The cultural and artistic events of

Italy Italy ( it, Italia ), officially the Italian Republic, ) or the Republic of Italy, is a country in Southern Europe. It is located in the middle of the Mediterranean Sea, and its territory largely coincides with the homonymous geographical re ...

during the period 1400 to 1499 are collectively referred to as the Quattrocento (, , ) from the Italian word for the number 400, in turn from , which is Italian for the year 1400. The Quattrocento encompasses the artistic styles of the late

Middle Ages In the history of Europe, the Middle Ages or medieval period lasted approximately from the late 5th to the late 15th centuries, similar to the post-classical period of global history. It began with the fall of the Western Roman Empire a ...

(most notably

International Gothic International Gothic is a period of Gothic art which began in Burgundy, France, and northern Italy in the late 14th and early 15th century. It then spread very widely across Western Europe, hence the name for the period, which was introduced by th ...

), the early

Renaissance The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas ...

(beginning around 1425), and the start of the

High Renaissance In art history, the High Renaissance was a short period of the most exceptional artistic production in the Italian states, particularly Rome, capital of the Papal States, and in Florence, during the Italian Renaissance. Most art historians stat ...

, generally asserted to begin between 1495 and 1500.

Historical context

After the decline of the

Western Roman Empire The Western Roman Empire comprised the western provinces of the Roman Empire at any time during which they were administered by a separate independent Imperial court; in particular, this term is used in historiography to describe the period ...

in 476, economic disorder and disruption of trade spread across Europe. This was the beginning of the

Early Middle Ages The Early Middle Ages (or early medieval period), sometimes controversially referred to as the Dark Ages, is typically regarded by historians as lasting from the late 5th or early 6th century to the 10th century. They marked the start of the Mi ...

, which lasted roughly until the 11th century, when trade increased, population began to expand and the people regained their authority. In the late Middle Ages, the political structure of the European continent slowly coalesced from small, turbulent

fiefdom A fief (; la, feudum) was a central element in medieval contracts based on feudal law. It consisted of a form of property holding or other rights granted by an overlord to a vassal, who held it in fealty or "in fee" in return for a form of f ...

s into larger, more stable

nation state A nation state is a political unit where the state and nation are congruent. It is a more precise concept than "country", since a country does not need to have a predominant ethnic group. A nation, in the sense of a common ethnicity, may inc ...

s ruled by

monarchies A monarchy is a form of government in which a person, the monarch, is head of state for life or until abdication. The political legitimacy and authority of the monarch may vary from restricted and largely symbolic (constitutional monarchy), ...

. In Italy, urban centers arose, populated by merchant and trade classes able to defend themselves.

Money Money is any item or verifiable record that is generally accepted as payment for goods and services and repayment of debts, such as taxes, in a particular country or socio-economic context. The primary functions which distinguish money are as ...

replaced land as the medium of exchange, and increasing numbers of serfs became freedmen. The changes in

Medieval Italy The history of Italy in the Middle Ages can be roughly defined as the time between the collapse of the Western Roman Empire and the Italian Renaissance. The term "Middle Ages" itself ultimately derives from the description of the period of "obscu ...

and the decline of

feudalism Feudalism, also known as the feudal system, was the combination of the legal, economic, military, cultural and political customs that flourished in medieval Europe between the 9th and 15th centuries. Broadly defined, it was a way of structur ...

paved the way for social, cultural, and economic changes. The Quattrocento is viewed as the transition from the Medieval period to the age of the

Italian Renaissance The Italian Renaissance ( it, Rinascimento ) was a period in Italian history covering the 15th and 16th centuries. The period is known for the initial development of the broader Renaissance culture that spread across Europe and marked the trans ...

, principally in the cities of

Rome , established_title = Founded , established_date = 753 BC , founder = King Romulus (legendary) , image_map = Map of comune of Rome (metropolitan city of Capital Rome, region Lazio, Italy).svg , map_caption ...

Florence Florence ( ; it, Firenze ) is a city in Central Italy and the capital city of the Tuscany region. It is the most populated city in Tuscany, with 383,083 inhabitants in 2016, and over 1,520,000 in its metropolitan area.Bilancio demografico an ...

Milan Milan ( , , Lombard: ; it, Milano ) is a city in northern Italy, capital of Lombardy, and the second-most populous city proper in Italy after Rome. The city proper has a population of about 1.4 million, while its metropolitan city h ...

Venice Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 ...

Naples Naples (; it, Napoli ; nap, Napule ), from grc, Νεάπολις, Neápolis, lit=new city. is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 909,048 within the city's adminis ...

. The period saw the

fall of Constantinople The Fall of Constantinople, also known as the Conquest of Constantinople, was the capture of the capital of the Byzantine Empire by the Ottoman Empire. The city fell on 29 May 1453 as part of the culmination of a 53-day siege which had begun o ...

to the

Ottoman Empire The Ottoman Empire, * ; is an archaic version. The definite article forms and were synonymous * and el, Оθωμανική Αυτοκρατορία, Othōmanikē Avtokratoria, label=none * info page on book at Martin Luther University) ...

, and it has been compared with the

Timurid Renaissance The Timurid Renaissance was a historical period in Asian and Islamic history spanning the late 14th, the 15th, and the early 16th centuries. Following the gradual downturn of the Islamic Golden Age, the Timurid Empire, based in Central Asia rule ...

which unfolded at the same time in Central Asia.

Development of Quattrocento styles

Quattrocento art shed the decorative

mosaic A mosaic is a pattern or image made of small regular or irregular pieces of colored stone, glass or ceramic, held in place by plaster/mortar, and covering a surface. Mosaics are often used as floor and wall decoration, and were particularly pop ...

s typically associated with

Byzantine art Byzantine art comprises the body of Christian Greek artistic products of the Eastern Roman Empire, as well as the nations and states that inherited culturally from the empire. Though the empire itself emerged from the decline of Rome and lasted ...

along with Christian and Gothic media, as well as styles in

stained glass Stained glass is coloured glass as a material or works created from it. Throughout its thousand-year history, the term has been applied almost exclusively to the windows of churches and other significant religious buildings. Although tradition ...

fresco Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaste ...

es,

illuminated manuscripts An illuminated manuscript is a formally prepared document where the text is often supplemented with flourishes such as borders and miniature illustrations. Often used in the Roman Catholic Church for prayers, liturgical services and psalms, the ...

and

sculpture Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sc ...

. Instead, Quattrocento artists incorporated the more classic forms developed by classical

Roman Roman or Romans most often refers to: *Rome, the capital city of Italy *Ancient Rome, Roman civilization from 8th century BC to 5th century AD *Roman people, the people of ancient Rome *''Epistle to the Romans'', shortened to ''Romans'', a letter ...

and

Greek art Greek art began in the Cycladic and Minoan civilization, and gave birth to Western classical art in the subsequent Geometric, Archaic and Classical periods (with further developments during the Hellenistic Period). It absorbed influences of E ...

List of Italian Quattrocento artists

Since the Quattrocento overlaps with part of the Renaissance, it would be inaccurate to say that a particular artist was Quattrocento ''or'' Renaissance. Artists of the time probably would not have identified themselves as members of a school or period. *

Andrea del Castagno Andrea del Castagno () or Andrea di Bartolo di Bargilla (; – 19 August 1457) was an Italian painter from Florence, influenced chiefly by Masaccio and Giotto di Bondone. His works include frescoes in Sant'Apollonia in Florence and the pain ...

Andrea del Verrocchio Andrea del Verrocchio (, , ; – 1488), born Andrea di Michele di Francesco de' Cioni, was a sculptor, Italian painter and goldsmith who was a master of an important workshop in Florence. He apparently became known as ''Verrocchio'' after the su ...

* Andrea della Robbia *

Andrea Mantegna Andrea Mantegna (, , ; September 13, 1506) was an Italian painter, a student of Roman archeology, and son-in-law of Jacopo Bellini. Like other artists of the time, Mantegna experimented with perspective, e.g. by lowering the horizon in order ...

Antonello da Messina Antonello da Messina, properly Antonello di Giovanni di Antonio, but also called Antonello degli Antoni and Anglicized as Anthony of Messina ( 1430February 1479), was an Italian painter from Messina, active during the Early Italian Renaissance. ...

Antoniazzo Romano Antoniazzo Romano, born Antonio di Benedetto Aquilo degli Aquili (c. 1430 – c. 1510) was an Italian Early Renaissance painter, the leading figure of the Roman school during the latter part of the 15th century. He "made a speciality of re ...

Antonio del Pollaiuolo Antonio del Pollaiuolo ( , , ; 17 January 1429/14334 February 1498), also known as Antonio di Jacopo Pollaiuolo or Antonio Pollaiuolo (also spelled Pollaiolo), was an Italian painter, sculptor, engraver, and goldsmith during the Italian Rena ...

Antonio Rossellino Antonio Gamberelli (1427–1479), Janson, H.W. (1995) ''History of Art''. 5th edn. Revised and expanded by Anthony F. Janson. London: Thames & Hudson, p. 465. nicknamed Antonio Rossellino for the colour of his hair, was an Italian Renaissance ...

Benozzo Gozzoli Benozzo Gozzoli (4 October 1497) was an Italian Renaissance painter from Florence. A pupil of Fra Angelico, Gozzoli is best known for a series of murals in the Magi Chapel of the Palazzo Medici-Riccardi, depicting festive, vibrant processions ...

Bertoldo di Giovanni Bertoldo di Giovanni (after 1420, in Poggio a Caiano – 28 December 1491, in Florence) was an Italian Renaissance sculptor and medallist. Life Bertoldo was a pupil of Donatello. He worked in Donatello's workshop for many years, completing ...

Carlo Crivelli Carlo Crivelli (Venice, c. 1430 – Ascoli Piceno, c. 1495) was an Italian Renaissance painter of conservative Late Gothic decorative sensibility, who spent his early years in the Veneto, where he absorbed influences from the Vivari ...

Cosimo Tura Cosimo is the Italian form of the Greek name ''Kosmas'' (latinised as '' Cosmas''). Cosimo may refer to: Characters * Cosimo Piovasco di Rondò, hero of Italo Calvino's 1957 novel ''The Baron in the Trees'' Given name Medici family * Cosimo ...

Desiderio da Settignano Desiderio da Settignano, real name Desiderio de Bartolomeo di Francesco detto Ferro ( 1428 or 1430 – 1464) was an Italian Renaissance sculptor active in north Italy. Biography He came from a family of stone carvers and stonemasons in Settigna ...

Domenico di Bartolo Domenico di Bartolo (birth name Domenico Ghezzi), born in Asciano, Siena, was a Sienese painter who became active during the early Renaissance period. He was inaccurately named by the famous painter, writer and historian Giorgio Vasari as the ne ...

* Domenico Ghirlandaio *

Domenico Veneziano Domenico Veneziano (c. 1410 – May 15, 1461) was an Italian painter of the early Renaissance, active mostly in Perugia and Tuscany. Little is known of his birth, though he is thought to have been born in Venice, hence his last name. He then moved ...

Donatello Donato di Niccolò di Betto Bardi ( – 13 December 1466), better known as Donatello ( ), was a Republic of Florence, Florentine sculptor of the Renaissance period. Born in Republic of Florence, Florence, he studied classical sculpture and use ...

Ercole de' Roberti Ercole de' Roberti (c. 1451 – 1496), also known as Ercole Ferrarese or Ercole da Ferrara, was an Italian artist of the Early Renaissance and the School of Ferrara. He was profiled in Vasari's ''Le Vite delle più eccellenti pittori, sculto ...

* Filippo Brunelleschi *

Filippo Lippi Filippo Lippi ( – 8 October 1469), also known as Lippo Lippi, was an Italian painter of the Quattrocento (15th century) and a Carmelite Priest. Biography Lippi was born in Florence in 1406 to Tommaso, a butcher, and his wife. He was orp ...

Fra Angelico Fra Angelico (born Guido di Pietro; February 18, 1455) was an Italian painter of the Early Renaissance, described by Vasari in his '' Lives of the Artists'' as having "a rare and perfect talent".Giorgio Vasari, ''Lives of the Artists''. Pengu ...

* Francesco del Cossa *

Francesco di Giorgio Francesco di Giorgio Martini (1439–1501) was an Italian architect, engineer, painter, sculptor, and writer. As a painter, he belonged to the Sienese School. He was considered a visionary architectural theorist—in Nikolaus Pevsner's terms ...

Francesco Squarcione Francesco Squarcione (''c.'' 1395 – after 1468) was an Italian artist from Padua. His pupils included Andrea Mantegna (with whom he had many legal battles), Cosimo Tura and Carlo Crivelli. There are only two works signed by him: the ''Mad ...

Gentile Bellini Gentile Bellini (c. 1429 – 23 February 1507) was an Italian painter of the school of Venice. He came from Venice's leading family of painters, and at least in the early part of his career was more highly regarded than his younger brother Giovan ...

Gentile da Fabriano Gentile da Fabriano ( – 1427) was an Italian painter known for his participation in the International Gothic painter style. He worked in various places in central Italy, mostly in Tuscany. His best-known works are his ''Adoration of the Magi ...

* Giovanni Bellini *

Giovanni di Paolo Giovanni di Paolo di Grazia (''c.'' 1403–1482) was an Italian painter, working primarily in Siena, becoming a prolific painter and illustrator of manuscripts, including Dante's texts. He was one of the most important painters of the 15th cent ...

Jacopo de' Barbari Jacopo de' Barbari, sometimes known or referred to as de'Barbari, de Barberi, de Barbari, Barbaro, Barberino, Barbarigo or Barberigo (c. 1460/70 – before 1516), was an Italian painter, printmaker and miniaturist with a highly individual style. H ...

Jacopo Bellini Jacopo Bellini (c. 1400 – c. 1470) was one of the founders of the Renaissance style of painting in Venice and northern Italy. His sons Gentile and Giovanni Bellini, and his son-in-law Andrea Mantegna, were also famous painters. Few of Belli ...

Justus of Ghent Justus van Gent or Joos van Wassenhove (also: Justus or Jodocus of Ghent, or Giusto da Guanto) (c. 1410 – c. 1480) was an Early Netherlandish painter who after training and working in Flanders later moved to Italy where he worked for the ...

Leonardo da Vinci Leonardo di ser Piero da Vinci (15 April 14522 May 1519) was an Italian polymath of the High Renaissance who was active as a painter, Drawing, draughtsman, engineer, scientist, theorist, sculptor, and architect. While his fame initially res ...

Lorenzo Ghiberti Lorenzo Ghiberti (, , ; 1378 – 1 December 1455), born Lorenzo di Bartolo, was an Italian Renaissance sculptor from Florence, a key figure in the Early Renaissance, best known as the creator of two sets of bronze doors of the Florence Baptister ...

Luca della Robbia Luca della Robbia (, also , ; 1399/1400–1482) was an Italian Renaissance sculptor from Florence. Della Robbia is noted for his colorful, tin-glazed terracotta statuary, a technique which he invented and passed on to his nephew Andrea della ...

Luca Signorelli Luca Signorelli ( – 16 October 1523) was an Italian Renaissance painter from Cortona in Tuscany, who was noted in particular for his ability as a draftsman and his use of foreshortening. His massive frescos of the ''Last Judgment'' (1499–15 ...

Luciano Laurana Luciano Laurana (Lutiano Dellaurana, hr, Lucijan Vranjanin) (c. 1420 – 1479) was an Italian architect and engineer from the historic Vrana settlement near the town of Zadar in Dalmatia, (today in Croatia, then part of the Republic of Venice) A ...

Stokes, Adrian D. (2002) Quattro cento ; and, Stones of Rimini Adrian Durham Stokes, https://books.google.com/books/about/Quattro_cento_and_Stones_of_Rimini.html?id=TsIL1ziKIQEC Penn State Press. Original: 1932; footnote on p. 23 * Masaccio *

Masolino , death_date = ''c.'' 1447 , death_place = Florence , nationality = Italian , field = Painting, fresco , training = , movement = Italian Renaissance , works = frescoes in the Brancacci Chapel , patrons ...

Melozzo da Forlì Melozzo da Forlì (c. 1438 – 8 November 1494) was an Italian Renaissance painter and architect. His fresco paintings are notable for the use of foreshortening. He was the most important member of the Forlì painting school. Biography ...

* Michelangelo di Lodovico Buonarroti Simoni *

Paolo Uccello Paolo Uccello ( , ; 1397 – 10 December 1475), born Paolo di Dono, was an Italian (Florentine) painter and mathematician who was notable for his pioneering work on visual perspective in art. In his book ''Lives of the Most Excellent Painters, S ...

Pedro Berruguete Pedro Berruguete (c. 1450 – 1504) was a Spanish painter whose art is regarded as a transitional style between gothic and Renaissance art. Berruguete most famously created paintings of the first few years of the Inquisition and of religious i ...

Piero della Francesca Piero della Francesca (, also , ; – 12 October 1492), originally named Piero di Benedetto, was an Italian painter of the Early Renaissance. To contemporaries he was also known as a mathematician and geometer. Nowadays Piero della Francesca i ...

Pietro Perugino Pietro Perugino (, ; – 1523), born Pietro Vannucci, was an Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil. Ea ...

Sandro Botticelli Alessandro di Mariano di Vanni Filipepi ( – May 17, 1510), known as Sandro Botticelli (, ), was an Italian Renaissance painting, Italian painter of the Early Renaissance. Botticelli's posthumous reputation suffered until the late 19th cent ...

* Il Sassetta *

Troso da Monza Troso da Monza, also called Troso di Giovanni Jacobi, was an Italian painter of the Quattrocento, active around 1444 in Monza and Bergamo. Some frescoes originally in the church of Santa Marie delle Grazie in Bergamo have been attributed to Tr ...

Vecchietta Lorenzo di Pietro (1410 – June 6, 1480), known as Vecchietta, was an Italian Sienese School painter, sculptor, goldsmith, and architect of the Renaissance. He is among the artists profiled in Vasari's ''Le Vite delle più eccellenti pittori, ...

Vittore Carpaccio Vittore Carpaccio ( UK: /kɑːrˈpætʃ(i)oʊ/, US: /-ˈpɑːtʃ-/, Italian: itˈtoːre karˈpattʃo c. 1460/66 – 1525/26) was an Italian painter of the Venetian school who studied under Gentile Bellini. Carpaccio was largely influence ...

Vittore Crivelli Vittorio (or Vittore) Crivelli was an Italian painter, brother of Carlo Crivelli. Born ca. 1440 in Venice, dead in Venice 1501 or 1502. His works are similar in style to his brother's, but less accomplished. There are examples of his work in the ...

Also see the list of 27 prominent 15th century painters made contemporaneously by

Giovanni Santi Giovanni Santi (c. 1435 – 1 August 1494) was an Italian painter, decorator, and the father of Raphael. He was born in 1435 at Colbordolo in the Duchy of Urbino. He studied under Piero della Francesca and was influenced by Fiorenzo di Lorenz ...

Raphael Sanzio Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual a ...

's father as part of a poem for the

Duke of Urbino The Duchy of Urbino was an independent duchy in early modern central Italy, corresponding to the northern half of the modern region of Marche. It was directly annexed by the Papal States in 1625. It was bordered by the Adriatic Sea in the east ...

References

External links

{{Italy topics, state=collapsed .04 . Cultural history of Italy Renaissance art . . .04 . . . .

Historical context

Development of Quattrocento styles

List of Italian Quattrocento artists

See also

References

Further reading

External links