Rembrandt Harmenszoon van Rijn (, ; 15 July 1606
– 4 October 1669), usually simply known as Rembrandt, was a
Dutch Golden Age painter
Dutch Golden Age painting is the painting of the Dutch Golden Age, a period in Dutch history roughly spanning the 17th century, during and after the later part of the Eighty Years' War (1568–1648) for Dutch independence.
The new Dutch Republi ...
,
printmaker and
draughtsman. An innovative and prolific
master
Master or masters may refer to:
Ranks or titles
* Ascended master, a term used in the Theosophical religious tradition to refer to spiritually enlightened beings who in past incarnations were ordinary humans
*Grandmaster (chess), National Master ...
in three
media
Media may refer to:
Communication
* Media (communication), tools used to deliver information or data
** Advertising media, various media, content, buying and placement for advertising
** Broadcast media, communications delivered over mass e ...
, he is generally considered one of the greatest
visual artists
The visual arts are art forms such as painting, drawing, printmaking, sculpture, ceramics, photography, video, filmmaking, design, crafts and architecture. Many artistic disciplines such as performing arts, conceptual art, and textile arts ...
in the
history of art
The history of art focuses on objects made by humans for any number of spiritual, narrative, philosophical, symbolic, conceptual, documentary, decorative, and even functional and other purposes, but with a primary emphasis on its aesthetic visu ...
and the most important in Dutch art history.
[Gombrich, p. 420.]
Unlike most
Dutch masters
Dutch Golden Age painting is the painting of the Dutch Golden Age, a period in Dutch history roughly spanning the 17th century, during and after the later part of the Eighty Years' War (1568–1648) for Dutch independence.
The new Dutch Repub ...
of the 17th century,
Rembrandt's works depict a wide range of style and subject matter, from
portraits
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this r ...
and self-portraits to landscapes,
genre scenes
Genre art is the pictorial representation in any of various media of scenes or events from everyday life, such as markets, domestic settings, interiors, parties, inn scenes, work, and street scenes. Such representations (also called genre works, ...
, allegorical and historical scenes, biblical and mythological themes and animal studies. His contributions to art came in a period of great wealth and cultural achievement that historians call the
Dutch Golden Age, when Dutch art (especially
Dutch painting), whilst antithetical to the
Baroque style
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including t ...
that dominated Europe, was prolific and innovative. This era gave rise to important new genres. Like many artists of the Dutch Golden Age, such as
Jan Vermeer
Johannes Vermeer ( , , see below; also known as Jan Vermeer; October 1632 – 15 December 1675) was a Dutch Baroque Period painter who specialized in domestic interior scenes of middle-class life. During his lifetime, he was a moderately succe ...
, Rembrandt was an avid
art collector
A private collection is a privately owned collection of works (usually artworks) or valuable items. In a museum or art gallery context, the term signifies that a certain work is not owned by that institution, but is on loan from an individual ...
and
dealer
Dealer may refer to:
Film and TV
* ''Dealers'' (film), a 1989 British film
* ''Dealers'' (TV series), a reality television series where five art and antique dealers bid on items
* ''The Dealer'' (film), filmed in 2008 and released in 2010
* ...
.
Rembrandt never went abroad, but was considerably influenced by the work of the
Italian masters and
Netherlandish art
The asterisk ( ), from Late Latin , from Ancient Greek , ''asteriskos'', "little star", is a typographical symbol. It is so called because it resembles a conventional image of a heraldic star.
Computer scientists and mathematicians often voc ...
ists who had studied in Italy, like
Pieter Lastman
Pieter Lastman (1583–1633) was a Dutch painter. Lastman is considered important because of his work as a painter of history pieces and because his pupils included Rembrandt and Jan Lievens. In his paintings Lastman paid careful attention to t ...
, the
Utrecht Caravaggists,
Flemish Baroque, and
Peter Paul Rubens
Sir Peter Paul Rubens (; ; 28 June 1577 – 30 May 1640) was a Flemish artist and diplomat from the Duchy of Brabant in the Southern Netherlands (modern-day Belgium). He is considered the most influential artist of the Flemish Baroque tradi ...
. After he achieved youthful success as a portrait painter, Rembrandt's later years were marked by personal tragedy and financial hardships. Yet his etchings and paintings were popular throughout his lifetime, his reputation as an artist remained high, and for twenty years he taught many important Dutch painters.
Rembrandt's portraits of his contemporaries, self-portraits and illustrations of scenes from the Bible are regarded as his greatest creative triumphs.
His self-portraits form an intimate autobiography.
Rembrandt's foremost contribution in the history of printmaking was his transformation of the etching process from a relatively new reproductive technique into an
art form
The arts are a very wide range of human practices of creative expression, storytelling and cultural participation. They encompass multiple diverse and plural modes of thinking, doing and being, in an extremely broad range of media. Both ...
. His reputation as the greatest
etcher
Etching is traditionally the process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In modern manufacturing, other chemicals may be used on other types ...
in the history of the medium was established in his lifetime. Few of
his paintings left the
Dutch Republic
The United Provinces of the Netherlands, also known as the (Seven) United Provinces, officially as the Republic of the Seven United Netherlands (Dutch: ''Republiek der Zeven Verenigde Nederlanden''), and commonly referred to in historiography ...
while he lived, but his
prints were circulated throughout Europe, and his wider reputation was initially based on them alone.
![Rembrandt - Rembrandt and Saskia in the Scene of the Prodigal Son - Google Art Project](https://upload.wikimedia.org/wikipedia/commons/a/ae/Rembrandt_-_Rembrandt_and_Saskia_in_the_Scene_of_the_Prodigal_Son_-_Google_Art_Project.jpg)
In his works, he exhibited knowledge of classical
iconography. A depiction of a biblical scene was informed by Rembrandt's knowledge of the specific text, his assimilation of classical composition, and his observations of
Amsterdam
Amsterdam ( , , , lit. ''The Dam on the River Amstel'') is the capital and most populous city of the Netherlands, with The Hague being the seat of government. It has a population of 907,976 within the city proper, 1,558,755 in the urban ar ...
's
Jewish population
As of 2020, the world's "core" Jewish population (those identifying as Jews above all else) was estimated at 15 million, 0.2% of the 8 billion worldwide population. This number rises to 18 million with the addition of the "connected" Jewish pop ...
.
Because of his empathy for the human condition, he has been called "one of the great prophets of civilization".
The French sculptor
Auguste Rodin said, "Compare me with Rembrandt! What sacrilege! With Rembrandt, the colossus of Art! We should prostrate ourselves before Rembrandt and never compare anyone with him!"
[ Rodin, Auguste: ''Art: Conversations with Paul Gsell''. Translated from the French by Jacques de Caso and Patricia B. Sanders. (Berkeley, CA: University of California Press, 1984) , p. 85. Originally published as ''Auguste Rodin, L'Art: Entretiens réunis par Paul Gsell'' (Paris: Bernard Grasset, 1911). Auguste Rodin: "Me comparer à Rembrandt, quel sacrilège! À Rembrandt, le colosse de l'Art! Y pensez-vous, mon ami! Rembrandt, prosternons-nous et ne mettons jamais personne à côté de lui!” (original in French)]
Life
Rembrandt Harmenszoon van Rijn was born on 15 July, 1606 in
Leiden
Leiden (; in English and archaic Dutch also Leyden) is a city and municipality in the province of South Holland, Netherlands. The municipality of Leiden has a population of 119,713, but the city forms one densely connected agglomeration wi ...
,
in the
Dutch Republic
The United Provinces of the Netherlands, also known as the (Seven) United Provinces, officially as the Republic of the Seven United Netherlands (Dutch: ''Republiek der Zeven Verenigde Nederlanden''), and commonly referred to in historiography ...
, now the
Netherlands
)
, anthem = ( en, "William of Nassau")
, image_map =
, map_caption =
, subdivision_type = Sovereign state
, subdivision_name = Kingdom of the Netherlands
, established_title = Before independence
, established_date = Spanish Netherl ...
. He was the ninth child born to Harmen Gerritszoon van Rijn and Neeltgen Willemsdochter van Zuijtbrouck. His family was quite well-to-do; his father was a
miller
A miller is a person who operates a mill, a machine to grind a grain (for example corn or wheat) to make flour. Milling is among the oldest of human occupations. "Miller", "Milne" and other variants are common surnames, as are their equivalent ...
and his mother was a baker's daughter. Religion is a central theme in Rembrandt's works and the religiously fraught period in which he lived makes his faith a matter of interest. His mother was
Catholic
The Catholic Church, also known as the Roman Catholic Church, is the largest Christian church, with 1.3 billion baptized Catholics worldwide . It is among the world's oldest and largest international institutions, and has played a ...
, and his father belonged to the
Dutch Reformed Church
The Dutch Reformed Church (, abbreviated NHK) was the largest Christian denomination in the Netherlands from the onset of the Protestant Reformation in the 16th century until 1930. It was the original denomination of the Dutch Royal Family and ...
. While his work reveals deep Christian faith, there is no evidence that Rembrandt formally belonged to any church. Some scholars, such as
Hendrik Willem van Loon
Hendrik Willem van Loon (January 14, 1882 – March 11, 1944) was a Dutch-American historian, journalist, and children's book author.
Life
He was born in Rotterdam, Netherlands, the son of Hendrik Willem van Loon and Elisabeth Johanna Hanken. ...
, suggest he may have been
Mennonite
Mennonites are groups of Anabaptist Christian church communities of denominations. The name is derived from the founder of the movement, Menno Simons (1496–1561) of Friesland. Through his writings about Reformed Christianity during the Radi ...
. Five of his children were christened in Dutch Reformed churches in Amsterdam: four in the Oude Kerk (Old Church) and one, Titus, in the Zuiderkerk (Southern Church).
As a boy, he attended
Latin
Latin (, or , ) is a classical language belonging to the Italic branch of the Indo-European languages. Latin was originally a dialect spoken in the lower Tiber area (then known as Latium) around present-day Rome, but through the power of the ...
school. At the age of 13, he was enrolled at the
University of Leiden
Leiden University (abbreviated as ''LEI''; nl, Universiteit Leiden) is a public research university in Leiden, Netherlands. The university was founded as a Protestant university in 1575 by William, Prince of Orange, as a reward to the city of Le ...
, although according to a contemporary he had a greater inclination towards painting; he was soon apprenticed to a Leiden
history painter
History painting is a genre in painting defined by its subject matter rather than any artistic style or specific period. History paintings depict a moment in a narrative story, most often (but not exclusively) Greek and Roman mythology and Bible ...
,
Jacob van Swanenburg, with whom he spent three years.
[Rembrandt biography]
in ''De groote schouburgh der Nederlantsche konstschilders en schilderessen'' (1718) by Arnold Houbraken, courtesy of the Digital library for Dutch literature
The Digital Library for Dutch Literature (Dutch: Digitale Bibliotheek voor de Nederlandse Letteren or DBNL) is a website (showing the abbreviation as dbnl) about Dutch language and Dutch literature. It contains thousands of literary texts, second ...
After a brief but important apprenticeship of six months with the painter
Pieter Lastman
Pieter Lastman (1583–1633) was a Dutch painter. Lastman is considered important because of his work as a painter of history pieces and because his pupils included Rembrandt and Jan Lievens. In his paintings Lastman paid careful attention to t ...
in Amsterdam, Rembrandt stayed a few months with
Jacob Pynas and then started his own workshop, though Simon van Leeuwen claimed that
Joris van Schooten
Joris van Schooten (1587–1651) was a Dutch Golden Age painter and the uncle of the Leiden mathematician Frans van Schooten.
Biography
According to Houbraken he was born in Leiden with a talent for drawing, and his teachers were upset that h ...
taught Rembrandt in Leiden.
[ Unlike many of his contemporaries who traveled to Italy as part of their artistic training, Rembrandt never left the Dutch Republic during his lifetime.
He opened a studio in Leiden in 1624 or 1625, which he shared with friend and colleague ]Jan Lievens
Jan Lievens (24 October 1607 – 4 June 1674) was a Dutch Golden Age painter who was associated with his close contemporary Rembrandt, a year older, in the early parts of their careers. They shared a birthplace in Leiden, training with Pieter La ...
. In 1627, Rembrandt began to accept students, which included Gerrit Dou
Gerrit Dou (7 April 1613 – 9 February 1675), also known as Gerard Douw or Dow, was a Dutch Golden Age painter, whose small, highly polished paintings are typical of the Leiden fijnschilders. He specialised in genre scenes and is noted for his ...
in 1628.
In 1629, Rembrandt was discovered by the statesman Constantijn Huygens
Sir Constantijn Huygens, Lord of Zuilichem ( , , ; 4 September 159628 March 1687), was a Dutch Golden Age poet and composer. He was also secretary to two Princes of Orange: Frederick Henry and William II, and the father of the scientist Ch ...
(father of the Dutch mathematician and physicist Christiaan Huygens), who procured for Rembrandt important commissions from the court of The Hague. As a result of this connection, Prince Frederik Hendrik
Frederick Henry ( nl, Frederik Hendrik; 29 January 1584 – 14 March 1647) was the sovereign prince of Orange and stadtholder of Holland, Zeeland, Utrecht, Guelders, Overijssel in the Dutch Republic from 1625 until his death in 1647. In the l ...
continued to purchase paintings from Rembrandt until 1646.
At the end of 1631, Rembrandt moved to Amsterdam, a city rapidly expanding as the new business capital of the Netherlands. He began to practice as a professional portraitist for the first time, with great success. He initially stayed with an art dealer, Hendrick van Uylenburgh
Hendrick Gerritszoon van Uylenburgh (c. 1587 – 1661) was an influential Dutch Golden Age art dealer who helped launch the careers of Rembrandt, Govert Flinck, Ferdinand Bol and other painters.
Biography
Van Uylenburgh came from a Frisian f ...
, and in 1634, married Hendrick's cousin, Saskia van Uylenburgh
Saskia van Uylenburgh ( fy, Saakje fan Uylenburgh; 2 August 1612 – 14 June 1642) was the wife of painter Rembrandt van Rijn. In the course of her life, she was his model for some of his paintings, drawings and etchings. She was the daug ...
. Saskia came from a good family: her father had been a lawyer and the ''burgemeester'' (mayor) of Leeuwarden
Leeuwarden (; fy, Ljouwert, longname=yes /; Stadsfries dialects, Town Frisian: ''Liwwadden''; Leeuwarder dialect: ''Leewarden'') is a List of cities in the Netherlands by province, city and Municipalities of the Netherlands, municipality in Fri ...
. When Saskia, as the youngest daughter, became an orphan, she lived with an older sister in Het Bildt
Het or HET may refer to:
Science and technology
* Hall-effect thruster, a type of ion thruster used for spacecraft propulsion
* Heavy Equipment Transporter, a vehicle in the US Army's Heavy Equipment Transport System
* Hobby–Eberly Telescope, a ...
. Rembrandt and Saskia were married in the local church of St. Annaparochie without the presence of Rembrandt's relatives. In the same year, Rembrandt became a burgess of Amsterdam and a member of the local guild of painters. He also acquired a number of students, among them Ferdinand Bol
Ferdinand Bol (24 June 1616 – 24 August 1680) was a Dutch painter, etcher and draftsman. Although his surviving work is rare, it displays Rembrandt's influence; like his master, Bol favored historical subjects, portraits, numerous self-port ...
and Govert Flinck
Govert (or Govaert) Teuniszoon Flinck (25 January 16152 February 1660) was a Dutch painter of the Dutch Golden Age.
Life
Born at Kleve, capital of the Duchy of Cleves, which was occupied at the time by the United Provinces, he was apprenticed by ...
.[Bull, et al., p. 28]
In 1635, Rembrandt and Saskia moved into their own house, renting in fashionable Nieuwe Doelenstraat with a view on the Amstel river. In 1639 they moved to a prominent newly built house (now the Rembrandt House Museum
The Rembrandt House Museum ( nl, Museum Het Rembrandthuis) is a museum located in a former house in the Jodenbreestraat, in the center of Amsterdam. Between 1639 and 1658, the house was occupied by the well-known Dutch painter Rembrandt van Rij ...
) in the upscale 'Breestraat' (eng.: 'Broadway'), today known as Jodenbreestraat in what was becoming the Jewish quarter; then a young up-and-coming neighborhood. The mortgage
A mortgage loan or simply mortgage (), in civil law jurisdicions known also as a hypothec loan, is a loan used either by purchasers of real property to raise funds to buy real estate, or by existing property owners to raise funds for any ...
to finance the 13,000 guilder
Guilder is the English translation of the Dutch and German ''gulden'', originally shortened from Middle High German ''guldin pfenninc'' " gold penny". This was the term that became current in the southern and western parts of the Holy Roman Emp ...
purchase would be a primary cause for later financial difficulties.[ Rembrandt should easily have been able to pay the house off with his large income, but it appears his spending always kept pace with his income, and he may have made some unsuccessful investments. It was there that Rembrandt frequently sought his Jewish neighbors to model for his Old Testament scenes. Although they were by now affluent, the couple suffered several personal setbacks; their son Rumbartus died two months after his birth in 1635 and their daughter Cornelia died at just three weeks of age in 1638. In 1640, they had a second daughter, also named Cornelia, who died after living barely over a month. Only their fourth child, ]Titus
Titus Caesar Vespasianus ( ; 30 December 39 – 13 September 81 AD) was Roman emperor from 79 to 81. A member of the Flavian dynasty, Titus succeeded his father Vespasian upon his death.
Before becoming emperor, Titus gained renown as a mili ...
, who was born in 1641, survived into adulthood. Saskia died in 1642 soon after Titus's birth, probably from tuberculosis
Tuberculosis (TB) is an infectious disease usually caused by '' Mycobacterium tuberculosis'' (MTB) bacteria. Tuberculosis generally affects the lungs, but it can also affect other parts of the body. Most infections show no symptoms, i ...
. Rembrandt's drawings of her on her sick and death bed are among his most moving works.[Slive, p. 71]
During Saskia's illness, Geertje Dircx
Geertje Dircx (; 1610-1615 – c. 1656) was the lover of Rembrandt van Rijn after the death of his wife Saskia. She was hired as a wetnurse to the painter's son Titus, but lived with Rembrandt as his lover for several years. The relation ...
was hired as Titus' caretaker and nurse and also became Rembrandt's lover. She would later charge Rembrandt with breach of promise
Breach of promise is a common law tort, abolished in many jurisdictions. It was also called breach of contract to marry,N.Y. Civil Rights Act article 8, §§ 80-A to 84. and the remedy awarded was known as heart balm.
From at least the Middle ...
(a euphemism for seduction under reachedpromise to marry) and was awarded alimony of 200 guilders a year.[ Rembrandt worked to have her committed to an asylum or poorhouse (called a "bridewell") at Gouda, after learning she had pawned jewelry he had given her that once belonged to Saskia.
In the late 1640s Rembrandt began a relationship with the much younger ]Hendrickje Stoffels
Hendrickje Stoffels (1626 – 21 July 1663) was the longtime partner of Rembrandt. The couple were unable to marry because of the financial settlement linked to the will of Rembrandt's deceased wife Saskia, but they remained together until Hendri ...
, who had initially been his maid. In 1654 they had a daughter, Cornelia, bringing Hendrickje a summons from the Reformed Church to answer the charge "that she had committed the acts of a whore with Rembrandt the painter". She admitted this and was banned from receiving communion. Rembrandt was not summoned to appear for the Church council because he was not a member of the Reformed Church. The two were considered legally wed under common law, but Rembrandt had not married Hendrickje. Had he remarried he would have lost access to a trust set up for Titus in Saskia's will.[
Rembrandt lived beyond his means, buying art (including bidding up his own work), prints (often used in his paintings) and rarities, which probably caused a court arrangement (]cessio bonorum
''Cessio bonorum'' (Latin for a "surrender of goods"), in Roman law, is a voluntary surrender of goods by a debtor to his creditors. It did not amount to a discharge unless the property ceded was sufficient for the purpose, but it secured the debt ...
) to avoid his bankruptcy in 1656, by selling most of his paintings and large collection of antiquities, but was allowed to keep his tools. The sale list survives and gives a good insight into Rembrandt's collections, which, apart from paintings and drawings, included busts of the Roman emperors, suits of Japanese armor among many objects from Asia, and collections of natural history and minerals. But the prices realized in the sales in 1657 and 1658 were disappointing. Rembrandt was forced to sell his house and his printing-press and move to more modest accommodation on the Rozengracht
The Rozengracht is a street in the Jordaan neighbourhood of Amsterdam.
It runs between the Prinsengracht at the Westermarkt and the Singel canal at De Clercqstraat.
The name means "Rose canal".
The Rozengracht is one of the six former canals in ...
in 1660. The authorities and his creditors were generally accommodating to him, except for the Amsterdam painters' guild
The Guild of Saint Luke was the most common name for a city guild for painters and other artists in early modern Europe, especially in the Low Countries. They were named in honor of the Evangelist Luke, the patron saint of artists, who was ident ...
, which introduced a new rule that no one in Rembrandt's circumstances could trade as a painter. To get around this, Hendrickje and Titus set up a dummy corporation
A dummy corporation, dummy company, or false company is an entity created to serve as a front or cover for one or more companies. It can have the appearance of being real (logo, website, and sometimes employing actual staff), but lacks the capacit ...
as art dealers in 1660, with Rembrandt as an employee.
In 1661 Rembrandt (or rather the new business) was contracted to complete work for the newly built city hall, but only after Govert Flinck, the artist previously commissioned, died without beginning to paint. The resulting work, ''The Conspiracy of Claudius Civilis
''The Conspiracy of Claudius Civilis'' ( nl, De samenzwering van de Bataven onder Claudius Civilis; sv, Batavernas trohetsed till Claudius Civilis) is an oil painting by the Dutch painter Rembrandt, c. 1661–62, which was originally the large ...
'', was rejected and returned to the painter; the surviving fragment is only a fraction of the whole work. It was around this time that Rembrandt took on his last apprentice, Aert de Gelder
Aert de Gelder ( or Arent; October 26, 1645 – August 27, 1727) was a Dutch painter.Hof van Holland
The Hof van Holland, Zeeland en West-Friesland (; usually shortened to Hof van Holland in the literature, and translated in English literature as "(High) Court of Holland") was the High Court of the provinces of Holland, West Friesland and Zeeland ...
) to contest that Titus had to be paid first. Isaac van Hertsbeeck lost twice and had to pay the money he had already received to Titus, which he did in 1668. When Cosimo III de' Medici, Grand Duke of Tuscany came to Amsterdam in 1667, he visited Rembrandt at his house.
Rembrandt outlived both Hendrickje, who died in 1663, and Titus, who died in 1668, leaving a baby daughter. He died within a year of his son, on 4 October 1669 in Amsterdam, and was buried as a supposedly rich man as the heirs paid in burial taxes a substantial amount of money, ''f'' 15. but in a paupers grave in the Westerkerk
The Westerkerk (; en, Western Church) is a Reformed church within Dutch Protestant Calvinism in central Amsterdam, Netherlands. It lies in the most western part of the Grachtengordel neighborhood ( Centrum borough), next to the Jordaan, betwe ...
. It was in a numbered 'kerkgraf' (grave owned by the church) somewhere under a tombstone in the church. After twenty years, his remains were taken away and destroyed, as was customary.
Works
In a letter to Huygens, Rembrandt offered the only surviving explanation of what he sought to achieve through his art: ''the greatest and most natural movement'', translated from ''de meeste en de natuurlijkste beweegelijkheid''. The word "beweegelijkheid" is also argued to mean "emotion" or "motive". Whether this refers to objectives, material or otherwise, is open to interpretation; either way, critics have drawn particular attention to the way Rembrandt seamlessly melded the earthly and spiritual.
Earlier-20th-century connoisseurs claimed Rembrandt had produced well over 600 paintings, nearly 400 etching
Etching is traditionally the process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In modern manufacturing, other chemicals may be used on other types ...
s and 2,000 drawings. More recent scholarship, from the 1960s to the present day (led by the Rembrandt Research Project
The Rembrandt Research Project (RRP) was an initiative of the Nederlandse Organisatie voor Wetenschappelijk Onderzoek (NWO), which is the Netherlands Organization for Scientific Research. Its purpose was to organize and categorize research on Remb ...
), often controversially, has winnowed his oeuvre to nearer 300 paintings. His prints, traditionally all called etching
Etching is traditionally the process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In modern manufacturing, other chemicals may be used on other types ...
s, although many are produced in whole or part by engraving
Engraving is the practice of incising a design onto a hard, usually flat surface by cutting grooves into it with a burin. The result may be a decorated object in itself, as when silver, gold, steel, or glass are engraved, or may provide an in ...
and sometimes drypoint
Drypoint is a printmaking technique of the intaglio family, in which an image is incised into a plate (or "matrix") with a hard-pointed "needle" of sharp metal or diamond point. In principle, the method is practically identical to engraving. The ...
, have a much more stable total of slightly under 300. It is likely Rembrandt made many more drawings in his lifetime than 2,000, but those extant are more rare than presumed. Two experts claim that the number of drawings whose autograph status can be regarded as effectively "certain" is no higher than about 75, although this is disputed. The list was to be unveiled at a scholarly meeting in February 2010.
At one time about ninety paintings were counted as Rembrandt self-portraits, but it is now known that he had his students copy his own self-portraits as part of their training. Modern scholarship has reduced the autograph count to over forty paintings, as well as a few drawings and thirty-one etchings, which include many of the most remarkable images of the group. Some show him posing in quasi-historical fancy dress, or pulling faces at himself. His oil paintings trace the progress from an uncertain young man, through the dapper and very successful portrait-painter of the 1630s, to the troubled but massively powerful portraits of his old age. Together they give a remarkably clear picture of the man, his appearance and his psychological make-up, as revealed by his richly weathered face.
In his portraits and self-portraits, he angles the sitter's face in such a way that the ridge of the nose nearly always forms the line of demarcation between brightly illuminated and shadowy areas. A Rembrandt face is a face partially eclipsed; and the nose, bright and obvious, thrusting into the riddle of halftones, serves to focus the viewer's attention upon, and to dramatize, the division between a flood of light—an overwhelming clarity—and a brooding duskiness.
In a number of biblical works, including ''The Raising of the Cross'', ''Joseph Telling His Dreams'' and '' The Stoning of Saint Stephen'', Rembrandt painted himself as a character in the crowd. Durham suggests that this was because the Bible was for Rembrandt "a kind of diary, an account of moments in his own life".
Among the more prominent characteristics of Rembrandt's work are his use of chiaroscuro
Chiaroscuro ( , ; ), in art, is the use of strong contrasts between light and dark, usually bold contrasts affecting a whole composition. It is also a technical term used by artists and art historians for the use of contrasts of light to achi ...
, the theatrical employment of light and shadow derived from Caravaggio, or, more likely, from the Dutch Caravaggisti
The Caravaggisti (or the "Caravagesques") were stylistic followers of the late 16th-century Italian Baroque painter Caravaggio. His influence on the new Baroque style that eventually emerged from Mannerism was profound. Caravaggio never establi ...
, but adapted for very personal means. Also notable are his dramatic and lively presentation of subjects, devoid of the rigid formality that his contemporaries often displayed, and a deeply felt compassion for mankind, irrespective of wealth and age. His immediate family—his wife Saskia, his son Titus and his common-law wife Hendrickje—often figured prominently in his paintings, many of which had mythical
Myth is a folklore genre consisting of narratives that play a fundamental role in a society, such as foundational tales or origin myths. Since "myth" is widely used to imply that a story is not objectively true, the identification of a narrati ...
, biblical or historical themes.
Periods, themes and styles
Throughout his career Rembrandt took as his primary subjects the themes of portraiture, landscape and narrative painting. For the last, he was especially praised by his contemporaries, who extolled him as a masterly interpreter of biblical stories for his skill in representing emotions and attention to detail. Stylistically, his paintings progressed from the early "smooth" manner, characterized by fine technique in the portrayal of illusionistic form, to the late "rough" treatment of richly variegated paint surfaces, which allowed for an illusionism of form suggested by the tactile quality of the paint itself.
A parallel development may be seen in Rembrandt's skill as a printmaker. In the etchings of his maturity, particularly from the late 1640s onward, the freedom and breadth of his drawings and paintings found expression in the print medium as well. The works encompass a wide range of subject matter and technique, sometimes leaving large areas of white paper to suggest space, at other times employing complex webs of line to produce rich dark tones.
It was during Rembrandt's Leiden period (1625–1631) that Lastman's influence was most prominent. It is also likely that at this time Lievens had a strong impact on his work as well.[van de Wetering, p. 284.] Paintings were rather small, but rich in details (for example, in costumes and jewelry). Religious and allegorical
As a literary device or artistic form, an allegory is a narrative or visual representation in which a character, place, or event can be interpreted to represent a hidden meaning with moral or political significance. Authors have used allegory t ...
themes were favored, as were tronie
A tronie is a type of work common in Dutch Golden Age painting and Flemish Baroque painting that depicts an exaggerated or characteristic facial expression. These works were not intended as portraits but as studies of expression, type, physiognom ...
s.[ In 1626 Rembrandt produced his first etchings, the wide dissemination of which would largely account for his international fame.][ In 1629 he completed '' Judas Repentant, Returning the Pieces of Silver'' and '' The Artist in His Studio'', works that evidence his interest in the handling of light and variety of paint application, and constitute the first major progress in his development as a painter.
]
During his early years in Amsterdam (1632–1636), Rembrandt began to paint dramatic biblical and mythological scenes in high contrast and of large format (''The Blinding of Samson
''The Blinding of Samson'' is a 1636 painting by Rembrandt, now in the Städel (in Frankfurt). The painting is the first of its kind in pictorial tradition. No other artist at the time had painted this specific narrative moment.
This painting ...
'', 1636, ''Belshazzar's Feast
Belshazzar's feast, or the story of the writing on the wall (chapter 5 in the Book of Daniel), tells how Belshazzar holds a great feast and drinks from the vessels that had been looted in the destruction of the First Temple. A hand appears and ...
'', c. 1635 ''Danaë
In Greek mythology, Danaë (, ; ; , ) was an Argive princess and mother of the hero Perseus by Zeus. She was credited with founding the city of Ardea in Latium during the Bronze Age.
Family
Danae was the daughter and only child of King Acri ...
'', 1636 but reworked later), seeking to emulate the baroque style of Rubens. With the occasional help of assistants in Uylenburgh's workshop, he painted numerous portrait commissions both small ( ''Jacob de Gheyn III'') and large (''Portrait of the Shipbuilder Jan Rijcksen and his Wife'', 1633, '' Anatomy Lesson of Dr. Nicolaes Tulp'', 1632).
By the late 1630s Rembrandt had produced a few paintings and many etchings of landscapes
A landscape is the visible features of an area of land, its landforms, and how they integrate with natural or man-made features, often considered in terms of their aesthetic appeal.''New Oxford American Dictionary''. A landscape includes the p ...
. Often these landscapes highlighted natural drama, featuring uprooted trees and ominous skies (''Cottages before a Stormy Sky'', c. 1641; ''The Three Trees'', 1643). From 1640 his work became less exuberant and more sober in tone, possibly reflecting personal tragedy. Biblical scenes were now derived more often from the New Testament
The New Testament grc, Ἡ Καινὴ Διαθήκη, transl. ; la, Novum Testamentum. (NT) is the second division of the Christian biblical canon. It discusses the teachings and person of Jesus, as well as events in first-century Chri ...
than the Old Testament, as had been the case before. In 1642 he painted ''The Night Watch
''Militia Company of District II under the Command of Captain Frans Banninck Cocq'', also known as ''The Shooting Company of Frans Banning Cocq and Willem van Ruytenburch'', but commonly referred to as ''The Night Watch'' ( nl, De Nachtwacht), i ...
'', the most substantial of the important group portrait commissions which he received in this period, and through which he sought to find solutions to compositional and narrative problems that had been attempted in previous works.
In the decade following the ''Night Watch'', Rembrandt's paintings varied greatly in size, subject, and style. The previous tendency to create dramatic effects primarily by strong contrasts of light and shadow gave way to the use of frontal lighting and larger and more saturated areas of color. Simultaneously, figures came to be placed parallel to the picture plane. These changes can be seen as a move toward a classical mode of composition and, considering the more expressive use of brushwork as well, may indicate a familiarity with Venetian art (''Susanna and the Elders'', 1637–47).
At the same time, there was a marked decrease in painted works in favor of etchings and drawings of landscapes. In these graphic works natural drama eventually made way for quiet Dutch rural scenes.
In the 1650s, Rembrandt's style changed again. Colors became richer and brush strokes more pronounced. With these changes, Rembrandt distanced himself from earlier work and current fashion, which increasingly inclined toward fine, detailed works. His use of light becomes more jagged and harsh, and shine becomes almost nonexistent. His singular approach to paint application may have been suggested in part by familiarity with the work of Titian
Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italian (Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school. He was born in Pieve di Cadore, nea ...
, and could be seen in the context of the then current discussion of 'finish' and surface quality of paintings. Contemporary accounts sometimes remark disapprovingly of the coarseness of Rembrandt's brushwork, and the artist himself was said to have dissuaded visitors from looking too closely at his paintings. The tactile manipulation of paint may hearken to medieval procedures, when mimetic effects of rendering informed a painting's surface. The result is a richly varied handling of paint, deeply layered and often apparently haphazard, which suggests form and space in both an illusory and highly individual manner.
In later years biblical themes were still depicted often, but emphasis shifted from dramatic group scenes to intimate portrait-like figures (''James the Apostle'', 1661). In his last years, Rembrandt painted his most deeply reflective self-portraits (from 1652 to 1669 he painted fifteen), and several moving images of both men and women ('' The Jewish Bride'', c. 1666)—in love, in life, and before God.
Graphic works
Rembrandt produced etching
Etching is traditionally the process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In modern manufacturing, other chemicals may be used on other types ...
s for most of his career, from 1626 to 1660, when he was forced to sell his printing-press and practically abandoned etching. Only the troubled year of 1649 produced no dated work. He took easily to etching and, though he also learned to use a burin and partly engraved
Engraving is the practice of incising a design onto a hard, usually flat surface by cutting grooves into it with a burin. The result may be a decorated object in itself, as when silver, gold, steel, or glass are engraved, or may provide an in ...
many plates, the freedom of etching technique was fundamental to his work. He was very closely involved in the whole process of printmaking, and must have printed at least early examples of his etchings himself. At first he used a style based on drawing, but soon moved to one based on painting, using a mass of lines and numerous bitings with the acid to achieve different strengths of line. Towards the end of the 1630s, he reacted against this manner and moved to a simpler style, with fewer bitings. He worked on the so-called ''Hundred Guilder Print
The ''Hundred Guilder Print'' is an etching by Rembrandt. The etching's popular name derives from the large sum of money supposedly once paid for an example. It is also called ''Christ healing the sick'', ''Christ with the Sick around Him, Receiv ...
'' in stages throughout the 1640s, and it was the "critical work in the middle of his career", from which his final etching style began to emerge.
Although the print only survives in two states, the first very rare, evidence of much reworking can be seen underneath the final print and many drawings survive for elements of it.
In the mature works of the 1650s, Rembrandt was more ready to improvise on the plate and large prints typically survive in several states, up to eleven, often radically changed. He now used hatching
Hatching (french: hachure) is an artistic technique used to create tonal or shading
Shading refers to the depiction of depth perception in 3D models (within the field of 3D computer graphics) or illustrations (in visual art) by varying ...
to create his dark areas, which often take up much of the plate. He also experimented with the effects of printing on different kinds of paper, including Japanese paper
is traditional Japanese paper. The term is used to describe paper that uses local fiber, processed by hand and made in the traditional manner. ''Washi'' is made using fibers from the inner bark of the gampi tree, the mitsumata shrub ('' ...
, which he used frequently, and on vellum
Vellum is prepared animal skin or membrane, typically used as writing material. Parchment is another term for this material, from which vellum is sometimes distinguished, when it is made from calfskin, as opposed to that made from other anima ...
. He began to use " surface tone," leaving a thin film of ink on parts of the plate instead of wiping it completely clean to print each impression. He made more use of drypoint
Drypoint is a printmaking technique of the intaglio family, in which an image is incised into a plate (or "matrix") with a hard-pointed "needle" of sharp metal or diamond point. In principle, the method is practically identical to engraving. The ...
, exploiting, especially in landscapes, the rich fuzzy burr that this technique gives to the first few impressions.
His prints have similar subjects to his paintings, although the twenty-seven self-portraits are relatively more common, and portraits of other people less so. There are forty-six landscapes, mostly small, which largely set the course for the graphic treatment of landscape until the end of the 19th century. One third of his etchings are of religious subjects, many treated with a homely simplicity, whilst others are his most monumental prints. A few erotic, or just obscene, compositions have no equivalent in his paintings. He owned, until forced to sell it, a magnificent collection of prints by other artists, and many borrowings and influences in his work can be traced to artists as diverse as Mantegna, Raphael
Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual a ...
, Hercules Seghers
Hercules Pieterszoon Seghers or Segers ( 1589 – 1638) was a Dutch painter and printmaker of the Dutch Golden Age. Segers is in fact the more common form in contemporary documents, and was used by the painter himself (modern use is about equall ...
, and Giovanni Benedetto Castiglione
Giovanni Benedetto Castiglione (baptized 23 March 16095 May 1664) was an Italian Baroque painter, printmaker and draftsman, of the Genoese school. He is best known now for his etchings, and as the inventor of the printmaking technique of monoty ...
.
Drawings by Rembrandt and his pupils/followers have been extensively studied by many artists and scholars through the centuries. His original draughtsmanship has been described as an individualistic art style that was very similar to East Asian old masters, most notably Chinese masters:[Mendelowitz, Daniel Marcus: ''Drawing''. (New York: Holt, Rinehart & Winston, Inc., 1967), p. 305. As Mendelowitz (1967) noted: "Probably no one has combined to as great a degree as Rembrandt a disciplined exposition of what his eye saw and a love of line as a beautiful thing in itself. His "Winter Landscape" displays the virtuosity of performance of an Oriental master, yet unlike the Oriental calligraphy, it is not based on an established convention of brush performance. It is as personal as handwriting."] a "combination of formal clarity and calligraphic
Calligraphy (from el, link=y, καλλιγραφία) is a visual art related to writing. It is the design and execution of lettering with a pen, ink brush, or other writing instrument. Contemporary calligraphic practice can be defined as ...
vitality in the movement of pen or brush that is closer to Chinese painting
Chinese painting () is one of the oldest continuous artistic traditions in the world. Painting in the traditional style is known today in Chinese as ''guó huà'' (), meaning "national painting" or "native painting", as opposed to Western style ...
in technique and feeling than to anything in European art before the twentieth century".[Sullivan, Michael: ''The Meeting of Eastern and Western Art''. (Berkeley/Los Angeles: University of California Press, 1989), p. 91]
Oriental inspiration
Rembrandt was interested in Mughal miniatures, especially around the 1650s. He drew versions of some 23 Mughal paintings, and may have owned an album of them. These miniatures include paintings of Shah Jahan, Akbar, Jahangir and Dara Shikoh. They may also have influenced the costumes and other aspects of his works.
''The Night Watch''
Rembrandt painted the large painting ''The Militia Company of Captain Frans Banning Cocq'' between 1640 and 1642. This picture was called ''De Nachtwacht'' by the Dutch and ''The Night Watch'' by Sir Joshua Reynolds because by the 18th century the picture was so dimmed and defaced that it was almost indistinguishable, and it looked quite like a night scene. After it was cleaned, it was discovered to represent broad day—a party of musketeers stepping from a gloomy courtyard into the blinding sunlight.
The piece was commissioned for the new hall of the '' Kloveniersdoelen'', the musketeer branch of the civic militia. Rembrandt departed from convention, which ordered that such genre pieces should be stately and formal, rather a line-up than an action scene. Instead he showed the militia readying themselves to embark on a mission (what kind of mission, an ordinary patrol or some special event, is a matter of debate).
Contrary to what is often said, the work was hailed as a success from the beginning. Parts of the canvas were cut off (approximately 20% from the left hand side was removed) to make the painting fit its new position when it was moved to Amsterdam town hall in 1715; the Rijksmuseum has a smaller copy of what is thought to be the full original composition; the four figures in the front are at the centre of the canvas. The painting is now in the Rijksmuseum.
Expert assessments
In 1968 the Rembrandt Research Project began under the sponsorship of the Netherlands Organization for the Advancement of Scientific Research; it was initially expected to last a highly optimistic ten years. Art historians teamed up with experts from other fields to reassess the authenticity of works attributed to Rembrandt, using all methods available, including state-of-the-art technical diagnostics, and to compile a complete new catalogue raisonné
A ''catalogue raisonné'' (or critical catalogue) is a comprehensive, annotated listing of all the known artworks by an artist either in a particular medium or all media. The works are described in such a way that they may be reliably identified ...
of his paintings. As a result of their findings, many paintings that were previously attributed to Rembrandt have been removed from their list, although others have been added back. Many of those removed are now thought to be the work of his students.
One example of activity is ''The Polish Rider
'' The Polish Rider '' is a seventeenth-century painting, usually dated to the 1650s, of a young man traveling on horseback through a murky landscape, now in The Frick Collection in New York. When the painting was sold by to Henry Frick in 1910, ...
'', in New York's Frick Collection. Rembrandt's authorship had been questioned by at least one scholar, Alfred von Wurzbach, at the beginning of the twentieth century, but for many decades later most scholars, including the foremost authority writing in English, Julius S. Held, agreed that it was indeed by the master. In the 1980s, however, Dr. Josua Bruyn of the Foundation Rembrandt Research Project cautiously and tentatively attributed the painting to one of Rembrandt's closest and most talented pupils, Willem Drost
Willem Drost (baptized 19 April 1633 – buried 25 February 1659) was a Dutch Golden Age painter and printmaker of history paintings and portraits.
Biography
He is a mysterious figure, closely associated with Rembrandt, with very few pain ...
, about whom little is known. But Bruyn's remained a minority opinion, the suggestion of Drost's authorship is now generally rejected, and the Frick itself never changed its own attribution, the label still reading "Rembrandt" and not "attributed to" or "school of". More recent opinion has shifted even more decisively in favor of the Frick, with Simon Schama
Sir Simon Michael Schama (; born 13 February 1945) is an English historian specialising in art history, Dutch history, Jewish history, and French history. He is a University Professor of History and Art History at Columbia University.
He fi ...
(in his 1999 book ''Rembrandt's Eyes'') and the Rembrandt Project scholar Ernst van de Wetering (Melbourne Symposium, 1997) both arguing for attribution to the master. Those few scholars who still question Rembrandt's authorship feel that the execution is uneven, and favour different attributions for different parts of the work.
A similar issue was raised by Simon Schama in his book ''Rembrandt's Eyes'' concerning the verification of titles associated with the subject matter depicted in Rembrandt's works. For example, the exact subject being portrayed in '' Aristotle with a Bust of Homer'' (recently retitled by curators at the Metropolitan Museum) has been directly challenged by Schama applying the scholarship of Paul Crenshaw. Schama presents a substantial argument that it was the famous ancient Greek painter Apelles who is depicted in contemplation by Rembrandt and not Aristotle.
Another painting, ''Pilate Washing His Hands'', is also of questionable attribution. Critical opinion of this picture has varied since 1905, when Wilhelm von Bode described it as "a somewhat abnormal work" by Rembrandt. Scholars have since dated the painting to the 1660s and assigned it to an anonymous pupil, possibly Aert de Gelder. The composition bears superficial resemblance to mature works by Rembrandt but lacks the master's command of illumination and modeling.
The attribution and re-attribution work is ongoing. In 2005 four oil paintings previously attributed to Rembrandt's students were reclassified as the work of Rembrandt himself: ''Study of an Old Man in Profile'' and ''Study of an Old Man with a Beard'' from a US private collection, ''Study of a Weeping Woman
''A Woman Weeping'', also known as ''A Weeping Woman'' or ''Study of a Weeping Woman'', is a 1644 oil on oak panel painting, now in the Detroit Institute of Arts. It almost exactly corresponds to the kneeling woman in Rembrandt's '' The Woman Ta ...
'', owned by the Detroit Institute of Arts
The Detroit Institute of Arts (DIA), located in Midtown Detroit, Michigan, has one of the largest and most significant art collections in the United States. With over 100 galleries, it covers with a major renovation and expansion project comple ...
, and ''Portrait of an Elderly Woman in a White Bonnet'', painted in 1640. The ''Old Man Sitting in a Chair'' is a further example: in 2014, Professor Ernst van de Wetering
Ernst van de Wetering (9 March 1938 – 11 August 2021) was a Dutch art historian and an expert on Rembrandt and his work.
Background
Ernst van de Wetering was born in Hengelo. He was first trained as an artist at the Royal Academy of Fine Arts ...
offered his view to ''The Guardian
''The Guardian'' is a British daily newspaper. It was founded in 1821 as ''The Manchester Guardian'', and changed its name in 1959. Along with its sister papers ''The Observer'' and ''The Guardian Weekly'', ''The Guardian'' is part of the Gu ...
'' that the demotion of the 1652 painting ''Old Man Sitting in a Chair'' "was a vast mistake...it is a most important painting. The painting needs to be seen in terms of Rembrandt's experimentation". This was highlighted much earlier by Nigel Konstam who studied Rembrandt throughout his career.
Rembrandt's own studio practice is a major factor in the difficulty of attribution, since, like many masters before him, he encouraged his students to copy his paintings, sometimes finishing or retouching them to be sold as originals, and sometimes selling them as authorized copies. Additionally, his style proved easy enough for his most talented students to emulate. Further complicating matters is the uneven quality of some of Rembrandt's own work, and his frequent stylistic evolutions and experiments. As well, there were later imitations of his work, and restorations which so seriously damaged the original works that they are no longer recognizable. It is highly likely that there will never be universal agreement as to what does and what does not constitute a genuine Rembrandt.
Painting materials
Technical investigation of Rembrandt's paintings in the possession of the Gemäldegalerie Alte Meister
The Gemäldegalerie Alte Meister (, ''Old Masters Gallery'') in Dresden, Germany, displays around 750 paintings from the 15th to the 18th centuries. It includes major Italian Renaissance works as well as Dutch and Flemish paintings. Outstand ...
and in the Gemäldegalerie Alte Meister (Kassel)
The Gemäldegalerie Alte Meister is an art gallery housed in the Schloss Wilhelmshöhe in Kassel in Germany. It is based on the collection of William VIII, Landgrave of Hesse-Kassel.
Works from the Gallery of the Old Masters
File:Rembrandt-se ...
was conducted by Hermann Kühn in 1977. The pigment analyses of some thirty paintings have shown that Rembrandt's palette consisted of the following pigments: lead white
White lead is the basic lead carbonate 2PbCO3·Pb(OH)2. It is a complex salt, containing both carbonate and hydroxide ions. White lead occurs naturally as a mineral, in which context it is known as hydrocerussite, a hydrate of cerussite. It was ...
, various ochres
Ochre ( ; , ), or ocher in American English, is a natural clay earth pigment, a mixture of ferric oxide and varying amounts of clay and sand. It ranges in colour from yellow to deep orange or brown. It is also the name of the colours produced ...
, Vandyke brown, bone black, charcoal black, lamp black
Carbon black (subtypes are acetylene black, channel black, furnace black, lamp black and thermal black) is a material produced by the incomplete combustion of coal and coal tar, vegetable matter, or petroleum products, including fuel oil, fluid ...
, vermilion
Vermilion (sometimes vermillion) is a color, color family, and pigment most often made, since antiquity until the 19th century, from the powdered mineral cinnabar (a form of mercury sulfide, which is toxic) and its corresponding color. It i ...
, madder lake
Alizarin (also known as 1,2-dihydroxyanthraquinone, Mordant Red 11, C.I. 58000, and Turkey Red) is an organic compound with formula that has been used throughout history as a prominent red dye, principally for dyeing textile fabrics. Historic ...
, azurite
Azurite is a soft, deep-blue copper mineral produced by weathering of copper ore deposits. During the early 19th century, it was also known as chessylite, after the type locality at Chessy-les-Mines near Lyon, France. The mineral, a basic carb ...
, ultramarine
Ultramarine is a deep blue color pigment which was originally made by grinding lapis lazuli into a powder. The name comes from the Latin ''ultramarinus'', literally 'beyond the sea', because the pigment was imported into Europe from mines in Afg ...
, yellow lake and lead-tin-yellow
Lead-tin-yellow is a yellow pigment, of historical importance in oil painting, sometimes called the "Yellow of the Old Masters" because of the frequency with which it was used by those famous painters.
Nomenclature
The name lead-tin yellow ...
. One painting (Saskia van Uylenburgh as Flora) reportedly contains gamboge
Gamboge ( , ) is a partially transparent deep saffron to mustard yellow pigment.Other forms and spellings are: cambodia, cambogium, camboge, cambugium, gambaugium, gambogia, gambozia, gamboidea, gambogium, gumbouge, gambouge, gamboge, gambooge, g ...
. Rembrandt very rarely used pure blue or green colors, the most pronounced exception being ''Belshazzar's Feast''[Bomford, D. et al., Art in the making: Rembrandt, New edition, Yale University Press, 2006] in the National Gallery in London. The book by Bomford[ describes more recent technical investigations and pigment analyses of Rembrandt's paintings predominantly in the National Gallery in London. The entire array of pigments employed by Rembrandt can be found at ColourLex. The best source for technical information on Rembrandt's paintings on the web is the Rembrandt Database containing all works of Rembrandt with detailed investigative reports, infrared and radiography images and other scientific details.
]
Name and signature
"Rembrandt" is a modification of the spelling of the artist's first name that he introduced in 1633. "Harmenszoon" indicates that his father's name is Harmen. "van Rijn" indicates that his family lived near the Rhine
), Surselva, Graubünden, Switzerland
, source1_coordinates=
, source1_elevation =
, source2 = Rein Posteriur/Hinterrhein
, source2_location = Paradies Glacier, Graubünden, Switzerland
, source2_coordinates=
, so ...
.
Roughly speaking, his earliest signatures (c. 1625) consisted of an initial "R", or the monogram "RH" (for Rembrant Harmenszoon), and starting in 1629, "RHL" (the "L" stood, presumably, for Leiden). In 1632, he used this monogram early in the year, then added his family name to it, "RHL-van Rijn", but replaced this form in that same year and began using his first name alone with its original spelling, "Rembrant". In 1633 he added a "d", and maintained this form consistently from then on, proving that this minor change had a meaning for him (whatever it might have been). This change is purely visual; it does not change the way his name is pronounced. Curiously enough, despite the large number of paintings and etchings signed with this modified first name, most of the documents that mentioned him during his lifetime retained the original "Rembrant" spelling. (Note: the rough chronology of signature forms above applies to the paintings, and to a lesser degree to the etchings; from 1632, presumably, there is only one etching signed "RHL-v. Rijn," the large-format "Raising of Lazarus," B 73). His practice of signing his work with his first name, later followed by Vincent van Gogh
Vincent Willem van Gogh (; 30 March 185329 July 1890) was a Dutch Post-Impressionist painter who posthumously became one of the most famous and influential figures in Western art history. In a decade, he created about 2,100 artworks, inc ...
, was probably inspired by Raphael
Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual a ...
, Leonardo da Vinci
Leonardo di ser Piero da Vinci (15 April 14522 May 1519) was an Italian polymath of the High Renaissance who was active as a painter, Drawing, draughtsman, engineer, scientist, theorist, sculptor, and architect. While his fame initially res ...
and Michelangelo who, then as now, were referred to by their first names alone.
Workshop
Rembrandt ran a large workshop and had many pupils. The list of Rembrandt pupils
The Amsterdam studio of the prolific Dutch Golden Age painter Rembrandt included numerous younger pupils/assistants. Among his many pupils were:
* Beijeren, Leendert van (1619-164(RKD)* Bol, Ferdinand (1616-1680)(AH)http://explore.rkd.nl/en/arti ...
from his period in Leiden as well as his time in Amsterdam is quite long, mostly because his influence on painters around him was so great that it is difficult to tell whether someone worked for him in his studio or just copied his style for patrons eager to acquire a Rembrandt. A partial list should include Ferdinand Bol
Ferdinand Bol (24 June 1616 – 24 August 1680) was a Dutch painter, etcher and draftsman. Although his surviving work is rare, it displays Rembrandt's influence; like his master, Bol favored historical subjects, portraits, numerous self-port ...
,
Adriaen Brouwer
Adriaen Brouwer (, in Oudenaarde – January 1638, in Antwerp) was a Flemish painter active in Flanders and the Dutch Republic in the first half of the 17th century. ,
Gerrit Dou
Gerrit Dou (7 April 1613 – 9 February 1675), also known as Gerard Douw or Dow, was a Dutch Golden Age painter, whose small, highly polished paintings are typical of the Leiden fijnschilders. He specialised in genre scenes and is noted for his ...
,
Willem Drost
Willem Drost (baptized 19 April 1633 – buried 25 February 1659) was a Dutch Golden Age painter and printmaker of history paintings and portraits.
Biography
He is a mysterious figure, closely associated with Rembrandt, with very few pain ...
,
Heiman Dullaart
Heyman Dullaert or Dullaart (6 February 1636, in Rotterdam – 6 May 1684, in Rotterdam) was a Dutch Golden Age painter and poet.
Biography
He was a student of Rembrandt, but was better known for his poetry than for his artwork.Gerbrand van den Eeckhout
Gerbrand van den Eeckhout (19 August 1621 – 29 September 1674) was a Dutch Golden Age painter and a favourite student of Rembrandt. He was also an etcher, an amateur poet, a collector and an adviser on art.
Biography
Gerbrand was born i ...
,
Carel Fabritius,
Govert Flinck
Govert (or Govaert) Teuniszoon Flinck (25 January 16152 February 1660) was a Dutch painter of the Dutch Golden Age.
Life
Born at Kleve, capital of the Duchy of Cleves, which was occupied at the time by the United Provinces, he was apprenticed by ...
,
Hendrick Fromantiou,
Aert de Gelder
Aert de Gelder ( or Arent; October 26, 1645 – August 27, 1727) was a Dutch painter.Samuel Dirksz van Hoogstraten,
Abraham Janssens
Abraham Janssens I, Abraham Janssen I or Abraham Janssens van Nuyssen (1575–1632) was a Flemish painter, who is known principally for his large religious and mythological works, which show the influence of Caravaggio. He was the leading hist ...
,
Godfrey Kneller,
Philip de Koninck,
Jacob Levecq,
Nicolaes Maes,
Jürgen Ovens
Jürgen Ovens (1623 – 9 December 1678), also known as Georg, or Jurriaen Ovens whilst in the Netherlands, was a portrait painter and art-dealer from North Frisia and, according to Arnold Houbraken, a pupil of Rembrandt. He is best known for hi ...
,
Christopher Paudiß,
Willem de Poorter
Willem de Poorter (1608–1668) was a Dutch Golden Age painter.
Biography
According to Houbraken he painted a very good ''Queen of Sheba'', but he painted mostly still lifes.