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Antonio Maria Lucchini or Luchini (
Venice Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400  ...
, c. 1690 – Venice, before 1730) was an Italian
librettist A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or musical. The term ''libretto'' is also sometimes used to refer to the text of major litu ...
. His texts were set to music by
Antonio Vivaldi Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist and impresario of Baroque music. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread a ...
,
Baldassare Galuppi Baldassare Galuppi (18 October 17063 January 1785) was an Italian composer, born on the island of Burano in the Venetian Republic. He belonged to a generation of composers, including Johann Adolph Hasse, Giovanni Battista Sammartini, and C.  ...
,
Leonardo Vinci Leonardo Vinci (1690 – 27 May 1730) was an Italian composer known chiefly for his 40 or so operas; comparatively little of his work in other genres survives. A central proponent of the Neapolitan School of opera, his influence on subseque ...
, and
Rinaldo di Capua Rinaldo di (da) Capua (Capua, c. 1705 – probably Rome, c. 1780) was an Italian composer. Little is known of him with any certainty, including his name, although he was known to Charles Burney. He may have been the father of composer Marcell ...
, among others.


Libretti

*''Foca superbo'' (set to music by
Antonio Lotti Antonio Lotti (5 January 1667 – 5 January 1740) was an Italian composer of the Baroque era. Biography Lotti was born in Venice, although his father Matteo was ''Kapellmeister'' at Hanover at the time. Oral tradition says that in 1682, Lotti be ...
, 1716) *''Tieteberga'' (set to music by
Antonio Vivaldi Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist and impresario of Baroque music. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread a ...
, 1717) *''Giove in Argo'' (set to music by
Antonio Lotti Antonio Lotti (5 January 1667 – 5 January 1740) was an Italian composer of the Baroque era. Biography Lotti was born in Venice, although his father Matteo was ''Kapellmeister'' at Hanover at the time. Oral tradition says that in 1682, Lotti be ...
, 1717; set to music by
Georg Friedrich Händel George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his training ...
, 1739; set to music by
Carl Heinrich Graun Carl Heinrich Graun (7 May 1704 – 8 August 1759) was a German composer and tenor. Along with Johann Adolph Hasse, he is considered to be the most important German composer of Italian opera of his time. Biography Graun was born in Wahrenbrüc ...
, 1747) *''Ascanio ovvero Gli odi delusi dal sangue'' (set to music by
Antonio Lotti Antonio Lotti (5 January 1667 – 5 January 1740) was an Italian composer of the Baroque era. Biography Lotti was born in Venice, although his father Matteo was ''Kapellmeister'' at Hanover at the time. Oral tradition says that in 1682, Lotti be ...
, 1718) *''L'inganno tradito dall'amore'' (set to music by
Antonio Caldara Antonio Caldara (ca 1670 – 28 December 1736) was an Italian Baroque composer. Life Caldara was born in Venice (exact date unknown), the son of a violinist. He became a chorister at St Mark's in Venice, where he learned several instruments, ...
, 1720) *''Ermengarda'' (set to music by
Tomaso Albinoni Tomaso Giovanni Albinoni (8 June 1671 – 17 January 1751) was an Italian composer of the Baroque era. His output includes operas, concertos, sonatas for one to six instruments, sinfonias, and solo cantatas. While famous in his day as an opera comp ...
, 1723) *''Gli sforzi d'ambizione e d'amore'' (set to music by
Giovanni Porta Giovanni Porta (c. 1677 – 21 June 1755) was an Italian opera composer. His opera ''Argippo'', to a libretto by Domenico Lalli, was premiered in Venice in 1717.Freeman, Daniel E. (1992)''The Opera Theater of Count Franz Anton Von Sporck in ...
, 1724) *''Farnace'' (set to music by
Leonardo Vinci Leonardo Vinci (1690 – 27 May 1730) was an Italian composer known chiefly for his 40 or so operas; comparatively little of his work in other genres survives. A central proponent of the Neapolitan School of opera, his influence on subseque ...
, 1724; set to music by
Antonio Vivaldi Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist and impresario of Baroque music. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread a ...
, 1727; set to music by
Francesco Corselli Francesco Corselli (Piacenza, 19 April 1705 - 3 April 1778 in Madrid) was an Italian composer of the pre-classical period. Biography Francesco Corselli (Courcelle) was born on 19 April 1705 in Piacenza, Italy from French parents. He was the d ...
, 1739; set to music by
Rinaldo di Capua Rinaldo di (da) Capua (Capua, c. 1705 – probably Rome, c. 1780) was an Italian composer. Little is known of him with any certainty, including his name, although he was known to Charles Burney. He may have been the father of composer Marcell ...
, 1739; set to music by
Giuseppe Arena Giuseppe Arena (1707 or 1713 -1784) was an Italian composer and organist, best known for his operas. Giuseppe Arena was born in Malta in 1707 or 1713. From 1725 on he studied at the Poveri di Gesù music conservatory, where his teachers included G ...
, 1742; set to music by
Pietro Alessandro Guglielmi Pietro Alessandro Guglielmi (9 December 1728 – 19 November 1804) was an Italian opera composer of the classical period. Biography Guglielmi was born into the Guglielmi family of musicians in Massa. His father, Jacopo Guglielmi, was a comp ...
, 1765) *''Dorilla in Tempe'' (set to music by
Antonio Vivaldi Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist and impresario of Baroque music. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread a ...
, 1726) *''Gl'odi delusi dal sangue'' (set to music by
Baldassare Galuppi Baldassare Galuppi (18 October 17063 January 1785) was an Italian composer, born on the island of Burano in the Venetian Republic. He belonged to a generation of composers, including Johann Adolph Hasse, Giovanni Battista Sammartini, and C.  ...
e
Giovanni Battista Pescetti Giovanni Battista Pescetti (c. 170420 March 1766) was an organist, harpsichordist, and composer known primarily for his operas and keyboard sonatas. Musicologist and University of California, Santa Barbara professor John E. Gillespie wrote that Pes ...
, 1728) *''L'osservanza della divina legge nel martirio de’ Maccabei'' (set to music by
Francesco Bartolomeo Conti Francesco Bartolomeo Conti (20 January 1681 or 168219 July 1732) was an Italian composer and player of the mandolin and theorbo. He also wrote the oldest mandolin method book that has survived. Little is known about the biography of Conti. He wa ...
, 1732) *''Il martiro della madre de’ Maccabei'' (set to music by
Francesco Bartolomeo Conti Francesco Bartolomeo Conti (20 January 1681 or 168219 July 1732) was an Italian composer and player of the mandolin and theorbo. He also wrote the oldest mandolin method book that has survived. Little is known about the biography of Conti. He wa ...
, 1736) *''Sant’Elena al Calvario'' (set to music by
Francesco Bartolomeo Conti Francesco Bartolomeo Conti (20 January 1681 or 168219 July 1732) was an Italian composer and player of the mandolin and theorbo. He also wrote the oldest mandolin method book that has survived. Little is known about the biography of Conti. He wa ...
, 1736) *Various
madrigal A madrigal is a form of secular vocal music most typical of the Renaissance (15th–16th c.) and early Baroque (1600–1750) periods, although revisited by some later European composers. The polyphonic madrigal is unaccompanied, and the number o ...
texts Italian opera librettists 1690s births 1730s deaths Italian male dramatists and playwrights {{Italy-writer-stub