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Roger De Piles
Roger de Piles (7 October 1635 – 5 April 1709) was a French painter, engraver, art critic and diplomat. Life Born in Clamecy, Roger de Piles studied philosophy and theology, and devoted himself to painting. In 1662 he became tutor to Michel Amelot de Gournay, whom he was to follow throughout his life, acting as secretary to his various missions as French ambassador to Venice, Portugal, Spain. In Venice (1682–1685) he started a famous collection of prints, drawings and paintings of Giorgione, Correggio, Rembrandt, Claude Lorrain, Rubens, Antoine Coypel, Jean-Baptiste Forest. He also acquired a taste for political intrigue using his travels ostensibly undertaken to study the European collections, as a buyer for Louis XIV, as cover for confidential missions - for example in Germany and Austria (1685) on behalf of Louis' minister, the marquis de Louvois. He was not always fortunate as a spy. In 1692, during the War of the League of Augsburg, he was arrested in the Hague ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Historie Und Leben Der Berühmtesten Europäischen Mahler Frontispiece 1710
(stylized as ''HISTORIĒ'') is a Japanese Historical fiction, historical manga series written and illustrated by Hitoshi Iwaaki. It has been serialized in Kodansha's Seinen manga, ''seinen'' manga magazine ''Monthly Afternoon'' since 2003, with its chapters collected in 11 ''tankōbon'' volumes as of July 2019. It follows the story of Eumenes, a secretary and general to Alexander the Great. In 2010, ''Historie'' received the Grand Prize at the 14th Japan Media Arts Festival as well as the 16th Tezuka Osamu Cultural Prize in 2012. Plot Set in the Ancient Greece, in the mid-300s BC, ''Historie'' is a fictional account of the life of Eumenes, Alexander the Great's personal secretary and general. The story follows his troublous life, from childhood to adulthood. Growing up in a wealthy family in the city-state of Cardia (Thrace), Cardia, Eumenes is framed for the death of his adoptive father and made a slave; Eumenes, eventually, is able to escape and survive. Soon afterwards, h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philippe De Champaigne
Philippe de Champaigne (; 26 May 1602 – 12 August 1674) was a Brabançon-born French Baroque era painter, a major exponent of the French school. He was a founding member of the Académie de peinture et de sculpture in Paris, the premier art institution in France in the eighteenth century. Life and work Born of a poor family in Brussels (Duchy of Brabant, Southern Netherlands), during the reign of the Archduke Albert and Isabella, Champaigne was a pupil of the landscape painter Jacques Fouquières. In 1621 he moved to Paris, where he worked with Nicolas Poussin on the decoration of the Palais du Luxembourg under the direction of Nicolas Duchesne, whose daughter he would eventually marry. According to Houbraken, Duchesne was angry at Champaigne for becoming more popular than he was at court, and this is why Champaigne returned to Brussels to live with his brother. It was only after he received news of Duchesne's death that he returned to marry his daughter. After the death ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Bellini
Giovanni Bellini (; c. 1430 – 26 November 1516) was an Italian Renaissance painter, probably the best known of the Bellini family of Venetian painters. He was raised in the household of Jacopo Bellini, formerly thought to have been his father, but now that familial generational relationship is questioned.; “Giovanni Bellini: Birth, Parentage, and Independence" in ''Renaissance Quarterly'' An older brother, Gentile Bellini was more highly regarded than Giovanni during his lifetime, but the reverse is true today. His brother-in-law was Andrea Mantegna. Giovanni Bellini was considered to have revolutionized Venetian painting, moving it toward a more sensuous and colouristic style. Through the use of clear, slow-drying oil paints, Giovanni created deep, rich tints and detailed shadings. His sumptuous coloring and fluent, atmospheric landscapes had a great effect on the Venetian painting school, especially on his pupils Giorgione and Titian. Life Early career Giovanni Bell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raffaello Sanzio
Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Leonardo da Vinci and Michelangelo, he forms the traditional trinity of great masters of that period. His father was court painter to the ruler of the small but highly cultured city of Urbino. He died when Raphael was eleven, and Raphael seems to have played a role in managing the family workshop from this point. He trained in the workshop of Perugino, and was described as a fully trained "master" by 1500. He worked in or for several cities in north Italy until in 1508 he moved to Rome at the invitation of the pope, to work on the Vatican Palace. He was given a series of important commissions there and elsewhere in the city, and began to work as an architect. He was sti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François De Troy
François de Troy ( 28 February 1645 – 1 May 1730) was a French painter and engraver who became principal painter to King James II in exile at Saint-Germain-en-Laye and Director of the Académie Royale de peinture et de sculpture. Early life One of a family of artists, Troy was born in Toulouse, the son of Antoine Troy (baptised 28 July 1608 – 15 September 1684), a painter in that city,Robert-Dumesnil, Alexandre Pierre F., ''Le peintre-graveur français, ou Catalogue raisonné des estampes gravées par les peintres et les dessinateurs de l'ecole française'', vol. 7 (1844p. 337online at books.google.com (accessed 15 February 2008) and Astrugue Bordes. François Troy and was the brother of the painter Jean de Troy (4 April 1638 – 25 June 1691). Troy was taught the basic skills of painting by his father, and perhaps also by the more worldly Antoine Durand. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolas De Largillière
Nicolas de Largillière (; 10 October 1656 – 20 March 1746) was a French portrait painter, born in Paris. Biography Early life Largillière's father, a merchant, took him to Antwerp at the age of three. As a boy, he spent nearly two years in London. Sometime after his return to Antwerp, a failed attempt at business led him to the studio of Anton Goubau. However, Largillière left at the age of eighteen and went to England, where he was befriended and employed by Sir Peter Lely for four years at Windsor, Berkshire. Painting career Early career His painting caught the attention of Charles II, who wished to retain Largillière in his service, but the controversy aroused by the Rye House Plot against Roman Catholics alarmed Largillière. Largillière left for Paris, where he was well received by the public as a painter. Upon ascending to the throne in 1685, James II requested Largillière to return to England. James II offered Largillière the office of keeper of the royal c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hyacinthe Rigaud
Jacint Rigau-Ros i Serra (; 18 July 1659 – 29 December 1743), known in French as Hyacinthe Rigaud (), was a Catalan-French baroque painter most famous for his portraits of Louis XIV and other members of the French nobility. Biography Rigaud was born in Perpignan, then part of the Crown of Aragon, a few months before Spain ceded the city to France under the Treaty of the Pyrenees (7 November 1659). His family, the ''Rigau'', were Catalan; he was the son of a tailor, the grandson of painter-gilders from Roussillon, and the elder brother of another painter ( Gaspard). Rigaud was baptised with his Catalan name in the old Cathédrale Saint-Jean-Baptiste de Perpignan on 20 July 1659, two days after his birth at rue de la Porte-d'Assaut. His baptismal name was ''Jyacintho Rigau or Jacint Rigau i Ros'' This is sometimes transliterated as ''Híacint Francesc Honrat Mathias Pere Martyr Andreu Joan Rigau'' After the Roussillon and the Cerdanya were ceded to France the following 7 No ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chiaroscuro
Chiaroscuro ( , ; ), in art, is the use of strong contrasts between light and dark, usually bold contrasts affecting a whole composition. It is also a technical term used by artists and art historians for the use of contrasts of light to achieve a sense of volume in modelling three-dimensional objects and figures. Similar effects in cinema, and black and white and low-key photography, are also called chiaroscuro. Further specialized uses of the term include chiaroscuro woodcut for coloured woodcuts printed with different blocks, each using a different coloured ink; and chiaroscuro drawing for drawings on coloured paper in a dark medium with white highlighting. Chiaroscuro is one of the canonical painting modes of the Renaissance (alongside cangiante, sfumato and unione) (see also Renaissance art). Artists known for using the technique include Leonardo da Vinci, Caravaggio Rembrandt, Vermeer and Goya, and Georges de La Tour. History Origin in the chiaroscuro drawing The term ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Impressionists
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open Composition (visual arts), composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s. The Impressionists faced harsh opposition from the conventional art community in France. The name of the style derives from the title of a Claude Monet work, ''Impression, soleil levant'' (''Impression, Sunrise''), which provoked the critic Louis Leroy to coin the term in a Satire, satirical review published in the Parisian newspaper ''Le Charivari''. The development of Impressionism in the visual arts was soon followed by analogo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brush
A brush is a common tool with bristles, wire or other filaments. It generally consists of a handle or block to which filaments are affixed in either a parallel or perpendicular orientation, depending on the way the brush is to be gripped during use. The material of both the block and bristles or filaments is chosen to withstand hazards of its intended use, such as corrosive chemicals, heat or abrasion. It is used for cleaning, grooming hair, make up, painting, surface finishing and for many other purposes. It is one of the most basic and versatile tools in use today, and the average household may contain several dozen varieties. History When houses were first inhabited, homeowners used branches taken from shrubs to sweep up dirt, hence using the first brushes. In 1859, the first brush factory in America was set up in New York. Manufacture A common way of setting the bristles, brush filaments, in the brush is the staple or anchor set brush in which the filament is forced ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perspective (graphical)
Linear or point-projection perspective (from la, perspicere 'to see through') is one of two types of 3D projection, graphical projection perspective in the graphic arts; the other is parallel projection. Linear perspective is an approximate representation, generally on a flat surface, of an image as it is seen by the eye. Perspective drawing is useful for representing a three-dimensional scene in a two-dimensional medium, like paper. The most characteristic features of linear perspective are that objects appear smaller as their distance from the observer increases, and that they are subject to ''foreshortening'', meaning that an object's dimensions along the line of sight appear shorter than its dimensions across the line of sight. All objects will recede to points in the distance, usually along the horizon line, but also above and below the horizon line depending on the view used. Italian Renaissance painters and architects including Masaccio, Paolo Uccello, Piero della Fran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Proportion (architecture)
Proportion is a central principle of architectural theory and an important connection between mathematics and art. It is the visual effect of the relationships of the various objects and spaces that make up a structure to one another and to the whole. These relationships are often governed by multiples of a standard unit of length known as a "module". Proportion in architecture was discussed by Vitruvius, Leon Battista Alberti, Andrea Palladio, and Le Corbusier among others. Roman architecture Vitruvius Architecture in Roman antiquity was rarely documented except in the writings of Vitruvius' treatise '' De architectura''. Vitruvius served as an engineer under Julius Caesar during the first Gallic Wars (58–50 BC). The treatise was dedicated to Emperor Augustus. As Vitruvius defined the concept in the first chapters of the treatise, he mentioned the three prerequisites of architecture are firmness (''firmitas''), commodity (''utilitas''), and delight (''venustas''), whic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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