List Of Pakistani Singers

The Music of Pakistan ( ur, , lit=pákistáni mosíqi) includes diverse elements ranging from music from various parts of South Asia as well as Central Asian, Middle Eastern, and modern-day Western popular music influences. With these multiple influences, a distinctive Pakistani music has emerged.

EMI Pakistan is the country's biggest record label, as of 2015 holding the licenses of some 60,000 Pakistani artists and around 70% of the total music of the country, while streaming service Patari has the largest independent digital collection, with some 3,000 artists and 50,000 songs.

Traditional music

The classical music of Pakistan is based on the traditional music of which was patronized by various empires that ruled the region and gave birth to several genres of classic music including the ''Klasik''. The classical music of Pakistan has two main principles, ‘sur’ (musical note) and ‘lai’ (rhythm). The systematic organization of musical notes into a scale is known as a raag. The arrangement of rhythm (lai) in a cycle is known as taal. Improvisation plays a major role during a performance.

There are many families from gharanas of classical music who inherited the music from their forefathers and are still performing. Some famous gharanas are: Qwaal Bacha gharana ( Ustad Nusrat Fateh Ali Khan and Rahat Fateh Ali Khan belong to this gharana), and Patiala Gharana ( Shafqat Amanat Ali Khan belongs to this gharana).Ustad Ghulam Farid Nizami a prominent sitar player and a Sufi singer belongs to the Senia Gharana. Number of other gharanas are present in Pakistan which serve classical music. Some classical musicians like Ustad Badar uz Zaman do not belong to any famous gharana but has served classical music enormously. The legendary sitar player Mohammad Sharif Khan Poonchwaley belongs to Poonch gharana of sitar. Ustad Rais Khan is another prominent sitar player of Pakistan.

Shaukat Hussain, Tari Khan and Tafo Khan have been exponents of classical tabla playing from Pakistan. Talib Hussain was one of the last remaining pakhawaj players of Pakistan and was a recognized practitioner of the Punjab gharana style of drum-type instruments.

Ghazal

In poetry, the ghazal is a poetic form consisting of couplets which share a rhyme and a refrain. Each line must share the same meter. Etymologically, the word literally refers to "the mortal cry of a gazelle". The animal is called ''Ghizaal'', from which the English word gazelle stems, or ''Kastori haran'' (where ''haran'' refers to deer) in Urdu. Ghazals are traditionally expressions of love, separation and loneliness, for which the gazelle is an appropriate image. A ghazal can thus be understood as a poetic expression of both the pain of loss or separation of the lover and the beauty of love in spite of that pain. The structural requirements of the ghazal are more stringent than those of most poetic forms traditionally written in English. In its style and content, it is a genre that has proved studied variety of expression around its central theme of love and separation between lovers. The ghazals can be written by male poets for women as well as by female poets for men, as an expression of one's feelings about mutual love and whatever comes in that package- accompanying joys, frustrations, disappointments, fulfillment and satisfactions. The ghazal spread into South Asia in the 12th century under the influence of the new Islamic Sultanate courts and Sufi mystics. Exotic to the region, as is indicated by the very sounds of the name itself when properly pronounced as ġazal. Although the ghazal is most prominently a form of Urdu poetry, today, it has influenced the poetry of many languages. Most Ghazal singers are trained in classical music and sing in either Khyal or Thumri.

Qawwali

Qawwali ( ur, قوٌالی) is the devotional music of the Chishti Sufis. Qawwali is a vibrant musical tradition that goes back more than 700 years in South Asia. Although most Qawwali singers are found in Pakistan and they performed mainly at Sufi shrines throughout South Asia, it has also gained mainstream popularity. Qawwali music received international exposure through the work of the Sabri Brothers in 1975, late ''Bakhshi Salamat'', Aziz Mian and Nusrat Fateh Ali Khan, largely due to several releases on the ' Real World' label, followed by live appearances at WOMAD festivals. Listeners, and often artists themselves are transported to a state of wajad, a trance-like state where they feel 'one with God', generally considered to be the height of spiritual ecstasy in Sufism. Qawwali was essentially created by Amir Khusrau in the late 13th century in the Mughul Empire. During the first major migration in the 11th century, the musical tradition of Sama migrated to South Asia from Turkey. Rumi and his Mevlana order of Sufism have been the propagators of ''Sama'' in Central Asia. Amir Khusrau of the Chisti order of Sufis is credited with fusing the Turkish, Persian, Arabic, and South Asian musical traditions, to create Qawwali as well as the classical music tradition. The word "''Sama''" is used (or is the preferred name) in Central Asia and Turkey, for forms very similar to Qawwali while in Pakistan, the formal name used for a session of Qawwali is "''Mehfil-e-Sama''". Instruments used in qawwali include:
*Algoza
*Tabla
*Dholak
*Harmonium
*Rubab (instrument)
*Sitar
*Sarangi
*Guitar
*Violin
*Saxophone
*Drums
* Flute (Bansari)
*Shehnai
*Ektara
*Gharha
*Keyboard
* Chimta
*Dhol
*Dafli or Daf

A group of qawwali musicians, called Humnawa in Urdu