The Mill (Rembrandt)
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The Mill (Rembrandt)
''The Mill'' is a painting by Dutch baroque artist Rembrandt Harmenszoon van Rijn. It is in the permanent collection of the National Gallery of Art in Washington DC. For a long time, the attribution to Rembrandt was regarded as doubtful; it has been restored in recent years, although it is not universally accepted. The painting was formerly in the Orleans Collection. It was once owned by Peter Arrell Brown Widener. This painting was documented by Hofstede de Groot in 1915, who wrote:952. LANDSCAPE WITH A WINDMILL ommonly called, The Mill Sm. 601; Bode 142; Dut. 452; Wb. 211; B.-HdG. 345. Beside a broad moat, high above the circular scarp of a ruined bastion, stands a windmill with some low cottages. The path from the mill leads, on the left, over a little bridge across a sluice, to a landing-post in the foreground. A woman with a child goes down to the water; a man pushes a barrow upwards. In the centre foreground a woman at the water's edge is washing linen. A man behi ...
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Rembrandt
Rembrandt Harmenszoon van Rijn (, ; 15 July 1606 – 4 October 1669), usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker and draughtsman. An innovative and prolific master in three media, he is generally considered one of the greatest visual artists in the history of art and the most important in Dutch art history.Gombrich, p. 420. Unlike most Dutch masters of the 17th century, Rembrandt's works depict a wide range of style and subject matter, from portraits and self-portraits to landscapes, genre scenes, allegorical and historical scenes, biblical and mythological themes and animal studies. His contributions to art came in a period of great wealth and cultural achievement that historians call the Dutch Golden Age, when Dutch art (especially Dutch painting), whilst antithetical to the Baroque style that dominated Europe, was prolific and innovative. This era gave rise to important new genres. Like many artists of the Dutch Golden Age, such a ...
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Emile Michel
Emil or Emile may refer to: Literature *'' Emile, or On Education'' (1762), a treatise on education by Jean-Jacques Rousseau * ''Émile'' (novel) (1827), an autobiographical novel based on Émile de Girardin's early life *'' Emil and the Detectives'' (1929), a children's novel *"Emil", nickname of the Kurt Maschler Award for integrated text and illustration (1982–1999) *'' Emil i Lönneberga'', a series of children's novels by Astrid Lindgren Military * Emil (tank), a Swedish tank developed in the 1950s * Sturer Emil, a German tank destroyer People * Emil (given name), including a list of people with the given name ''Emil'' or ''Emile'' * Aquila Emil (died 2011), Papua New Guinean rugby league footballer Other * ''Emile'' (film), a Canadian film made in 2003 by Carl Bessai * Emil (river), in China and Kazakhstan See also * * * Aemilius (other) *Emilio (other) *Emílio (other) *Emilios (other) Emilios, or Aimilios, (Greek: Αιμίλιο ...
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Landscape Paintings
Landscape painting, also known as landscape art, is the depiction of natural scenery such as mountains, valleys, trees, rivers, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composition. In other works, landscape backgrounds for figures can still form an important part of the work. Sky is almost always included in the view, and weather is often an element of the composition. Detailed landscapes as a distinct subject are not found in all artistic traditions, and develop when there is already a sophisticated tradition of representing other subjects. Two main traditions spring from Western painting and Chinese art, going back well over a thousand years in both cases. The recognition of a spiritual element in landscape art is present from its beginnings in East Asian art, drawing on Daoism and other philosophical traditions, but in the West only becomes explicit with Romanticism. Landscape views in art may be entirely i ...
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Collections Of The National Gallery Of Art
Collection or Collections may refer to: * Cash collection, the function of an accounts receivable department * Collection (church), money donated by the congregation during a church service * Collection agency, agency to collect cash * Collections management (museum) ** Collection (museum), objects in a particular field forms the core basis for the museum ** Fonds in archives ** Private collection, sometimes just called "collection" * Collection (Oxford colleges), a beginning-of-term exam or Principal's Collections * Collection (horse), a horse carrying more weight on his hindquarters than his forehand * Collection (racehorse), an Irish-bred, Hong Kong based Thoroughbred racehorse * Collection (publishing), a gathering of books under the same title at the same publisher * Scientific collection, any systematic collection of objects for scientific study Collection may also refer to: Computing * Collection (abstract data type), the abstract concept of collections in computer science ...
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1640s Paintings
Year 164 ( CLXIV) was a leap year starting on Saturday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Macrinus and Celsus (or, less frequently, year 917 '' Ab urbe condita''). The denomination 164 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Emperor Marcus Aurelius gives his daughter Lucilla in marriage to his co-emperor Lucius Verus. * Avidius Cassius, one of Lucius Verus' generals, crosses the Euphrates and invades Parthia. * Ctesiphon is captured by the Romans, but returns to the Parthians after the end of the war. * The Antonine Wall in Scotland is abandoned by the Romans. * Seleucia on the Tigris is destroyed. Births * Bruttia Crispina, Roman empress (d. 191) * Ge Xuan (or Xiaoxian), Chinese Taoist (d. 244) * Yu Fan, Chinese scholar and official (d ...
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Paintings By Rembrandt
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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Rembrandt Research Project
The Rembrandt Research Project (RRP) was an initiative of the Nederlandse Organisatie voor Wetenschappelijk Onderzoek (NWO), which is the Netherlands Organization for Scientific Research. Its purpose was to organize and categorize research on Rembrandt van Rijn, with the aim of discovering new facts about this Dutch Golden Age painter and his studio. The project started in 1968 and was sponsored by NWO until 1998. Research continued until 2014. It was the authority on Rembrandt and had the final say in whether a painting is ''genuine''. The documentation generated by the project was transferred to the Netherlands Institute for Art History and renamed the Rembrandt Database. Results As a result of the project, which analyzed documentation, techniques, and forensic research on Rembrandt paintings from his early years in Leiden until his death, the number of signed Rembrandt ''self-portraits'' around the world has been reduced by half. Also, more paintings have been attributed to s ...
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Royal Academy
The Royal Academy of Arts (RA) is an art institution based in Burlington House on Piccadilly in London. Founded in 1768, it has a unique position as an independent, privately funded institution led by eminent artists and architects. Its purpose is to promote the creation, enjoyment and appreciation of the visual arts through exhibitions, education and debate. History The origin of the Royal Academy of Arts lies in an attempt in 1755 by members of the Society for the Encouragement of Arts, Manufactures and Commerce, principally the sculptor Henry Cheere, to found an autonomous academy of arts. Prior to this a number of artists were members of the Society for the Encouragement of Arts, Manufactures and Commerce, including Cheere and William Hogarth, or were involved in small-scale private art academies, such as the St Martin's Lane Academy. Although Cheere's attempt failed, the eventual charter, called an 'Instrument', used to establish the Royal Academy of Arts over a decad ...
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Gustav Friedrich Waagen
Gustav Friedrich Waagen (11 February 1794 – 15 July 1868) was a German art historian. His opinions were greatly respected in England, where he was invited to give evidence before the royal commission inquiring into the condition and future of the National Gallery, for which he was a leading candidate to become director. He died on a visit to Copenhagen in 1868. Biography Waagen was born in Hamburg, the son of a painter and a nephew and lover of the poet Ludwig Tieck. Having passed through the college of Hirschberg, Silesia (modern Jelenia Góra), he volunteered for service in the Napoleonic campaign of 1813–14, and on his return attended the lectures at Breslau University. He devoted himself to the study of art, which he pursued in the great European galleries, first in Germany, then in the Netherlands and Italy. A pamphlet on the brothers Van Eyck led in 1832 to his appointment to the directorship of the newly founded Berlin Museum (now vastly expanded as the Berlin ...
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Alfred Von Wurzbach
Alfred Wurzbach Ritter von Tannenberg (born 22 July 1846 in Lemberg; died 18 May 1915 in Vienna) was an Austrian art critic. Biography He was the son of Constantin von Wurzbach. He studied jurisprudence in Vienna and entered the civil service, but resigned in 1876 and devoted himself entirely to the study of art history. He was art critic for the ''Wiener Allgemeine Zeitung'' from 1881 to 1886. Works Under the title ''Zeitgenossen'' he published a series of biographical sketches (1871–72), and afterwards the monograph ''Martin Schongauer'' (1881), a ''Geschichte der holländischen Malerei'' (History of Dutch painting, 1885), besides biographies of Dutch and Flemish painters in Dohme's ''Kunst und Künstler'' (Art and artists, 1876). He also edited dictionaries of artist biographies, and compiled ''Rembrandt-Galerie'' (1885), and translated Houbraken's ''The Great Theatre of Dutch Painters'' (original Dutch edition 1718). * ''Laura: Eine Novelle in Versen'', 1873 * ''Die fr ...
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Oil Painting
Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied. The oldest known oil paintings were created by Buddhist artists in Afghanistan and date back to the 7th century AD. The technique of binding pigments in oil was later brought to Europe in the 15th century, about 900 years later. The adoption of oil paint by Europeans began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of tempera paints in the majority ...
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Eugène Dutuit
Eugène Dutuit (7 April 1807 – 25 June 1886) was a French politician and art collector who also wrote several works on art history. Dutuit was born in Marseille as the son of a cotton merchant, but grew up in Rouen, where he studied law and lived most of his life. He traveled to the Netherlands in 1826 where he visited museums and began collecting prints, six hundred of which he later donated in 1845 to the library of Rouen. He was elected member of the Academy of Sciences, Literature and Arts of Rouen in 1846 and became deputy mayor there from 1846 to 1874. In 1852 he and his brother Auguste and sister Heloise inherited their father's fortune.Rouen history
website
He moved to Brighton in the Prussian invasion of 1870–71, which allowed him to make art contacts in England, especially in the
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