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Andrew Porter (music Critic)
Andrew Brian Porter (26 August 19283 April 2015) was a British music critic, opera librettist, opera director, scholar, and organist.''Opera''"Opera Magazine Editorial Board"(archived 9 May 2011 at Internet Archive), originally accessed 2 January 2011. Biography Born in Cape Town, South Africa, Porter studied organ at University College, Oxford in the late 1940s. He then began writing music criticism for various London newspapers, including ''The Times'' and ''The Daily Telegraph''. In 1953, he joined ''The Financial Times'', where he served as the lead critic until 1972, where his successor was Ronald Crichton. Stanley Sadie, in the 2001 edition of the ''Grove Dictionary of Music and Musicians'', wrote that Porter "built up a distinctive tradition of criticism, with longer notices than were customary in British daily papers, based on his elegant, spacious literary style and always informed by a knowledge of music history and the findings of textual scholarship as well as an ex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
:Template:Infobox Writer/doc
Infobox writer may be used to summarize information about a person who is a writer/author (includes screenwriters). If the writer-specific fields here are not needed, consider using the more general ; other infoboxes there can be found in :People and person infobox templates. This template may also be used as a module (or sub-template) of ; see WikiProject Infoboxes/embed for guidance on such usage. Syntax The infobox may be added by pasting the template as shown below into an article. All fields are optional. Any unused parameter names can be left blank or omitted. Parameters Please remove any parameters from an article's infobox that are unlikely to be used. All parameters are optional. Unless otherwise specified, if a parameter has multiple values, they should be comma-separated using the template: : which produces: : , language= If any of the individual values contain commas already, add to use semi-colons as separators: : which produces: : , ps ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Times Literary Supplement
''The Times Literary Supplement'' (''TLS'') is a weekly literary review published in London by News UK, a subsidiary of News Corp. History The ''TLS'' first appeared in 1902 as a supplement to ''The Times'' but became a separate publication in 1914. Many distinguished writers have contributed, including T. S. Eliot, Henry James and Virginia Woolf. Reviews were normally anonymous until 1974, when signed reviews were gradually introduced during the editorship of John Gross. This aroused great controversy. "Anonymity had once been appropriate when it was a general rule at other publications, but it had ceased to be so", Gross said. "In addition I personally felt that reviewers ought to take responsibility for their opinions." Martin Amis was a member of the editorial staff early in his career. Philip Larkin's poem "Aubade", his final poetic work, was first published in the Christmas-week issue of the ''TLS'' in 1977. While it has long been regarded as one of the world's pre-emi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaetano Donizetti
Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the '' bel canto'' opera style during the first half of the nineteenth century and a probable influence on other composers such as Giuseppe Verdi. Donizetti was born in Bergamo in Lombardy. At an early age he was taken up by Simon Mayr who enrolled him with a full scholarship in a school which he had set up. There he received detailed musical training. Mayr was instrumental in obtaining a place for Donizetti at the Bologna Academy, where, at the age of 19, he wrote his first one-act opera, the comedy ''Il Pigmalione'', which may never have been performed during his lifetime. An offer in 1822 from Domenico Barbaja, the impresario of the Teatro di San Carlo in Naples, which followed the composer's ninth opera, led to his move to Naples and his residency there until productio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Meistersinger
Die, as a verb, refers to death, the cessation of life. Die may also refer to: Games * Die, singular of dice, small throwable objects used for producing random numbers Manufacturing * Die (integrated circuit), a rectangular piece of a semiconductor wafer * Die (manufacturing), a material-shaping device * Die (philately) * Coin die, a metallic piece used to strike a coin * Die casting, a material-shaping process ** Sort (typesetting), a cast die for printing * Die cutting (web), process of using a die to shear webs of low-strength materials * Die, a tool used in paper embossing * Tap and die, cutting tools used to create screw threads in solid substances * Tool and die, the occupation of making dies Arts and media Music * ''Die'' (album), the seventh studio album by rapper Necro * Die (musician), Japanese musician, guitarist of the band Dir en grey * DJ Die, British DJ and musician with Reprazent * "DiE", a 2013 single by the Japanese idol group BiS * die!, an inactive Germ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Rosen (musicologist)
David Rosen (born September 21, 1938, in San Francisco) is an expert in nineteenth- and early twentieth-century Italian opera. He is noted for having discovered the complete score of Messa per Rossini, presumed lost, in the archives of the Italian music publishing house G. Ricordi & Co in 1986. He was responsible for the critical edition of Verdi's Messa da Requiem and the Cambridge Music Handbook on the Requiem. He also discovered in the Bibliothèque Nationale a passage in Verdi's manuscript score for ''Don Carlos'' which had had to be cut in order to ensure that the opera's premiere would finish before midnight. This led to a further discovery of more music which had also been discarded. Rosen has also pursued an interest in understanding the original staging of late romantic opera, publishing a seminal work on the staging of ''Un ballo in maschera''.Un Ballo in Maschera di Giuseppe Verdi, Ricordi He is an emeritus professor of musicology in the Department of Music at Corne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Du Châtelet
The Théâtre du Châtelet () is a theatre and opera house, located in the place du Châtelet in the 1st arrondissement of Paris, France. One of two theatres (the other being the Théâtre de la Ville) built on the site of a ''châtelet'', a small castle or fortress, it was designed by Gabriel Davioud at the request of Baron Haussmann between 1860 and 1862. Originally named the Théâtre Impérial du Châtelet, it has undergone remodeling and name changes over the years. Currently it seats 2,500 people. Description The theatre is one of two apparent twins constructed along the quays of the Seine, facing each other across the open Place du Châtelet. The other is the Théâtre de la Ville. Their external architecture is essentially Palladian entrances under arcades, although their interior layouts differ considerably. At the centre of the plaza is an ornate, sphinx-endowed fountain, erected in 1808, which commemorates Napoleon's victory in Egypt. Origins The Théâtre Imp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris Opera
The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be known more simply as the . Classical ballet as it is known today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the , it mainly produces operas at its modern 2,723-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1,979-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille. The company's annual budget is in the order of 200 million euros, of which €100M come from the French state and €70M from box office receipts. With this money, the company runs the two houses and supports a large permanent staff, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Carlos
''Don Carlos'' is a five-act grand opera composed by Giuseppe Verdi to a French-language libretto by Joseph Méry and Camille du Locle, based on the dramatic play '' Don Carlos, Infant von Spanien'' (''Don Carlos, Infante of Spain'') by Friedrich Schiller. In addition, several incidents, of which the Forest of Fontainebleau scene and ''auto-da-fé'' were the most substantial, were borrowed from Eugène Cormon's 1846 play ''Philippe II, Roi d'Espagne''. The opera is most often performed in Italian translation, usually under the title ''Don Carlo''. The opera's story is based on conflicts in the life of Carlos, Prince of Asturias (1545–1568). Though he was betrothed to Elisabeth of Valois, part of the peace treaty ending the Italian War of 1551–59 between the Houses of Habsburg and Valois demanded that she be married instead to his father Philip II of Spain. It was commissioned and produced by the Théâtre Impérial de l'Opéra ( Paris Opera) and given its premiere at the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Layla And Majnun
''Layla & Majnun'' ( ar, مجنون ليلى ; '''Layla's Mad Lover) is an old story of Arab origin, about the 7th-century Bedouin poet Qays ibn al-Mulawwah and his ladylove Layla bint Mahdi (later known as Layla al-Aamiriya). "The Layla-Majnun theme passed from Arabic to Persian, Turkish, and Indian languages", through the narrative poem composed in 584/1188 by the Persian poet Nizami Ganjavi, as the third part of his ''Khamsa''. It is a popular poem praising their love story. Qays and Layla fell in love with each other when they were young, but when they grew up Layla's father didn't allow them to be together. Qays became obsessed with her. His tribe Banu 'Amir and the community gave him the epithet of ''Majnūn'' ( "crazy", lit. "possessed by Jinn"). Long before Nizami, the legend circulated in anecdotal forms in Iranian ''akhbar''. The early anecdotes and oral reports about Majnun are documented in ''Kitab al-Aghani'' and Ibn Qutaybah's ''Al-Shi'r wa-l-Shu'ara'.'' Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bright Sheng
Bright Sheng (Chinese: 盛宗亮 pinyin: ''Shèng Zōngliàng''; born December 6, 1955) is a Chinese-born American composer, pianist and conductor. Sheng has earned many honors for his music and compositions, including a MacArthur Fellowship in 2001; he also was a two-time Pulitzer Prize finalist. His music has been commissioned and performed by virtually every major American symphony orchestra, in addition to the Orchestre de Paris, Royal Concertgebouw Orchestra, Toronto Symphony Orchestra, BBC Symphony Orchestra, London Sinfonietta, St. Petersburg Philharmonic Orchestra, Russian National Orchestra, Finnish Radio Symphony Orchestra, Sydney Symphony Orchestra, National Symphony Orchestra of Taiwan, Shanghai Philharmonic Orchestra, Tokyo Philharmonic Orchestra, and the Seoul Philharmonic Orchestra among numerous others. His music has been performed by such musicians as the conductors Leonard Bernstein, Kurt Masur, Christoph Eschenbach, Charles Dutoit, Michael Tilson Thomas, Leonar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
