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Hobart Van Zandt Bosworth (August 11, 1867 – December 30, 1943) was an American film actor, director, writer, and producer.[1]

Contents

1 Early life 2 Career 3 Death and legacy 4 Partial filmography 5 References 6 External links

Early life[edit] He was born on August 11, 1867, in Marietta, Ohio. He was a descendant of Miles Standish
Miles Standish
and John and Priscilla Alden
Priscilla Alden
on his father's side and of New York's Van Zandt family, the first Dutch settlers to land in the New World, on his mother's side. Bosworth was always proud of his lineage. After his mother died, his father remarried and young Hobart took a dislike to his stepmother. Considering himself "ill used and cruelly treated", as he told an interviewer in 1914, he ran away to New York City. There he signed on as a cabin boy aboard the Sovereign of the Seas, a clipper ship, and was soon out to sea. After his first voyage, a five-month trip that took him from New York to San Francisco, Hobart spent his wages on candy. (Sleeping it off on a bench in the park in back of Trinity Church, the young boy didn't know when dozing off that the organ music was being played by his own uncle. A Captain Roberts, who found stevedore work for young Hobart, told him of his uncle's presence in San Francisco.) He continued as a sailor as the sea was in his family's blood, eventually spending three years at sea.

Hobart Bosworth
Hobart Bosworth
in costume

He once told an interviewer, "All my people were of the sea and my father was a naval officer". He spent eleven months on an old fashioned whaler plying the Arctic. Back in San Francisco, he found work at odd jobs. When not otherwise occupied becoming a semi-professional boxer and wrestler, Bosworth tried ranching in Southern California
Southern California
and Mexico, where he learned to become an expert horseman. Finally, his interest in the arts led him to the stage. Career[edit] Thinking he would like to become a landscape painter, a friend suggested that he work as a stage manager to raise the money to study art. Acting on his friend's advice, Bosworth obtained a job with McKee Rankin as a stage manager at the California Theatre in San Francisco. Earning some money, he undertook the study of painting. Eventually, he was pressed into duty as an actor in a small part with three lines. Though he botched the lines, he was given other small roles. Bosworth was eighteen years old, and on the cusp of a life in the theater.

From left to right, Monte Blue, Miriam Cooper, and Hobart Bosworth
Hobart Bosworth
in costume for a publicity still for the silent drama Betrayed (1917)

Hobart signed on with Louis Morrison to be part of a road company for a season as both an actor and as Morrison's dresser, playing Shakespeare's Cymbeline
Cymbeline
and Measure for Measure. During his time with the company, Hobart and another writer wrote a version of Faust
Faust
that Morrison used for twenty years in repertory. By 1887, he was acting at the Alcazar Theatre in San Francisco. He became proficient enough on stage to give Shakespearean
Shakespearean
canon by the time he was twenty-one years old, though he admitted that he was the worst Macbeth
Macbeth
ever. Bosworth eventually wound up in Park City, Utah, where he worked in a mine, pushing an ore wagon in order to raise money. He escaped the pits to tour with the magician Hermann the Great as the conjurer's assistant for a tour through Mexico. For the first time in eleven years, the 21-year-old Bosworth met his father. Hobart recalled, "He looked at me and said, "Hum! I couldn't lick you now, son." They never met again. He arrived back in New York in December 1888, and was hired by Augustine Daly to play "Charles the Wrestler" in As You Like It. He did so well in the role, Daly kept him on. Bosworth remained with Daly's company for ten years, in which he played mostly minor parts. Seven times while he was with the company they made foreign tours, playing in Berlin, Cologne, London, Paris
Paris
and other European cities. Playing exclusively small parts eroded his confidence,[citation needed] and Bosworth left Daly to sign on with Julia Marlowe, who cast him in leads in Shakespearean
Shakespearean
plays. Just as Bosworth began to taste stage stardom in New York, he was stricken with tuberculosis, a disease often fatal in the 19th and early 20th centuries. Bosworth was forced to give up the stage, and he was not allowed to exert himself indoors. Though he made a rapid recovery, he returned to the stage too quickly and suffered a relapse. For the rest of his working life, he balanced his acting with periods of rest so as to keep his tuberculosis in remission. Bosworth re-established himself as a lead actor on the New York stage, appearing in the 1903 Broadway revival of Henrik Ibsen's Hedda Gabler. He also appeared that year on the Great White Way
Great White Way
as the lead in Marta of the Lowlands. This role propelled him to Broadway stardom. However, he was forced again to give up the stage when he lost seventy pounds in ten weeks due to his illness.[citation needed] Bosworth moved to Tempe, Arizona, to partake of the climate to improve his health. Eventually, he got the disease under control again. While not severely handicapped, he was forced to remain in a warm climate lest he suffer a relapse. The disease robbed him of his voice as well, but there was a new medium for actors: silent films. Bosworth moved to San Diego, and in 1908 he was contracted to make a motion picture by the Selig Polyscope Company. Shooting was to be done in the outdoors, and he did not have to use his voice, which was in poor condition. Bosworth once said, "I believe, after all, that it is the motion pictures that have saved my life. How could I have lived on and on, without being able to carry out any of my cherished ambitions? What would my life have meant? Here, in pictures, I am realizing my biggest hopes." Signing with the Selig Polyscope Co., Hobart eventually convinced the movie company to move to Los Angeles. Bosworth is widely credited with being the star of the first movie made on the West Coast.[1] Due to his role in pioneering the film industry in California, Bosworth often was referred to as the "Dean of Hollywood". He wrote the scenarios for the second and third pictures he acted in, and directed the third. According to his own count, he eventually wrote 112 scenarios and produced eighty-four pictures with Selig. Bosworth was attracted to Jack London's work due to his out-of-doors filming experience and the requirements of his health, which precluded acting in studios. In 1913, he started his own company, Hobart Bosworth
Hobart Bosworth
Productions Company, to produce a series of Jack London
London
melodramas. He produced and directed the company's first picture, playing Wolf Larsen in The Sea Wolf. London
London
himself appeared as a sailor.[citation needed] The movie was released in the U.S. by The W.W. Hodkinson Corp. and States Right Independent Exchanges. D.W. Griffith
D.W. Griffith
also released a Jack London
London
picture that year, Two Men of the Desert, but Hobart followed up The Sea Wolf
The Sea Wolf
with The Chechako. The Chechako and some other Bosworth- London
London
pictures were distributed through Paramount Pictures. Bosworth directed the follow-up, The Valley of the Moon, in which he also had a supporting role as an actor. He also appeared as an actor in John Barleycorn, which he co-directed with J. Charles Haydon. He produced, directed, wrote, and acted in Martin Eden and An Odyssey of the North, playing the lead in the latter, which was released by Paramount. He finished up the series by producing, directing, and playing the lead in the two-part "Burning Daylight" series, The Adventures of Burning Daylight. Both were released by Paramount. Soon Bosworth joined the Oliver Photography Company. Subsequently, Bosworth Inc. and Oliver Morosco
Oliver Morosco
Productions released a total of thirty-one pictures, most which starred Bosworth. The company ceased operations after producing The Sea Lion.

In a scene still for the 1919 silent drama Behind the Door, German U-boat commander Lieutenant Brandt (played by Wallace Beery) is being throttled by American Merchant Marine Captain Oscar Krug (Hobart Bosworth).

The merger with Paramount ended the period in Bosworth's creative life where he was a major force in the motion picture industry, which was undergoing changes as the industry matured and solidified. He directed one other picture before the merger, The White Scar, which he also wrote and starred in for the Universal Film Manufacturing Company. After his own production company closed, Hobart wound up playing supporting roles as an actor. He divorced his first wife, Adele Farrington, in 1919. On 22 December 1920 he married Cecile Kibre, widow of G. Harold Percival, who had been art director at Ince Studio and who had died of influenza in 1918. Cecile Kibre had a son by Percival, named George, whom Hobart Bosworth later adopted as his son. Bosworth survived motion pictures' transition to sound, or "talkies". Aside from appearing in Warner Brothers' showcase, The Show of Shows (1929), his talking debut proper was in the film short A Man in Peace, for Vitaphone, while his first sound feature was Vitaphone's Ruritanian romance
Ruritanian romance
General Crack, starring John Barrymore. Although he appeared in small roles in A-list films, Bosworth primarily made his living as a prominently billed character actor in B-Westerns
B-Westerns
and serials churned out by Poverty Row studios. In all his roles in A and B pictures, he usually was typecast in a fatherly role, as a clergyman, judge, grandparent, etc. Death and legacy[edit] Hobart Bosworth
Hobart Bosworth
died of pneumonia in Glendale, California, aged 76.[1] He was survived by his second wife, Cecile and his son George. He was entombed in Glendale's Forest Lawn Memorial Park with a private mausoleum. For his contributions to the film industry, Bosworth received a motion pictures star on the Hollywood Walk of Fame
Hollywood Walk of Fame
in 1960. The star is located at 6522 Hollywood Boulevard.[2] Partial filmography[edit]

The Count of Monte Cristo (1908) Dr. Jekyll and Mr. Hyde (1908) Rip Van Winkle (1908) Damon and Pythias (1908) The Spirit of '76 (1908) On Thanksgiving Day (1908) The Tenderfoot (1909) Boots and Saddles (1909) In the Badlands (1909) Fighting Bob (1909) In the Sultan's Power (1909) The Leopard Queen (1909) Across the Plains (1910) The Wonderful Wizard of Oz (1910) (undetermined) Davy Crockett (1910) The Sergeant (1910) - extant Brown of Harvard (1911) (uncredited) Alas! Poor Yorick!
Alas! Poor Yorick!
(1913 short) Buckshot John
Buckshot John
(1915) (also directed) Oliver Twist (1916) Joan the Woman
Joan the Woman
(1916) A Mormon Maid
A Mormon Maid
(1917) The Little American
The Little American
(1917) (uncredited) The Devil-Stone
The Devil-Stone
(1917) Betrayed (1917) The Border Legion (1918) Behind the Door (1919) – extant; Library of Congress Below the Surface (1920) – extant; DVD His Own Law
His Own Law
(1920) – extant; Library of Congress The Foolish Matrons
The Foolish Matrons
(1921) Blind Hearts
Blind Hearts
(1921) – extant; Library of Congress The Sea Lion
The Sea Lion
(1921) – extant; Library of Congress, DVD Vanity Fair (1923) Little Church Around the Corner (1923) The Common Law (1923) The Eternal Three (1923) Through the Dark (1924) Name the Man (1924) Nellie, the Beautiful Cloak Model (1924) Captain January (1924) Hello, 'Frisco (1924) Hearts of Oak (1924) The Silent Watcher
The Silent Watcher
(1924) My Son (1925) Zander the Great
Zander the Great
(1925) Chickie(1925) The Half-Way Girl
The Half-Way Girl
(1925) The Big Parade
The Big Parade
(1925) The Far Cry
The Far Cry
(1926) Spangles (1926) The Blood Ship (1927) Annie Laurie (1927) The Chinese Parrot (1927) My Best Girl (1927) After the Storm (1928) Hangman's House
Hangman's House
(1928) The Sawdust Paradise
The Sawdust Paradise
(1928) A Woman of Affairs
A Woman of Affairs
(1928) Hurricane (1929) Eternal Love (1929) The Show of Shows (1929) General Crack
General Crack
(1930) The Devil's Holiday (1930) Abraham Lincoln (1930) The Office Wife
The Office Wife
(1930) The Third Alarm (1930) Just Imagine
Just Imagine
(1930) Dirigible (1931) This Modern Age
This Modern Age
(1931) Fanny Foley Herself
Fanny Foley Herself
(1931) Carnival Boat
Carnival Boat
(1932) The Miracle Man (1932) The Last of the Mohicans (1932 serial) The Phantom Express
The Phantom Express
(1932) The County Fair (1932) Music in the Air (1934) Whom the Gods Destroy (1934) The Dark Hour (1936) General Spanky
General Spanky
(1936) The Secret of Treasure Island
The Secret of Treasure Island
(1938 serial) Rollin' Plains
Rollin' Plains
(1938) Law of the Tropics (1941) Sin Town (1942) I Was Framed (1942)

References[edit]

^ a b c "Hobart Bosorth, Film Pioneer, Dies. Played Lead in First Movie Made in Los Angeles. Star of Many Screen Epics". New York Times. December 31, 1943. Retrieved 2013-12-23.  ^ " Hollywood Walk of Fame
Hollywood Walk of Fame
- Hobart Bosworth". walkoffame.com. Hollywood Chamber of Commerce. Retrieved November 29, 2017. 

External links[edit]

Wikimedia Commons has media related to Hobart Bosworth.

Hobart Bosworth
Hobart Bosworth
on IMDb Hobart Bosworth
Hobart Bosworth
at the Internet Broadway Database
Internet Broadway Database
Hobart Bosworth
Hobart Bosworth
at Find a Grave Hobart Bosworth
Hobart Bosworth
at Virtual History

Authority control

WorldCat Identities VIAF: 22402908 LCCN: n85151891 ISNI: 0000 0000 2844 6224 SUDOC: 16479400X BNF: cb14670356n (da

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