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Kāvya
Kāvya (Devanagari: :wikt:काव्य#Devanagari, काव्य, IAST: ''kāvyá'') refers to the Sanskrit literary style used by Kingdoms of Ancient India, Indian court poets flourishing between c.200 BCE and 1200 CE. This literary style, which includes both poetry and prose, is characterised by abundant usage of figure of speech, figures of speech such as metaphors, similes, and hyperbole to create its characteristic emotional effects. The result is a short lyrical work, court epic, narrative or dramatic work. Kāvya can refer to the style or the completed body of literature. Aśvaghoṣa (c. 80–150 AD), a philosopher and poet considered the father of Sanskrit drama, is attributed with first using the term. Early kāvya Although very little literature in the kāvya style written before the time of Kālidāsa (5th century CE) survives, it can be assumed from quotations in Patanjali, Patañjali's grammatical treatise the Mahābhāṣya (2nd century BCE), as well as from po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanskrit
Sanskrit (; attributively , ; nominalization, nominally , , ) is a classical language belonging to the Indo-Aryan languages, Indo-Aryan branch of the Indo-European languages. It arose in South Asia after its predecessor languages had Trans-cultural diffusion, diffused there from the northwest in the late Bronze Age#South Asia, Bronze Age. Sanskrit is the sacred language of Hinduism, the language of classical Hindu philosophy, and of historical texts of Buddhism and Jainism. It was a lingua franca, link language in ancient and medieval South Asia, and upon transmission of Hindu and Buddhist culture to Southeast Asia, East Asia and Central Asia in the early medieval era, it became a language of religion and high culture, and of the political elites in some of these regions. As a result, Sanskrit had a lasting impact on the languages of South Asia, Southeast Asia and East Asia, especially in their formal and learned vocabularies. Sanskrit generally connotes several Indo-Aryan lang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kirātārjunīya
''Kirātārjunīya'' ( sa, किरातार्जुनीय, ''Of Arjuna and the Kirāta'') is an epic poem by Bhāravi, considered to be the most powerful poem in Sanskrit. Believed to have been composed in the 6th century or earlier, it consists of eighteen cantos describing the combat between Arjuna and Lord Shiva (in the guise of a '' kirāta'', or "mountain-dwelling hunter") at Indrakeeladri Hills in present-day Vijayawada. Along with the ''Naiṣadhacarita'' and the ''Shishupala Vadha'', it is one of the larger three of the six Sanskrit mahakavyas, or great epics. It is noted among Sanskrit critics both for its gravity or depth of meaning, and for its forceful and sometimes playful expression. This includes a canto set aside for demonstrating linguistic feats, similar to constrained writing. Later works of epic poetry followed the model of the ''Kirātārjunīya''. Synopsis Overview The ''Kirātārjunīya'' predominantly features the ''Vīra rasa'', or the mood ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bharavi
Bharavi () was a 6th century Indian poet known for his epic poem ''Kirātārjunīya'', one of the six ''mahakavyas'' in classical Sanskrit. Time and place As with most Sanskrit poets, very few concrete details are available about Bharavi's life, and inferences must be made from references to him. His name, along with great poet and dramatist in the Sanskrit language Kālidāsa's name, is mentioned in a Chalukya stone inscription dated 634 C.E. found at Aihole, located in present day Karnataka. In another inscription, the king Durvinita of the Western Ganga Dynasty mentions having written a commentary on the fifteenth canto of Bharavi's Kirātārjunīya. The Western Ganga Dynasty ruled from about the middle of the fourth century, and Durvinita is usually believed to have lived in the later half of the sixth century. The poet Daṇḍin, who was born during the seventh century, reports that his great-grandfather was a friend of Bharavi and was introduced by him to a king Viṣ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kavyadarsha
The Kavyadarsha ( sa, काव्यादर्श, ) by Dandin is the earliest surviving systematic treatment of poetics in Sanskrit. Contents This work is divided into 3 ''pariccheda''s (chapters) in most of the printed editions, except one, where the third chapter of the other editions is further divided into two. Most of the printed editions have 660 verses, except one, which has 663. In ''Kāvyādarśa'', Daṇḍin argued that a poem's beauty derived from its use of rhetorical devices – of which he distinguished thirty-six types. He was the main proponent of ''gunaprasthana'', the view that poetry needed qualities or virtues such as ''shleshha'' (punning), ''prasaada'' (favour), ''samataa'' (sameness), ''maadhurya'' (beauty), ''arthavyakti'' (interpretation), and ''ojah'' (vigour). Poetry consisted in the presence of one of these qualities or a combination of them. Influence The ''Kavyadarsha'' was in ancient times translated into Kannada, Sinhala, Pali, Tamil an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahākāvya
Mahākāvya (lit. great kāvya, court epic), also known as ''sargabandha'', is a genre of Indian epic poetry in Classical Sanskrit. The genre is characterised by ornate and elaborate descriptions of scenery, love, battles and so on — in short, everything that tests a poet's skill at description. Typical examples of ''mahākāvya'' are the ''Kumarasambhava'' and the '' Kiratarjuniya.'' It is considered the most prestigious form in the Sanskrit literature. The genre evolved from the earlier epics, the Mahabharata and the Ramayana. Despite the length of ''mahākāvya''s (15-30 cantos, a total of about 1500-3000 verses), they are still much shorter than the Ramayana (500 cantos, 24000 verses) and the Mahabharata (about 100000 verses). Classical examples The Buddhist poet and philosopher Aśvaghoṣa (c. 80 – c. 150 CE) is one of the earliest Sanskrit poets with surviving Kāvya literature. His '' Buddhacarita'' (''Acts of the Buddha'') calls itself a ''mahākāvya' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aśvaghoṣa
, also transliterated Ashvaghosha, (, अश्वघोष; lit. "Having a Horse-Voice"; ; Chinese 馬鳴菩薩 pinyin: Mǎmíng púsà, litt.: ' Bodhisattva with a Horse-Voice') CE) was a Sarvāstivāda or Mahasanghika Buddhist philosopher, dramatist, poet and orator from India. He was born in Saketa, today known as Ayodhya. He is believed to have been the first Sanskrit dramatist, and is considered the greatest Indian poet prior to Kālidāsa. It seems probable that he was the contemporary and spiritual adviser of Kanishka in the first century of our era. He was the most famous in a group of Buddhist court writers, whose epics rivalled the contemporary Ramayana. Whereas much of Buddhist literature prior to the time of Aśvaghoṣa had been composed in Pāli and Prakrit, Aśvaghoṣa wrote in Classical Sanskrit. Life He is said to have been born in Ayodhya. His original (lay) name is unknown, Aśvaghosa being a later nickname only. According to the traditional b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naishadha Charita
''Naishadha Charita'', also known as Naishadhiya Charita (), is a poem in Sanskrit on the life of Nala, the king of Nishadha. Written by Sriharsha, it is considered one of the five ''mahakavyas'' (great epic poems) in the canon of Sanskrit literature. It was composed by Śrī Harṣa in the court of Gahaḍavāla King Jayachandra. Contents ''Naishadha Charita'' presents the story of Nala's early life; his falling in love with Damayanti, their marriage, and honeymoon. This '' mahakavya '' is divided into two parts – ''Purva'' and ''Uttara'', each of them containing eleven cantos or divisions. Its story is that of Nala and Damayanti, the daughter of Bhima, the king of Vidarbha. This story is first related in the 3rd part of ''Vanaparva'' of the Mahabharata, where the treatment is different. The language of the Naishadha Charita is highly elaborate and polished, with continual play upon words and variety of metres. Shishupala Vadha of Magha and ''Naishadha Charita'' of Srih ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magha (poet)
Magha (c. 7th century) ( sa, माघ, ) was a Sanskrit poet at King Varmalata's court at Shrimala, the then-capital of Gujarat (presently in Rajasthan state). Magha was born in a Shrimali Brahmin family. He was the son of Dattaka Sarvacharya and the grandson of Suprabhadeva. His epic poem (''mahākāvya'') Shishupala Vadha, in 20 ''sarga''s (cantos), is based on the Mahabharata episode in which Krishna uses his ''chakra'' (disc) to behead the defiant king Shishupala. He is thought to have been inspired by, and is often compared with, Bharavi. Life and work Māgha's fame rests entirely on the Shishupala Vadha. Vallabhadeva and Kshemendra quote some verses that are not found in the Shishupala Vadha as that of Māgha, so it is believed that Māgha wrote some other works that are now lost. Unlike most Indian poets who give no autobiographical details or allude to any contemporary events, Māgha gives some autobiographical details in the concluding five verses of the work (kn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shishupala Vadha
The Shishupala Vadha ( sa, शिशुपालवध, IAST: ''Śiśupāla-vadha'', ''lit.'' "the slaying of Shishupala") is a work of classical Sanskrit poetry (''kāvya'') composed by Māgha in the 7th or 8th century. It is an epic poem in 20 ''sarga''s (cantos) of about 1800 highly ornate stanzas, and is considered one of the five Sanskrit ''mahakavya''s, or "great epics". It is also known as the ''Māgha-kāvya'' after its author. Like other ''kavya''s, it is admired more for its exquisite descriptions and lyrical quality than for any dramatic development of plot. Its 19th canto is noted for verbal gymnastics and wordplay; see the section on linguistic ingenuity below. Contents As with most Sanskrit ''kāvya'', the plot is drawn from one of the epics, in this case the Mahabharata. In the original story, Shishupala, king of the Chedis in central India, after insulting Lord Krishna several times in an assembly, finally enrages him and has his head struck off. The 10th-century ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shriharsha
Shri-harsha ( IAST: Śrīharṣa) was a 7th century Indian philosopher and poet. Shri Harsha's works concern Advaita Vedanta, Nyaya and other themes in Hindu Philosophy. Early life Śrīharṣa was the son of Śrīhira and Mamalladevī. His father, Śrīhira, was a poet in the court of the Gahadavala king Vijayachandra. His father was also a guide of common people towards god with vedas, Bhagavad Gita's thoughts etc. His father asked Harsha at the time of his death to study well and become a pandit. He told him to use his shiksha (education) towards making life of common people divinity oriented and better. Also, he told Śrīharṣa to take thoughts of Bhagavad Gita to every one. Śrīharṣa went to gurukul for education and studied under Guru's guidance. He mastered all scriptures and all schools of thoughts prevailing at that time. He wrote the unparalleled book (granth), खण्डन-खण्ड-खाद्य, on Advaia Vedanta. In this book, he has refuted Nyayadar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Devanagari
Devanagari ( ; , , Sanskrit pronunciation: ), also called Nagari (),Kathleen Kuiper (2010), The Culture of India, New York: The Rosen Publishing Group, , page 83 is a left-to-right abugida (a type of segmental writing system), based on the ancient ''Brāhmī'' script, used in the northern Indian subcontinent. It was developed and in regular use by the 7th century CE. The Devanagari script, composed of 47 primary characters, including 14 vowels and 33 consonants, is the fourth most widely adopted writing system in the world, being used for over 120 languages.Devanagari (Nagari) , Script Features and Description, SIL International (2013), United States The |
Bhaṭṭikāvya
' (; "Bhatti's Poem") is a Sanskrit-language poem dating from the 7th century CE, in the formal genre of "great poem" (mahākāvya). It focuses on two deeply rooted Sanskrit traditions, the ''Ramayana'' and Panini's grammar, while incorporating numerous other traditions, in a rich mix of science and art, poetically retelling the adventures of Rama and a compendium of examples of grammar and rhetoric. As literature, it is often considered to stand comparison with the best of Sanskrit poetry. The ' also has ' ("The Death of ") as an alternative title. It is improbable that this was the original title as Ravana's death is only one short episode in the whole poem. It may have acquired this title to distinguish it from other works concerning themselves with the deeds of . The poem is the earliest example of an "instructional poem" or '. That is not a treatise written in verse but an imaginative piece of literature which is also intended to be instructive in specific subjects. To modern ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
