|
Henry Chorley
Henry Fothergill Chorley (15 December 1808 – 16 February 1872) was an English literary, art and music critic, writer and editor. He was also an author of novels, drama, poetry and lyrics. Chorley was a prolific and important music and literary critic and music gossip columnist of the mid-nineteenth century and wrote extensively about music in London and in Europe. His opera libretti and works of fiction were far less successful. He is perhaps best remembered today for his lyrics to " The Long Day Closes", a part song set by Arthur Sullivan in 1868. Life and career Chorley was born in Blackley Hurst, near Billinge, Lancashire, England. Chorley was the youngest of four children of Quaker parents, John Chorley (1771–1816), an iron worker and lock maker, and Jane Chorley, née Wilkinson (1779–1851). Chorley's father died, leaving his mother alone with young children. Jane Chorley moved her family to Liverpool to help take care of her half-brother, Dr Rutter, when he bec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Covent Garden
Covent Garden is a district in London, on the eastern fringes of the West End, between St Martin's Lane and Drury Lane. It is associated with the former fruit-and-vegetable market in the central square, now a popular shopping and tourist site, and with the Royal Opera House, itself known as "Covent Garden". The district is divided by the main thoroughfare of Long Acre, north of which is given over to independent shops centred on Neal's Yard and Seven Dials, while the south contains the central square with its street performers and most of the historical buildings, theatres and entertainment facilities, including the London Transport Museum and the Theatre Royal, Drury Lane. The area was fields until briefly settled in the 7th century when it became the heart of the Anglo-Saxon trading town of Lundenwic, then abandoned at the end of the 9th century after which it returned to fields. By 1200 part of it had been walled off by the Abbot of Westminster Abbey for use as arable l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
God, The Omnipotent!
"God, the Omnipotent!" also known as "God, the All-terrible!" is a hymn with words written in 1842 by Henry F. Chorley (1808–1872) and 3rd and 4th stanzas by John Ellerton (1826–1893) in 1870. It is based on a text from , "The Lord God omnipotent reigneth" (KJV). Set in 11.10.11.9 meter, the tune is from the 19th century Russian national anthem, ''God Save The Tsar!'', composed by Alexei Lvov (1798–1870) in 1833. The original form appears to be the "All-terrible", but from the early 20 century the "Omnipotent" versions seems to have become more popular. The "All-terrible" form was retained when the ritishMethodist Hymn-Book was published in 1933. The tune name is ''Russian Hymn'' in various modern hymnals, such as those of the United Methodist Church and the Presbyterian Church (U.S.A.), or just ''Russia'', as in ''The Hymnal 1982'' of the Episcopal Church in the United States of America The Episcopal Church, based in the United States with additional ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Loder
Edward James Loder (10 July 1809 – 5 April 1865) was an English composer and conductor. His best remembered work is perhaps the 1855 opera ''Raymond and Agnes'', though his most successful opera during his lifetime was ''The Night Dancers''. Biography Loder was born in Bath, Somerset. He was the son of John David Loder (1788–1846), a violinist and musical director of the Theatre Royal, Bath, and his wife Rosamund, née Mills (1787–1856), a step-daughter of the comedian John Fawcett. Edward Loder's twin brother John Fawcett Loder (1809–1853) was a violinist, and a younger brother William Sowerby Loder (1812–1851) was a cellist who married the soprano Emily Woodyatt. His cousins included the composer and conductor George Loder (1816–1868) and George's sister, composer and pianist Kate Loder. Loder's family sent him to Frankfurt in 1826 to study under Ferdinand Ries, who was an old friend of the family. He returned to England in 1828 and embarked on a successful car ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gounod
Charles-François Gounod (; ; 17 June 181818 October 1893), usually known as Charles Gounod, was a French composer. He wrote twelve operas, of which the most popular has always been ''Faust (opera), Faust'' (1859); his ''Roméo et Juliette'' (1867) also remains in the international repertory. He composed a large amount of church music, many songs, and popular short pieces including his Ave Maria (Bach/Gounod), Ave Maria (an elaboration of a Johann Sebastian Bach, Bach piece), and ''Funeral March of a Marionette''. Born in Paris into an artistic and musical family Gounod was a student at the Conservatoire de Paris and won France's most prestigious musical prize, the Prix de Rome. His studies took him to Italy, Austria and then Prussia, where he met Felix Mendelssohn, whose advocacy of the music of Bach was an early influence on him. He was deeply religious, and after his return to Paris, he briefly considered becoming a priest. He composed prolifically, writing church music, songs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meyerbeer
Giacomo Meyerbeer (born Jakob Liebmann Beer; 5 September 1791 – 2 May 1864) was a German opera composer, "the most frequently performed opera composer during the nineteenth century, linking Mozart and Wagner". With his 1831 opera ''Robert le diable'' and its successors, he gave the genre of grand opera 'decisive character'. Meyerbeer's grand opera style was achieved by his merging of German orchestra style with Italian vocal tradition. These were employed in the context of sensational and melodramatic libretti created by Eugène Scribe and were enhanced by the up-to-date theatre technology of the Paris Opéra. They set a standard which helped to maintain Paris as the opera capital of the nineteenth century. Born to a rich Jewish family, Meyerbeer began his musical career as a pianist but soon decided to devote himself to opera, spending several years in Italy studying and composing. His 1824 opera '' Il crociato in Egitto'' was the first to bring him Europe-wide reputation, but ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Masque At Kenilworth
''Kenilworth, A Masque of the Days of Queen Elizabeth'' (commonly referred to as "The Masque at Kenilworth"), is a cantata with music by Arthur Sullivan and words by Henry Fothergill Chorley (with an extended Shakespeare quotation) that premiered at the Birmingham Festival on 8 September 1864. In 1575, Queen Elizabeth visited Robert Dudley at Kenilworth Castle, where he presented her with lavish entertainments over a period of 19 days in an attempt to persuade her to marry him. This piece attempts to recreate the sort of masque that might have been performed for the queen's pleasure. The text is based partly on the description of the queen's visit in the 1821 novel ''Kenilworth'', by Sir Walter Scott and on other contemporary accounts and fiction. Background ''Kenilworth'' is one of Arthur Sullivan's earliest choral works, coming only three years after he completed his studies. Early in 1862, the critic Henry Fothergill Chorley, who served on the committee that had awarded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Sapphire Necklace
''The Sapphire Necklace, or the False Heiress'' (completed by 1867, and at least mostly completed by 1864), was the first opera composed by Arthur Sullivan. It was never performed, and most of the music and libretto are now lost. Background After his incidental music to '' The Tempest'' brought Arthur Sullivan early fame in 1862, he began to experiment with a wide variety of musical compositions. By 1864, the young Sullivan had written a ballet ('' L'Île Enchantée''), orchestral pieces including ''The Masque at Kenilworth'', several hymns, a few piano solos, and some part songs and parlour ballads. He had also set to work on ''The Sapphire Necklace''. As with some of his other compositions in the 1860s, the libretto was provided by his friend Henry F. Chorley. However, this libretto proved particularly difficult to set. Later in life Sullivan would say that no other libretto had given him more difficulty, and an 1879 article suggests that he later decided to suppress the op ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Sterndale Bennett
Sir William Sterndale Bennett (13 April 18161 February 1875) was an English composer, pianist, conductor and music educator. At the age of ten Bennett was admitted to the London Royal Academy of Music (RAM), where he remained for ten years. By the age of twenty, he had begun to make a reputation as a concert pianist, and his compositions received high praise. Among those impressed by Bennett was the German composer Felix Mendelssohn, who invited him to Leipzig. There Bennett became friendly with Robert Schumann, who shared Mendelssohn's admiration for his compositions. Bennett spent three winters composing and performing in Leipzig. In 1837 Bennett began to teach at the RAM, with which he was associated for most of the rest of his life. For twenty years he taught there, later also teaching at Queen's College, London. Amongst his pupils during this period were Arthur Sullivan, Hubert Parry, and Tobias Matthay. Throughout the 1840s and 1850s he composed little, although he perfo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Vincent Wallace
William Vincent Wallace (11 March 1812 – 12 October 1865) was an Irish composer and pianist. In his day, he was famous on three continents as a double virtuoso on violin and piano. Nowadays, he is mainly remembered as an opera composer of note, with key works such as ''Maritana'' (1845) and '' Lurline'' (1847/60), but he also wrote a large amount of piano music (including some virtuoso pieces) that was much in vogue in the 19th century. His more modest output of songs and ballads, equally wide-ranging in style and difficulty, was also popular in his day, some numbers being associated with famous singers of the time. Early life Wallace was born at Colbeck Street, Waterford, Ireland. Both of his parents were Irish; his father, Spencer Wallace of County Mayo, one of four children, who was born in Killala, County Mayo in 1789, became a regimental bandmaster with the North Mayo Militia based in Ballina. William was born while the regiment was stationed for one year in Waterfo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
