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ODIA (/əˈdiːə/ ) or ORIYA (/ɒˈriːə/ ; both renderings of Odia: ଓଡ଼ିଆ oḍiā (help ·info )) is a language spoken by 4.2% of India
India
's population. It is an Indo-Aryan language that is spoken mostly in eastern India
India
, with around 44 million native speakers as of the year 2016, from the state of Odisha
Odisha
, and 55 million from adjoining regions of its neighboring states and by the largely migrated Odia population across India
India
and different countries of the world.

It is the predominant language of the Indian state of Odisha, where native speakers make up 80% of the population, and also is spoken in parts of West Bengal
West Bengal
, Jharkhand , Chhattisgarh and Andhra Pradesh
Andhra Pradesh
. Odia is one of the many official languages of India
India
; it is the official language of Odisha
Odisha
and the second official language of Jharkhand . The language is also spoken by a sizeable population of at least 10 million people in Chhattisgarh.

Odia is the sixth Indian language to be designated a Classical Language in India
India
on the basis of having a long literary history and not having borrowed extensively from other languages.

The earliest known inscription in Odia dates back to the 10th century AD.

CONTENTS

* 1 Geographical distribution

* 1.1 India
India
* 1.2 Foreign countries

* 2 Forms

* 2.1 Standard Odia * 2.2 Major forms or dialects * 2.3 Minor non literary and tribal forms or dialects

* 3 History

* 3.1 Charyapada
Charyapada
of 8th Century and its affinity with Odia language
Odia language
* 3.2 Poet Jayadeva\'s literary contribution

* 4 Phonology * 5 Morphology * 6 Writing system
Writing system
* 7 Literature * 8 Language sample * 9 See also * 10 References * 11 Further reading * 12 External links

GEOGRAPHICAL DISTRIBUTION

INDIA

Odia language
Odia language
is mainly spoken in the state of Odisha, but there are significant Odia-speaking populations in other areas of India, such as the Midnapore district of West Bengal
West Bengal
, the East Singhbhum , West Singhbhum Seraikela Kharsawan district , Simdega , Gumla , Khunti , Ranchi district of Jharkhand , the Srikakulam , Vizianagaram and Vishakhapatnam District of Andhra Pradesh
Andhra Pradesh
, and the eastern districts of Chhattisgarh state. Due to the increasing migration of labour, the west Indian state of Gujarat
Gujarat
also has a significant population of Odia speakers, with Surat being the city with the second largest Odia-speaking population in India. Significant numbers of Odia speakers can also be found in the cities of Vishakhapatnam , Hyderabad , Pondicherry , Bangalore
Bangalore
, Chennai
Chennai
, Goa
Goa
, Mumbai
Mumbai
, Raipur , Jamshedpur , Baroda
Baroda
, Ahmedabad , New Delhi
New Delhi
, Kolkata
Kolkata
, Kharagpur , Guwahati
Guwahati
, Shillong
Shillong
, Pune
Pune
, and Silvassa .

FOREIGN COUNTRIES

The Odia diaspora constitute a sizeable number in several countries around the world, totalling the number of Odia speakers on a global scale to 55 million. It has a significant presence in eastern countries such as Bangladesh
Bangladesh
, Indonesia
Indonesia
, mainly carried by the sadhaba , ancient traders from Odisha
Odisha
who carried the language along with the culture during the old-day trading , and in western countries such as the United States
United States
, Canada
Canada
, Australia
Australia
and England as well. The language has also spread to Burma
Burma
, Malaysia
Malaysia
, Fiji
Fiji
, Sri Lanka and Middle East
Middle East
countries.

FORMS

This sec​tion's FACTUAL ACCURACY IS DISPUTED . Relevant discussion may be found on the talk page . Please help to ensure that disputed statements are reliably sourced . (May 2016) (Learn how and when to remove this template message )

STANDARD ODIA

KATAKI ODIA or The Odia of Mughalbandi region is considered as Standard Odia due to literary traditions. It is spoken mainly in the eastern half of the state of Odisha, in districts like Ganjam
Ganjam
,Khurdha , Puri
Puri
, Cuttack , Jajpur , Jagatsinghpur , Kendrapada , Dhenkanal , Angul and Nayagarh
Nayagarh
district with little variation.

MAJOR FORMS OR DIALECTS

* MIDNAPORI ODIA: Spoken in the undivided Midnapore District of West Bengal. * SINGHBHUMI ODIA : Spoken in East Singhbhum , West Singhbhum and Saraikela-Kharsawan district of Jharkhand * BALESWARI ODIA : Spoken in Baleswar , Bhadrak
Bhadrak
and Mayurbhanj district of Odisha. * GANJAMI ODIA : Spoken in Ganjam
Ganjam
and Gajapati districts of Odisha and Srikakulam district of Andhra Pradesh. * SAMBALPURI ODIA / WESTERN ODIA: Spoken in Bargarh
Bargarh
, Bolangir , Boudh
Boudh
, Debagarh , Jharsuguda , Kalahandi , Nuapada , Sambalpur , Subarnapur and Sundargarh districts of Odisha
Odisha
and by some people in Raigarh , Mahasamund , Raipur districts of Chhattisgarh state. * DESIYA ODIA : Spoken in Koraput , Rayagada , Nowrangpur and Malkangiri Districts of Odisha
Odisha
and in the hilly regions of Vishakhapatnam , Vizianagaram District of Andhra Pradesh. * BHATRI : Spoken in South-western Odisha
Odisha
and eastern-south Chhattisgarh. * HALBI : Spoken in undivided Bastar district of Chhattisgarh state is a mixture of Odia and Chatishgarihi tribal languages with major Marathi influence on it. * PHULBANI ODIA : spoken in Phulbani , Phulbani Town , Khajuripada block of Kandhamal
Kandhamal
, and in nearby areas bordering Boudh
Boudh
district .This language gained momentum during the amalgamation of kandhamal(Phulbani) , and Boudh
Boudh
, region into a single district Phulabani ,

MINOR NON LITERARY AND TRIBAL FORMS OR DIALECTS

* SUNDARGADI ODIA : Variation of Odia Spoken in Sundargarh district of Odisha
Odisha
and in adjoining pockets of Jharkhand and Chattisgarh . * KALAHANDIA ODIA : Variation of Odia spoken in undivided Kalahandi District and neighboring districts of Chattisgarh . * KURMI: Spoken in Northern Odisha
Odisha
and South west Bengal. * SOUNTI: Spoken in Northern Odisha
Odisha
and South west Bengal. * BATHUDI: Spoken in Northern Odisha
Odisha
and South west Bengal. * KONDHAN: A tribal dialect spoken in Western Odisha.. * LARIA : Spoken in bordering areas of Chatishgarh and Western Odisha. * AGHRIA : Spoken mostly by the ingenious people of Aghria caste in Western Odisha. * BHULIA: Tribal form spoken in Western Odisha. * SADRI : A mixture of Odia and Hindi
Hindi
language with major regional tribal influence. * BODO PARJA / JHARIA : Tribal dialect of Odia spoken mostly in Koraput district of Southern Odisha
Odisha
. * MATIA: Tribal dialect of Odia spoken in Southern Odisha. * BHUYAN: Tribal dialect of Odia spoken in Southern Odisha. * RELI : Spoken in Southern Odisha
Odisha
and bordering areas of Andhra Pradesh. * KUPIA : Spoken by Valmiki caste people in the Indian state of Telangana
Telangana
and Andhra Pradesh
Andhra Pradesh
, mostly in Hyderabad , Mahabubnagar , Srikakulam , Vizianagaram , East Godavari and Visakhapatnam districts.

HISTORY

A detailed chart depicting evolution of the Odia script as displayed in a museum at Ratnagiri, Odisha
Odisha

Odia is an Eastern Indo-Aryan language belonging to the Indo-Aryan language family . It is thought to be directly descended from a Odra Magadhi Prakrit similar to Ardha Magadhi , which was spoken in eastern India
India
over 1,500 years ago, and is the primary language used in early Jain texts. Odia appears to have had relatively little influence from Persian and Arabic , compared to other major North Indian languages.

The history of the Odia language
Odia language
is divided into eras:

* Old Odia (3rd century BC): The earliest evidence of Old Odia is found in the 3rd century BC Ashoka edit of Dhauli and 1st century BC Hathigumpha inscription
Hathigumpha inscription
. The old colloquial literature is the Charyapada
Charyapada
, poetry written in an Apabhraṃśa ancestral to Odia, Bengali and Assamese. * Early Middle Odia (1200–1400): The earliest use of prose can be found in the Madala Panji of the Jagannath Temple at Puri
Puri
, which dates back to the 12th century. Such works as Shishu Veda, Amara Kosha, Gorakha Samhita, Kalasha Chautisha, and Saptanga are written in this form of Odia. * Middle Odia (1400–1700): Sarala Das writes the Vilanka Ramayana . Towards the 16th century, poets emerged around the Vaishnava leader Acyutananda , These five poets are Balaram Das, Jagannatha Dasa , Acyutananda, Ananta Das and Jasobanta Das. * Late Middle Odia (1700–1850): Ushabhilasa of Sisu Sankara Das, the Rahasy Manjari of Deba Durlabha Dasa and the Rukmini Bibha of Kartika Dasa were written. A new form of metrical epic-poems (called Chhanda-Kabya) evolved during the beginning of the 17th century when Ramachandra Pattanayaka wrote Haravali. Upendra Bhanja took a leading role in this period- his creations Baidehisha Bilasa, Koti Brahmanda Sundari, Labanyabati were landmarks in Odia Literature. Dinakrushna Dasa’s Rasokallola and Abhimanyu Samanta Singhara’s Bidagdha Chintamani are prominent Kavyas of this time. Four major poets emerged in the end of the era are Baladeba Rath , Bhima Bhoi, Brajanath Badajena and Gopala Krushna Pattanaik. * Modern Odia (1850 till present day): The first Odia printing typeset was cast in 1836 by the Christian missionaries which made a great revolution in Odia literature and language.

Eastern Hemisphere in the year 200.

CHARYAPADA OF 8TH CENTURY AND ITS AFFINITY WITH ODIA LANGUAGE

The beginnings of Odia poetry coincide with the development of charya sahitya, the literature started by Vajrayana
Vajrayana
Buddhist poets such as in the Charyapada. This literature was written in a specific metaphor called twilight language and prominent poets included Luipa , Tilopa and Kanha . Quite importantly, the Ragas that have mentioned for singing the Charyapadas are found abundantly in latter Odia literature.

POET JAYADEVA\'S LITERARY CONTRIBUTION

Jayadeva was a Sanskrit
Sanskrit
poet. He was born in an Utkala Brahmin family of Puri
Puri
in circa 1200 AD. He is most known for his composition, the epic poem Gita Govinda , which depicts the divine love of the Hindu deity Krishna and his consort, Radha, and is considered an important text in the Bhakti movement of Hinduism. About the end of the 13th century and the beginning of the 14th, the influence of Jayadeva\'s literary contribution changed the pattern of versification in Odia.

John Beames , a British author and civil servant in British India
India
who stayed for a considerable time in Odisha
Odisha
and worked for the survival of Odia language
Odia language
quotes:

At a period when Odia was already a fixed and settled language, Bengali did not exist. The Bengalis spoke a vast variety of corrupt forms of Eastern Hindi. It is not till quite recent times that we find anything that can with propriety be called a Bengali language.

We may place the Hindi
Hindi
with its subsidiary forms Gujurati and Punjabi first fixing their rise and establishment as a modern languages distinct from their previous existence as Prakrit
Prakrit
till the 12th or 13th century. Odia must have quite completed its transformation by the end of the 14th century. Bengali was no separate independent language but a maze of dialects without a distinct national or provincial type till the 17th or beginning of the 18th century. It was not till the gradual decay of the central Mohammedan power of Delhi enabled the provincial governors to assume an independent position that Bengali severed itself from Hindi
Hindi
and assumed characteristics which now vindicate for its right to be called a separate language.

PHONOLOGY

Main article: Odia phonology Play media Pronunciation of Odia alphabet .

Odia has twenty-eight consonant phonemes, two semivowel phonemes and six vowel phonemes.

Odia vowel phonemes

FRONT BACK

HIGH i u

MID e o

LOW a ɔ

All vowels except /o/ also have nasal counterparts, but these are not always contrastive. Final vowels are standard and pronounced, e.g. Odia contra Bengali "flower".

Odia consonant phonemes

BILABIAL Alveolar /Dental RETROFLEX PALATAL VELAR GLOTTAL

NASAL m n ɳ

(ŋ )

Stop / Affricate VOICELESS p t̪ ʈ tʃ k

VOICELESS ASPIRATED pʰ t̪ʰ ʈʰ tʃʰ kʰ

VOICED b d̪ ɖ dʒ ɡ

VOICED ASPIRATED bʱ d̪ʱ ɖʱ dʒʱ ɡʱ

FRICATIVE

s

h

FLAP

ɾ ɺ̢

LATERAL APPROXIMANT

l

The velar nasal is given phonemic status in some analyses. Nasals assimilate for place in nasal–stop clusters. /ɖ ɖʱ/ have the flap allophones in intervocalic position and in final position (but not at morpheme boundaries). Stops are sometimes deaspirated between /s/ and a vowel or an open syllable /s/+vowel and a vowel. Some speakers distinguish between single and geminate consonants .

MORPHOLOGY

Main article: Odia morphology

Unlike Hindi
Hindi
, Odia retains most of the cases of Sanskrit
Sanskrit
, though the nominative and vocative have merged (both without a separate marker), as have the accusative and dative. There are three genders (masculine, feminine and neuter) and two grammatical numbers (singular and plural). There are three true tenses (present, past and future), others being formed with auxiliaries.

WRITING SYSTEM

Main articles: Odia alphabet and Odia braille

LITERATURE

Main article: Odia literature

The earliest literature in Odia language
Odia language
can be traced to the Charyapadas composed in the 7th to 9th centuries. Before Sarala Das, the most important works in Odia literature are the Shishu Veda, Saptanga, Amara Kosha, Rudrasudhanidhi, Kesaba Koili, Kalasha Chautisha etc. In the 14th century, the poet Sarala Dasa 's wrote the Sarala Mahabharata
Mahabharata
, Chandi Purana , and Vilanka Ramayana , in praise of the goddess Durga
Durga
. Rama-bibaha , written by Arjuna Dasa , was the first long poem written in the Odia language.

The following era is termed the Panchasakha Age and stretches until the year 1700. The period begins with the writings of Shri Chaitanya Mahaprabhu whose Vaishnava influence brought in a new evolution in Odia literature. Notable religious works of the Panchasakha Age include those of Balarama Dasa , Jagannatha Dasa , Yasovanta , Ananta and Acyutananda . The authors of this period mainly translated, adapted, or imitated Sanskrit
Sanskrit
literature. Other prominent works of the period include the Usabhilasa of Sisu Sankara Dasa , the Rahasya-manjari of Deva-durlabha Dasa and the Rukmini-bibha of Kartikka Dasa . A new form of novels in verse evolved during the beginning of the 17th century when Ramachandra Pattanayaka wrote Haravali. Other poets like Madhusudana, Bhima Bhoi , Dhivara , Sadasiva and Sisu Isvara-dasa composed another form called kavyas (long poems) based on themes from Puranas, with an emphasis on plain, simple language.

However, during the Bhanja Age (also known as the Age of Riti Yuga) beginning with turn of the 18th century, verbally tricky Odia became the order of the day. Verbal jugglery, obscenity and eroticism characterise the period between 1700 and 1850, particularly in the works of the era's eponymous poet Upendra Bhanja (1670–1720). Bhanja's work inspired many imitators of which the most notable is Arakshita Das. Family chronicles in prose relating religious festivals and rituals are also characteristic of the period.

The first Odia printing typeset was cast in 1836 by Christian missionaries. Although the handwritten Odia script of the time closely resembled the Bengali and Assamese scripts , the one adopted for the printed typesets was significantly different, leaning more towards the Tamil script and Telugu script . Amos Sutton produced an Oriya Bible (1840), Oriya Dictionary (1841–43) and An Introductory Grammar of Oriya (1844).

Odia has a rich literary heritage dating back to the thirteenth century. Sarala Dasa who lived in the fourteenth century is known as the Vyasa
Vyasa
of Odisha. He translated the Mahabharata
Mahabharata
into Odia. In fact, the language was initially standardised through a process of translating classical Sanskrit
Sanskrit
texts such as the Mahabharata, Ramayana and Srimad Bhagabatam. The translation of the Srimad Bhagabatam by Jagannatha Das was particularly influential on the written form of the language. Odia has had a strong tradition of poetry, especially devotional poetry.

Other eminent Odia poets include Kabi Samrat Upendra Bhanja and Kabisurya Baladev Ratha .

Prose in the language has had a late development.

Three great poets and prose writers, Kabibar Radhanath Ray (1849–1908), Fakir Mohan Senapati (1843–1918) and Madhusudan Rao (1853–1912) made Odia their own. They brought in a modern outlook and spirit into Odia literature. Around the same time the modern drama took birth in the works of Rama Sankara Ray beginning with Kanci-Kaveri (1880).

Among the contemporaries of Fakir Mohan, four novelists deserve special mention: Aparna Panda, Mrutyunjay Rath, Ram Chandra Acharya and Brajabandhu Mishra. Aparna Panda's Kalavati and Brajabandhu Mishra's Basanta Malati were both published in 1902, the year in which Chha Mana Atha Guntha came out in the book form. Brajabandhu Mishra's Basanta Malati, which came out from Bamanda, depicts the conflict between a poor but highly educated young man and a wealthy and highly egoistic young woman whose conjugal life is seriously affected by ego clashes. Through a story of union, separation and reunion, the novelist delineates the psychological state of a young woman in separation from her husband and examines the significance of marriage as a social institution in traditional Indian society. Ram Chandra Acharya wrote about seven novels during 1924-1936. Interestingly all his novels are historical romances based on the historical events in Rajasthan, Maharashtra and Odisha. Mrutyunjay Rath's novel, Adbhuta Parinama, published in 1915, centres round a young Hindu who gets converted to Christianity to marry a Christian girl.

One of the great writers in the 19th century was Pandit Krushna Chandra Kar (1907-1995) from Cuttack, who wrote many books for children like Pari Raija, Kuhuka Raija, Panchatantra, Adi Jugara Galpa Mala, etc. He was last felicitated by the Sahitya Academy in the year 1971-72 for his contributions to Odia literature, development of children's fiction, and biographies.

One of the prominent writers of the 19th and 20th centuries was Muralidhar Mallick (1927–2002). His contribution to Historical novels is beyond words. He was last felicitated by the Sahitya Academy in the year 1998 for his contributions to Odia literature. His son Khagendranath Mallick (born 1951) is also a well-known writer. His contribution towards poetry, criticism, essays, story and novels is commendable. He was the former President of Utkal Kala Parishad and also former President of Odisha
Odisha
Geeti Kabi Samaj. Presently he is a member of the Executive Committee of Utkal Sahitya Samaj. Another illustrious writer of the 20th century was Mr. Chintamani Das. A noted academician, he was written more than 40 books including fiction, short stories, biographies and storybooks for children. Born in 1903 in Sriramachandrapur village under Satyabadi block, Chintamani Das is the only writer who has written biographies on all the five 'Pancha Sakhas' of Satyabadi namely Pandit Gopabandhu Das, Acharya Harihara, Nilakantha Das, Krupasindhu Mishra and Pandit Godabarisha. Having served as the Head of the Odia department of Khallikote College, Berhampur, Chintamani Das was felicitated with the Sahitya Akademi Samman in 1970 for his outstanding contribution to Odia literature in general and Satyabadi Yuga literature in particular. Some of his well-known literary creations are 'Bhala Manisha Hua', 'Manishi Nilakantha', 'Kabi Godabarisha', 'Byasakabi Fakiramohan', 'Usha', 'Barabati'.

20th century writers in Odia include Pallikabi Nanda Kishore Bal (1875–1928), Gangadhar Meher (1862–1924), Chintamani Mahanti and Kuntala-Kumari Sabat Utkala-Bharati , besides Niladri Dasa and Gopabandhu Das (1877–1928). The most notable novelists were Umesa Sarakara , Divyasimha Panigrahi , Gopala Praharaja and Kalindi Charan Panigrahi . Sachi Kanta Rauta Ray is the great introducer of the ultra-modern style in modern Odia poetry. Others who took up this form were Godabarisha Mohapatra , Mayadhara Manasimha , Nityananda Mahapatra and Kunjabihari Dasa . Prabhasa Chandra Satpathi is known for his translations of some western classics apart from Udayanatha Shadangi , Sunanda Kara and Surendranatha Dwivedi . Criticism, essays and history also became major lines of writing in the Odia language. Esteemed writers in this field were Professor Girija Shankar Ray , Pandit Vinayaka Misra , Professor Gauri Kumara Brahma , Jagabandhu Simha and Harekrushna Mahatab . Odia literature mirrors the industrious, peaceful and artistic image of the Odia people who have offered and gifted much to the Indian civilization in the field of art and literature. Now Writers Manoj Das 's creations motivated and inspired people towards a positive lifestyle .Distinguished prose writers of the modern period include Fakir Mohan Senapati , Madhusudan Das , Godabarisha Mohapatra, Kalindi Charan Panigrahi, Surendra Mohanty , Manoj Das , Kishori Charan Das, Gopinath Mohanty, Rabi Patnaik, Chandrasekhar Rath, Binapani Mohanty, Bhikari Rath , Jagadish Mohanty , Sarojini Sahoo , Yashodhara Mishra , Ramchandra Behera, Padmaja Pal. But it is poetry that makes modern Odia literature a force to reckon with. Poets like Kabibar Radhanath Ray , Sachidananda Routray, Guruprasad Mohanty, Soubhagya Misra, Ramakanta Rath , Sitakanta Mohapatra, Rajendra Kishore Panda, Pratibha Satpathy have made significant contributions towards Indian poetry.

Anita Desai 's novella, Translator Translated, from her collection The Art of Disappearance, features a translator of a fictive Odian short story writer; the novella contains a discussion of the perils of translating works composed in regional Indian languages into English.

Four writers in Odia - Gopinath Mohanty , Sachidananda Routray , Sitakant Mahapatra and Pratibha Ray - have been awarded the Jnanpith , a prestigious Indian literary award.

LANGUAGE SAMPLE

The first article of the Universal Declaration of Human Rights
Universal Declaration of Human Rights
in Odia: ସବୁ ମଣିଷ ଜନ୍ମକାଳରୁ ସ୍ୱାଧୀନ । ସେମାନଙ୍କ ମର୍ଯ୍ୟାଦା ଓ ଅଧିକାର ସମାନ । ସେମାନଙ୍କର ପ୍ରଜ୍ଞା ଓ ବିବେକ ନିହିତ ଅଛି । ସେମାନେ ପରସ୍ପର ପ୍ରତି ଭାତୃଭାବ ପୋଷଣ କରି କାର୍ଯ୍ୟ କରିବା ଦରକାର । All human beings are born free and equal in dignity and rights. They are endowed with reason and conscience and should act towards one another in a spirit of brotherhood.

SEE ALSO

* Languages of India
India
* Languages with official status in India
India
* List of Indian languages by total speakers * Brahmic family of scripts
Brahmic family of scripts
* Kalahandia Language * Laxmi Puran * Madala Panji * Sambalpuri Language

REFERENCES

* ^ Mikael Parkvall, "Världens 100 största språk 2007" (The World's 100 Largest Languages in 2007), in Nationalencyklopedin
Nationalencyklopedin
* ^ Bureau, Odishatv. "Odia as official language from tomorrow; linguists doubtful on efficacy of Act Odisha
Odisha
Television Limited". odishatv.in. Retrieved 16 August 2016. * ^ Hammarström (2015) Ethnologue 16/17/18th editions: a comprehensive review: online appendices * ^ Hammarström, Harald; Forkel, Robert; Haspelmath, Martin; Bank, Sebastian, eds. (2016). "Macro-Oriya". Glottolog 2.7 . Jena: Max Planck Institute for the Science of Human History. * ^ http://www.internetworldstats.com/languages.htm * ^ Mahapatra, B.P. (2002). Linguistic Survey of India: Orissa (PDF). Kolkata, India: Language Division, Office of the Registrar General. p. 14. Retrieved 20 February 2014. * ^ "Oriya gets its due in neighbouring state- Orissa- IBNLive". Ibnlive.in.com. 2011-09-04. Retrieved 2012-11-29. * ^ Naresh Chandra Pattanayak (2011-09-01). "Oriya second language in Jharkhand - Times Of India". Articles.timesofindia.indiatimes.com. Retrieved 2012-11-29. * ^ "Bengali, Oriya among 12 dialects as 2nd language in Jharkhand". daily.bhaskar.com. 2011-08-31. Retrieved 2012-11-29. * ^ http://odisha.gov.in/e-magazine/orissareview/2014/mar/engpdf/5-14.pdf * ^ "Odia gets classical language status". The Hindu. 20 February 2014. Retrieved 20 February 2014. * ^ "Odia becomes sixth classical language". The Telegraph. Retrieved 29 March 2015. * ^ "Milestone for state as Odia gets classical language status". The Times of India. Retrieved 29 March 2015. * ^ Pattanayak, Debi Prasanna; Prusty, Subrat Kumar. Classical Odia (PDF). Bhubaneswar
Bhubaneswar
: KIS Foundation. p. 54. Retrieved 26 July 2016. * ^ "Official and Regional Languages of India". 2011-01-25. Archived from the original on 2013-03-08. Retrieved 2012-11-29. * ^ A B Institute of Social Research and Applied Anthropology (2003). Man and Life. 29. Institute of Social Research and Applied Anthropology. Retrieved 31 July 2012. * ^ Subhakanta Behera (2002). Construction of an identity discourse: Oriya literature and the Jagannath cult (1866-1936). Munshiram Manoharlal Publishers. Retrieved 31 July 2012. * ^ Oriya at Ethnologue (18th ed., 2015) * ^ Rabindra Nath Pati, Jagannatha Dash (2002). Tribal and Indigenous People of India: Problems and Prospects. New Delhi: APH PUBLISHING CORPORATION. pp. 51–59. ISBN 81-7648-322-2 . CS1 maint: Uses authors parameter (link ) * ^ Misra, Bijoy (April 11, 2009). Oriya Language and Literature (PDF) (Lecture). Languages and Literature of India. Harvard University. * ^ Classical Odia (PDF). Bhubaneswar: Government of Odisha. Retrieved 16 July 2015. * ^ A B Patnaik, Durga
Durga
(1989). Palm Leaf Etchings of Orissa. New Delhi: Abhinav Publications. p. 11. ISBN 978-8170172482 . * ^ A B Panda, Shishir (1991). Medieval Orissa: A Socio-economic Study. New Delhi: Mittal Publications. p. 106. ISBN 978-8170992615 . * ^ A B Patnaik, Nihar (1997). Economic History of Orissa. New Delhi: Indus Publishing. p. 149. ISBN 978-8173870750 . * ^ Sukhdeva (2002). Living Thoughts of the Ramayana. Jaico Publishing House. p. 7. ISBN 978-81-7992-002-2 . * ^ Sujit Mukherjee (1998). A Dictionary of Indian Literature: Beginnings-1850. Orient Blackswan. p. 420. ISBN 978-81-250-1453-9 . * ^ Beames, Comparative Grammar of Four Languages Vol I, p. 119 * ^ Beames, Comparative Grammar of Four Languages, Vol I, p.120 * ^ Ray (2003 :488–489) * ^ Masica (1991:97) * ^ Ray (2003 :490–491) * ^ Medieval Indian Literature: Surveys and selections. Sahitya Akademi. 1997-01-01. ISBN 9788126003655 . * ^ Biswamoy Pati Situating social history: Orissa, 1800-1997 p30 * ^ The Encyclopaedia Of Indian Literature (Volume Two) (Devraj To Jyoti): 2 p1030 ed. Amaresh Datta - 2006 " Amos Sutton also prepared a dictionary named Sadhu bhasharthabhidhan, a vocabulary of current Sanskrit
Sanskrit
terms with Odia definitions which was also printed in Odisha Mission Press in 1844."

FURTHER READING

* Tripathi, Kunjabihari (1962). The Evolution of Oriya Language and Script (PDF). Cuttack: Utkal University. Archived from the original on 2013-05-10. CS1 maint: Unfit url (link ) * Masica, Colin (1991). The Indo-Aryan Languages. Cambridge Language Surveys. Cambridge: Cambridge University Press. ISBN 978-0-521-29944-2 . * Neukom, Lukas; Patnaik, Manideepa (2003). A Grammar of Oriya. Arbeiten des Seminars für Allgemeine Sprachwissenschaft der Universität Zürich. Zurich: University of Zurich. ISBN 9783952101094 . * Ray, Tapas S. (2003). "Oriya". In Cardona, George; Jain, Dhanesh. The Indo-Aryan Languages. Routledge. pp. 485–522. ISBN 978-0-7007-1130-7 . * Rabindra Nath Pati, Jagannatha Dash (2002). Tribal and Indigenous People of India: Problems and Prospects. India: APH PUBLISHING CORPORATION. pp. 51–59. ISBN 81-7648-322-2 . CS1 maint: Uses authors parameter (link ) * Ghosh, A. (2003). An ethnolinguistic profile of Eastern India: a case of South Orissa. Burdwan: Dept. of Bengali (D.S.A.), University of Burdwan. * Mohanty, Prasanna Kumar (2007). The History of: History of Oriya Literature (Oriya Sahityara Adya Aitihasika Gana). * "Oriya Language and Literature" (PDF). Odia.org. Retrieved 2012-11-29.

EXTERNAL LINKS

ODIA EDITION of , the free encyclopedia

* Media related to Odia language
Odia language
at Wikimedia Commons * Odia phrasebook travel guide from Wikivoyage * Odia * Praharaj, G.C. Purnnachandra Ordia Bhashakosha. Cuttack: Utkal Sahitya Press, 1931-1940. * A Comprehensive English-Oriya Dictionary (1916–1922)

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