Italian footballer * Maurizio Lotti (1940–2014), Italian politician * Sahara Lotti (born 1977), U.S. screenwriter and actress See also * Di Lotti * Lottie (other) Lottie is a feminine given name, often a diminutive for Charlotte or Lieselotte. It may refer to: People *Lottie (name) Places * Lottie, Louisiana, United States, an unincorporated community * Lottie Lake, Canadian hamlet ...
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Antonio Maria Lucchini
Antonio Maria Lucchini or Luchini (Venice, c. 1690 – Venice, before 1730) was an Italian libretto, librettist. His texts were set to music by Antonio Vivaldi, Baldassare Galuppi, Leonardo Vinci, and Rinaldo di Capua, among others. Libretti

*''Foca superbo'' (set to music by Antonio Lotti, 1716) *''Tieteberga'' (set to music by Antonio Vivaldi, 1717) *''Giove in Argo'' (set to music by Antonio Lotti, 1717; set to music by Georg Friedrich Händel, 1739; set to music by Carl Heinrich Graun, 1747) *''Ascanio ovvero Gli odi delusi dal sangue'' (set to music by Antonio Lotti, 1718) *''L'inganno tradito dall'amore'' (set to music by Antonio Caldara, 1720) *''Ermengarda'' (set to music by Tomaso Albinoni, 1723) *''Gli sforzi d'ambizione e d'amore'' (set to music by Giovanni Porta, 1724) *''Farnace'' (set to music by Leonardo Vinci, 1724; set to music by Antonio Vivaldi, 1727; set to music by Francesco Corselli, 1739; set to music by Rinaldo di Capua, 1739; set to music by Giuseppe Ar ...
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Augustus II The Strong
Augustus II; german: August der Starke; lt, Augustas II; in Saxony also known as Frederick Augustus I – Friedrich August I (12 May 16701 February 1733), most commonly known as Augustus the Strong, was Elector of Saxony from 1694 as well as King of Poland and Grand Duke of Lithuania in the years 1697–1706 and from 1709 until his death in 1733. He belonged to the Albertine line of the House of Wettin. Augustus' great physical strength earned him the nicknames "the Strong", "the Saxon Hercules" and "Iron-Hand". He liked to show that he lived up to his name by breaking horseshoes with his bare hands and engaging in fox tossing by holding the end of his sling with just one finger while two of the strongest men in his court held the other end.Sacheverell Sitwell. ''The Hunters and the Hunted'', p. 60. Macmillan, 1947. He is also notable for fathering a very large number of children. In order to be elected King of the Polish–Lithuanian Commonwealth, Augustus converted to Roman ...
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Dresden
Dresden (, ; Upper Saxon: ''Dräsdn''; wen, label=Upper Sorbian, Drježdźany) is the capital city of the German state of Saxony and its second most populous city, after Leipzig. It is the 12th most populous city of Germany, the fourth largest by area (after Berlin, Hamburg and Cologne), and the third most populous city in the area of former East Germany, after Berlin and Leipzig. Dresden's urban area comprises the towns of Freital, Pirna, Radebeul, Meissen, Coswig, Radeberg and Heidenau and has around 790,000 inhabitants. The Dresden metropolitan area has approximately 1.34 million inhabitants. Dresden is the second largest city on the River Elbe after Hamburg. Most of the city's population lives in the Elbe Valley, but a large, albeit very sparsely populated area of the city east of the Elbe lies in the West Lusatian Hill Country and Uplands (the westernmost part of the Sudetes) and thus in Lusatia. Many boroughs west of the Elbe lie in the foreland of the Ore Mounta ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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