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Bolshoi Kamenny Theatre
The Saint Petersburg Imperial Bolshoi Kamenny Theatre (The Big Stone Theatre of Saint Petersburg, russian: Большой Каменный Театр) was a theatre in Saint Petersburg. It was built in 1783 to Antonio Rinaldi's Neoclassical design as the Kamenny (i.e., Stone) Theatre; Giovanni Paisiello’s opera ''Il mondo della luna'' was performed at the opening on 24 September. It was rebuilt in 1802 according to the designs of the architect Thomas de Thomon and renamed the Bolshoi, but burned down in 1811. The building was restored in 1818, and modified between 1826 and 1836 by Alberto Cavos to accommodate more modern machinery. Until 1886, the Bolshoi Kamenny Theatre was principal theatre for both the Imperial Ballet and the Imperial Russian Opera. In 1886 the building was declared unsafe and, at the behest of the theatre director Ivan Vsevolozhsky, the ballet and opera performances moved to the Imperial Mariinsky Theatre, where they have remained ever since. The Imp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ruslan And Lyudmila (opera)
''Ruslan and Lyudmila'' ( rus, Руслан и Людмила, Ruslán i Lyudmíla, link=no ) is an opera in five acts (eight tableaux) composed by Mikhail Glinka between 1837 and 1842. The opera is based on the 1820 poem of the same name by Alexander Pushkin. The Russian libretto was written by Valerian Shirkov, Nestor Kukolnik and N. A. Markevich, among others. Pushkin's death in the famous duel prevented him from writing the libretto himself as planned. Today, the best-known music from the opera is its overture. Performance history The premiere took place in Saint Petersburg on 27 November(Old Style) 1842 at the Bolshoi Kamenniy Teatr. The initial lack of enthusiasm for this Russian-inspired production has been attributed to the Saint Petersburg's audience's growing taste at the time for Italian opera, which was so pronounced that in 1843, Tsar Nicholas I established an Italian opera company in the Bolshoi Kamenniy Teatr, and the Russian opera company lost its home. Four year ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Venues Completed In 1783
Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect of all human societies, a cultural universal. While scholars agree that music is defined by a few specific elements, there is no consensus on their precise definitions. The creation of music is commonly divided into musical composition, musical improvisation, and musical performance, though the topic itself extends into academic disciplines, criticism, philosophy, and psychology. Music may be performed or improvised using a vast range of instruments, including the human voice. In some musical contexts, a performance or composition may be to some extent improvised. For instance, in Hindustani classical music, the performer plays spontaneously while following a partially defined structure and using characteristic motifs. In modal jazz the p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Houses In Russia
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bolshoi Theatre, Saint Petersburg
The Saint Petersburg Imperial Bolshoi Kamenny Theatre (The Big Stone Theatre of Saint Petersburg, russian: Большой Каменный Театр) was a theatre in Saint Petersburg. It was built in 1783 to Antonio Rinaldi's Neoclassical design as the Kamenny (i.e., Stone) Theatre; Giovanni Paisiello’s opera ''Il mondo della luna'' was performed at the opening on 24 September. It was rebuilt in 1802 according to the designs of the architect Thomas de Thomon and renamed the Bolshoi, but burned down in 1811. The building was restored in 1818, and modified between 1826 and 1836 by Alberto Cavos to accommodate more modern machinery. Until 1886, the Bolshoi Kamenny Theatre was principal theatre for both the Imperial Ballet and the Imperial Russian Opera. In 1886 the building was declared unsafe and, at the behest of the theatre director Ivan Vsevolozhsky, the ballet and opera performances moved to the Imperial Mariinsky Theatre, where they have remained ever since. The Im ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludwig Minkus
Ludwig Minkus (russian: link=no, Людвиг Минкус), also known as Léon Fyodorovich Minkus (23 March 1826, Vienna – 7 December 1917, Vienna), was a Jewish-Austrian composer of ballet music, a violin virtuoso and teacher. Minkus is noted for the music he composed while serving as the official Composer of Ballet Music to the St. Petersburg Imperial Theatres in Russia. During his long career, he wrote for the original works and numerous revivals staged by the renowned Ballet Masters Arthur Saint-Léon and Marius Petipa. Among the composer's most celebrated compositions was his score for '' La source'' (1866; composed jointly with Léo Delibes), ''Don Quixote'' (1869); and ''La Bayadère'' (1877). Minkus also wrote supplemental material for insertion into already existing ballets. The most famous and enduring of these pieces is the ''Grand Pas classique'' from the ballet ''Paquita'', which was added by Marius Petipa especially for a revival of the ballet staged for the ben ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Bayadère
''La Bayadère'' ("the temple dancer") ( ru. «Баядерка», ''Bayaderka'') is a ballet, originally staged in four acts and seven tableaux by French choreographer Marius Petipa to the music of Ludwig Minkus. The ballet was staged especially for the benefit performance of the Russian ''Prima ballerina'' Ekaterina Vazem, who created the principal role of Nikiya. ''La Bayadère'' was first presented by the Imperial Ballet at the Imperial Bolshoi Kamenny Theatre in St. Petersburg, Russia, on . From the first performance the ballet was universally hailed by contemporary critics as one of the choreographer Petipa's supreme masterpieces, particularly the scene from the ballet known as ''The Kingdom of the Shades'', which became one of the most celebrated pieces in all of classical ballet. By the turn of the 20th century, ''The Kingdom of the Shades'' scene was regularly extracted from the full-length work as an independent showpiece, and it has remained so to the present day. Nea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Saint-Léon
Arthur Saint-Léon (17 September 1821, in Paris – 2 September 1870) was the '' Maître de Ballet'' of St. Petersburg Imperial Ballet from 1859 until 1869 and is famous for creating the choreography of the ballet ''Coppélia''. Biography He was born Charles Victor Arthur Michel in Paris, but was raised in Stuttgart, where his father was dance master for the court and the theatre ballet. Saint-Léon was encouraged by his father, who had also been a dancer of the Paris Opéra Ballet, to study music and dance. Saint-Léon studied violin with Joseph Mayseder and Niccolò Paganini. At the same time, he studied ballet so he could perform both as violinist and dancer. When he was 17 years old, he made his début as first demi-charactére dancer at the Théâtre de la Monnaie in Brussels. He started to tour across Europe dancing in Germany, Italy, England, obtaining a lot of success. In particular, the London audience, who did not like at that time to see men dancing on stage, liked h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Little Humpbacked Horse (ballet)
''The Little Humpbacked Horse, or The Tsar Maiden'' (a.k.a. ''Konyok Gorbunok ili Tsar-Devitsa'', or ''Le Petit cheval bossu, ou La Tsar-Demoiselle'') is a ballet in four acts and eight scenes with apotheosis. Story of the ballet The libretto is by Arthur Saint-Léon, based on the fairy tale ''The Little Humpbacked Horse'' by Pyotr Yershov. However, the choreographer substantially deviated from Yershov's original tale. The ballet shows how Ivan the fool, with the aid of a magical horse, defeats an evil Khan and wins the hand of the Tsar- Maiden. Eventually Ivan replaces the ineffective and incompetent Tsar and becomes Tsar himself. Choreography of Saint-Léon The original choreography was created by Arthur Saint-Léon and was set to music by Cesare Pugni. The ballet was first presented by the Imperial Ballet on at the Imperial Bolshoi Kamenny Theatre in St. Petersburg, Russia. Marfa Muravyova (as the Tsar Maiden) and Timofey Stukolkin (as Ivanushka) were planned as prin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Beauty Of Lebanon Or The Mountain Spirit
''The Beauty of Lebanon, or The Mountain Spirit'' (french: link=no, La Belle du Liban, ou L'Esprit des montagnes; russian: Ливанская красавица, или Горный дух) is a fantastic ballet in three acts and seven scenes, with choreography by Marius Petipa and music by Cesare Pugni. Libretto by E. Rappoport and Marius Petipa. The ballet was first presented by the Imperial Ballet on December 12/24 ( Julian/Gregorian calendar dates), 1863 at the Imperial Bolshoi Kamenny Theatre in St. Petersburg, Russia, with Mariia Surovshchikova-Petipa (as the Mountain Spirit) and Timofei Stukolkin (as Beshir). See also * List of ballets by title __NOTOC__ The following is a list of ballets with entries in English Wikipedia. The entries are sorted alphabetically by ballet title, with the name of the composer (or the composer whose music the ballet is set to) and the year of the first perf ... References Ballets by Marius Petipa Ballets by Cesare Pugni 1863 ballet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cesare Pugni
Cesare Pugni (; russian: Цезарь Пуни, Cezar' Puni; 31 May 1802 in Genoa – ) was an Italian composer of ballet music, a pianist and a violinist. In his early career he composed operas, symphonies, and various other forms of orchestral music. Pugni is most noted for the ballets he composed for Her Majesty's Theatre in London (1843–1850), and for the Imperial Theatres in St. Petersburg, Russia (1850–1870). The majority of his ballet music was composed for the works of the ballet master Jules Perrot, who mounted nearly every one of his ballets to scores by Pugni. In 1850 Perrot departed London for Russia, having accepted the position of ''Premier maître de ballet'' of the St. Petersburg Imperial Theatres at the behest of Carlotta Grisi, who was engaged as ''Prima ballerina''. Cesare Pugni followed Perrot and Grisi to Russia, and remained in the imperial capital even after Grisi's departure in 1853 and Perrot's departure in 1858. Pugni went on to compose for Perro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marius Petipa
Marius Ivanovich Petipa (russian: Мариус Иванович Петипа), born Victor Marius Alphonse Petipa (11 March 1818), was a French ballet dancer, pedagogue and choreographer. Petipa is one of the most influential ballet masters and choreographers in ballet history. Marius Petipa is noted for his long career as ''Premier maître de ballet'' (''First Ballet Master'') of the St. Petersburg Imperial Theatres, making him Ballet Master and principal choreographer of the Imperial Ballet (today known as the Mariinsky Ballet), a position he held from 1871 until 1903. Petipa created over fifty ballets, some of which have survived in versions either faithful to, inspired by, or reconstructed from the original. Among these works, he is most noted for ''The Pharaoh's Daughter'' (1862); ''Don Quixote'' (1869); ''La Bayadère'' (1877); '' Le Talisman'' (1889); '' The Sleeping Beauty'' (1890); ''The Nutcracker'' (choreographed jointly with Lev Ivanov) (1892); ''Le Réveil de Flor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
