Aidos Sarym
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Aidos Sarym
Aidos or Aedos (; Greek: , ) was the Greek goddess of shame, modesty, respect, and humility. Aidos, as a quality, was that feeling of reverence or shame which restrains men from wrong. It also encompassed the emotion that a rich person might feel in the presence of the impoverished, that their disparity of wealth, whether a matter of luck or merit, was ultimately undeserved. Ancient and Christian humility share common themes: they both reject egotism, self-centeredness, arrogance, and excessive pride; they also recognize human limitations. Aristotle defined it as a middle ground between vanity and cowardice. "As we become more accomplished in something, we tend to take pride in our advances and see our growing mastery, particularly when accompanied by the pleasure or approval of others, as a spur to further improvements. A pianist likes to show off her skill in playing a Beethoven sonata; an apprentice cabinetmaker feels quiet satisfaction in the work of his hands; a dancer d ...
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Pudicitia
Pudicitia ("modesty" or "sexual virtue") was a central concept in ancient Roman sexual ethics. The word is derived from the more general ''pudor'', the sense of shame that regulated an individual's behavior as socially acceptable. ''Pudicitia'' was most often a defining characteristic of women, but men who failed to conform to masculine sexual norms were said to exhibit feminizing ''impudicitia'', sexual shamelessness. The virtue was personified by the Roman goddess Pudicitia, whose Greek equivalent was Aidos. As virtue Romans, both men and women, were expected to uphold the virtue of ''pudicitia'', a complex ideal that was explored by many ancient writers, including Livy, Valerius Maximus, Cicero, Tacitus and Tertullian. Livy describes the legendary figure of Lucretia as the epitome of ''pudicitia''. She is loyal to her husband and is modest, despite her incredible beauty. Some say that the story of Lucretia shows that the more virtuous a woman was, the more appealing she ...
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Theatre Of Ancient Greece
Ancient Greek theatre was a theatrical culture that flourished in ancient Greece from 700 BC. The city-state of Athens, which became a significant cultural, political, and religious place during this period, was its centre, where the theatre was institutionalised as part of a festival called the Dionysia, which honoured the god Dionysus. Tragedy (late 500 BC), comedy (490 BC), and the satyr play were the three dramatic genres to emerge there. Athens exported the festival to its numerous colonies. Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements. Etymology The word grc, τραγῳδία, tragoidia, label=none, from which the word "tragedy" is derived, is a compound of two Greek words: grc, τράγος, tragos, label=none or "goat" and grc, ᾠδή, ode, label=none meaning "song", from grc, ἀείδειν, ae ...
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Eleos
In ancient Athens, Eleos (Ancient Greek m.) or Elea was the personification of mercy, clemency, compassion and pity – the counterpart of the Roman goddess Clementia. Pausanias described her as "among all the gods the most useful to human life in all its vicissitudes."''Dictionary of Greek and Roman Biography and Mythology''. Cited in Family Eleos was the daughter of the primordial gods, Nyx (Night) and Erebus (Darkness).Hyginus, ''Fabulae'' Preface"From Nox/ Nyx (Night) and Erebus ere born Fatum/ Moros (Fate), Senectus/ Geras (Old Age), Mors/ Thanatos (Death), Letum (Dissolution), Continentia (Moderation), Somnus/ Hypnos (Sleep), Somnia/ Oneiroi (Dreams), Amor (Love)--that is Lysimeles, Epiphron (Prudence), Porphyrion, Epaphus, Discordia/ Eris (Discord), Miseria/ Oizys (Misery), Petulantia/ Hybris (Wantonness), Nemesis (Envy), Euphrosyne (Good Cheer), Amicitia/ Philotes (Friendship), Misericordia/ Eleos (Compassion), Styx (Hatred); the three Parcae/ Moirai (Fate ...
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Aesop
Aesop ( or ; , ; c. 620–564 BCE) was a Greek fabulist and storyteller credited with a number of fables now collectively known as ''Aesop's Fables''. Although his existence remains unclear and no writings by him survive, numerous tales credited to him were gathered across the centuries and in many languages in a storytelling tradition that continues to this day. Many of the tales associated with him are characterized by anthropomorphic animal characters. Scattered details of Aesop's life can be found in ancient sources, including Aristotle, Herodotus, and Plutarch. An ancient literary work called ''The Aesop Romance'' tells an episodic, probably highly fictional version of his life, including the traditional description of him as a strikingly ugly slave () who by his cleverness acquires freedom and becomes an adviser to kings and city-states. Older spellings of his name have included ''Esop(e)'' and ''Isope''. Depictions of Aesop in popular culture over the last 2,500 yea ...
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Seven Against Thebes
The Seven against Thebes were seven champions in Greek mythology who made war on Thebes. They were chosen by Adrastus, the king of Argos, to be the captains of an Argive army whose purpose was to restore Oedipus' son Polynices to the Theban throne. Adrastus, although always the leader of the expedition against Thebes, was not always counted as one of the Seven champions. Usually the Seven were Polynices, Tydeus, Amphiaraus, Capaneus, Parthenopaeus, Hippomedon, and Adrastus or Eteoclus, whenever Adrastus is excluded. They tried and failed to take Thebes, and all but Adrastus died in the attempt. On their way to Thebes, the Seven stopped at Nemea, where they held funeral games for the infant Opheltes, which became the origin of the Nemean Games. Before arriving at Thebes, Adrastus sent Tydeus on ahead to resolve the dispute through negotiation, which failed. At Thebes, Capaneus was struck down by Zeus' thunderbolt while attempting to scale the city walls. Tydeus was mortally wo ...
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Ancient Greek
Ancient Greek includes the forms of the Greek language used in ancient Greece and the ancient world from around 1500 BC to 300 BC. It is often roughly divided into the following periods: Mycenaean Greek (), Dark Ages (), the Archaic period (), and the Classical period (). Ancient Greek was the language of Homer and of fifth-century Athenian historians, playwrights, and philosophers. It has contributed many words to English vocabulary and has been a standard subject of study in educational institutions of the Western world since the Renaissance. This article primarily contains information about the Epic and Classical periods of the language. From the Hellenistic period (), Ancient Greek was followed by Koine Greek, which is regarded as a separate historical stage, although its earliest form closely resembles Attic Greek and its latest form approaches Medieval Greek. There were several regional dialects of Ancient Greek, of which Attic Greek developed into Koine. Dia ...
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Sparta
Sparta ( Doric Greek: Σπάρτα, ''Spártā''; Attic Greek: Σπάρτη, ''Spártē'') was a prominent city-state in Laconia, in ancient Greece. In antiquity, the city-state was known as Lacedaemon (, ), while the name Sparta referred to its main settlement on the banks of the Eurotas River in Laconia, in south-eastern Peloponnese. Around 650 BC, it rose to become the dominant military land-power in ancient Greece. Given its military pre-eminence, Sparta was recognized as the leading force of the unified Greek military during the Greco-Persian Wars, in rivalry with the rising naval power of Athens. Sparta was the principal enemy of Athens during the Peloponnesian War (431–404 BC), from which it emerged victorious after the Battle of Aegospotami. The decisive Battle of Leuctra in 371 BC ended the Spartan hegemony, although the city-state maintained its political independence until its forced integration into the Achaean League in 192 BC. The city nevertheless ...
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Pausanias (geographer)
Pausanias ( /pɔːˈseɪniəs/; grc-gre, Παυσανίας; c. 110 – c. 180) was a Greek traveler and geographer of the second century AD. He is famous for his ''Description of Greece'' (, ), a lengthy work that describes ancient Greece from his firsthand observations. ''Description of Greece'' provides crucial information for making links between classical literature and modern archaeology. Biography Not much is known about Pausanias apart from what historians can piece together from his own writing. However, it is mostly certain that he was born c. 110 AD into a Greek family and was probably a native of Lydia in Asia Minor. From c. 150 until his death in 180, Pausanias travelled through the mainland of Greece, writing about various monuments, sacred spaces, and significant geographical sites along the way. In writing ''Description of Greece'', Pausanias sought to put together a lasting written account of "all things Greek", or ''panta ta hellenika''. Living in t ...
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Athens
Athens ( ; el, Αθήνα, Athína ; grc, Ἀθῆναι, Athênai (pl.) ) is both the capital and largest city of Greece. With a population close to four million, it is also the seventh largest city in the European Union. Athens dominates and is the capital of the Attica region and is one of the world's oldest cities, with its recorded history spanning over 3,400 years and its earliest human presence beginning somewhere between the 11th and 7th millennia BC. Classical Athens was a powerful city-state. It was a centre for the arts, learning and philosophy, and the home of Plato's Academy and Aristotle's Lyceum. It is widely referred to as the cradle of Western civilization and the birthplace of democracy, largely because of its cultural and political influence on the European continent—particularly Ancient Rome. In modern times, Athens is a large cosmopolitan metropolis and central to economic, financial, industrial, maritime, political and cultural life in Gre ...
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Sophocles
Sophocles (; grc, Σοφοκλῆς, , Sophoklễs; 497/6 – winter 406/5 BC)Sommerstein (2002), p. 41. is one of three ancient Greek tragedians, at least one of whose plays has survived in full. His first plays were written later than, or contemporary with, those of Aeschylus; and earlier than, or contemporary with, those of Euripides. Sophocles wrote over 120 plays, but only seven have survived in a complete form: ''Ajax'', ''Antigone'', ''Women of Trachis'', ''Oedipus Rex'', '' Electra'', '' Philoctetes'' and ''Oedipus at Colonus''. For almost fifty years, Sophocles was the most celebrated playwright in the dramatic competitions of the city-state of Athens which took place during the religious festivals of the Lenaea and the Dionysia. He competed in thirty competitions, won twenty-four, and was never judged lower than second place. Aeschylus won thirteen competitions, and was sometimes defeated by Sophocles; Euripides won four. The most famous tragedies of Sophocles feature ...
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Oedipus Rex
''Oedipus Rex'', also known by its Greek title, ''Oedipus Tyrannus'' ( grc, Οἰδίπους Τύραννος, ), or ''Oedipus the King'', is an Athenian tragedy by Sophocles that was first performed around 429 BC. Originally, to the ancient Greeks, the title was simply ''Oedipus'' (), as it is referred to by Aristotle in the ''Poetics''. It is thought to have been renamed ''Oedipus Tyrannus'' to distinguish it from ''Oedipus at Colonus'', a later play by Sophocles. In antiquity, the term "tyrant" referred to a ruler with no legitimate claim to rule, but it did not necessarily have a negative connotation. Of Sophocles' three Theban plays that have survived, and that deal with the story of Oedipus, ''Oedipus Rex'' was the second to be written, following ''Antigone'' by about a dozen years. However, in terms of the chronology of events described by the plays, it comes first, followed by ''Oedipus at Colonus'' and then ''Antigone''. Prior to the start of ''Oedipus Rex'', Oedipus ...
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Euripides
Euripides (; grc, Εὐριπίδης, Eurīpídēs, ; ) was a tragedian Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy i ... of classical Athens. Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full. Some ancient scholars attributed ninety-five plays to him, but the ''Suda'' says it was ninety-two at most. Of these, eighteen or nineteen have survived more or less complete (''Rhesus (play), Rhesus'' is suspect). There are many fragments (some substantial) of most of his other plays. More of his plays have survived intact than those of Aeschylus and Sophocles together, partly because his popularity grew as theirs declinedMoses Hadas, ''Ten Plays by Euripides'', Bantam Classic (2006), Introduction, p. ixhe became, ...
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