Muhammad Sa'im al-Dahr

The Great Sphinx of Giza is a limestone statue of a reclining sphinx, a mythical creature with the head of a human, and the body of a lion. Facing directly from west to east, it stands on the Giza Plateau on the west bank of the Nile in Giza, Egypt. The face of the Sphinx appears to represent the pharaoh Khafre.

The original shape of the Sphinx was cut from the bedrock, and has since been restored with layers of limestone blocks. It measures long from paw to tail, high from the base to the top of the head and wide at its rear haunches. Its nose was broken off for unknown reasons between the 3rd and 10th centuries AD.

The Sphinx is the oldest known monumental sculpture in Egypt and one of the most recognisable statues in the world. The archaeological evidence suggests that it was created by ancient Egyptians of the Old Kingdom during the reign of Khafre ().

Names

The original name the Old Kingdom creators gave the Sphinx is unknown, as the Sphinx temple, enclosure and possibly the Sphinx itself was not completed at the time, thus cultural material was limited. In the New Kingdom, the Sphinx was revered as the solar deity ''Hor-em- akhet'' ( en, "Horus of the Horizon"; Hellenized: ''Harmachis''), and the pharaoh Thutmose IV (1401–1391 or 1397–1388 BC) specifically referred to it as such in his Dream Stele.

The commonly used name "Sphinx" was given to it in classical antiquity, about 2,000 years after the commonly accepted date of its construction by reference to a Greek mythological beast with the head of a woman, a falcon, a cat, or a sheep and the body of a lion with the wings of an eagle. (although, like most Egyptian sphinxes, the Great Sphinx has a man's head and no wings). The English word ''sphinx'' comes from the ancient Greek Σφίγξ (transliterated: ) apparently from the verb σφίγγω (transliterated: / en, to squeeze), after the Greek sphinx who strangled anyone who failed to answer her riddle.

Medieval Arab writers, including al-Maqrīzī, call the Sphinx by an Arabized Coptic name ''Belhib'' () and ''Belhawiyya (''), which in turn comes from , a name of the Canaanite god Hauron with whom the Sphinx was identified. The modern Egyptian Arabic name is أبو الهول (''ʼabu alhōl / ʼabu alhawl'' , "The Terrifying One"; literally "Father of Dread") which is a phono-semantic matching of the Coptic name.

History

Old Kingdom

The archaeological evidence suggests that the Great Sphinx was created around 2500 BC for the pharaoh Khafre, the builder of the Second Pyramid at Giza. The Sphinx is a monolith carved from the bedrock of the plateau, which also served as the quarry for the pyramids and other monuments in the area. Egyptian geologist Farouk El-Baz has suggested that the head of the Sphinx may have been carved first, out of a natural yardang, i.e. a ridge of bedrock that had been sculpted by the wind. These can sometimes achieve shapes which resemble animals. El-Baz suggests that the "moat" or "ditch" around the Sphinx may have been quarried out later to allow for the creation of the full body of the sculpture.

The stones cut from around the Sphinx' body were used to construct a temple in front of it, however neither the enclosure nor the temple were ever completed, and the relative scarcity of Old Kingdom cultural material suggests that a Sphinx cult was not established at the time. Selim Hassan, writing in 1949 on recent excavations of the Sphinx enclosure, made note of this circumstance:

In order to construct the temple, the northern perimeter-wall of the Khafre Valley Temple had to be deconstructed, hence it follows that the Khafre funerary complex preceded the creation of the Sphinx and its temple. Furthermore, the angle and location of the south wall of the enclosure suggests the causeway connecting Khafre's Pyramid and Valley Temple already existed before the Sphinx was planned. The lower base level of the Sphinx temple also indicates that it doesn't pre-date the Valley Temple.

New Kingdom

Some time around the First Intermediate Period, the Giza Necropolis was abandoned, and drifting sand eventually buried the Sphinx up to its shoulders. The first documented attempt at an excavation dates to , when the young Thutmose IV (1401–1391 or 1397–1388 BC) gathered a team and, after much effort, managed to dig out the front paws, between which he erected a shrine that housed the Dream Stele, an inscribed granite slab (possibly a repurposed door lintel from one of Khafre's temples). When the stele was discovered, its lines of text were already damaged and incomplete. An excerpt reads:

The Dream Stele associates the Sphinx with Khafre, however this part of the text is not entirely intact:

Egyptologist Thomas Young, finding the ''Khaf'' hieroglyphs in a damaged cartouche used to surround a royal name, inserted the glyph ''ra'' to complete Khafre's name. When the Stele was re-excavated in 1925, the lines of text referring to ''Khaf'' flaked off and were destroyed.

Later, Ramesses II the Great (1279–1213 BC) may have undertaken a second excavation.

In the New Kingdom, the Sphinx became more specifically associated with the sun god ''Hor-em-akhet'' (Hellenized: ''Harmachis'') or "Horus-at-the-Horizon". Pharaoh Amenhotep II (1427–1401 or 1397 BC) built a temple to the northeast of the Sphinx nearly 1000 years after its construction and dedicated it to the cult of ''Hor-em-akhet''.

Graeco-Roman period

In Graeco-Roman times, Giza had become a tourist destination—the monuments were regarded as antiquities—and some Roman Emperors visited the Sphinx out of curiosity, and for political reasons.

The Sphinx was cleared of sand again in the first century AD in honor of Emperor Nero and the Governor of Egypt Tiberius Claudius Balbilus. A monumental stairway—more than wide—was erected, leading to a pavement in front of the paws of the Sphinx. At the top of the stairs, a podium was positioned that allowed view into the Sphinx sanctuary. Further back, another podium neighbored several more steps. The stairway was dismantled during the 1931–32 excavations by Émile Baraize.

Pliny the Elder describes the face of the Sphinx being colored red and gives measurements for the statue:

A stela dated to 166 AD commemorates the restoration of the retaining walls surrounding the Sphinx. The last Emperor connected with the monument is Septimius Severus, around 200 AD. With the downfall of Roman power, the Sphinx was once more engulfed by the sands.

File:Retaining walls and Roman Period stairways east of the Sphinx.tif, Side view of the Sphinx with the Roman stairway on the right.
File:Excavation East of Sphinx.tif, Top of the Roman stairway before dismantling in 1931-32.
File:Sphinx Map by Henry Salt.tif, Map of the area east of the Sphinx by Henry Salt.

Middle Ages

Some ancient non-Egyptians saw it as a likeness of the god Horon. The cult of the Sphinx continued into medieval times. The Sabians of Harran saw it as the burial place of Hermes Trismegistus. Arab authors described the Sphinx as a talisman which guarded the area from the desert. Al-Maqrizi describes it as the "talisman of the Nile" of which the locals believed the flood cycle depended upon. Muhammad al-Idrisi stated that those wishing to obtain bureaucratic positions in the Egyptian government gave incense offering to the monument.

Early European descriptions of the Great Sphinx of Giza

Over the centuries, writers and scholars have recorded their impressions and reactions upon seeing the Sphinx. The vast majority were concerned with a general description, often including a mixture of science, romance and mystique. A typical description of the Sphinx by tourists and leisure travelers throughout the 19th and 20th century was made by John Lawson Stoddard:

From the 16th-19th centuries, European observers described the Sphinx having the face, neck and breast of a woman. Examples included Johannes Helferich (1579), George Sandys (1615), Johann Michael Vansleb (1677), Benoît de Maillet (1735) and Elliot Warburton (1844).

Most early Western images were book illustrations in print form, elaborated by a professional engraver from either previous images available or some original drawing or sketch supplied by an author, and usually now lost. Seven years after visiting Giza, André Thévet (''Cosmographie de Levant'', 1556) described the Sphinx as "the head of a colossus, caused to be made by Isis, daughter of Inachus, then so beloved of Jupiter". He, or his artist and engraver, pictured it as a curly-haired monster with a grassy dog collar. Athanasius Kircher (who never visited Egypt) depicted the Sphinx as a Roman statue ('' Turris Babel'', 1679). Johannes Helferich's (1579) Sphinx is a pinched-face, round-breasted woman with a straight haired wig. George Sandys stated that the Sphinx was a harlot; Balthasar de Monconys interpreted the headdress as a kind of hairnet, while François de La Boullaye-Le Gouz's Sphinx had a rounded hairdo with bulky collar.

Richard Pococke's Sphinx was an adoption of Cornelis de Bruijn's drawing of 1698, featuring only minor changes, but is closer to the actual appearance of the Sphinx than anything previous. The print versions of Norden's drawings for his ''Voyage d'Egypte et de Nubie'', 1755 clearly show that the nose was missing.

Image:Hogenberg & Braun, 1572.png, Hogenberg and Braun (map), ''Cairus, quae olim Babylon'' (1572), exists in various editions, from various authors, with the Sphinx looking different.
Image:Jan Sommer, 1591.png, Jan Sommer, (unpublished) ''Voyages en Egypte des annees 1589, 1590 & 1591'', Institut de France, 1971 (Voyageurs occidentaux en Égypte 3)
Image:George Sandys, 1615.png, George Sandys, ''A relation of a journey begun an dom. 1610'' (1615)
Image:François de La Boullaye-Le Gouz, 1653.png, François de La Boullaye-Le Gouz, ''Les Voyages et Observations'' (1653)
Image:Balthasar de Monconys, 1665.png, Balthasar de Monconys, ''Journal des voyages'' (1665)
Image:Olfert Dapper, 1665.png, Olfert Dapper, ''Description de l'Afrique'' (1665), note the two different displays of the Sphinx.
Image:Cornelis de Bruijn, 1698.png, Cornelis de Bruijn, ''Reizen van Cornelis de Bruyn door de vermaardste Deelen van Klein Asia'' (1698)
Image:Johanne Baptista Homann, 1724.png, Johanne Baptista Homann (map), ''Aegyptus hodierna'' (1724)
Image:Norden, 1755 (1).png, Frederic Louis Norden, ''Voyage d'Égypte et de Nubie'' (1755)

Modern excavations

In 1817, the first modern archaeological dig, supervised by the Italian Giovanni Battista Caviglia, uncovered the Sphinx's chest completely.

One of the people working on clearing the sands from around the Great Sphinx was Eugène Grébaut, a French Director of the Antiquities Service.

Opinions of early Egyptologists

Early Egyptologists and excavators were of divided opinion regarding the age of the Sphinx and the associated temples.

In 1857, Auguste Mariette, founder of the Egyptian Museum in Cairo, unearthed the much later Inventory Stela (estimated to be from the Twenty-sixth Dynasty, c. 664–525 BC), which tells how Khufu came upon the Sphinx, already buried in sand. Although certain tracts on the Stela are likely accurate, this passage is contradicted by archaeological evidence, thus considered to be Late Period historical revisionism, a purposeful fake, created by the local priests as an attempt to imbue the contemporary Isis temple with an ancient history it never had. Such acts became common when religious institutions such as temples, shrines and priests' domains were fighting for political attention and for financial and economic donations.

Flinders Petrie wrote in 1883 regarding the state of opinion of the age of the Khafre Valley Temple, and by extension the Sphinx: "The date of the Granite Temple has been so positively asserted to be earlier than the fourth dynasty, that it may seem rash to dispute the point. Recent discoveries, however, strongly show that it was really not built before the reign of Khafre, in the fourth dynasty."

Gaston Maspero, the French Egyptologist and second director of the Egyptian Museum in Cairo, conducted a survey of the Sphinx in 1886. He concluded that because the Dream Stela showed the cartouche of Khafre in line 13, it was he who was responsible for the excavation and therefore the Sphinx must predate Khafre and his predecessors—possibly Fourth Dynasty, . Maspero believed the Sphinx to be "the most ancient monument in Egypt".

Ludwig Borchardt attributed the Sphinx to the Middle Kingdom, arguing that the particular features seen on the Sphinx are unique to the 12th dynasty and that the Sphinx resembles Amenemhat III.

E. A. Wallis Budge agreed that the Sphinx predated Khafre's reign, writing in ''The Gods of the Egyptians'' (1904): "This marvelous object he Great Sphinxwas in existence in the days of Khafre, or Khephren, and it is probable that it is a very great deal older than his reign and that it dates from the end of the archaic period []."

Selim Hassan reasoned that the Sphinx was erected after the completion of the Khafre pyramid complex.

Modern dissenting hypotheses

Rainer Stadelmann, former director of the German Archaeological Institute in Cairo, examined the distinct iconography of the ''nemes'' (headdress) and the now-detached beard of the Sphinx and concluded the style is more indicative of the pharaoh Khufu (2589–2566 BC), known to the Greeks as Cheops, builder of the Great Pyramid of Giza and Khafre's father. He supports this by suggesting Khafre's Causeway was built to conform to a pre-existing structure, which, he concludes, given its location, could only have been the Sphinx.

In 2004, Vassil Dobrev of the Institut Français d'Archéologie Orientale in Cairo announced he had uncovered new evidence that the Great Sphinx may have been the work of the little-known pharaoh Djedefre (2528–2520 BC), Khafra's half brother and a son of Khufu.Riddle of the Sphinx
Retrieved 2010. Dobrev suggests Djedefre built the Sphinx in the image of his father Khufu, identifying him with the sun god Ra in order to restore respect for their dynasty. Dobrev also says that the causeway connecting Khafre's pyramid to the temples was built around the Sphinx, suggesting it was already in existence at the time. Egyptologist Nigel Strudwick responded to Dobrev saying that "It is not implausible. But I would need more explanation, such as why he thinks the pyramid at Abu Roash is a sun temple, something I'm sceptical about. I have never heard anyone suggest that the name in the graffiti at Zawiyet el-Aryan mentions Djedefre. I remain more convinced by the traditional argument of it being Khafre or the more recent theory of it being Khufu."

Recent restorations

In 1931, engineers of the Egyptian government repaired the head of the Sphinx. Part of its headdress had fallen off in 1926 due to erosion, which had also cut deeply into its neck. This questionable repair was by the addition of a concrete collar between the headdress and the neck, creating an altered profile. Many renovations to the stone base and raw rock body were done in the 1980s, and then redone in the 1990s.

Degradation and violation

The nummulitic limestone of the area consists of layers which offer differing resistance to erosion (mostly caused by wind and windblown sand), leading to the uneven degradation apparent in the Sphinx's body. The lowest part of the body, including the legs, is solid rock. The body of the animal up to its neck is fashioned from softer layers that have suffered considerable disintegration. The layer in which the head was sculpted is much harder.
A number of "dead-end" shafts are known to exist within and below the body of the Great Sphinx, most likely dug by treasure hunters and tomb robbers.

Missing nose

Examination of the Sphinx's face shows that long rods or chisels were hammered into the nose area, one down from the bridge and another beneath the nostril, then used to pry the nose off towards the south, resulting in the one-metre wide nose still being lost to date. Mark Lehner, who performed an archaeological study, concluded that it was intentionally broken with instruments at an unknown time between the 3rd and 10th centuries AD. Christiane Zivie-Coche “Sphinx: History of a Monument” p. 16

Drawings of the Sphinx by Frederic Louis Norden in 1737 show the nose missing. Many folk tales exist regarding the destruction of its nose, aiming to provide an answer as to where it went or what happened to it. One tale erroneously attributes it to cannonballs fired by the army of Napoleon Bonaparte. Other tales ascribe it to being the work of Mamluks. Since the 10th century, some Arab authors have claimed it to be a result of iconoclastic attacks.

The Arab historian al-Maqrīzī, writing in the 15th century, attributes the loss of the nose to Muhammad Sa'im al-Dahr, a Sufi Muslim from the khanqah of Sa'id al-Su'ada in 1378, who found the local peasants making offerings to the Sphinx in the hope of increasing their harvest and therefore defaced the Sphinx in an act of iconoclasm. According to al-Maqrīzī, many people living in the area believed that the increased sand covering the Giza Plateau was retribution for al-Dahr's act of defacement. Ibn Qadi Shuhba mentions his name as Muhammad ibn Sadiq ibn al-Muhammad al-Tibrizi al-Masri, who died in 1384. He attributed the desecration of the sphinxes of Qanatir al-Siba built by the sultan Baybars to him, and also said he might have desecrated the Great Sphinx. Al-Minufi stated that the Alexandrian Crusade in 1365 was divine punishment for a Sufi sheikh of the khanqah of Sa'id breaking off the nose.

Beard

In addition to the lost nose, a ceremonial pharaonic beard is thought to have been attached, although this may have been added in later periods after the original construction. Egyptologist Vassil Dobrev has suggested that had the beard been an original part of the Sphinx, it would have damaged the chin of the statue upon falling. The lack of visible damage supports his theory that the beard was a later addition.

Residues of red pigment are visible on areas of the Sphinx's face and traces of yellow and blue pigment have also been found elsewhere on the Sphinx, leading Mark Lehner to suggest that the monument "was once decked out in gaudy comic book colours". However, as with the case of many ancient monuments, the pigments and colours have since deteriorated, resulting in the yellow/beige appearance it has today.

Holes and tunnels

Hole in the Sphinx's head

Johann Helffrich visited the Sphinx during his travels in 1565–1566. He describes that a priest went into the head of the Sphinx, and when he spoke it was as if the Sphinx itself was speaking.

Many New Kingdom stelae depict the Sphinx wearing a crown. If it in fact existed, the hole could have been the anchoring point for it.

Émile Baraize closed the hole with a metal hatch in 1926.

Perring's Hole

Howard Vyse directed Perring in 1837 to drill a tunnel in the back of the Sphinx, just behind the head. The boring rods became stuck at a depth of , Attempts to blast the rods free caused further damage. The hole was cleared in 1978. Among the rubble was a fragment of the Sphinx's nemes headdress.

Major fissure

A major natural fissure in the bedrock cuts through the waist of the Sphinx, first excavated by Auguste Mariette in 1853.

At the top of the back it measures up to in width. Baraize, in 1926, sealed the sides and roofed it with iron bars, limestone and cement, and installed an iron trap door at the top. The sides of the fissure might have been artificially squared; however, the bottom is irregular bedrock, about above the outside floor. A very narrow crack continues deeper.

Rump passage

In 1926 the Sphinx was cleared of sand under direction of Baraize, which revealed an opening to a tunnel at floor-level at the north side of the rump. It was subsequently closed by masonry veneer and nearly forgotten.

More than fifty years later, the existence of the passage was recalled by three elderly men who had worked during the clearing as basket carriers. This led to the rediscovery and excavation of the rump passage, in 1980.

The passage consists of an upper and a lower section, which are angled roughly 90 degrees to each other:

* The upper part ascends to a height of above the ground-floor at a northwest direction. It runs between masonry veneer and the core body of the Sphinx and ends in a niche wide and high. The ceiling of the niche consists of modern cement, which likely spilled down from the filling of the gap between masonry and core bedrock, some above.
* The lower part descends steeply into the bedrock toward northeast, for a distance of approximately and a depth of . It terminated in a cul-de-sac pit at groundwater level. At the entrance it is wide, narrowing to about towards the end. Among the sand and stone fragments, a piece of tin foil and the base of a modern ceramic water jar was found. The clogged bottom contained modern fill. Among it, more tin foil, modern cement and a pair of shoes.

It is possible that the entire passage was cut top down, beginning high up on the rump, and that the current access point at floor-level was made at a later date.

Vyse noted in his diary (February 27 and 28, 1837) that he was "boring" near the tail, which indicates him as the creator of the passage, as no other tunnel has been identified at this location. Another interpretation is that the shaft is of ancient origin, perhaps an exploratory tunnel or an unfinished tomb shaft.

File:Sphinx rump, view to east.tif, Rump of the Sphinx, with passage entrance at floor-level.
File:Rump Passage Entrance Closeup.tif, Closeup of the entrance hole of the rump shaft.
File:Rump passage, entrance from inside.tif, Inside the passage, looking up, seeing entrance stones and upper tunnel.
File:Rump passage, upper part.tif, Looking up the upper tunnel.
File:Rump passage, upper part, chamber 1.tif, Ceiling of upper tunnel.
File:101-black-and-white-photo-02557.tif, Looking down the upper part from chamber 1.
File:Rump passage, lower part before excavation.tif, Lower part of rump passage, before excavation.
File:Rump passage, lower part after excavation.tif, Lower part after excavation.

Niche in northern flank

A 1925 photograph shows a man standing below floor level in a niche in the Sphinx's core body. It was closed during the 1925-6 restorations.

Gap under southern large masonry box

Another hole might have been at floor level in the large masonry box on the south side of the Sphinx.

Space behind Dream Stele

The space behind the Dream Stele, between the paws of the Sphinx, was covered by an iron beam and cement roof, which was fitted with an iron trap door.

Keyhole Shaft

At the ledge of the Sphinx enclosure, a square shaft is located opposite the northern hind paw. It was cleared during excavation in 1978 by Hawass and measures and about deep. Lehner interprets the shaft to be an unfinished tomb and named it "Keyhole Shaft", because a cuttings in the ledge above the shaft is shaped like the lower part of a keyhole, upside down.

Pseudohistory

Numerous ideas have been suggested to explain or reinterpret the origin and identity of the Sphinx, that lack sufficient evidential support and/or are contradicted by such, and are therefore considered part of pseudohistory and pseudoarchaeology.

Ancient Astronauts/Atlantis

* The Sphinx is oriented from west to east, towards the rising sun, in accordance with the ancient Egyptian solar cult. The Orion correlation theory posits that it was instead aligned to face the constellation of Leo during the vernal equinox around 10,500 BC. The idea is considered pseudoarchaeology by academia, because no textual or archaeological evidence supports this to be the reason for the orientation of the Sphinx.
* The Sphinx water erosion hypothesis contends that the main type of weathering evident on the enclosure walls of the Great Sphinx could only have been caused by prolonged and extensive rainfall, and must therefore predate the time of the pharaoh Khafre. The hypothesis was championed by René Schwaller de Lubicz, John Anthony West, and geologist Robert M. Schoch. The theory is considered pseudoarchaeology by mainstream scholarship due to archaeological, climatological and geological evidence to the contrary.
* There is a long history of speculation about hidden chambers beneath the Sphinx, by esoteric figures such as H. Spencer Lewis. Edgar Cayce specifically predicted in the 1930s that a "Hall of Records", containing knowledge from Atlantis, would be discovered under the Sphinx in 1998. His prediction fueled much of the fringe speculation that surrounded the Sphinx in the 1990s, which lost momentum when the hall was not found when predicted.
* Author Robert K. G. Temple proposes that the Sphinx was originally a statue of the jackal god Anubis, the god of funerals, and that its face was recarved in the likeness of a Middle Kingdom pharaoh, Amenemhet II. Temple bases his identification on the style of the eye make-up and style of the pleats on the headdress.

Racial characteristics

Until the early 20th century, it was suggested that the face of the Sphinx had "Negroid" characteristics, as part of now outdated historical race concepts.Irwin, Graham W. (1977)
Africans abroad
Columbia University Press, p. 11

Other Alternative Ages

Geologist Colin Reader suggests that water runoff from the Giza plateau is responsible for the differential erosion on the walls of the sphinx enclosure. Because the hydrological characteristics of the area were significantly changed by the quarries, he contends this suggests that the sphinx likely predated the quarries (and thus, the pyramids). He points towards the larger cyclopean stones in part of the Sphinx Temple, as well as the causeway alignment with the pyramids and the break in the quarries, as evidence that the pyramids took the alignment with some pre-existing structure, such as the sphinx, into consideration when they were constructed, and that the sphinx temple was built in two distinct phases. He contends that such erosion could have occurred relatively rapidly and suggests that the sphinx was no more than a few centuries older than present archaeology would suggest, suggesting an origin from the late pre-Dynastic or early Dynastic era, when Ancient Egyptians already were known to be capable of sophisticated masonry.

Gallery

Image:Description de l'Egypte, 1823(1).png, ''Description de l'Egypte'', Planches, Antiquités, volume V (1823)
Image:Description de l'Egypte, 1823(2).png, ''Description de l'Egypte'', Planches, Antiquités, volume V (1823)
Image:Japanese-Mission-Samurai-Sphinx-Egypt-1864.png, Members of the Second Japanese Embassy to Europe (1863) in front of the Sphinx, 1864
Image:Pedro II of Brazil in Egypt 1871.jpg, French archaeologist Auguste Mariette (seated, far left) and Emperor Pedro II of Brazil (seated, far right) with others in front of the Sphinx, 1871
Image:'Le Sphinx Armachis, Caire' (The Sphinx Armachis, Cairo).jpg, The Great Sphinx partly under the sand, ca. 1870s
Image:Bonaparte ante la Esfinge, por Jean-Léon Gérôme.jpg, Jean-Léon Gérôme's '' Bonaparte Before the Sphinx'', 1886
Image:Nazlet El-Semman, Al Haram, Giza Governorate, Egypt - panoramio (27).jpg, Rear view of the Sphinx in 2014, showing some of the restoration work up to that time.

See also

* Sphinx of Memphis
* Sphinx of Taharqo
* African lions in culture
* Lion (heraldry)
* List of colossal sculpture in situ
* List of tallest statues

Notes

References

Bibliography

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External links

*

Riddle of the Sphinx







What happened to the Sphinx's nose?


Sphinx photo gallery

Al Maqrizi's account


The Age of the Sphinx
by Brian Dunning

{{DEFAULTSORT:Great Sphinx Of Giza

Buildings and structures completed in the 27th century BC
Colossal statues in Egypt
Giza pyramid complex
Monoliths
Art of ancient Egypt
Sculptures of ancient Egypt
Khafre
3rd-millennium BC establishments in Egypt
Limestone statues
Tourist attractions in Egypt
Sculptures of lions
Sphinxes