List Of Compositions By Giuseppe Verdi
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List Of Compositions By Giuseppe Verdi
The following is a list of published compositions by the composer Giuseppe Verdi (1813–1901). List of operas and revisions Revision of earlier opera, including translations with material musical changes. Incomplete projects *''Re Lear'' (''King Lear''), 1856. Librettist Antonio Somma worked with Verdi on completing a libretto for an opera based on Shakespeare's ''King Lear''. This libretto was based on an incomplete one written by librettist Salvatore Cammarano before he died in 1852. It was never set to music. Songs * '' Sei Romanze'' (1838) #''Non t'accostar all'urna'' ( Jacopo Vittorelli) #''More, Elisa, lo stanco poeta'' ( Tommaso Bianchi) #''In solitaria stanza'' (Jacopo Vittorelli) #''Nell'orror di notte oscura'' ( Carlo Angiolini) #''Perduta ho la pace'' (trans. by Luigi Balestra from Goethe's ''Faust'') #''Deh, pietoso, o addolorata'' (trans. by Luigi Balestra from Goethe's ''Faust'') * ''L'esule'' (1839) (Temistocle Solera) * ''La seduzione'' (1839) (Luigi B ...
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Giuseppe Verdi By Giovanni Boldini
Giuseppe is the Italian form of the given name Joseph, from Latin Iōsēphus from Ancient Greek Ἰωσήφ (Iōsḗph), from Hebrew יוסף. It is the most common name in Italy and is unique (97%) to it. The feminine form of the name is Giuseppina. People with the given name Artists and musicians * Giuseppe Aldrovandini (1671–1707), Italian composer * Giuseppe Arcimboldo (1526 or 1527–1593), Italian painter * Giuseppe Belli (singer) (1732–1760), Italian castrato singer * Giuseppe Gioachino Belli (1791–1863), Italian poet * Giuseppe Castiglione (1829–1908) (1829–1908), Italian painter * Giuseppe Giordani (1751–1798), Italian composer, mainly of opera * Giuseppe Ottaviani (born 1978), Italian musician and disc jockey * Giuseppe Psaila (1891–1960), Maltese Art Nouveau architect * Giuseppe Sammartini (1695–1750), Italian composer and oboist * Giuseppe Sanmartino or Sammartino (1720–1793), Italian sculptor * Giuseppe Santomaso (1907–1990), Italian painter * Giu ...
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Teatro Argentina
The Teatro Argentina (directly translating to "Theatre Argentina") is an opera house and Theater (structure), theatre located in Largo di Torre Argentina, a square in Rome, Italy. One of the oldest theatres in Rome, it was constructed in 1731 and inaugurated on 31 January 1732Plantamura, 10 with ''Berenice'' by Domenico Sarro. It is built over part of the curia section of the Theatre of Pompey. This curia was the location of the assassination of Julius Caesar. History The theatre was commissioned by the Sforza-Cesarini family and designed by the architect Gerolamo Theodoli, with the auditorium laid out in the traditional horseshoe shape. Duke Francesco Sforza-Cesarini, who ran the Argentina Theatre from 1807 to 1815, was a "theatre fanatic" who continued until his death to run up debts. Rossini's ''The Barber of Seville'' was given its premiere here on 20 February 1816, just after Duke Francesco's death and, in the 19th century, the premieres of many notable operas took place in ...
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Her Majesty's Theatre
Her Majesty's Theatre is a West End theatre situated on Haymarket, London, Haymarket in the City of Westminster, London. The present building was designed by Charles J. Phipps and was constructed in 1897 for actor-manager Herbert Beerbohm Tree, who established the Royal Academy of Dramatic Art at the theatre. In the early decades of the 20th century, Tree produced spectacular productions of William Shakespeare, Shakespeare and other classical works, and the theatre hosted premieres by major playwrights such as George Bernard Shaw, J. M. Synge, Noël Coward and J. B. Priestley. Since the First World War, the wide stage has made the theatre suitable for large-scale musical productions, and the theatre has accordingly specialised in hosting musical theatre, musicals. The theatre has been home to record-setting musical theatre runs, notably the First World War sensation ''Chu Chin Chow''Larkin, Colin (ed). ''Guinness Who's Who of Stage Musicals'' (Guinness Publishing, 1994) and the ...
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Andrea Maffei
Andrea Maffei (1798 – 1885) was an Italian poet, translator and librettist. He was born in Molina di Ledro, Trentino. A follower of Vincenzo Monti, he formed part of the 19th-century Italian classicist literary culture. Gaining laurea in jurisprudence, he moved for some years to Verona, then to Venice and finally to Milan, where in 1831 he married contessa Clara Spinelli. They separated by mutual consent on 15 June 1846. As well as Verdi, Maffei also built up close relationships with others in the Italian cultural scene of the time, including Vincenzo Monti, Antonio Rosmini, Gino Capponi, Mario Rapisardi, Carlo Tenca, the painter Francesco Hayez, and the sculptors Vincenzo Vela and Giovanni Duprè. Key cultural figures from the rest of Europe also passed through the lounge of his house in Milan, including Liszt and Stendhal. In 1879 Andrea Maffei was made a senator of the Kingdom of Italy and participated in Italian political life. In the mid-19th century he frequently liv ...
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I Masnadieri
''I masnadieri'' (''The Bandits'' or ''The Robbers'') is an opera in four acts by Giuseppe Verdi to an Italian libretto by Andrea Maffei, based on the play ''Die Räuber'' by Friedrich von Schiller. As Verdi became more successful in Italy, he began to receive offers from other opera houses outside the country. The London impresario Benjamin Lumley had presented ''Ernani'' in 1845 and, as a result of its success, commissioned an opera from the composer which became ''I masnadieri''. It was given its first performance at Her Majesty's Theatre on 22 July 1847 with Verdi conducting the first two performances. While reasonably successful there and in Italy up to the mid-1860s, the opera disappeared for about 90 years until revived in 1951. It has been revived from time to time in the 21st century. Composition history In 1842 Lumley took over the management of Her Majesty's Theatre, the traditional home of Italian opera in London. Three years later Verdi's ''Ernani'' received its f ...
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Florence
Florence ( ; it, Firenze ) is a city in Central Italy and the capital city of the Tuscany region. It is the most populated city in Tuscany, with 383,083 inhabitants in 2016, and over 1,520,000 in its metropolitan area.Bilancio demografico anno 2013, datISTAT/ref> Florence was a centre of medieval European trade and finance and one of the wealthiest cities of that era. It is considered by many academics to have been the birthplace of the Renaissance, becoming a major artistic, cultural, commercial, political, economic and financial center. During this time, Florence rose to a position of enormous influence in Italy, Europe, and beyond. Its turbulent political history includes periods of rule by the powerful Medici family and numerous religious and republican revolutions. From 1865 to 1871 the city served as the capital of the Kingdom of Italy (established in 1861). The Florentine dialect forms the base of Standard Italian and it became the language of culture throughout Ital ...
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Teatro Della Pergola
The Teatro della Pergola is an historic opera house in Florence, Italy. It is located in the centre of the city on the Via della Pergola, from which the theatre takes its name. It was built in 1656 under the patronage of Cardinal Gian Carlo de' Medici to designs by the architect Ferdinando Tacca, son of the sculptor Pietro Tacca; its inaugural production was the opera buffa, '' Il potestà di Colognole'' by Jacopo Melani. The opera house, the first to be built with superposed tiers of boxes rather than raked semi-circular seating in the Roman fashion,As in the Teatro Olimpico of Vicenza, designed by Andrea Palladio in the previous century. is considered to be the oldest in Italy, having occupied the same site for more than 350 years. It has two auditoria, the 'Sala Grande', with 1,500 seats, and the 'Saloncino', a former ballroom located upstairs which has been used as a recital hall since 1804 and which seats 400. Work on completing the interior was finished in 1661, in time fo ...
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Macbeth (opera)
''Macbeth'' () is an opera in four acts by Giuseppe Verdi, with an Italian libretto by Francesco Maria Piave and additions by Andrea Maffei, based on William Shakespeare's play of the same name. Written for the Teatro della Pergola in Florence, it was Verdi's tenth opera and premiered on 14 March 1847. ''Macbeth'' was the first Shakespeare play that Verdi adapted for the operatic stage. Almost twenty years later, ''Macbeth'' was revised and expanded in a French version and given in Paris on 19 April 1865. After the success of ''Attila'' in 1846, by which time the composer had become well established, ''Macbeth'' came before the great successes of 1851 to 1853 (''Rigoletto'', ''Il trovatore'' and '' La traviata'') which propelled him into universal fame. As sources, Shakespeare's plays provided Verdi with lifelong inspiration: some, such as an adaption of ''King Lear'' (as ''Re Lear'') were never realized, but he wrote his two final operas using ''Othello'' as the basis for ' ...
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Attila (opera)
''Attila'' is an opera in a prologue and three acts by Giuseppe Verdi to an Italian libretto by Temistocle Solera, based on the 1809 play ' (''Attila, King of the Huns'') by Zacharias Werner. The opera received its first performance at La Fenice in Venice on 17 March 1846. Ezio's act 2 aria of heroic resolution "" (My lot is cast, I am prepared for any warfare) is a fine example of a characteristic Verdian ''genre'', and it achieved fame in its own time with audiences in the context of the adoption of a liberal constitution by Ferdinand II.Stamatov, Peter, "Interpretive Activism and the Political Uses of Verdi's Operas in the 1840s" (June 2002). ''American Sociological Review'', 67 (3): pp. 345–366. Other contemporary comment praised the work as suitable for the "political education of the people", while, in contrast, others criticised the opera as "Teutonic" in nature. Composition history Verdi had read the ultra-Romantic play in April 1844, probably introduced to it by his fr ...
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Naples
Naples (; it, Napoli ; nap, Napule ), from grc, Νεάπολις, Neápolis, lit=new city. is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 909,048 within the city's administrative limits as of 2022. Its province-level municipality is the third-most populous metropolitan city in Italy with a population of 3,115,320 residents, and its metropolitan area stretches beyond the boundaries of the city wall for approximately 20 miles. Founded by Greeks in the first millennium BC, Naples is one of the oldest continuously inhabited urban areas in the world. In the eighth century BC, a colony known as Parthenope ( grc, Παρθενόπη) was established on the Pizzofalcone hill. In the sixth century BC, it was refounded as Neápolis. The city was an important part of Magna Graecia, played a major role in the merging of Greek and Roman society, and was a significant cultural centre under the Romans. Naples served a ...
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Teatro Di San Carlo
The Real Teatro di San Carlo ("Royal Theatre of Saint Charles"), as originally named by the Bourbon monarchy but today known simply as the Teatro (di) San Carlo, is an opera house in Naples, Italy, connected to the Royal Palace and adjacent to the Piazza del Plebiscito. It is the oldest continuously active venue for opera in the world, having opened in 1737, decades before either Milan's La Scala or Venice's La Fenice."The Theatre and its history"
on the Teatro di San Carlo's official website. (In English). Retrieved 23 December 2013
The opera season runs from late November to July, with the ballet season taking place from December to early June. The house once had a seating capacity of 3,285, but has now been reduced to 1,386 seats. Given its size, structure and antiquity, it was the model for theatres that were l ...
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Salvatore Cammarano
Salvadore Cammarano (also Salvatore) (born Naples, 19 March 1801 – died Naples 17 July 1852) was a prolific Italian librettist and playwright perhaps best known for writing the text of ''Lucia di Lammermoor'' (1835) for Gaetano Donizetti. For Donizetti he also contributed the libretti for ''L'assedio di Calais'' (1836), ''Belisario'' (1836), ''Pia de' Tolomei'' (1837), ''Roberto Devereux'' (1837), ''Maria de Rudenz'' (1838), ''Poliuto'' (1838), and ''Maria di Rohan'' (1843), while for Giuseppe Persiani he was the author of ''Ines de Castro''. For Verdi he wrote ''Alzira'' (1845), ''La battaglia di Legnano'' (1849) and ''Luisa Miller'' (1849), but after he died in July 1852, Verdi worked with Leone Emanuele Bardare to complete the libretto for ''Il trovatore'' (1853).Budden, Vol. 2, p.65 Cammarano also started work on libretto for a proposed adaptation of William Shakespeare's play ''King Lear'', named ''Re Lear'', but he died before completing it; a detailed scenario survives ...
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