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Giuseppe Fortunino Francesco Verdi (; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his
opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librett ...
s. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the help of a local patron. Verdi came to dominate the
Italian opera Italian opera is both the art of opera in Italy and opera in the Italian language. Opera was born in Italy around the year 1600 and Italian opera has continued to play a dominant role in the history of the form until the present day. Many famous ...
scene after the era of
Gioachino Rossini Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards f ...
,
Gaetano Donizetti Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the '' bel canto'' opera style dur ...
, and
Vincenzo Bellini Vincenzo Salvatore Carmelo Francesco Bellini (; 3 November 1801 – 23 September 1835) was a Sicilian opera composer, who was known for his long-flowing melodic lines for which he was named "the Swan of Catania". Many years later, in 1898, Giu ...
, whose works significantly influenced him. In his early operas, Verdi demonstrated a sympathy with the Risorgimento movement which sought the unification of Italy. He also participated briefly as an elected politician. The chorus " Va, pensiero" from his early opera ''
Nabucco ''Nabucco'' (, short for Nabucodonosor ; en, " Nebuchadnezzar") is an Italian-language opera in four acts composed in 1841 by Giuseppe Verdi to an Italian libretto by Temistocle Solera. The libretto is based on the biblical books of 2 Kings, ...
'' (1842), and similar choruses in later operas, were much in the spirit of the unification movement, and the composer himself became esteemed as a representative of these ideals. An intensely private person, Verdi did not seek to ingratiate himself with popular movements. As he became professionally successful, he was able to reduce his operatic workload and sought to establish himself as a landowner in his native region. He surprised the musical world by returning, after his success with the opera '' Aida'' (1871), with three late masterpieces: his
Requiem A Requiem or Requiem Mass, also known as Mass for the dead ( la, Missa pro defunctis) or Mass of the dead ( la, Missa defunctorum), is a Mass of the Catholic Church offered for the repose of the soul or souls of one or more deceased persons, ...
(1874), and the operas ''
Otello ''Otello'' () is an opera in four acts by Giuseppe Verdi to an Italian libretto by Arrigo Boito, based on Shakespeare's play ''Othello''. It was Verdi's penultimate opera, first performed at the Teatro alla Scala, Milan, on 5 February 1887. Th ...
'' (1887) and ''
Falstaff Sir John Falstaff is a fictional character who appears in three plays by William Shakespeare and is eulogised in a fourth. His significance as a fully developed character is primarily formed in the plays '' Henry IV, Part 1'' and '' Part 2'', w ...
'' (1893). His operas remain extremely popular, especially the three peaks of his 'middle period': '' Rigoletto'', '' Il trovatore'' and ''
La traviata ''La traviata'' (; ''The Fallen Woman'') is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on ''La Dame aux camélias'' (1852), a play by Alexandre Dumas ''fils'' adapted from his own 18 ...
''. The bicentenary of his birth in 2013 was widely celebrated in broadcasts and performances.


Life


Childhood and education

Verdi, the first child of Carlo Giuseppe Verdi (1785–1867) and Luigia Uttini (1787–1851), was born at their home in
Le Roncole Le Roncole (today known as Roncole Verdi) is a village in the province of Parma (Emilia-Romagna region) of Italy, a ''frazione'' of the ''comune'' of Busseto. It is located 140 km southeast of Milan. It is best known as the birthplace on 9 ...
, a village near Busseto, then in the Département Taro and within the borders of the
First French Empire The First French Empire, officially the French Republic, then the French Empire (; Latin: ) after 1809, also known as Napoleonic France, was the empire ruled by Napoleon Bonaparte, who established French hegemony over much of continental Eu ...
following the annexation of the
Duchy of Parma and Piacenza The Duchy of Parma and Piacenza ( it, Ducato di Parma e Piacenza, la, Ducatus Parmae et Placentiae), was an Italian state created in 1545 and located in northern Italy, in the current region of Emilia-Romagna. Originally a realm of the Farnes ...
in 1808. The baptismal register, prepared on 11 October 1813, lists his parents Carlo and Luigia as "innkeeper" and "spinner" respectively. Additionally, it lists Verdi as being "born yesterday", but since days were often considered to begin at sunset, this could have meant either 9 or 10 October. Following his mother, Verdi always celebrated his birthday on 9 October, the day he himself believed he was born. Verdi had a younger sister, Giuseppa, who died aged 17 in 1833. She is said to have been his closest friend during childhood. From the age of four, Verdi was given private lessons in Latin and Italian by the village schoolmaster, Baistrocchi, and at six he attended the local school. After learning to play the
organ Organ may refer to: Biology * Organ (biology), a part of an organism Musical instruments * Organ (music), a family of keyboard musical instruments characterized by sustained tone ** Electronic organ, an electronic keyboard instrument ** Hammond ...
, he showed so much interest in music that his parents finally provided him with a
spinet A spinet is a smaller type of harpsichord or other keyboard instrument, such as a piano or organ. Harpsichords When the term ''spinet'' is used to designate a harpsichord, typically what is meant is the ''bentside spinet'', described in this ...
. Verdi's gift for music was already apparent by 1820–21 when he began his association with the local church, serving in the choir, acting as an altar boy for a while, and taking organ lessons. After Baistrocchi's death, Verdi, at the age of eight, became the official paid organist. The music historian Roger Parker points out that both of Verdi's parents "belonged to families of small landowners and traders, certainly not the illiterate peasants from which Verdi later liked to present himself as having emerged... Carlo Verdi was energetic in furthering his son's education...something which Verdi tended to hide in later life... e picture emerges of youthful precocity eagerly nurtured by an ambitious father and of a sustained, sophisticated and elaborate formal education." In 1823, when he was 10, Verdi's parents arranged for the boy to attend school in Busseto, enrolling him in a ''Ginnasio''—an upper school for boys—run by Don Pietro Seletti, while they continued to run their inn at Le Roncole. Verdi returned to Busseto regularly to play the organ on Sundays, covering the distance of several kilometres on foot. At age 11, Verdi received schooling in Italian, Latin, the humanities, and rhetoric. By the time he was 12, he began lessons with
Ferdinando Provesi Ferdinando Angelo Maria Provesi (1770 – 1833) was a native of Parma, Italy. He was regarded as one of the greatest Italian opera composers of the era . Provesi is best known as being an early tutor of Giuseppe Verdi when he was the ''Maestro di c ...
, ''maestro di cappella'' at San Bartolomeo, director of the municipal music school and co-director of the local ''Società Filarmonica'' (Philharmonic Society). Verdi later stated: "From the ages of 13 to 18 I wrote a motley assortment of pieces: marches for band by the hundred, perhaps as many little ''sinfonie'' that were used in church, in the theatre and at concerts, five or six
concerto A concerto (; plural ''concertos'', or ''concerti'' from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The typi ...
s and sets of
variations Variation or Variations may refer to: Science and mathematics * Variation (astronomy), any perturbation of the mean motion or orbit of a planet or satellite, particularly of the moon * Genetic variation, the difference in DNA among individuals ...
for pianoforte, which I played myself at concerts, many
serenade In music, a serenade (; also sometimes called a serenata, from the Italian) is a musical composition or performance delivered in honor of someone or something. Serenades are typically calm, light pieces of music. The term comes from the Italian w ...
s,
cantata A cantata (; ; literally "sung", past participle feminine singular of the Italian verb ''cantare'', "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir. The meaning of ...
s (
aria In music, an aria (Italian: ; plural: ''arie'' , or ''arias'' in common usage, diminutive form arietta , plural ariette, or in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompanime ...
s, duets, very many trios) and various pieces of church music, of which I remember only a ''
Stabat Mater The Stabat Mater is a 13th-century Christian hymn to Mary, which portrays her suffering as Jesus Christ's mother during his crucifixion. Its author may be either the Franciscan friar Jacopone da Todi or Pope Innocent III.Sabatier, Paul ''Life o ...
''." This information comes from the ''Autobiographical Sketch'' which Verdi dictated to the publisher
Giulio Ricordi Giulio Ricordi (19 December 1840 in Milan – 6 June 1912 in Milan) was an Italian editing, editor and musician who joined the family firm, the Casa Ricordi music publishing house, in 1863, then run by his father, Tito, the son of the company' ...
late in life, in 1879, and remains the leading source for his early life and career. Written, understandably, with the benefit of hindsight, it is not always reliable when dealing with issues more contentious than those of his childhood. The other director of the Philharmonic Society was , a wholesale grocer and distiller, who was described by a contemporary as a "manic dilettante" of music. The young Verdi did not immediately become involved with the Philharmonic. By June 1827, he had graduated with honours from the ''Ginnasio'' and was able to focus solely on music under Provesi. By chance, when he was 13, Verdi was asked to step in as a replacement to play in what became his first public event in his home town; he was an immediate success mostly playing his own music to the surprise of many and receiving strong local recognition. By 1829–30, Verdi had established himself as a leader of the Philharmonic: "none of us could rival him" reported the secretary of the organisation, Giuseppe Demaldè. An eight-movement cantata, ''I deliri di Saul'', based on a drama by Vittorio Alfieri, was written by Verdi when he was 15 and performed in
Bergamo Bergamo (; lmo, Bèrghem ; from the proto- Germanic elements *''berg +*heim'', the "mountain home") is a city in the alpine Lombardy region of northern Italy, approximately northeast of Milan, and about from Switzerland, the alpine lakes Como ...
. It was acclaimed by both Demaldè and Barezzi, who commented: "He shows a vivid imagination, a philosophical outlook, and sound judgment in the arrangement of instrumental parts." In late 1829, Verdi had completed his studies with Provesi, who declared that he had no more to teach him. At the time, Verdi had been giving singing and piano lessons to Barezzi's daughter Margherita; by 1831, they were unofficially engaged. Verdi set his sights on Milan, then the cultural capital of northern Italy, where he applied unsuccessfully to study at the Conservatory. Barezzi made arrangements for him to become a private pupil of , who had been ''maestro concertatore'' at
La Scala La Scala (, , ; abbreviation in Italian of the official name ) is a famous opera house in Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as the ' (New Royal-Ducal Theatre alla Scala). The premiere performan ...
, and who described Verdi's compositions as "very promising". Lavigna encouraged Verdi to take out a subscription to La Scala, where he heard Maria Malibran in operas by
Gioachino Rossini Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards f ...
and
Vincenzo Bellini Vincenzo Salvatore Carmelo Francesco Bellini (; 3 November 1801 – 23 September 1835) was a Sicilian opera composer, who was known for his long-flowing melodic lines for which he was named "the Swan of Catania". Many years later, in 1898, Giu ...
. Verdi began making connections in the Milanese world of music that were to stand him in good stead. These included an introduction by Lavigna to an amateur choral group, the ''Società Filarmonica'', led by Pietro Massini. Attending the ''Società'' frequently in 1834, Verdi soon found himself functioning as rehearsal director (for Rossini's '' La cenerentola'') and continuo player. It was Massini who encouraged him to write his first opera, originally titled ''Rocester'', to a libretto by the journalist Antonio Piazza.


1834–1842: First operas

List of compositions by Giuseppe Verdi The following is a list of published compositions by the composer Giuseppe Verdi (1813–1901). List of operas and revisions Revision of earlier opera, including translations with material musical changes. Incomplete projects *''Re Lear'' ...
In mid-1834, Verdi sought to acquire Provesi's former post in Busseto but without success. But with Barezzi's help he did obtain the secular post of ''maestro di musica''. He taught, gave lessons, and conducted the Philharmonic for several months before returning to Milan in early 1835. By the following July, he obtained his certification from Lavigna. Eventually in 1835 Verdi became director of the Busseto school with a three-year contract. He married Margherita in May 1836, and by March 1837, she had given birth to their first child, Virginia Maria Luigia on 26 March 1837. Icilio Romano followed on 11 July 1838. Both the children died young, Virginia on 12 August 1838, Icilio on 22 October 1839. In 1837, the young composer asked for Massini's assistance to stage his opera in Milan. The La Scala impresario, Bartolomeo Merelli, agreed to put on '' Oberto'' (as the reworked opera was now called, with a libretto rewritten by Temistocle Solera) in November 1839. It achieved a respectable 13 additional performances, following which Merelli offered Verdi a contract for three more works. While Verdi was working on his second opera ''
Un giorno di regno ''Un giorno di regno, ossia Il finto Stanislao'' (''A One-Day Reign, or The Pretend Stanislaus'', but often translated into English as ''King for a Day'') is an operatic '' melodramma giocoso'' in two acts by Giuseppe Verdi to an Italian libretto ...
'', Margherita died of
encephalitis Encephalitis is inflammation of the brain. The severity can be variable with symptoms including reduction or alteration in consciousness, headache, fever, confusion, a stiff neck, and vomiting. Complications may include seizures, hallucinations, ...
at the age of 26. Verdi adored his wife and children and was devastated by their early deaths. ''Un giorno'', a comedy, was premiered only a few months later. It was a flop and only given the one performance. Following its failure, it is claimed Verdi vowed never to compose again, but in his ''Sketch'' he recounts how Merelli persuaded him to write a new opera. Verdi was to claim that he gradually began to work on the music for ''
Nabucco ''Nabucco'' (, short for Nabucodonosor ; en, " Nebuchadnezzar") is an Italian-language opera in four acts composed in 1841 by Giuseppe Verdi to an Italian libretto by Temistocle Solera. The libretto is based on the biblical books of 2 Kings, ...
'', the libretto of which had originally been rejected by the composer
Otto Nicolai Carl Otto Ehrenfried Nicolai (9 June 1810 – 11 May 1849) was a German composer, conductor, and one of the founders of the Vienna Philharmonic. Nicolai is best known for his operatic version of Shakespeare's comedy ''The Merry Wives of Wi ...
: "This verse today, tomorrow that, here a note, there a whole phrase, and little by little the opera was written", he later recalled. By the autumn of 1841 it was complete, originally under the title ''Nabucodonosor''. Well received at its first performance on 9 March 1842, ''Nabucco'' underpinned Verdi's success until his retirement from the theatre, twenty-nine operas (including some revised and updated versions) later. At its revival in La Scala for the 1842 autumn season it was given an unprecedented (and later unequalled) total of 57 performances; within three years it had reached (among other venues) Vienna, Lisbon, Barcelona, Berlin, Paris and Hamburg; in 1848 it was heard in New York, in 1850 in Buenos Aires. Porter comments that "similar accounts...could be provided to show how widely and rapidly all erdi'sother successful operas were disseminated."


1842–1849

A period of hard work for Verdi—with the creation of twenty operas (excluding revisions and translations)—followed over the next sixteen years, culminating in ''
Un ballo in maschera ''Un ballo in maschera'' ''(A Masked Ball)'' is an 1859 opera in three acts by Giuseppe Verdi. The text, by Antonio Somma, was based on Eugène Scribe's libretto for Daniel Auber's 1833 five act opera, '' Gustave III, ou Le bal masqué''. The ...
''. This period was not without its frustrations and setbacks for the young composer, and he was frequently demoralised. In April 1845, in connection with '' I due Foscari'', he wrote: "I am happy, no matter what reception it gets, and I am utterly indifferent to everything. I cannot wait for these next three years to pass. I have to write six operas, then ''addio'' to everything." In 1858 Verdi complained: "Since ''Nabucco'', you may say, I have never had one hour of peace. Sixteen years in the galleys." After the initial success of ''Nabucco'', Verdi settled in Milan, making a number of influential acquaintances. He attended the ''Salotto Maffei'', Countess
Clara Maffei Elena Clara Antonia Carrara Spinelli (13 March 1814, in Bergamo – 13 July 1886, in Milan) was an Italian woman of letters and backer of the Risorgimento, usually known by her married name of countess Clara Maffei or Chiarina Maffei. Life At 17 ...
's
salon Salon may refer to: Common meanings * Beauty salon, a venue for cosmetic treatments * French term for a drawing room, an architectural space in a home * Salon (gathering), a meeting for learning or enjoyment Arts and entertainment * Salon (P ...
s in Milan, becoming her lifelong friend and correspondent. A revival of ''Nabucco'' followed in 1842 at La Scala where it received a run of fifty-seven performances, and this led to a commission from Merelli for a new opera for the 1843 season. ''
I Lombardi alla prima crociata ''I Lombardi alla Prima Crociata'' (''The Lombards on the First Crusade'') is an operatic ''dramma lirico'' in four acts by Giuseppe Verdi to an Italian libretto by Temistocle Solera, based on an epic poem by Tommaso Grossi, which was "very much a ...
'' was based on a libretto by Solera and premiered in February 1843. Inevitably, comparisons were made with ''Nabucco''; but one contemporary writer noted: "If 'Nabucco''created this young man's reputation, ''I Lombardi'' served to confirm it." Verdi paid close attention to his financial contracts, making sure he was appropriately remunerated as his popularity increased. For ''I Lombardi'' and ''
Ernani ''Ernani'' is an operatic ''dramma lirico'' in four acts by Giuseppe Verdi to an Italian libretto by Francesco Maria Piave, based on the 1830 play ''Hernani (drama), Hernani'' by Victor Hugo. Verdi was commissioned by the Teatro La Fenice in V ...
'' (1844) in Venice he was paid 12,000 lire (including supervision of the productions); ''
Attila Attila (, ; ), frequently called Attila the Hun, was the ruler of the Huns The Huns were a nomadic people who lived in Central Asia, the Caucasus, and Eastern Europe between the 4th and 6th century AD. According to European traditio ...
'' and ''
Macbeth ''Macbeth'' (, full title ''The Tragedie of Macbeth'') is a tragedy by William Shakespeare. It is thought to have been first performed in 1606. It dramatises the damaging physical and psychological effects of political ambition on those w ...
'' (1847), each brought him 18,000 lire. His contracts with the publishers Ricordi in 1847 were very specific about the amounts he was to receive for new works, first productions, musical arrangements, and so on. He began to use his growing prosperity to invest in land near his birthplace. In 1844 he purchased Il Pulgaro, 62 acres (23 hectares) of farmland with a farmhouse and outbuildings, providing a home for his parents from May 1844. Later that year, he also bought the Palazzo Cavalli (now known as the Palazzo Orlandi) on the via Roma, Busseto's main street. In May 1848, Verdi signed a contract for land and houses at Sant'Agata in Busseto, which had once belonged to his family. It was here he built his own house, completed in 1880, now known as the Villa Verdi, where he lived from 1851 until his death. In March 1843, Verdi visited Vienna (where
Gaetano Donizetti Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the '' bel canto'' opera style dur ...
was musical director) to oversee a production of ''Nabucco''. The older composer, recognising Verdi's talent, noted in a letter of January 1844: "I am very, very happy to give way to people of talent like Verdi... Nothing will prevent the good Verdi from soon reaching one of the most honourable positions in the cohort of composers." Verdi travelled on to Parma, where the
Teatro Regio di Parma Teatro Regio di Parma, originally constructed as the Nuovo Teatro Ducale (New Ducal Theatre),Martini, "Before the Teatro Regio", pp. 56 is an opera house and opera company in Parma, Italy. Replacing an obsolete house, the new Ducale achieved pro ...
was producing ''Nabucco'' with Strepponi in the cast. For Verdi the performances were a personal triumph in his native region, especially as his father, Carlo, attended the first performance. Verdi remained in Parma for some weeks beyond his intended departure date. This fuelled speculation that the delay was due to Verdi's interest in Giuseppina Strepponi (who stated that their relationship began in 1843). Strepponi was in fact known for her amorous relationships (and many illegitimate children) and her history was an awkward factor in their relationship until they eventually agreed on marriage. After successful stagings of ''Nabucco'' in Venice (with twenty-five performances in the 1842/43 season), Verdi began negotiations with the impresario of
La Fenice Teatro La Fenice (, "The Phoenix") is an opera house in Venice, Italy. It is one of "the most famous and renowned landmarks in the history of Italian theatre" and in the history of opera as a whole. Especially in the 19th century, La Fenice beca ...
to stage ''I Lombardi'', and to write a new opera. Eventually, Victor Hugo's ''
Hernani Hernani may refer to: *Hernani, Eastern Samar, a municipality in Eastern Samar, Philippines *Hernani, Gipuzkoa, a town in Gipuzkoa, Basque Autonomous Community, Spain * ''Hernani'' (drama), a Romantic drama by Victor Hugo *Hernani CRE, a Spanish ru ...
'' was chosen, with
Francesco Maria Piave Francesco Maria Piave (18 May 18105 March 1876) was an Italian opera librettist who was born in Murano in the lagoon of Venice, during the brief Napoleonic Kingdom of Italy. Career Piave's career spanned over twenty years working with many of th ...
as librettist. ''
Ernani ''Ernani'' is an operatic ''dramma lirico'' in four acts by Giuseppe Verdi to an Italian libretto by Francesco Maria Piave, based on the 1830 play ''Hernani (drama), Hernani'' by Victor Hugo. Verdi was commissioned by the Teatro La Fenice in V ...
'' was successfully premiered in 1844 and within six months had been performed at twenty other theatres in Italy, and also in Vienna. The writer Andrew Porter notes that for the next ten years, Verdi's life "reads like a travel diary—a timetable of visits...to bring new operas to the stage or to supervise local premieres". La Scala premiered none of these new works, except for ''Giovanna d'Arco''. Verdi "never forgave the Milanese for their reception of ''Un giorno di regno''". During this period, Verdi began to work more consistently with his librettists. He relied on Piave again for ''I due Foscari'', performed in Rome in November 1844, then on Solera once more for ''
Giovanna d'Arco ''Giovanna d'Arco'' (''Joan of Arc'') is an operatic ''dramma lirico'' with a prologue and three acts by Giuseppe Verdi set to an Italian libretto by Temistocle Solera, who had prepared the libretti for ''Nabucco'' and ''I Lombardi''. It is Verdi ...
'', at La Scala in February 1845, while in August that year he was able to work with Salvadore Cammarano on ''
Alzira Alzira may refer to: * ''Alzira'' (opera), an opera by Giuseppe Verdi *Alzira, Valencia Alzira ( es, Alcira) is a city and municipality of 45.088 inhabitants (62,094 floating population) in Valencia, eastern Spain. It is the capital of the ''coma ...
'' for the Teatro di San Carlo in Naples. Solera and Piave worked together on ''
Attila Attila (, ; ), frequently called Attila the Hun, was the ruler of the Huns The Huns were a nomadic people who lived in Central Asia, the Caucasus, and Eastern Europe between the 4th and 6th century AD. According to European traditio ...
'' for La Fenice (March 1846). In April 1844, Verdi took on
Emanuele Muzio Donnino Emanuele Muzio (or ''Mussio'') (24 August 1821 in Zibello – 27 November 1890 in Paris) was an Italian composer, conductor and vocal teacher. He was a lifelong friend and the only student of Giuseppe Verdi. Biography In April 1844, Ver ...
, eight years his junior, as a pupil and
amanuensis An amanuensis () is a person employed to write or type what another dictates or to copy what has been written by another, and also refers to a person who signs a document on behalf of another under the latter's authority. In one example Eric Fenby ...
. He had known him since about 1828 as another of Barezzi's protégés. Muzio, who in fact was Verdi's only pupil, became indispensable to the composer. He reported to Barezzi that Verdi "has a breadth of spirit, of generosity, a wisdom". In November 1846, Muzio wrote of Verdi: "If you could see us, I seem more like a friend, rather than his pupil. We are always together at dinner, in the cafes, when we play cards...; all in all, he doesn't go anywhere without me at his side; in the house we have a big table and we both write there together, and so I always have his advice." Muzio was to remain associated with Verdi, assisting in the preparation of scores and transcriptions, and later conducting many of his works in their premiere performances in the US and elsewhere outside Italy. He was chosen by Verdi as one of the executors of his will, but predeceased the composer in 1890. After a period of illness Verdi began work on ''Macbeth'' in September 1846. He dedicated the opera to Barezzi: "I have long intended to dedicate an opera to you, as you have been a father, a benefactor and a friend for me. It was a duty I should have fulfilled sooner if imperious circumstances had not prevented me. Now, I send you ''Macbeth'', which I prize above all my other operas, and therefore deem worthier to present to you." In 1997 Martin Chusid wrote that ''Macbeth'' was the only one of Verdi's operas of his "early period" to remain regularly in the international repertoire, although in the 21st century ''Nabucco'' has also entered the lists.Operabase website
accessed 28 June 2015.
Strepponi's voice declined and her engagements dried up in the 1845 to 1846 period, and she returned to live in Milan whilst retaining contact with Verdi as his "supporter, promoter, unofficial adviser, and occasional secretary" until she decided to move to Paris in October 1846. Before she left Verdi gave her a letter that pledged his love. On the envelope, Strepponi wrote: "5 or 6 October 1846. They shall lay this letter on my heart when they bury me." Verdi had completed ''
I masnadieri ''I masnadieri'' (''The Bandits'' or ''The Robbers'') is an opera in four acts by Giuseppe Verdi to an Italian libretto by Andrea Maffei, based on the play ''Die Räuber'' by Friedrich von Schiller. As Verdi became more successful in Italy, he beg ...
'' for London by May 1847 except for the orchestration. This he left until the opera was in rehearsal, since he wanted to hear "la ennyLind and modify her role to suit her more exactly". Verdi agreed to conduct the premiere on 22 July 1847 at Her Majesty's Theatre, as well as the second performance.
Queen Victoria Victoria (Alexandrina Victoria; 24 May 1819 – 22 January 1901) was Queen of the United Kingdom of Great Britain and Ireland from 20 June 1837 until Death and state funeral of Queen Victoria, her death in 1901. Her reign of 63 years and 21 ...
and
Prince Albert Prince Albert most commonly refers to: *Albert, Prince Consort (1819–1861), consort of Queen Victoria *Albert II, Prince of Monaco (born 1958), present head of state of Monaco Prince Albert may also refer to: Royalty * Albert I of Belgium ...
attended the first performance, and for the most part, the press was generous in its praise. For the next two years, except for two visits to Italy during periods of political unrest, Verdi was based in Paris. Within a week of returning to Paris in July 1847, he received his first commission from the Paris Opéra. Verdi agreed to adapt ''I Lombardi'' to a new French libretto; the result was '' Jérusalem'', which contained significant changes to the music and structure of the work (including an extensive
ballet Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of ...
scene) to meet Parisian expectations. Verdi was awarded the Order of Chevalier of the
Legion of Honour The National Order of the Legion of Honour (french: Ordre national de la Légion d'honneur), formerly the Royal Order of the Legion of Honour ('), is the highest French order of merit, both military and civil. Established in 1802 by Napoleon, ...
. To satisfy his contracts with the publisher , Verdi dashed off ''
Il Corsaro ''Il corsaro'' (''The Corsair'') is an opera in three acts by Giuseppe Verdi, from a libretto by Francesco Maria Piave, based on Lord Byron's 1814 poem ''The Corsair''. The first performance was given at the Teatro Grande in Trieste on 25 October ...
''. Budden comments "In no other opera of his does Verdi appear to have taken so little interest ''before'' it was staged." On hearing the news of the "Cinque Giornate", the "Five Days" of street fighting that took place between 18 and 22 March 1848 and temporarily drove the Austrians out of Milan, Verdi travelled there, arriving on 5 April. He discovered that Piave was now "Citizen Piave" of the newly proclaimed Republic of San Marco. Writing a patriotic letter to him in Venice, Verdi concluded "Banish every petty municipal idea! We must all extend a fraternal hand, and Italy will yet become the first nation of the world...I am drunk with joy! Imagine that there are no more Germans here!!" Verdi had been admonished by the poet
Giuseppe Giusti Giuseppe Giusti (; 12 May 1809 – 31 May 1850) was an Italian poet and satirist. Biography Giusti was born at Monsummano Terme, now in the province of Pistoia. His father, a cultivated and rich man, accustomed his son from childhood to stu ...
for turning away from patriotic subjects, the poet pleading with him to "do what you can to nourish the orrow of the Italian people to strengthen it, and direct it to its goal." Cammarano suggested adapting Joseph Méry's 1828 play ''La Bataille de Toulouse'', which he described as a story "that should stir every man with an Italian soul in his breast". The premiere was set for late January 1849. Verdi travelled to Rome before the end of 1848. He found that city on the verge of becoming a (short-lived) republic, which commenced within days of ''La battaglia di Legnanos enthusiastically received premiere. In the spirit of the time were the
tenor A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The lo ...
hero's final words, "Whoever dies for the fatherland cannot be evil-minded". Verdi had intended to return to Italy in early 1848, but was prevented by work and illness, as well as, most probably, by his increasing attachment to Strepponi. Verdi and Strepponi left Paris in July 1849, the immediate cause being an outbreak of
cholera Cholera is an infection of the small intestine by some strains of the bacterium ''Vibrio cholerae''. Symptoms may range from none, to mild, to severe. The classic symptom is large amounts of watery diarrhea that lasts a few days. Vomiting and ...
, and Verdi went directly to Busseto to continue work on completing his latest opera, '' Luisa Miller'', for a production in Naples later in the year.


1849–1853: Fame

Verdi was committed to the publisher
Giovanni Ricordi Giovanni Ricordi (3 March 1785 – 15 March 1853) was an Italian violinist and the founder of the classical music publishing company Casa Ricordi. The musicologist Philip Gossett described him as "a genius and positive force in the history of Ital ...
for an opera—which became '' Stiffelio''—for Trieste in the Spring of 1850; and, subsequently, following negotiations with La Fenice, developed a libretto with Piave and wrote the music for '' Rigoletto'' (based on
Victor Hugo Victor-Marie Hugo (; 26 February 1802 – 22 May 1885) was a French Romantic writer and politician. During a literary career that spanned more than sixty years, he wrote in a variety of genres and forms. He is considered to be one of the great ...
's '' Le roi s'amuse'') for Venice in March 1851. This was the first of a sequence of three operas (followed by '' Il trovatore'' and ''
La traviata ''La traviata'' (; ''The Fallen Woman'') is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on ''La Dame aux camélias'' (1852), a play by Alexandre Dumas ''fils'' adapted from his own 18 ...
'') which were to cement his fame as a master of opera. The failure of ''Stiffelio'' (attributable not least to the censors of the time taking offence at the taboo subject of the supposed adultery of a clergyman's wife and interfering with the text and roles) incited Verdi to take pains to rework it, although even in the completely recycled version of ''
Aroldo ''Aroldo'' () is an opera in four acts by Giuseppe Verdi to an Italian libretto by Francesco Maria Piave, based on and adapted from their earlier 1850 collaboration, ''Stiffelio''. The first performance was given in the Teatro Nuovo Comunale in Rim ...
'' (1857) it still failed to please. ''Rigoletto'', with its intended murder of royalty, and its sordid attributes, also upset the censors. Verdi would not compromise:
What does the sack matter to the police? Are they worried about the effect it will produce?...Do they think they know better than I?...I see the hero has been made no longer ugly and hunchbacked!! Why? A singing hunchback...why not?...I think it splendid to show this character as outwardly deformed and ridiculous, and inwardly passionate and full of love. I chose the subject for these very qualities...if they are removed I can no longer set it to music.
Verdi substituted a Duke for the King, and the public response and subsequent success of the opera all over Italy and Europe fully vindicated the composer. Aware that the melody of the Duke's song " La donna è mobile" ("Woman is fickle") would become a popular hit, Verdi excluded it from orchestral rehearsals for the opera, and rehearsed the tenor separately. For several months Verdi was preoccupied with family matters. These stemmed from the way in which the citizens of Busseto were treating Giuseppina Strepponi, with whom he was living openly in an unmarried relationship. She was shunned in the town and at church, and while Verdi appeared indifferent, she was certainly not. Furthermore, Verdi was concerned about the administration of his newly acquired property at Sant'Agata. A growing estrangement between Verdi and his parents was perhaps also attributable to Strepponi (the suggestion that this situation was sparked by the birth of a child to Verdi and Strepponi which was given away as a foundling lacks any firm evidence). In January 1851, Verdi broke off relations with his parents, and in April they were ordered to leave Sant'Agata; Verdi found new premises for them and helped them financially to settle into their new home. It may not be coincidental that all six Verdi operas written in the period 1849–53 (''La battaglia, Luisa Miller, Stiffelio, Rigoletto, Il trovatore'' and ''La traviata''), have, uniquely in his oeuvre, heroines who are, in the opera critic Joseph Kerman's words, "women who come to grief because of sexual transgression, actual or perceived". Kerman, like the psychologist Gerald Mendelssohn, sees this choice of subjects as being influenced by Verdi's uneasy passion for Strepponi. Verdi and Strepponi moved into Sant'Agata on 1 May 1851. May also brought an offer for a new opera from La Fenice, which Verdi eventually realised as ''La traviata''. That was followed by an agreement with the Rome Opera company to present ''Il trovatore'' for January 1853. Verdi now had sufficient earnings to retire, had he wished to. He had reached a stage where he could develop his operas as he wished, rather than be dependent on commissions from third parties. ''Il trovatore'' was in fact the first opera he wrote without a specific commission (apart from ''Oberto''). At around the same time he began to consider creating an opera from Shakespeare's ''
King Lear ''King Lear'' is a tragedy written by William Shakespeare. It is based on the mythological Leir of Britain. King Lear, in preparation for his old age, divides his power and land between two of his daughters. He becomes destitute and insane an ...
''. After first (1850) seeking a libretto from Cammarano (which never appeared), Verdi later (1857) commissioned one from
Antonio Somma Antonio Somma (28 August 1809, Udine – 8 August 1864, Venice) was an Italian playwright who is most well known for writing the libretto of an opera which ultimately became Giuseppe Verdi's ''Un ballo in maschera'' in 1859. While a student, his tr ...
, but this proved intractable, and no music was ever written. Verdi began work on ''Il trovatore'' after the death of his mother in June 1851. The fact that this is "the one opera of Verdi's which focuses on a mother rather than a father" is perhaps related to her death. In the winter of 1851–52 Verdi decided to go to Paris with Strepponi, where he concluded an agreement with the Opéra to write what became '' Les vêpres siciliennes'', his first original work in the style of grand opera. In February 1852, the couple attended a performance of
Alexander Dumas Alexandre Dumas (, ; ; born Dumas Davy de la Pailleterie (), 24 July 1802 – 5 December 1870), also known as Alexandre Dumas père (where '' '' is French for 'father', to distinguish him from his son Alexandre Dumas fils), was a French writer. ...
''fils''s play ''
The Lady of the Camellias ''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article An article is any member ...
''; Verdi immediately began to compose music for what would later become ''La traviata''. After his visit to Rome for ''Il trovatore'' in January 1853, Verdi worked on completing ''La traviata'', but with little hope of its success, due to his lack of confidence in any of the singers engaged for the season. Furthermore, the management insisted that the opera be given a historical, not a contemporary setting. The premiere in March 1853 was indeed a failure: Verdi wrote: "Was the fault mine or the singers'? Time will tell." Subsequent productions (following some rewriting) throughout Europe over the following two years fully vindicated the composer; Roger Parker has written "''Il trovatore'' consistently remains one of the three or four most popular operas in the Verdian repertoire: but it has never pleased the critics".


1853–1860: Consolidation

In the eleven years up to and including ''Traviata'', Verdi had written sixteen operas. Over the next eighteen years (up to ''Aida''), he wrote only six new works for the stage. Verdi was happy to return to Sant'Agata and, in February 1856, was reporting a "total abandonment of music; a little reading; some light occupation with agriculture and horses; that's all". A couple of months later, writing in the same vein to Countess Maffei he stated: "I'm not doing anything. I don't read. I don't write. I walk in the fields from morning to evening, trying to recover, so far without success, from the stomach trouble caused me by ''I vespri siciliani''. Cursed operas!" An 1858 letter by Strepponi to the publisher Léon Escudier describes the kind of lifestyle that increasingly appealed to the composer: "His love for the country has become a mania, madness, rage, and fury—anything you like that is exaggerated. He gets up almost with the dawn, to go and examine the wheat, the maize, the vines, etc....Fortunately our tastes for this sort of life coincide, except in the matter of sunrise, which he likes to see up and dressed, and I from my bed." Nonetheless on 15 May, Verdi signed a contract with La Fenice for an opera for the following spring. This was to be ''
Simon Boccanegra ''Simon Boccanegra'' () is an opera with a prologue and three acts by Giuseppe Verdi to an Italian libretto by Francesco Maria Piave, based on the play ''Simón Bocanegra'' (1843) by Antonio García Gutiérrez, whose play ''El trovador'' had been ...
''. The couple stayed in Paris until January 1857 to deal with these proposals, and also the offer to stage the translated version of ''Il trovatore'' as a grand opera. Verdi and Strepponi travelled to Venice in March for the premiere of ''Simon Boccanegra'', which turned out to be "a fiasco" (as Verdi reported, although on the second and third nights, the reception improved considerably). With Strepponi, Verdi went to Naples early in January 1858 to work with Somma on the libretto of the opera ''Gustave III'', which over a year later would become ''
Un ballo in maschera ''Un ballo in maschera'' ''(A Masked Ball)'' is an 1859 opera in three acts by Giuseppe Verdi. The text, by Antonio Somma, was based on Eugène Scribe's libretto for Daniel Auber's 1833 five act opera, '' Gustave III, ou Le bal masqué''. The ...
''. By this time, Verdi had begun to write about Strepponi as "my wife" and she was signing her letters as "Giuseppina Verdi". Verdi raged against the stringent requirements of the Neapolitan censor stating: "I'm drowning in a sea of troubles. It's almost certain that the censors will forbid our libretto." With no hope of seeing his ''Gustavo III'' staged as written, he broke his contract. This resulted in litigation and counter-litigation; with the legal issues resolved, Verdi was free to present the libretto and musical outline of ''Gustave III'' to the Rome Opera. There, the censors demanded further changes; at this point, the opera took the title ''Un ballo in maschera''. Arriving in Sant'Agata in March 1859 Verdi and Strepponi found the nearby city of Piacenza occupied by about 6,000 Austrian troops who had made it their base, to combat the rise of Italian interest in unification in the Piedmont region. In the ensuing Second Italian War of Independence the Austrians abandoned the region and began to leave Lombardy, although they remained in control of the Venice region under the terms of the armistice signed at
Villafranca Villafranca (Basque: ''Alesbes'') is a town and municipality located in the province and the autonomous community (Comunidad Foral) of Navarre, northern Spain , image_flag = Bandera de España.svg , image_coat = Escudo ...
. Verdi was disgusted at this outcome: " ere then is the independence of Italy, so long hoped for and promised?...Venice is not Italian? After so many victories, what an outcome... It is enough to drive one mad" he wrote to Clara Maffei. Verdi and Strepponi now decided on marriage; they travelled to
Collonges-sous-Salève Collonges-sous-Salève (, literally ''Collonges under Salève''; frp, Colonges), popularly known as Collonges, is a commune in the Haute-Savoie department in the Auvergne-Rhône-Alpes region in Eastern France. It is located on the Swiss borde ...
, a village then part of Piedmont. On 29 August 1859 the couple were married there, with only the coachman who had driven them there and the church bell-ringer as witnesses. At the end of 1859, Verdi wrote to his friend Cesare De Sanctis "
ince completing ''Ballo'' Ince may refer to: *Ince, Cheshire, a village in Cheshire, UK *Ince-in-Makerfield in the Metropolitan Borough of Wigan, UK *Ince (UK Parliament constituency), a former constituency covering Ince-in-Makerfield *Ince (ward), an electoral ward covering ...
I have not made any more music, I have not seen any more music, I have not thought anymore about music. I don't even know what colour my last opera is, and I almost don't remember it." He began to remodel Sant'Agata, which took most of 1860 to complete and on which he continued to work for the next twenty years. This included major work on a square room that became his workroom, his bedroom, and his office.


Politics

Having achieved some fame and prosperity, Verdi began in 1859 to take an active interest in Italian politics. His early commitment to the Risorgimento movement is difficult to estimate accurately; in the words of the music historian Philip Gossett "myths intensifying and exaggerating uchsentiment began circulating" during the nineteenth century. An example is the claim that when the " Va, pensiero" chorus in ''Nabucco'' was first sung in Milan, the audience, responding with nationalistic fervour, demanded an encore. As encores were expressly forbidden by the government at the time, such a gesture would have been extremely significant. But in fact the piece encored was not "Va, pensiero" but the hymn "Immenso Jehova". The growth of the "identification of Verdi's music with Italian nationalist politics" perhaps began in the 1840s. In 1848, the nationalist leader Giuseppe Mazzini (whom Verdi had met in London the previous year) requested Verdi (who complied) to write a patriotic hymn. The opera historian Charles Osborne describes the 1849
La battaglia di Legnano ''La battaglia di Legnano'' (''The Battle of Legnano'') is an opera in four acts, with music by Giuseppe Verdi to an Italian-language libretto by Salvadore Cammarano. It was based on the play ''La Bataille de Toulouse'' by Joseph Méry, later the c ...
as "an opera with a purpose" and maintains that "while parts of Verdi's earlier operas had frequently been taken up by the fighters of the Risorgimento...this time the composer had given the movement its own opera" It was not until 1859 in Naples, and only then spreading throughout Italy, that the slogan "Viva Verdi" was used as an acronym for ''Viva Vittorio Emanuele Re ''D'Italia'' (
Viva Viva may refer to: Companies and organisations * Viva (network operator), a Dominican mobile network operator * Viva Air, a Spanish airline taken over by flag carrier Iberia * Viva Air Dominicana * VIVA Bahrain, a telecommunication company * ...
Victor Emmanuel King of Italy)'', (who was then king of
Piedmont it, Piemontese , population_note = , population_blank1_title = , population_blank1 = , demographics_type1 = , demographics1_footnotes = , demographics1_title1 = , demographics1_info1 = , demographics1_title2 ...
). After Italy was unified in 1861, many of Verdi's early operas were increasingly re-interpreted as Risorgimento works with hidden Revolutionary messages that perhaps had not been originally intended by either the composer or his librettists. In 1859, Verdi was elected as a member of the new provincial council, and was appointed to head a group of five who would meet with
King Vittorio Emanuele II Victor Emmanuel II ( it, Vittorio Emanuele II; full name: ''Vittorio Emanuele Maria Alberto Eugenio Ferdinando Tommaso di House of Savoy, Savoia''; 14 March 1820 – 9 January 1878) was Kingdom of Sardinia, King of Sardinia from 1849 until 17 Marc ...
in Turin. They were enthusiastically greeted along the way and in Turin Verdi himself received much of the publicity. On 17 October Verdi met with Cavour, the architect of the initial stages of Italian unification. Later that year the government of Emilia was subsumed under the United Provinces of Central Italy, and Verdi's political life temporarily came to an end. Whilst still maintaining nationalist feelings, he declined in 1860 the office of provincial council member to which he had been elected ''in absentia''. Cavour however was anxious to convince a man of Verdi's stature that running for political office was essential to strengthening and securing Italy's future. The composer confided to Piave some years later that "I accepted on the condition that after a few months I would resign." Verdi was elected on 3 February 1861 for the town of Borgo San Donnino ( Fidenza) to the Parliament of Piedmont-Sardinia in Turin (which from March 1861 became the Parliament of the
Kingdom of Italy The Kingdom of Italy ( it, Regno d'Italia) was a state that existed from 1861, when Victor Emmanuel II of Kingdom of Sardinia, Sardinia was proclamation of the Kingdom of Italy, proclaimed King of Italy, until 1946, when civil discontent led to ...
), but following the death of Cavour in 1861, which deeply distressed him, he scarcely attended. Later, in 1874, Verdi was appointed a member of the
Italian Senate The Senate of the Republic ( it, Senato della Repubblica), or simply the Senate ( it, Senato), is the upper house of the bicameral Italian Parliament (the other being the Chamber of Deputies). The two houses together form a perfect bicameral sy ...
, but did not participate in its activities.


1860–1887: from ''La forza'' to ''Otello''

In the months following the staging of ''Ballo'', Verdi was approached by several opera companies seeking a new work or making offers to stage one of his existing ones, but refused them all. But when, in December 1860, an approach was made from
Saint Petersburg Saint Petersburg ( rus, links=no, Санкт-Петербург, a=Ru-Sankt Peterburg Leningrad Petrograd Piter.ogg, r=Sankt-Peterburg, p=ˈsankt pʲɪtʲɪrˈburk), formerly known as Petrograd (1914–1924) and later Leningrad (1924–1991), i ...
's Imperial Theatre, the offer of 60,000 francs plus all expenses was doubtless a strong incentive. Verdi came up with the idea of adapting the 1835 Spanish play ''Don Alvaro o la fuerza del sino'' by
Angel Saavedra In various theistic religious traditions an angel is a supernatural spiritual being who serves God. Abrahamic religions often depict angels as wikt:benevolent, benevolent celestial intermediaries between God (or Heaven) and humanity. Oth ...
, which became ''
La forza del destino ' (; ''The Power of Fate'', often translated ''The Force of Destiny'') is an Italian opera by Giuseppe Verdi. The libretto was written by Francesco Maria Piave based on a Spanish drama, ' (1835), by Ángel de Saavedra, 3rd Duke of Rivas, wi ...
'', with Piave writing the libretto. The Verdis arrived in St. Petersburg in December 1861 for the premiere, but casting problems meant that it had to be postponed. Returning via Paris from Russia on 24 February 1862, Verdi met two young Italian writers, the twenty-year-old Arrigo Boito and
Franco Faccio Francesco (Franco) Antonio Faccio (8 March 1840 – 21 July 1891) was an Italian composer and conductor. Born in Verona, he studied music at the Milan Conservatory from 1855 where he was a pupil of Stefano Ronchetti-Monteviti and, as scholar Will ...
. Verdi had been invited to write a piece of music for the
1862 International Exhibition The International Exhibition of 1862, or Great London Exposition, was a world's fair. It was held from 1 May to 1 November 1862, beside the gardens of the Royal Horticultural Society, South Kensington, London, England, on a site that now houses ...
in London, and charged Boito with writing a text, which became the ''
Inno delle nazioni ' (''Hymn of the nations''), a cantata in a single movement, is one of only two secular choral works composed by Giuseppe Verdi. This Hymn incorporates "God Save the King", "La Marseillaise", and "Il Canto degli Italiani". It was the first collab ...
''. Boito, as a supporter of the grand opera of
Giacomo Meyerbeer Giacomo Meyerbeer (born Jakob Liebmann Beer; 5 September 1791 – 2 May 1864) was a German opera composer, "the most frequently performed opera composer during the nineteenth century, linking Mozart and Wagner". With his 1831 opera ''Robert le di ...
and an opera composer in his own right, was later in the 1860s critical of Verdi's "reliance on formula rather than form", incurring the composer's wrath. Nevertheless, he was to become Verdi's close collaborator in his final operas. The St. Petersburg premiere of ''La forza'' finally took place in September 1862, and Verdi received the Order of St. Stanislaus. A revival of ''Macbeth'' in Paris in 1865 was not a success, but he obtained a commission for a new work, ''
Don Carlos ''Don Carlos'' is a five-act grand opera composed by Giuseppe Verdi to a French-language libretto by Joseph Méry and Camille du Locle, based on the dramatic play '' Don Carlos, Infant von Spanien'' (''Don Carlos, Infante of Spain'') by Friedri ...
'', based on the play ''Don Carlos'' by
Friedrich Schiller Johann Christoph Friedrich von Schiller (, short: ; 10 November 17599 May 1805) was a German playwright, poet, and philosopher. During the last seventeen years of his life (1788–1805), Schiller developed a productive, if complicated, friends ...
. He and Giuseppina spent late 1866 and much of 1867 in Paris, where they heard, and did not warm to, Giacomo Meyerbeer's last opera, ''
L'Africaine ''L'Africaine'' (''The African Woman'') is an 1865 French ''grand opéra'' in five acts with music by Giacomo Meyerbeer and a libretto by Eugène Scribe. Meyerbeer and Scribe began working on the opera in 1837, using the title ''L'Africaine'', bu ...
'', and
Richard Wagner Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most op ...
's overture to ''
Tannhäuser Tannhäuser (; gmh, Tanhûser), often stylized, "The Tannhäuser," was a German Minnesinger and traveling poet. Historically, his biography, including the dates he lived, is obscure beyond the poetry, which suggests he lived between 1245 and 1 ...
.'' The opera's premiere in 1867 drew mixed comments. While the critic Théophile Gautier praised the work, the composer
Georges Bizet Georges Bizet (; 25 October 18383 June 1875) was a French composer of the Romantic music, Romantic era. Best known for his operas in a career cut short by his early death, Bizet achieved few successes before his final work, ''Carmen'', whi ...
was disappointed at Verdi's changing style: "Verdi is no longer Italian. He is following Wagner." During the 1860s and 1870s, Verdi paid great attention to his estate around Busseto, purchasing additional land, dealing with unsatisfactory (in one case, embezzling) stewards, installing
irrigation Irrigation (also referred to as watering) is the practice of applying controlled amounts of water to land to help grow Crop, crops, Landscape plant, landscape plants, and Lawn, lawns. Irrigation has been a key aspect of agriculture for over 5,00 ...
, and coping with variable harvests and economic slumps. In 1867, both Verdi's father Carlo, with whom he had restored good relations, and his early patron and father-in-law Antonio Barezzi, died. Verdi and Giuseppina decided to adopt Carlo's great-niece Filomena Maria Verdi, then seven years old, as their own child. She was to marry in 1878 the son of Verdi's friend and lawyer Angelo Carrara and her family became eventually the heirs of Verdi's estate. '' Aida'' was commissioned by the Egyptian government for the
opera house An opera house is a theatre building used for performances of opera. It usually includes a stage, an orchestra pit, audience seating, and backstage facilities for costumes and building sets. While some venues are constructed specifically for o ...
built by the
Khedive Khedive (, ota, خدیو, hıdiv; ar, خديوي, khudaywī) was an honorific title of Persian origin used for the sultans and grand viziers of the Ottoman Empire, but most famously for the viceroy of Egypt from 1805 to 1914.Adam Mestyan"Kh ...
Isma'il Pasha Isma'il Pasha ( ar, إسماعيل باشا ; 12 January 1830 – 2 March 1895), was the Khedive of Egypt and conqueror of Sudan from 1863 to 1879, when he was removed at the behest of Great Britain. Sharing the ambitious outlook of his gran ...
to celebrate the opening of the
Suez Canal The Suez Canal ( arz, قَنَاةُ ٱلسُّوَيْسِ, ') is an artificial sea-level waterway in Egypt, connecting the Mediterranean Sea to the Red Sea through the Isthmus of Suez and dividing Africa and Asia. The long canal is a popular ...
in 1869. The opera house actually opened with a production of ''Rigoletto''. The prose libretto in French by
Camille du Locle Camille du Locle (16 July 18329 October 1903) was a French theatre manager and a librettist. He was born in Orange, France. From 1862 he served as assistant to his father-in-law, Émile Perrin, at the Paris Opéra. From 1870, he was co-director a ...
, based on a scenario by the Egyptologist
Auguste Mariette François Auguste Ferdinand Mariette (11 February 182118 January 1881) was a French scholar, archaeologist and Egyptologist, and the founder of the Egyptian Department of Antiquities, the forerunner of the Supreme Council of Antiquities. Early ...
, was transformed to Italian verse by
Antonio Ghislanzoni Antonio Ghislanzoni (; 25 November 1824 – 16 July 1893) was an Italian journalist, poet, and novelist who wrote librettos for Verdi, among other composers, of which the best known are ''Aida'' and the revised version of ''La forza del des ...
. Verdi was offered the enormous sum of 150,000 francs for the opera (even though he confessed that Ancient Egypt was "a civilization I have never been able to admire"), and it was first performed in Cairo in 1871. Verdi spent much of 1872 and 1873 supervising the Italian productions of ''Aida'' at Milan, Parma and Naples, effectively acting as producer and demanding high standards and adequate rehearsal time. During the rehearsals for the Naples production he wrote his
string quartet The term string quartet can refer to either a type of musical composition or a group of four people who play them. Many composers from the mid-18th century onwards wrote string quartets. The associated musical ensemble consists of two violinists ...
, the only chamber music by him to survive, and the only major work in the form by an Italian of the 19th century. In 1869, Verdi had been asked to compose a section for a
requiem A Requiem or Requiem Mass, also known as Mass for the dead ( la, Missa pro defunctis) or Mass of the dead ( la, Missa defunctorum), is a Mass of the Catholic Church offered for the repose of the soul or souls of one or more deceased persons, ...
mass in memory of Rossini. He compiled and completed the requiem, but its performance was abandoned (and its premiere did not take place until 1988). Five years later, Verdi reworked his "Libera Me" section of the Rossini Requiem and made it a part of his Requiem honouring Alessandro Manzoni, who had died in 1873. The complete Requiem was first performed at the cathedral in Milan on the anniversary of Manzoni's death on 22 May 1874. The '' spinto'' soprano
Teresa Stolz Teresa Stolz (born 2 June 1834, Elbekosteletz (Czech: Kostelec nad Labem), Bohemia – died 23 August 1902, Milan) was a Bohemian soprano, long resident in Italy, who was associated with significant premieres of the works of Giuseppe Verdi, an ...
(1834–1902), who had sung in La Scala productions from 1865 onwards, was the soloist in the first and many later performances of the Requiem; in February 1872, she had created Aida in its European premiere in Milan. She became closely associated personally with Verdi (exactly how closely remains conjectural), to Giuseppina Verdi's initial disquiet; but the women were reconciled and Stolz remained a companion of Verdi after Giuseppina's death in 1897 until his own death. Verdi conducted his Requiem in Paris, London and Vienna in 1875 and in Cologne in 1876. It seemed that it would be his last work. In the words of his biographer John Rosselli, it "confirmed him as the unique presiding genius of Italian music. No fellow composer...came near him in popularity or reputation". Verdi, now in his sixties, initially seemed to withdraw into retirement. He deliberately shied away from opportunities to publicise himself or to become involved with new productions of his works, but secretly he began work on ''
Otello ''Otello'' () is an opera in four acts by Giuseppe Verdi to an Italian libretto by Arrigo Boito, based on Shakespeare's play ''Othello''. It was Verdi's penultimate opera, first performed at the Teatro alla Scala, Milan, on 5 February 1887. Th ...
'', which Boito (to whom the composer had been reconciled by Ricordi) had proposed to him privately in 1879. The composition was delayed by a revision of ''Simon Boccanegra'' which Verdi undertook with Boito, produced in 1881, and a revision of ''Don Carlos''. Even when ''Otello'' was virtually completed, Verdi teased "Shall I finish it? Shall I have it performed? Hard to tell, even for me." As news leaked out, Verdi was pressed by opera houses across Europe with enquiries; eventually the opera was triumphantly premiered at La Scala in February 1887.


1887–1901: ''Falstaff'' and last years

Following the success of ''Otello'' Verdi commented, "After having relentlessly massacred so many heroes and heroines, I have at last the right to laugh a little." He had considered a variety of comic subjects but had found none of them wholly suitable and confided his ambition to Boito. The librettist said nothing at the time but secretly began work on a libretto based on ''
The Merry Wives of Windsor ''The Merry Wives of Windsor'' or ''Sir John Falstaff and the Merry Wives of Windsor'' is a comedy by William Shakespeare first published in 1602, though believed to have been written in or before 1597. The Windsor of the play's title is a ref ...
'' with additional material taken from ''
Henry IV, Part 1 ''Henry IV, Part 1'' (often written as ''1 Henry IV'') is a history play by William Shakespeare, believed to have been written no later than 1597. The play dramatises part of the reign of King Henry IV of England, beginning with the battle at ...
'' and '' Part 2''. Verdi received the draft libretto probably in early July 1889 after he had just read Shakespeare's play: "Benissimo! Benissimo!... No one could have done better than you", he wrote back to Boito. But he still had doubts: his age, his health (which he admits to being good) and his ability to complete the project: "If I were not to finish the music?". If the project failed, it would have been a waste of Boito's time, and have distracted him from completing his own new opera. Finally on 10 July 1889 he wrote again: "So be it! So let's do ''
Falstaff Sir John Falstaff is a fictional character who appears in three plays by William Shakespeare and is eulogised in a fourth. His significance as a fully developed character is primarily formed in the plays '' Henry IV, Part 1'' and '' Part 2'', w ...
''! For now, let's not think of obstacles, of age, of illnesses!" Verdi emphasised the need for secrecy, but continued "If you are in the mood, then start to write." Later he wrote to Boito (capitals and exclamation marks are Verdi's own): "What joy to be able to say to the public: HERE WE ARE AGAIN!!! COME AND SEE US!" The first performance of ''Falstaff'' took place at La Scala on 9 February 1893. For the first night, official ticket prices were thirty times higher than usual. Royalty, aristocracy, critics and leading figures from the arts all over Europe were present. The performance was a huge success; numbers were encored, and at the end the applause for Verdi and the cast lasted an hour. That was followed by a tumultuous welcome when the composer, his wife and Boito arrived at the Grand Hotel de Milan. Even more hectic scenes ensued when he went to Rome in May for the opera's premiere at the
Teatro Costanzi The Teatro dell'Opera di Roma (Rome Opera House) is an opera house in Rome, Italy. Originally opened in November 1880 as the 2,212 seat ''Costanzi Theatre'', it has undergone several changes of name as well modifications and improvements. The pre ...
, when crowds of well-wishers at the railway station initially forced Verdi to take refuge in a tool-shed. He witnessed the performance from the Royal Box at the side of King Umberto and the Queen. In his last years Verdi undertook a number of philanthropic ventures, publishing in 1894 a song for the benefit of earthquake victims in
Sicily (man) it, Siciliana (woman) , population_note = , population_blank1_title = , population_blank1 = , demographics_type1 = Ethnicity , demographics1_footnotes = , demographi ...
, and from 1895 onwards planning, building and endowing a rest-home for retired musicians in Milan, the
Casa di Riposo per Musicisti The Casa di Riposo per Musicisti (literally 'rest home for musicians') is a home for retired opera singers and musicians in Milan, northern Italy, founded by the Italian composer Giuseppe Verdi (whose statue is outside the building) in 1896. The bu ...
, and building a hospital at
Villanova sull'Arda Villanova sull'Arda ( egl, label= Piacentino, Vilanöva, or ) is a ''comune'' (municipality) in the Province of Piacenza in the Italian region Emilia-Romagna, located about northwest of Bologna Bologna (, , ; egl, label= Emilian, Bulåggna ...
, close to Busseto. His last major composition, the choral set of '' Four sacred pieces'', was published in 1898. In 1900 he was deeply upset at the assassination of King Umberto and sketched a setting of a poem in his memory but was unable to complete it. While staying at the Grand Hotel, Verdi suffered a
stroke A stroke is a medical condition in which poor blood flow to the brain causes cell death. There are two main types of stroke: ischemic, due to lack of blood flow, and hemorrhagic, due to bleeding. Both cause parts of the brain to stop functionin ...
on 21 January 1901. He gradually grew more feeble over the next week, during which Stolz cared for him, and died on 27 January at the age of 87. Verdi was initially buried in a private ceremony at Milan's
Cimitero Monumentale The Cimitero Monumentale ("Monumental Cemetery") is one of the two largest cemeteries in Milan, Italy, the other one being the Cimitero Maggiore. It is noted for the abundance of artistic tombs and monuments. Designed by the architect Carlo Maci ...
. A month later, his body was moved to the crypt of the Casa di Riposo. On this occasion, "Va, pensiero" from ''Nabucco'' was conducted by
Arturo Toscanini Arturo Toscanini (; ; March 25, 1867January 16, 1957) was an Italian conductor. He was one of the most acclaimed and influential musicians of the late 19th and early 20th century, renowned for his intensity, his perfectionism, his ear for orch ...
with a chorus of 820 singers. A huge crowd was in attendance, estimated at 300,000. Boito wrote to a friend, in words which recall the mysterious final scene of ''Don Carlos'', "
erdi Erdi is a Turkish name. Notable people with the name include: * Erdi Öner (born 1986), Turkish footballer * Erdi Bakırcı (born 1989), Turkish footballer * Mária Érdi (born 1998), Hungarian competitive sailor * Péter Érdi (born 1946), Hu ...
sleeps like a King of Spain in his
Escurial Escurial is a municipality located in the province of Cáceres, Extremadura, Spain , image_flag = Bandera de España.svg , image_coat = Escudo de España (mazonado).svg , national_motto = ''Plus ultra'' (Latin) ...
, under a bronze slab that completely covers him."


Personality

Not all of Verdi's personal qualities were amiable. John Rosselli concluded after writing his biography that "I do not very much like the man Verdi, in particular the autocratic rentier-cum-estate owner, part-time composer, and seemingly full-time grumbler and reactionary critic of the later years", yet admits that like other writers, he must "admire him, warts and all...a deep integrity runs beneath his life, and can be felt even when he is being unreasonable or wrong." Budden suggests that "With Verdi...the man and the artist on many ways developed side by side." Ungainly and awkward in society in his early years, "as he became a man of property and underwent the civilizing influence of Giuseppina,... eacquired assurance and authority." He also learnt to keep himself to himself, never discussing his private life and maintaining, when it suited him, legends about his supposed 'peasant' origins, his materialism and his indifference to criticism. Gerald Mendelsohn describes the composer as "an intensely private man who deeply resented efforts to inquire into his personal affairs. He regarded journalists and would-be biographers, as well as his neighbors in Busseto and the operatic public at large, as an intrusive lot, against whose prying attentions he needed constantly to defend himself." Verdi was never explicit about his religious beliefs. Anti-clerical by nature in his early years, he nonetheless built a chapel at Sant'Agata but is little recorded as attending church. Strepponi wrote in 1871 "I won't say
erdi Erdi is a Turkish name. Notable people with the name include: * Erdi Öner (born 1986), Turkish footballer * Erdi Bakırcı (born 1989), Turkish footballer * Mária Érdi (born 1998), Hungarian competitive sailor * Péter Érdi (born 1946), Hu ...
is an atheist, but he is not much of a believer." Rosselli comments that in the Requiem "The prospect of Hell appears to rule...
he Requiem He or HE may refer to: Language * He (pronoun), an English pronoun * He (kana), the romanization of the Japanese kana へ * He (letter), the fifth letter of many Semitic alphabets * He (Cyrillic), a letter of the Cyrillic script called ''He'' in ...
is troubled to the end," and offers little consolation.


Music and form


Spirit

The writer
Friedrich Schiller Johann Christoph Friedrich von Schiller (, short: ; 10 November 17599 May 1805) was a German playwright, poet, and philosopher. During the last seventeen years of his life (1788–1805), Schiller developed a productive, if complicated, friends ...
(four of whose plays were adapted as operas by Verdi) distinguished two types of artist in his 1795 essay ''
On Naïve and Sentimental Poetry ''On Naïve and Sentimental Poetry'' (''Über naive und sentimentalische Dichtung'') is a 1795–6 paper by Friedrich Schiller on poetic theory and the different types of poetic relationship to the world. The work divides poetry into two forms. Na ...
''. The philosopher
Isaiah Berlin Sir Isaiah Berlin (6 June 1909 – 5 November 1997) was a Russian-British social and political theorist, philosopher, and historian of ideas. Although he became increasingly averse to writing for publication, his improvised lectures and talks ...
ranked Verdi in the 'naïve' category—"They are not...self-conscious. They do not...stand aside to contemplate their creations and express their own feelings....They are able...if they have genius, to embody their vision fully." (The 'sentimentals' seek to recreate nature and natural feelings on their own terms—Berlin instances
Richard Wagner Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most op ...
—"offering not peace, but a sword".) Verdi's operas are not written according to an aesthetic theory, or with a purpose to change the tastes of their audiences. In conversation with a German visitor in 1887 he is recorded as saying that, whilst "there was much to be admired in agner's operas''
Tannhäuser Tannhäuser (; gmh, Tanhûser), often stylized, "The Tannhäuser," was a German Minnesinger and traveling poet. Historically, his biography, including the dates he lived, is obscure beyond the poetry, which suggests he lived between 1245 and 1 ...
'' and '' Lohengrin''...in his recent operas agnerseemed to be overstepping the bounds of what can be expressed in music. For him "philosophical" music was incomprehensible." Although Verdi's works belong, as Rosselli admits "to the most artificial of genres...
hey Hey or Hey! may refer to: Music * Hey (band), a Polish rock band Albums * ''Hey'' (Andreas Bourani album) or the title song (see below), 2014 * ''Hey!'' (Julio Iglesias album) or the title song, 1980 * ''Hey!'' (Jullie album) or the title s ...
ring emotionally true: truth and directness make them exciting, often hugely so."


Periods

The earliest study of Verdi's music, published in 1859 by the Italian critic
Abramo Basevi Abramo Basevi (December 1818 – November 1885) was an Italian musicologist and composer. Basevi was born in Livorno. He began as a physician in Florence (1858) but then devoted himself exclusively to music. His first attempts as a composer fail ...
, already distinguished four periods in Verdi's music. The early, 'grandiose' period, ended according to Basevi with ''La battaglia di Legnano'' (1849), and a 'personal' style began with the next opera ''Luisa Miller.'' These two operas are generally agreed today by critics to mark the division between Verdi's 'early' and 'middle' periods. The 'middle' period is felt to end with ''La traviata'' (1853) and '' Les vêpres siciliennes'' (1855), with a 'late' period commencing with ''
Simon Boccanegra ''Simon Boccanegra'' () is an opera with a prologue and three acts by Giuseppe Verdi to an Italian libretto by Francesco Maria Piave, based on the play ''Simón Bocanegra'' (1843) by Antonio García Gutiérrez, whose play ''El trovador'' had been ...
'' (1857) running through to '' Aida'' (1871). The last two operas, ''
Otello ''Otello'' () is an opera in four acts by Giuseppe Verdi to an Italian libretto by Arrigo Boito, based on Shakespeare's play ''Othello''. It was Verdi's penultimate opera, first performed at the Teatro alla Scala, Milan, on 5 February 1887. Th ...
'' and ''
Falstaff Sir John Falstaff is a fictional character who appears in three plays by William Shakespeare and is eulogised in a fourth. His significance as a fully developed character is primarily formed in the plays '' Henry IV, Part 1'' and '' Part 2'', w ...
'', together with the
Requiem A Requiem or Requiem Mass, also known as Mass for the dead ( la, Missa pro defunctis) or Mass of the dead ( la, Missa defunctorum), is a Mass of the Catholic Church offered for the repose of the soul or souls of one or more deceased persons, ...
and the ''Four Sacred Pieces,'' then represent a 'final' period.


Early period

Verdi was to claim in his ''Sketch'' that during his early training with Lavigna "I did nothing but canons and
fugue In music, a fugue () is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the c ...
s...No-one taught me
orchestration Orchestration is the study or practice of writing music for an orchestra (or, more loosely, for any musical ensemble, such as a concert band) or of adapting music composed for another medium for an orchestra. Also called "instrumentation", orc ...
or how to handle dramatic music." He is known to have written a variety of music for the Busseto Philharmonic society, including vocal music, band music and chamber works, (and including an alternative overture to Rossini's ''
Barber of Seville ''The Barber of Seville, or The Useless Precaution'' ( it, Il barbiere di Siviglia, ossia L'inutile precauzione ) is an ''opera buffa'' in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini. The libretto was base ...
'') but few of these works survive. (He may have given instructions before his death to destroy his early works). Verdi uses in his early operas (and, in his own stylized versions, throughout his later work) the standard elements of Italian opera content of the period, referred to by the opera writer Julian Budden as the 'Code Rossini', after the composer who established through his work and popularity the accepted templates of these forms; they were also used by the composers dominant during Verdi's early career, Bellini, Donizetti and
Saverio Mercadante Giuseppe Saverio Raffaele Mercadante (baptised 17 September 179517 December 1870) was an Italian composer, particularly of operas. While Mercadante may not have retained the international celebrity of Gaetano Donizetti or Gioachino Rossini beyond ...
. Amongst the essential elements are the
aria In music, an aria (Italian: ; plural: ''arie'' , or ''arias'' in common usage, diminutive form arietta , plural ariette, or in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompanime ...
, the
duet A duet is a musical composition for two performers in which the performers have equal importance to the piece, often a composition involving two singers or two pianists. It differs from a harmony, as the performers take turns performing a solo ...
, the ensemble, and the
finale Finale may refer to: Pieces of music * Finale (music), the last movement of a piece * ''Finale'' (album), a 1977 album by Loggins and Messina * "Finale B", a 1996 song from the rock opera ''Rent'' * "Finale", a song by Anthrax from ''State of Eu ...
sequence of an act. The aria format, centred on a soloist, typically involved three sections; a slow introduction, marked typically cantabile or
adagio Adagio (Italian for 'slowly', ) may refer to: Music * Adagio, a Tempo#Basic tempo markings, tempo marking, indicating that music is to be played slowly, or a composition intended to be played in this manner * Adagio (band), a French progressive m ...
, a ''tempo di mezzo'' which might involve chorus or other characters, and a cabaletta, an opportunity for bravura singing for the soloist. The duet was similarly formatted. Finales, covering climactic sequences of action, used the various forces of soloists, ensemble and chorus, usually culminating with an exciting
stretto In music, the Italian term ''stretto'' (plural: ''stretti'') has two distinct meanings: # In a fugue, ''stretto'' (german: Engführung) is the imitation of the subject in close succession, so that the answer enters before the subject is complete ...
section. Verdi was to develop these and the other formulae of the generation preceding him with increasing sophistication during his career. The operas of the early period show Verdi learning by doing and gradually establishing mastery over the different elements of opera. ''Oberto'' is poorly structured, and the orchestration of the first operas is generally simple, sometimes even basic. The musicologist Richard Taruskin suggested "the most striking effect in the early Verdi operas, and the one most obviously allied to the mood of the Risorgimento, was the big choral number sung—crudely or sublimely, according to the ear of the beholder—in unison. The success of "Va, pensiero" in ''Nabucco'' (which Rossini approvingly denoted as "a grand aria sung by sopranos, contraltos, tenors and basses"), was replicated in the similar "O Signor, dal tetto natio" in ''I lombardi'' and in 1844 in the chorus "Si ridesti il Leon di Castiglia" in ''Ernani'', the battle hymn of the conspirators seeking freedom. In ''I due Foscari'' Verdi first uses recurring themes identified with main characters; here and in future operas the accent moves away from the '
oratorio An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is mus ...
' characteristics of the first operas towards individual action and intrigue. From this period onwards Verdi also develops his instinct for "tinta" (literally 'colour'), a term which he used for characterising elements of an individual opera score—Parker gives as an example "the rising 6th that begins so many lyric pieces in ''
Ernani ''Ernani'' is an operatic ''dramma lirico'' in four acts by Giuseppe Verdi to an Italian libretto by Francesco Maria Piave, based on the 1830 play ''Hernani (drama), Hernani'' by Victor Hugo. Verdi was commissioned by the Teatro La Fenice in V ...
''". ''
Macbeth ''Macbeth'' (, full title ''The Tragedie of Macbeth'') is a tragedy by William Shakespeare. It is thought to have been first performed in 1606. It dramatises the damaging physical and psychological effects of political ambition on those w ...
'', even in its original 1847 version, shows many original touches; characterization by
key Key or The Key may refer to: Common meanings * Key (cryptography), a piece of information that controls the operation of a cryptography algorithm * Key (lock), device used to control access to places or facilities restricted by a lock * Key (map ...
(the Macbeths themselves generally singing in
sharp Sharp or SHARP may refer to: Acronyms * SHARP (helmet ratings) (Safety Helmet Assessment and Rating Programme), a British motorcycle helmet safety rating scheme * Self Help Addiction Recovery Program, a charitable organisation founded in 199 ...
keys, the witches in
flat Flat or flats may refer to: Architecture * Flat (housing), an apartment in the United Kingdom, Ireland, Australia and other Commonwealth countries Arts and entertainment * Flat (music), a symbol () which denotes a lower pitch * Flat (soldier), ...
keys), a preponderance of minor key music, and highly original orchestration. In the 'dagger scene' and the duet following the murder of Duncan, the forms transcend the 'Code Rossini' and propel the drama in a compelling fashion. Verdi was to comment in 1868 that Rossini and his followers missed "the golden thread that binds all the parts together and, rather than a set of numbers without coherence, makes an opera". ''Tinta'' was for Verdi this "golden thread", an essential unifying factor in his works.


Middle period

The writer David Kimbell states that in ''Luisa Miller'' and ''Stiffelio'' (the earliest operas of this period) there appears to be a "growing freedom in the large scale structure...and an acute attention to fine detail". Others echo those feelings. Julian Budden expresses the impact of ''Rigoletto'' and its place in Verdi's output as follows: "Just after 1850 at the age of 38, Verdi closed the door on a period of Italian opera with ''Rigoletto''. The so-called ''ottocento'' in music is finished. Verdi will continue to draw on certain of its forms for the next few operas, but in a totally new spirit." One example of Verdi's wish to move away from "standard forms" appears in his feelings about the structure of ''Il trovatore''. To his librettist, Cammarano, Verdi plainly states in a letter of April 1851 that if there were no standard forms—"cavatinas, duets, trios, choruses, finales, etc. ... and if you could avoid beginning with an opening chorus....", he would be quite happy. Two external factors had their impacts on Verdi's compositions of this period. One is that with increasing reputation and financial security he no longer needed to commit himself to the productive treadmill, had more freedom to choose his own subjects, and had more time to develop them according to his own ideas. In the years 1849 to 1859 he wrote eight new operas, compared with fourteen in the previous ten years. Another factor was the changed political situation; the failure of the 1848 revolutions led both to some diminution of the Risorgimento ethos (at least initially) and a significant increase in theatre censorship. This is reflected both in Verdi's choices of plots dealing more with personal relationships than political conflict, and in a (partly consequent) dramatic reduction in the operas of this period in the number of choruses (of the type which had first made him famous)—not only are there on average 40% fewer choruses in the 'middle' period operas compared to the 'early' period', but whereas virtually all the 'early' operas commence with a chorus, only one (''Luisa Miller'') of the 'middle' period operas begin this way. Instead, Verdi experiments with a variety of means, e.g. a stage band (''Rigoletto''), an aria for
bass Bass or Basses may refer to: Fish * Bass (fish), various saltwater and freshwater species Music * Bass (sound), describing low-frequency sound or one of several instruments in the bass range: ** Bass (instrument), including: ** Acoustic bass gui ...
(''Stiffelio''), a party scene (''La traviata''). Chusid also notes Verdi's increasing tendency to replace full-scale overtures with shorter orchestral introductions. Parker comments that ''La traviata'', the last opera of the 'middle' period, is "again a new adventure. It gestures towards a level of '
realism Realism, Realistic, or Realists may refer to: In the arts *Realism (arts), the general attempt to depict subjects truthfully in different forms of the arts Arts movements related to realism include: *Classical Realism *Literary realism, a move ...
'...the contemporary world of
waltz The waltz ( ), meaning "to roll or revolve") is a ballroom and folk dance, normally in triple ( time), performed primarily in closed position. History There are many references to a sliding or gliding dance that would evolve into the wa ...
es pervades the score, and the heroine's death from disease is graphically depicted in the music." Verdi's increasing command of musical highlighting of changing moods and relationships is exemplified in Act III of ''Rigoletto'', where Duke's flippant song "La donna è mobile" is followed immediately by the quartet "Bella figlia dell'amore", contrasting the rapacious Duke and his inamorata with the (concealed) indignant Rigoletto and his grieving daughter. Taruskin asserts this is "the most famous ensemble Verdi ever composed".


Late period

Chusid notes Strepponi's description of the operas of the 1860s and 1870s as being "modern" whereas Verdi described the pre-1849 works as "the cavatina operas", as further indication that "Verdi became increasingly dissatisfied with the older, familiar conventions of his predecessors that he had adopted at the outset of his career," Parker sees a physical differentiation of the operas from ''Les vêpres siciliennes'' (1855) to ''Aida'' (1871) is that they are significantly longer, and with larger cast-lists, than previous works. They also reflect a shift towards the French genre of grand opera, notable in more colorful orchestration, counterpointing of serious and comic scenes, and greater spectacle. The opportunities of transforming Italian opera by utilising such resources appealed to him. For a commission from the Paris Opéra he expressly demanded a libretto from Eugène Scribe, the favorite librettist of Meyerbeer, telling him: "I want—in fact, I must have—a grandiose, impassioned and original subject." The result was ''Les vêpres siciliennes'', and the scenarios of ''Simon Boccanegra'' (1857), ''Un ballo in maschera'' (1859), ''La forza del destino'' (1862), ''Don Carlos'' (1867) and ''Aida'' (1871) all meet the same criteria. Porter notes that ''Un ballo'' marks an almost complete synthesis of Verdi's style with the grand opera hallmarks, such that "huge spectacle is not mere decoration but essential to the drama...musical and theatrical lines remain taut ndthe characters still sing as warmly, passionately and personally as in ''Il trovatore''." When the composer Ferdinand Hiller asked Verdi whether he preferred ''Aida'' or ''Don Carlos'', Verdi replied that ''Aida'' had "more bite and (if you'll forgive the word), more ''theatricality''". During the rehearsals for the Naples production of ''Aida'' Verdi amused himself by writing his only string quartet, a sprightly work which shows in its last movement that he had not lost the skill for fugue-writing that he had learned with Lavigna.


Final works

Verdi's three last major works continued to show new development in conveying drama and emotion. The first to appear, in 1874 was his Requiem, scored for operatic forces but by no means an "opera in ecclesiastical dress" (the words in which Hans von Bülow condemned it before even hearing it). Although in the Requiem Verdi puts to use many of the techniques he learned in opera, its musical forms and emotions are not those of the stage. Verdi's tone painting at the opening of the Requiem is vividly described by the Italian composer
Ildebrando Pizzetti Ildebrando Pizzetti (20 September 1880 – 13 February 1968) was an Italian composer of classical music, Musicology, musicologist, and Music criticism, music critic. Biography Pizzetti was born in Parma in 1880. He was part of the "Generation ...
, writing in 1941: "in
he words He or HE may refer to: Language * He (pronoun), an English pronoun * He (kana), the romanization of the Japanese kana へ * He (letter), the fifth letter of many Semitic alphabets * He (Cyrillic), a letter of the Cyrillic script called ''He'' in ...
murmured by an invisible crowd over the slow swaying of a few simple chords, you straightaway sense the fear and sadness of a vast multitude before the mystery of death. In the ollowing''Et lux perpetuum'' the melody spreads it wings...before falling back on itself...you hear a sigh for consolation and eternal peace." By the time ''Otello'' premièred in 1887, more than 15 years after ''Aida'', the operas of Verdi's (predeceased) contemporary Richard Wagner had begun their ascendancy in popular taste, and many sought or identified Wagnerian aspects in Verdi's latest composition. Budden points out that there is little in the music of ''Otello'' that relates either to the ''
verismo In opera, ''verismo'' (, from , meaning "true") was a post-Romantic operatic tradition associated with Italian composers such as Pietro Mascagni, Ruggero Leoncavallo, Umberto Giordano, Francesco Cilea and Giacomo Puccini. ''Verismo'' as an ...
'' opera of the younger Italian composers, and little if anything which can be construed as a homage to the
New German School The New German School (german: link=no, Neudeutsche Schule, ) is a term introduced in 1859 by Franz Brendel, editor of the ''Neue Zeitschrift für Musik'', to describe certain trends in German music. Although the term has frequently been used in ...
. Nonetheless there is still much originality, building on the strengths which Verdi had already demonstrated; the powerful storm which opens the opera ''
in medias res A narrative work beginning ''in medias res'' (, "into the middle of things") opens in the midst of the plot (cf. ''ab ovo'', ''ab initio''). Often, exposition is bypassed and filled in gradually, through dialogue, flashbacks or description of pa ...
'', the recollection of the love duet of Act I in Otello's dying words (more an aspect of ''tinta'' than ''
leitmotif A leitmotif or leitmotiv () is a "short, recurring musical phrase" associated with a particular person, place, or idea. It is closely related to the musical concepts of ''idée fixe'' or ''motto-theme''. The spelling ''leitmotif'' is an anglici ...
''), imaginative touches of harmony in Iago's "Era la notte" (Act II). Finally, six years later, appeared ''Falstaff'', Verdi's only comedy apart from the early, ill-fated ''Un giorno di regno''. In this work Roger Parker writes that: :"The listener is bombarded by a stunning diversity of rhythms, orchestral textures, melodic motifs and harmonic devices. Passages that in earlier times would have furnished material for an entire number here crowd in on each other, shouldering themselves unceremoniously to the fore in bewildering succession". Rosselli comments: "In ''Otello'' Verdi had miniaturized the forms of romantic Italian opera; in ''Falstaff'' he miniaturized himself... ments...crystallize a feeling...as though an aria or duet had been precipitated into a phrase."


Legacy


Reception

Although Verdi's operas brought him a popular following, not all contemporary critics approved of his work. The English critic
Henry Chorley Henry Fothergill Chorley (15 December 1808 – 16 February 1872) was an English literary, art and music critic, writer and editor. He was also an author of novels, drama, poetry and lyrics. Chorley was a prolific and important music and litera ...
allowed in 1846 that "he is the only modern man...having a style—for better or worse", but found all his output unacceptable. " isfaults regrave ones, calculated to destroy and degrade taste beyond those of any Italian composer in the long list" wrote Chorley, whilst conceding that "howsoever incomplete may have been his training, howsoever mistaken his aspirations may have proved...he ''has'' aspired." But by the time of Verdi's death, 55 years later, his reputation was assured, and the 1910 edition of Grove's Dictionary pronounced him "one of the greatest and most popular opera composers of the nineteenth century". Verdi had no pupils apart from Muzio and no school of composers sought to follow his style which, however much it reflected his own musical direction, was rooted in the period of his own youth. By the time of his death, ''
verismo In opera, ''verismo'' (, from , meaning "true") was a post-Romantic operatic tradition associated with Italian composers such as Pietro Mascagni, Ruggero Leoncavallo, Umberto Giordano, Francesco Cilea and Giacomo Puccini. ''Verismo'' as an ...
'' was the accepted style of young Italian composers. The
New York Metropolitan Opera The Metropolitan Opera (commonly known as the Met) is an American opera company based in New York City, resident at the Metropolitan Opera House at Lincoln Center, currently situated on the Upper West Side of Manhattan. The company is operat ...
frequently staged ''Rigoletto, Trovatore'' and ''Traviata'' during this period and featured ''Aida'' in every season from 1898 to 1945. Interest in the operas reawakened in mid-1920s Germany and this sparked a revival in England and elsewhere. From the 1930s onward there began to appear scholarly biographies and publications of documentation and correspondence. In 1959 the Instituto di Studi Verdiani (from 1989 the Istituto Nazionale di Studi Verdiani) was founded in Parma and became a leading centre for research and publication of Verdi studies, and in the 1970s the American Institute for Verdi Studies was founded at
New York University New York University (NYU) is a private research university in New York City. Chartered in 1831 by the New York State Legislature, NYU was founded by a group of New Yorkers led by then-Secretary of the Treasury Albert Gallatin. In 1832, the ...
.


Nationalism in the operas

Historians have debated how political Verdi's operas were. In particular, the '' Chorus of the Hebrew Slaves'' (known as ''Va, pensiero'') from the third act of the opera ''
Nabucco ''Nabucco'' (, short for Nabucodonosor ; en, " Nebuchadnezzar") is an Italian-language opera in four acts composed in 1841 by Giuseppe Verdi to an Italian libretto by Temistocle Solera. The libretto is based on the biblical books of 2 Kings, ...
'' was used an anthem for Italian patriots, who were seeking to unify their country and free it from foreign control in the years up to 1861 (the chorus's theme of exiles singing about their homeland, and its lines such as ''O mia patria, si bella e perduta'' / "O my country, so lovely and so lost" were thought to have resonated with many Italians). Beginning in Naples in 1859 and spreading throughout Italy, the slogan "Viva VERDI" was used as an acronym for ''Viva Vittorio Emanuele Re D'Italia'' (''Long live Victor Emmanuel King of Italy''), referring to
Victor Emmanuel II Victor Emmanuel II ( it, Vittorio Emanuele II; full name: ''Vittorio Emanuele Maria Alberto Eugenio Ferdinando Tommaso di Savoia''; 14 March 1820 – 9 January 1878) was King of Sardinia from 1849 until 17 March 1861, when he assumed the title o ...
. Marco Pizzo argues that after 1815, music became a political tool, and many songwriters expressed ideals of freedom and equality. Pizzo claims that Verdi was part of this movement, for his operas were inspired by the love of country, the struggle for Italian independence, and speak to the sacrifice of patriots and exiles. George Martin claims Verdi was "the greatest artist" of the Risorgimento. "Throughout his work its values, its issues recur constantly, and he expressed them with great power". But
Mary Ann Smart Mary Ann Smart (29 March 1964 in Toronto) is a Canadian-born musicologist. Smart earned a doctorate from Cornell University and is the Terrill Professor of Music at the University of California, Berkeley The University of California, Berkeley ...
argues that music critics at the time seldom mentioned any political themes. Likewise, Roger Parker argues that the political dimension of Verdi's operas was exaggerated by nationalistic historians looking for a hero in the late 19th century. From the 1850s onwards, Verdi's operas displayed few patriotic themes because of the heavy censorship by the absolutist regime in power. Verdi later became disillusioned by politics, but he was personally active part in the political world of events of the Risorgimento and was elected to the first Italian parliament in 1861.


Memorials and cultural portrayals

Three Italian conservatories, the Milan Conservatory and those in Turin and
Como Como (, ; lmo, Còmm, label=Comasco dialect, Comasco , or ; lat, Novum Comum; rm, Com; french: Côme) is a city and ''comune'' in Lombardy, Italy. It is the administrative capital of the Province of Como. Its proximity to Lake Como and ...
, are named after Verdi, as are many Italian theatres. Verdi's hometown of Busseto displays
Luigi Secchi Luigi Secchi (1853 in Cremona – 1921 in Miazzina) was an Italian sculptor. Biography He was born in Cremona, but resided during his career mostly in Milan. He was initially a pupil of Pietro Magni, and then of Francesco Barzaghi at the Brer ...
's statue of a seated Verdi in 1913, next to the Teatro Verdi built in his honour in the 1850s. It is one of many statues to the composer in Italy. The
Giuseppe Verdi Monument The Giuseppe Verdi Monument is a sculpture honoring composer Giuseppe Verdi in Verdi Square Park (between 72nd and 73rd Streets, Amsterdam Avenue, and Broadway) in Manhattan, New York City. The statue was created by Italian sculptor . The m ...
, a 1906 marble memorial, sculpted by Pasquale Civiletti, is located in Verdi Square in
Manhattan, New York City Manhattan (), known regionally as the City, is the most densely populated and geographically smallest of the five Boroughs of New York City, boroughs of New York City. The borough is also coextensive with New York County, one of the List of co ...
. The monument includes a statue of Verdi himself and life-sized statues of four characters from his operas, (Aida, Otello, and Falstaff from the operas of the same names, and Leonora from ''La forza del destino''). Verdi has been the subject of a number of film and stage works. These include the 1938 film directed by
Carmine Gallone Carmine Gallone (10 September 1885 – 11 March 1973) was an early Italian film director, screenwriter, and film producer, who was also controversial for his works of pro-Fascist propaganda and historical revisionism. Considered one of Itali ...
, ''
Giuseppe Verdi Giuseppe Fortunino Francesco Verdi (; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the h ...
'', starring Fosco Giachetti; the 1982 miniseries, ''The Life of Verdi'', directed by
Renato Castellani Renato Castellani (4 September 1913 in Varigotti, Liguria – 28 December 1985 in Rome) was an Italian film director and screenwriter. Early life Son of a representative of Kodak, he was born in Varigotti, a hamlet at the time of Final Pia, ...
, where Verdi was played by Ronald Pickup, with narration by
Burt Lancaster Burton Stephen Lancaster (November 2, 1913 – October 20, 1994) was an American actor and producer. Initially known for playing tough guys with a tender heart, he went on to achieve success with more complex and challenging roles over a 45-yea ...
in the English version; and the 1985 play '' After Aida'', by
Julian Mitchell Charles Julian Humphrey Mitchell, FRSL (born 1 May 1935) is an English playwright, screenwriter and occasional novelist. He is best known as the writer of the play and film '' Another Country'', and as a screenwriter for TV, producing many orig ...
(1985). He is a character in the 2011 opera ''
Risorgimento! ''Risorgimento!'' is an opera in one act by Lorenzo Ferrero set to an Italian-language libretto by Dario Oliveri, based on a scenario by the composer. It was completed in 2010 and first performed at the Teatro Comunale Modena on 26 March 2011. ...
'' by Italian composer
Lorenzo Ferrero Lorenzo Ferrero (; born 1951) is an Italian composer, librettist, author, and book editor. He started composing at an early age and has written over a hundred compositions thus far, including twelve operas, three ballets, and numerous orchestral ...
, written to commemorate the 150th anniversary of
Italian unification The unification of Italy ( it, Unità d'Italia ), also known as the ''Risorgimento'' (, ; ), was the 19th-century political and social movement that resulted in the consolidation of different states of the Italian Peninsula into a single ...
of 1861.


Verdi today

Verdi's operas are frequently staged around the world. All of his operas are available in recordings in a number of versions, and on DVD –
Naxos Records Naxos comprises numerous companies, divisions, imprints, and labels specializing in classical music but also audiobooks and other genres. The premier label is Naxos Records which focuses on classical music. Naxos Musical Group encompasses about 1 ...
offers a complete boxed set. Modern productions may differ substantially from those originally envisaged by the composer. Jonathan Miller's 1982 version of ''Rigoletto'' for English National Opera, set in the world of modern American
mafiosi A gangster is a criminal who is a member of a gang. Most gangs are considered to be part of organized crime. Gangsters are also called mobsters, a term derived from ''mob'' and the suffix '' -ster''. Gangs provide a level of organization and r ...
, received critical plaudits. But the same company's staging in 2002 of ''Un ballo in maschera'' as ''A Masked Ball'', directed by Calixto Bieito, including "satanic sex rituals, homosexual rape, nda demonic dwarf", got a general critical thumbs down. Meanwhile, the music of Verdi can still evoke a range of cultural and political resonances. Excerpts from the Requiem were featured at the
funeral of Diana, Princess of Wales The funeral of Diana, Princess of Wales, started on Saturday 6 September 1997 at 9:08am in London, when the tenor bell of Westminster Abbey started tolling to signal the departure of the cortège from Kensington Palace. The coffin was carried ...
in 1997. On 12 March 2011 during a performance of ''Nabucco'' at the
Opera di Roma The Teatro dell'Opera di Roma (Rome Opera House) is an opera house in Rome, Italy. Originally opened in November 1880 as the 2,212 seat ''Costanzi Theatre'', it has undergone several changes of name as well modifications and improvements. The pre ...
celebrating 150 years of Italian unification, the conductor Riccardo Muti paused after "Va pensiero" and turned to address the audience (which included the then Italian Prime Minister,
Silvio Berlusconi Silvio Berlusconi ( ; ; born 29 September 1936) is an Italian media tycoon and politician who served as Prime Minister of Italy in four governments from 1994 to 1995, 2001 to 2006 and 2008 to 2011. He was a member of the Chamber of Deputies ...
) to complain about cuts in state funding of culture; the audience then joined in a repeat of the chorus. In 2014, the pop singer
Katy Perry Katheryn Elizabeth Hudson (born October 25, 1984), known professionally as Katy Perry, is an American singer, songwriter, and television personality. Known for her influence on modern pop music and her Camp (style), campy style, she has been ...
appeared at the
Grammy Award The Grammy Awards (stylized as GRAMMY), or simply known as the Grammys, are awards presented by the Recording Academy of the United States to recognize "outstanding" achievements in the music industry. They are regarded by many as the most pres ...
wearing a dress designed by Valentino, embroidered with the music of "Dell'invito trascorsa è già l'ora" from the start of ''La traviata''. The bicentenary of Verdi's birth in 2013 was celebrated in numerous events around the world, both in performances and broadcasts.Charlotte Runcie
"Verdi: How his 200th birthday is being celebrated"
''
Daily Telegraph Daily or The Daily may refer to: Journalism * Daily newspaper, newspaper issued on five to seven day of most weeks * ''The Daily'' (podcast), a podcast by ''The New York Times'' * ''The Daily'' (News Corporation), a defunct US-based iPad new ...
'', 9 October 2013, accessed 13 July 2015


Notes


References


Citations


Sources

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External links

* *
Bicentennial of Giuseppe Verdi
* ttps://adp.library.ucsb.edu/names/102328 Giuseppe Verdi recordingsat the
Discography of American Historical Recordings The Discography of American Historical Recordings (DAHR) is a database of master recordings made by American record companies during the 78rpm era. The DAHR provides some of these original recordings, free of charge, via audio streaming, along with ...
. {{DEFAULTSORT:Verdi, Giuseppe 1813 births 1901 deaths 19th-century classical composers 19th-century Italian male musicians Chevaliers of the Légion d'honneur Deputies of Legislature VIII of the Kingdom of Italy Grand Croix of the Légion d'honneur Grand Officiers of the Légion d'honneur Italian classical composers Italian male classical composers Italian opera composers Italian philanthropists Italian Romantic composers Italian unification Male opera composers Members of the Senate of the Kingdom of Italy People from Busseto Recipients of the Order of Saint Stanislaus (Russian), 1st class Recipients of the Pour le Mérite (civil class)