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Vecchietta
Lorenzo di Pietro (1410 – June 6, 1480), known as Vecchietta, was an Italian Sienese School painter, sculptor, goldsmith, and architect of the Renaissance. He is among the artists profiled in Vasari's ''Le Vite delle più eccellenti pittori, scultori, ed architettori''. It is believed Vecchietta was a pupil of Sassetta, Taddeo di Bartolo, and Jacopo della Quercia. Later in his life he was the master of Francesco di Giorgio and Neroccio de’ Landi. "Pittor dello Spedale" Vecchietta was born in Siena. Much of his work may be found there, particularly at the Hospital of Santa Maria della Scala, lending him yet another name: ''pittor dello spedale'' (or "painter of the hospital"). For the ''Pellegrinaio'' (Pilgrim Hall) at the Hospital complex, Vecchietta painted a series of frescoes, along with Domenico di Bartolo and Priamo della Quercia, including ''The Founding of the Spedale'' and ''The Vision of Santa Sorore'', depicting a dream of the mother of the cobbler Sorore, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenico Di Bartolo
Domenico di Bartolo (birth name Domenico Ghezzi), born in Asciano, Siena, was a Sienese painter who became active during the early Renaissance period. He was inaccurately named by the famous painter, writer and historian Giorgio Vasari as the nephew of well-reputed Italian artist Taddeo di Bartolo, who is featured in Vasari's ''Lives of the Most Excellent Painters, Sculptors, and Architects''. By the early 1400s, Domenico di Bartolo was one of Siena's artists most influenced by the new Florentine style of painting. During the time that he was active and working, Domenico was the only Sienese painter to have received commissions by clients in Florence. Domenico was also employed by Lorenzo Vecchietta, otherwise referred to as Lorenzo di Pietro, to work alongside him for the fresco ''The Care of the Sick'', which is today considered a masterpiece of the Pilgrim's Hall in the hospital Santa Maria della Scala (Siena). Domenico first surfaced into the world of early Renaissance art in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Battistero Di San Giovanni (Siena)
The Battistero di San Giovanni (Italian: "Baptistry of St. John") is a religious building in Siena, Italy. It is in the square with the same name, near the final spans of the choir of the city's cathedral. It was built between 1316 and 1325 by Camaino di Crescentino, the father of Tino di Camaino. The façade, in Gothic style, is unfinished in the upper part, such as the apse of the cathedral. In the interior, the rectangular hall, divided into a nave and two aisles by two columns, contains a hexagonal baptismal font in bronze, marble and vitreous enamel, realized in 1417-1431 by the main sculptors of the time: Donatello (panel of "Herod's Banquet" and statues of the "Faith" and "Hope"), Lorenzo Ghiberti, Giovanni di Turino, Goro di Neroccio and Jacopo della Quercia (statue of John the Baptist and other figures). The panels represent the Life of John the Baptist, and include: * "Annunciation to Zacharias" by Jacopo della Quercia (1428-1429) * "Birth of John the Baptist" by Gi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Di Giorgio
Francesco di Giorgio Martini (1439–1501) was an Italian architect, engineer, painter, sculptor, and writer. As a painter, he belonged to the Sienese School. He was considered a visionary architectural theorist—in Nikolaus Pevsner's terms: "one of the most interesting later Quattrocento architects". As a military engineer, he executed architectural designs and sculptural projects and built almost seventy fortifications for the Federico da Montefeltro, Count (later Duke) of Urbino, building city walls and early examples of star-shaped fortifications. Born in Siena, he apprenticed as a painter with Vecchietta. In panels painted for '' cassoni'' he departed from the traditional representations of joyful wedding processions in frieze-like formulas to express visions of ideal, symmetrical, vast and all but empty urban spaces rendered in perspective. He composed an architectural treatis''Trattato di architettura, ingegneria e arte militare'' the third of the Quattrocento, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neroccio De’ Landi
Neroccio di Bartolomeo de' Landi (1447–1500) was an Italian painter and sculptor of the early-Renaissance or Quattrocento period in Siena. He was a student of Vecchietta, and then he shared a workshop with Francesco di Giorgio from 1468. He painted ''Scenes from the life of St Benedict'', now in the Uffizi, probably in collaboration with di Giorgio, and ''Madonna and Child between Saint Jerome and Saint Bernard'', which is in the Pinacoteca Nazionale of Siena. In 1472 he painted an ''Assumption'' for the abbey of Monte Oliveto Maggiore, and in 1475 he created a statue of Saint Catherine of Siena for the Sienese church dedicated to her. He separated from di Giorgio in 1475. In 1476, he painted ''Madonna and Child with St Michael and St Bernardino'', a triptych now located in the Pinacoteca Nazionale of Siena.Gertrude Coor, Neroccio de' Landi 1447-1500, Princeton, New Jersey, Princeton University Press, 1961, 235 p., 30 x 23 cm. In 1483, he designed the ''Hellespontine Sybil'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Vite Delle Più Eccellenti Pittori, Scultori, Ed Architettori
''The Lives of the Most Excellent Painters, Sculptors, and Architects'' ( it, Le vite de' più eccellenti pittori, scultori, e architettori), often simply known as ''The Lives'' ( it, Le Vite), is a series of artist biographies written by 16th-century Italian painter and architect Giorgio Vasari, which is considered "perhaps the most famous, and even today the most-read work of the older literature of art",Max Marmor, ''Kunstliteratur'' translated by , in Art Documentation Vol 11 # 1, 1992 "some of the 's most influential writing on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stefano Di Giovanni
''For the village near Livorno, see Sassetta, Tuscany'' Stefano di Giovanni di Consolo, known as il Sassetta (ca.1392–1450 or 1451) was an Tuscan painter of the Renaissance, and a significant figure of the Sienese School.Judy Metro, ''Italian Paintings of the Fifteenth Century''. National Gallery of Art, Oxford University Press: Oxford, New York, 2003. p. 621 While working within the Sienese tradition, he innovated the style by introducing elements derived from the decorative Gothic style and the realism of contemporary Florentine innovators as Masaccio.Marco Torriti. "Sassetta." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 9 Mar. 2016 Life and Works The name Sassetta has been associated with him, mistakenly, only since the 18th century but is now generally used for this artist. The date and birthplace of Sassetta are not known. Some say he was born in Siena although there is also a hypothesis that he was born in Cortona. His father, Giovanni, i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pienza
Pienza () is a town and ''comune'' in the province of Siena, Tuscany, in the historical region of Val d'Orcia. Situated between the towns of Montepulciano and Montalcino, it is considered the "touchstone of Renaissance urbanism". In 1996, UNESCO declared the town a World Heritage Site, and in 2004 the entire valley, the ''Val d'Orcia'', was included on the list of UNESCO's World Cultural Landscapes. History Before the village was renamed ''Pienza'' its name was ''Corsignano''. It is first mentioned in documents from the 9th century. Around 1300 parts of the village became property of the Piccolomini family. After Enghelberto d'Ugo Piccolomini had received the fief of Montertari in Val d'Orcia from the emperor Frederick II in 1220. In the 13th century Franciscans settled down in Corsignano. In 1405 Aeneas Silvius Piccolomini ( it, links=no, Enea Silvio Piccolomini) was born in Corsignano, a Renaissance humanist born into an exiled Sienese family, who later became Pope Pius II. On ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uffizi
The Uffizi Gallery (; it, Galleria degli Uffizi, italic=no, ) is a prominent art museum located adjacent to the Piazza della Signoria in the Historic Centre of Florence in the region of Tuscany, Italy. One of the most important Italian museums and the most visited, it is also one of the largest and best known in the world and holds a collection of priceless works, particularly from the period of the Italian Renaissance. After the ruling House of Medici died out, their art collections were given to the city of Florence under the famous ''Patto di famiglia'' negotiated by Anna Maria Luisa, the last Medici heiress. The Uffizi is one of the first modern museums. The gallery had been open to visitors by request since the sixteenth century, and in 1765 it was officially opened to the public, formally becoming a museum in 1865. History The building of the Uffizi complex was begun by Giorgio Vasari in 1560 for Cosimo I de' Medici so as to accommodate the offices of the Florentine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Florence
Florence ( ; it, Firenze ) is a city in Central Italy and the capital city of the Tuscany region. It is the most populated city in Tuscany, with 383,083 inhabitants in 2016, and over 1,520,000 in its metropolitan area.Bilancio demografico anno 2013, datISTAT/ref> Florence was a centre of medieval European trade and finance and one of the wealthiest cities of that era. It is considered by many academics to have been the birthplace of the Renaissance, becoming a major artistic, cultural, commercial, political, economic and financial center. During this time, Florence rose to a position of enormous influence in Italy, Europe, and beyond. Its turbulent political history includes periods of rule by the powerful Medici family and numerous religious and republican revolutions. From 1865 to 1871 the city served as the capital of the Kingdom of Italy (established in 1861). The Florentine dialect forms the base of Standard Italian and it became the language of culture throughout Ital ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catherine Of Siena
Catherine of Siena (Italian: ''Caterina da Siena''; 25 March 1347 – 29 April 1380), a member of the Third Order of Saint Dominic, was a mystic, activist, and author who had a great influence on Italian literature and on the Catholic Church. Canonized in 1461, she is also a Doctor of the Church. Born and raised in Siena, she wanted from an early age to devote herself to God, against the will of her parents. She joined the " mantellates", a group of pious women, primarily widows, informally devoted to Dominican spirituality. Her influence with Pope Gregory XI played a role in his 1376 decision to leave Avignon for Rome. The Pope then sent Catherine to negotiate peace with Florence. After Gregory XI's death (March 1378) and the conclusion of peace (July 1378), she returned to Siena. She dictated to secretaries her set of spiritual treatises ''The Dialogue of Divine Providence''. The Great Schism of the West led Catherine of Siena to go to Rome with the pope. She sent numerou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Annunciation
The Annunciation (from Latin '), also referred to as the Annunciation to the Blessed Virgin Mary, the Annunciation of Our Lady, or the Annunciation of the Lord, is the Christian celebration of the biblical tale of the announcement by the angel Gabriel to Mary that she would conceive and bear a son through a virgin birth and become the mother of Jesus Christ, the Christian Messiah and Son of God, marking the Incarnation. Gabriel told Mary to name her son Jesus, meaning "YHWH is salvation". According to , the Annunciation occurred "in the sixth month" of Elizabeth's pregnancy with John the Baptist. Many Christians observe this event with the Feast of the Annunciation on 25 March, an approximation of the northern vernal equinox nine full months before Christmas, the ceremonial birthday of Jesus. The Annunciation is a key topic in Christian art in general, as well as in Marian art in the Catholic Church, having been especially prominent during the Middle Ages and Renaissance. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cathedral Of Siena
A cathedral is a church that contains the '' cathedra'' () of a bishop, thus serving as the central church of a diocese, conference, or episcopate. Churches with the function of "cathedral" are usually specific to those Christian denominations with an episcopal hierarchy, such as the Catholic, Eastern Orthodox, Anglican, and some Lutheran churches.New Standard Encyclopedia, 1998 by Standard Educational Corporation, Chicago, Illinois; page B-262c Church buildings embodying the functions of a cathedral first appeared in Italy, Gaul, Spain, and North Africa in the 4th century, but cathedrals did not become universal within the Western Catholic Church until the 12th century, by which time they had developed architectural forms, institutional structures, and legal identities distinct from parish churches, monastic churches, and episcopal residences. The cathedral is more important in the hierarchy than the church because it is from the cathedral that the bishop governs the area und ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
