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Gharana
In Hindustani music (North Indian classical music), a ''gharānā'' is a system of social organisation in the Indian subcontinent, linking musicians or dancers by lineage or apprenticeship, and more importantly by adherence to a particular musical style. The word gharana comes from the Hindi word 'ghar' which is derived from the Sanskrit word ''Griha'', which means 'house'. It typically refers to the place where the musical ideology originated; for example, some of the gharanas well known for singing khyals are: Dilli(Delhi), Agra, Gwalior, Indore, Atrauli-Jaipur, Kirana and Patiala. Four famous kathak gharanas are: Lucknow, Atrauli-Jaipur, Benares and Raigarh. Vocal gharanas Khyal gharanas The gharana system in khyal was rooted in the ''guru–shishya tradition'' and was similar to the Dhrupad ''Bani'' system. The gharana system was greatly influenced by the gradual fall of the Mughal Empire, which forced musicians to move from Delhi to princely states such as Gwalior, Luc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jaipur-Atrauli Gharana
The Jaipur-Atrauli Gharana (also known as Jaipur Gharana, Atrauli-Jaipur Gharana, and Alladiyakhani Gayaki) is an Hindustani music apprenticeship fraternity (''gharana''), founded by Alladiya Khan in the late-19th century. Evolved from the dhrupad tradition, but known for khayal, this gharana is known for producing acclaimed musicians like Kesarbai Kerkar, Laxmibai Jadhav, Mogubai Kurdikar, Mallikarjun Mansur, Shruti Sadolikar, Dhondutai Kulkarni Consequently, this gharana developed a reputation for its distinctive vocal aesthetics, raga repertoire, and technical aptitude. History The Jaipur-Atrauli gharana emerged from Alladiya Khan's family which originated from Atrauli (near Aligarh) and migrated to Jaipur. This gharana mainly evolved from Dagar-bani of Dhrupad, however it also absorbed finer essence of Gauhar-bani and Khandar-bani. Etymology A subgroup of the broader Atrauli gharana, the Jaipur-Atrauli gharana includes "Jaipur" to account for the geographical history o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gwalior Gharana
The Gwalior Gharana (Gwalior school of classical music) is one of the oldest Khyal Gharana in Indian classical music. The rise of the Gwalior Gharana started with the reign of the Mughal emperor Akbar (1542–1605). The favourite singers of this patron of the arts, such as Miyan Tansen, who was the most famous vocalist at the court, came from the town of Gwalior. History The Gwalior Gharana evolved during the time of the Mughal Empire (1526CE 1857 CE). Among the early masters (''ustad'') were Naththan Khan, Naththan Pir Bakhsh and his grandsons Haddu, Hassu and Natthu Khan. The head musician in the imperial court was Bade Mohammad Khan, who was famous for his ''taan bazi'' style. Both Bade Mohammad Khan and Naththan Pir Bakhsh belonged to the same tradition of Shahi Sadarang (also known as Nemat Khan, dhrupad singer and veena player in the court of Mohammad Shah (1702 CE 1748 CE). Hassu Khan (died 1859 CE) and Haddu Khan (died 1875 CE) continued to develop the Gwalior style ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dhrupad
Dhrupad is a genre in Hindustani classical music from the Indian subcontinent. It is the oldest known style of major vocal styles associated with Hindustani classical music, Haveli Sangeet of Pushtimarg Sampraday and also related to the South Indian Carnatic tradition. It is a term of Sanskrit origin, derived from ''dhruva'' (ध्रुव, immovable, permanent) and ''pada'' (पद, verse). The roots of Dhrupad are ancient. It is discussed in the Hindu Sanskrit text ''Natyashastra'' (~200 BCE – 200 CE), and other ancient and medieval Sanskrit texts, such as chapter 33 of Book 10 in the ''Bhagavata Purana'' (~800–1000 CE), where the theories of music and devotional songs for Krishna are summarized. The term denotes both the verse form of the poetry and the style in which it is sung. It is spiritual, heroic, thoughtful, virtuous, embedding moral wisdom or solemn form of song-music combination. Thematic matter ranges from the religious and spiritual (mostly in praise of Hindu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agra Gharana
The Agra gharana is a tradition of Hindustani classical vocal music descended from the Nauhar Bani. So far, Nauhar Bani has been traced back to around 1300 AD, during the reign of Emperor Allauddin Khilji of Delhi. The first known musician of this tradition is Nayak Gopal. The style prevalent then in the Gharana was "Dhrupad- Dhamar". Ghagghe Khudabuksh (1790–1880 AD) introduced the "Khayal" style of Gwalior Gharana into Agra gharana which Khudabaksh learnt from Natthan Paribaksh of Gwalior. Pedagogical genealogy The following maps are based on recorded accounts by Vilayat Hussain Khan and Yunus Hussain Khan. Ancestral Lineage Distinguishing characteristics The gayaki (style of singing) of the Agra Gharana is a blend of khayal gayaki and dhrupad-dhamar. In training, both the khayal and dhrupad components run hand in hand and are not taught in an isolated fashion. This is obvious from the method of singing notes of the Agra Gharana which dema ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Qawwal Bacchon Gharana
The Qawwal Bacchon Ka Gharana or Delhi Gharana is the oldest khayal gharana of the Hindustani Classical music tradition. It was founded by Amir Khusrau and his students. History The members of this gharana have lived in Delhi for many generations. The gharana was founded by Amir Khusrau, pioneer of qawwali, tarana, and khayal. As a result, this gharana specializes in these genres. Style Members of this gharana approach raagdari with more freedom than the dhrupad-informed gharanas, like Gwalior, Jaipur, and Agra. Emphasis on bhav and exposition are the hallmarks of this style. Repertoire In addition to extensive khayal compositions, the gharana is known for its qawwals. Controversy Some orthodox members of the Indian subcontinental or South Asian music world don't regard the Delhi gharana as an "authentic" one because its members include a number of tabla and sarangi players. Some believe these members do not represent a truly unique musical style. Scholars note the individua ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iqbal Ahmed Khan
Ustad Iqbal Ahmed Khan (195417 December 2020) was an Indian classical vocalist from Delhi Gharana. Biography Khan was born in 1954 into a family with a rich musical pedigree. Ustad Chand Khan and Ustad Jahan Khan were his grandfathers from the maternal and paternal sides, respectively. He was raised under the ''Delhi gharana'' of music. He began his musical performances at the age of four, guided by his grandfather and teacher, Ustad Chand Khan. He kept up the family traditions as an active promoter of Amir Khusro's musical works. He also composed music for popular serials and plays. In a career spanning over 50 years, Khan's performances have been noted for their versatility and his renditions have been described as "uniquely powerful and delicate". His renderings include the ''Thumri, Dadra, Tappa, Bhajan,'' and ''Ghazals.'' He was a top grade vocal artist with ''Akashvani'', All India Radio.'''' He founded the Dilli Durbar, an organization aimed at promoting Indian classical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tanras Khan
Qutub Baksh, more commonly known as Tanras Khan (c. 1801 – c. 1890), was an Indian musician of the Hindustani Classical tradition known for being a luminary of the Delhi Gharana.(House of Delhi classical musicians).Tanrus Khan - founder of the original Delhi gharana on 'The Life of Music in North India: The Organisation of an Artistic Tradition' by Daniel M. Neuman on GoogleBooks website Retrieved 14 January 2022 He was a court musician and music teacher to the last Mughal emperor |
Qawwali
Qawwali ( Punjabi: (Shahmukhi), (Gurmukhi); Urdu: (Nasta'liq); Hindi: क़व्वाली (Devanagari); Bengali: কাওয়ালি (Bengali)) is a form of Sufi Islamic devotional singing, originating from the Indian subcontinent. It is popular mostly in the Punjab and Sindh regions of Pakistan; in Hyderabad, Delhi and other parts of India, especially North India; as well as the Dhaka and Chittagong Divisions of Bangladesh. Originally performed at Sufi shrines or dargahs throughout South Asia, it gained mainstream popularity and an international audience in late 20th century. Qawwali music received international exposure through the work of Nusrat Fateh Ali Khan, Aziz Mian and Sabri Brothers largely due to several releases on the Real World label, followed by live appearances at WOMAD festivals. Other famous Qawwali singers include Fareed Ayyaz & Abu Muhammad, Rahat Fateh Ali Khan, Badar Miandad, Rizwan & Moazzam Duo, Qutbi Brothers, the late Amjad Sabri, Wad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindustani Classical Music
Hindustani classical music is the classical music of northern regions of the Indian subcontinent. It may also be called North Indian classical music or, in Hindustani, ''shastriya sangeet'' (). It is played in instruments like the violin, sitar and sarod. Its origins from the 12th century CE, when it diverged from Carnatic music, the classical tradition in South India. Hindustani classical music arose in the Ganga-Jamuni Tehzeeb, a period of great influence of Perso-Arabic arts in the subcontinent, especially the Northern parts. This music combines the Indian classical music tradition with Perso-Arab musical knowledge, resulting in a unique tradition of gharana system of music education. History Around the 12th century, Hindustani classical music diverged from what eventually came to be identified as Carnatic classical music.The central notion in both systems is that of a melodic musical mode or '' raga'', sung to a rhythmic cycle or '' tala''. It is melodic music, with no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindustani Music
Hindustani classical music is the classical music of northern regions of the Indian subcontinent. It may also be called North Indian classical music or, in Hindustani, ''shastriya sangeet'' (). It is played in instruments like the violin, sitar and sarod. Its origins from the 12th century CE, when it diverged from Carnatic music, the classical tradition in South India. Hindustani classical music arose in the Ganga-Jamuni Tehzeeb, a period of great influence of Perso-Arabic arts in the subcontinent, especially the Northern parts. This music combines the Indian classical music tradition with Perso-Arab musical knowledge, resulting in a unique tradition of gharana system of music education. History Around the 12th century, Hindustani classical music diverged from what eventually came to be identified as Carnatic classical music.The central notion in both systems is that of a melodic musical mode or '' raga'', sung to a rhythmic cycle or '' tala''. It is melodic music, with no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Delhi Gharana
The Delhi or Dilli Gharana, is a tabla discipleship tradition known for being the oldest. This tradition was founded by Sidhar Khan Dhadi in the early-18th Century. The tradition is regarded for establishing a distinction from pakhawaj repertoire, "do ungliyon ka baaj" (two-finger style), and contributing improvisation conventions like peshkar and kayada. Heirs of this gharana went on to establish other traditions like Lucknow gharana, Ajrada gharana, and Farukhabad gharana. History Origins Delhi Gharana was founded by Dadi in the early-18th Century. Sometimes referred to as the inventor of the tabla, Sidhar Khan Dhadi is the earliest available name associated with tabla in historical records. He was initially a pakhawaj player from the tradition of Lala Bhavanidas. Aesthetics Technique Considered a moderately resonant style (like Ajrada), the Delhi gharana is classified with the "bandh baaj" (closed style) rather than the "khula baaj" (open style) of Punjab and Farukhabad. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khyal
Khyal or Khayal (ख़याल / خیال) is a major form of Hindustani classical music in the Indian subcontinent. Its name comes from a Persian/Arabic word meaning "imagination". Khyal is associated with romantic poetry, and allows the performer greater freedom of expression than dhrupad. In khyal, ragas are extensively ornamented, and the style calls for more technical virtuosity than intellectual rigour. Etymology (خیال) is an Urdu word of Arabic origin which means "imagination, thought, ideation, meditation, reflection". Hence khyal connotes the idea of a song that is imaginative and creative in either its nature or execution. The word entered India through the medium of the Persian language. Just as the word reflects ideas of imagination and imaginative composition, the musical form is imaginative in conception, artistic and decorative in execution and romantic in appeal.Francis Joseph Steingassخیال A Comprehensive Persian-English Dictionary Characteristics T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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