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An icon () is a religious work of art, most commonly a
painting Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and ...
, in the cultures of the
Eastern Orthodox Eastern Orthodoxy, also known as Eastern Orthodox Christianity, is one of the three main branches of Chalcedonian Christianity, alongside Catholicism and Protestantism. Like the Pentarchy of the first millennium, the mainstream (or "canonical") ...
, Oriental Orthodox, and
Catholic The Catholic Church, also known as the Roman Catholic Church, is the largest Christian church, with 1.3 billion baptized Catholics worldwide . It is among the world's oldest and largest international institutions, and has played a ...
churches. They are not simply artworks; "an icon is a sacred image used in religious devotion". The most common subjects include
Christ Jesus, likely from he, יֵשׁוּעַ, translit=Yēšūaʿ, label=Hebrew/Aramaic ( AD 30 or 33), also referred to as Jesus Christ or Jesus of Nazareth (among other Names and titles of Jesus in the New Testament, names and titles), was ...
,
Mary Mary may refer to: People * Mary (name), a feminine given name (includes a list of people with the name) Religious contexts * New Testament people named Mary, overview article linking to many of those below * Mary, mother of Jesus, also calle ...
,
saint In religious belief, a saint is a person who is recognized as having an exceptional degree of Q-D-Š, holiness, likeness, or closeness to God. However, the use of the term ''saint'' depends on the context and Christian denomination, denominat ...
s and
angel In various theistic religious traditions an angel is a supernatural spiritual being who serves God. Abrahamic religions often depict angels as benevolent celestial intermediaries between God (or Heaven) and humanity. Other roles include ...
s. Although especially associated with portrait-style images concentrating on one or two main figures, the term also covers most religious images in a variety of artistic media produced by
Eastern Christianity Eastern Christianity comprises Christian traditions and church families that originally developed during classical and late antiquity in Eastern Europe, Southeastern Europe, Asia Minor, the Caucasus, Northeast Africa, the Fertile Crescent and ...
, including narrative scenes, usually from the Bible or the lives of saints. Icons are most commonly painted on wood panels with
egg tempera Tempera (), also known as egg tempera, is a permanent, fast-drying painting medium consisting of colored pigments mixed with a water-soluble binder medium, usually glutinous material such as egg yolk. Tempera also refers to the paintings done ...
, but they may also be cast in metal, carved in stone, embroidered on cloth, done in
mosaic A mosaic is a pattern or image made of small regular or irregular pieces of colored stone, glass or ceramic, held in place by plaster/mortar, and covering a surface. Mosaics are often used as floor and wall decoration, and were particularly pop ...
or fresco work, printed on paper or metal, etc. Comparable images from
Western Christianity Western Christianity is one of two sub-divisions of Christianity ( Eastern Christianity being the other). Western Christianity is composed of the Latin Church and Western Protestantism, together with their offshoots such as the Old Catholic ...
can be classified as "icons", although "iconic" may also be used to describe a static style of devotional image. In the Greek language, the term for icon painting uses the same word as for "writing", and Orthodox sources often translate it into English as ''icon writing''. Eastern Orthodox tradition holds that the production of Christian images dates back to the very early days of Christianity, and that it has been a continuous tradition since then. Modern academic
art history Art history is the study of aesthetic objects and visual expression in historical and stylistic context. Traditionally, the discipline of art history emphasized painting, drawing, sculpture, architecture, ceramics and decorative arts; yet today ...
considers that, while images may have existed earlier, the tradition can be traced back only as far as the 3rd century, and that the images which survive from
Early Christian art Early Christian art and architecture or Paleochristian art is the art produced by Christians or under Christian patronage from the earliest period of Christianity to, depending on the definition used, sometime between 260 and 525. In practice, id ...
often differ greatly from later ones. The icons of later centuries can be linked, often closely, to images from the 5th century onwards, though very few of these survive. Widespread destruction of images occurred during the
Byzantine Iconoclasm The Byzantine Iconoclasm ( gr, Εικονομαχία, Eikonomachía, lit=image struggle', 'war on icons) were two periods in the history of the Byzantine Empire when the use of religious images or icons was opposed by religious and imperial a ...
of 726–842, although this did settle permanently the question of the appropriateness of images. Since then, icons have had a great continuity of style and subject, far greater than in the icons of the
Western church Western Christianity is one of two sub-divisions of Christianity (Eastern Christianity being the other). Western Christianity is composed of the Latin Church and Western Protestantism, together with their offshoots such as the Old Catholic ...
. At the same time there have been change and development.


History


Emergence of the icon

Pre-Christian religions had produced and used art works. Statues and paintings of various gods and deities were regularly worshiped and venerated. It is unclear when Christians took up such activities. Christian tradition dating from the 8th century identifies
Luke the Evangelist Luke the Evangelist (Latin: '' Lucas''; grc, Λουκᾶς, '' Loukâs''; he, לוקאס, ''Lūqās''; arc, /ܠܘܩܐ לוקא, ''Lūqā’; Ge'ez: ሉቃስ'') is one of the Four Evangelists—the four traditionally ascribed authors of t ...
as the first icon painter, but this might not reflect historical facts. A general assumption that early Christianity was generally aniconic, opposed to religious imagery in both theory and practice until about 200, has been challenged by Paul Corby Finney's analysis of early Christian writing and material remains (1994). This distinguishes three different sources of attitudes affecting early Christians on the issue: "first that humans could have a direct vision of God; second that they could not; and, third, that although humans could see God they were best advised not to look, and were strictly forbidden to represent what they had seen". These derived respectively from Greek and Near Eastern pagan religions, from Ancient Greek philosophy, and from the Jewish tradition and the Old Testament. Of the three, Finney concludes that "overall, Israel's aversion to sacred images influenced early Christianity considerably less than the Greek philosophical tradition of invisible deity apophatically defined", so placing less emphasis on the Jewish background of most of the first Christians than most traditional accounts. Finney suggests that "the reasons for the non-appearance of Christian art before 200 have nothing to do with principled aversion to art, with other-worldliness, or with anti-materialism. The truth is simple and mundane: Christians lacked land and capital. Art requires both. As soon as they began to acquire land and capital, Christians began to experiment with their own distinctive forms of art". Aside from the legend that Pilate had made an image of Christ, the 4th-century
Eusebius of Caesarea Eusebius of Caesarea (; grc-gre, Εὐσέβιος ; 260/265 – 30 May 339), also known as Eusebius Pamphilus (from the grc-gre, Εὐσέβιος τοῦ Παμφίλου), was a Greek historian of Christianity, exegete, and Christia ...
, in his ''Church History'', provides a more substantial reference to a "first" icon of Jesus. He relates that King Abgar of
Edessa Edessa (; grc, Ἔδεσσα, Édessa) was an ancient city (''polis'') in Upper Mesopotamia, founded during the Hellenistic period by King Seleucus I Nicator (), founder of the Seleucid Empire. It later became capital of the Kingdom of Osroene ...
(died ) sent a letter to Jesus at Jerusalem, asking Jesus to come and heal him of an illness. This version of the Abgar story does not mention an image, but a later account found in the Syriac '' Doctrine of Addai'' () mentions a painted image of Jesus in the story; and even later, in the 6th-century account given by
Evagrius Scholasticus Evagrius Scholasticus ( el, Εὐάγριος Σχολαστικός) was a Syrian scholar and intellectual living in the 6th century AD, and an aide to the patriarch Gregory of Antioch. His surviving work, ''Ecclesiastical History'' (), compris ...
, the painted image transforms into an image that miraculously appeared on a towel when Christ pressed the cloth to his wet face. Further legends relate that the cloth remained in Edessa until the 10th century, when it was taken by General John Kourkouas to
Constantinople la, Constantinopolis ota, قسطنطينيه , alternate_name = Byzantion (earlier Greek name), Nova Roma ("New Rome"), Miklagard/Miklagarth (Old Norse), Tsargrad ( Slavic), Qustantiniya (Arabic), Basileuousa ("Queen of Cities"), Megalopolis (" ...
. It went missing in 1204 when
Crusaders The Crusades were a series of religious wars initiated, supported, and sometimes directed by the Latin Church in the medieval period. The best known of these Crusades are those to the Holy Land in the period between 1095 and 1291 that were in ...
sacked Constantinople, but by then numerous copies had firmly established its iconic type. The 4th-century Christian
Aelius Lampridius The ''Historia Augusta'' (English: ''Augustan History'') is a late Roman collection of biographies, written in Latin, of the Roman emperors, their junior colleagues, Caesar (title), designated heirs and Roman usurper, usurpers from 117 to 284. S ...
produced the earliest known written records of Christian images treated like icons (in a
pagan Paganism (from classical Latin ''pāgānus'' "rural", "rustic", later "civilian") is a term first used in the fourth century by early Christians for people in the Roman Empire who practiced polytheism, or ethnic religions other than Judaism. ...
or
Gnostic Gnosticism (from grc, γνωστικός, gnōstikós, , 'having knowledge') is a collection of religious ideas and systems which coalesced in the late 1st century AD among Jewish and early Christian sects. These various groups emphasized pe ...
context) in his ''Life of Alexander Severus'' (xxix) that formed part of the ''
Augustan History The ''Historia Augusta'' (English: ''Augustan History'') is a late Roman collection of biographies, written in Latin, of the Roman emperors, their junior colleagues, designated heirs and usurpers from 117 to 284. Supposedly modeled on the sim ...
''. According to Lampridius, the emperor
Alexander Severus Marcus Aurelius Severus Alexander (1 October 208 – 21/22 March 235) was a Roman emperor, who reigned from 222 until 235. He was the last emperor from the Severan dynasty. He succeeded his slain cousin Elagabalus in 222. Alexander himself was ...
(), himself not a Christian, had kept a domestic chapel for the
veneration Veneration ( la, veneratio; el, τιμάω ), or veneration of saints, is the act of honoring a saint, a person who has been identified as having a high degree of sanctity or holiness. Angels are shown similar veneration in many religions. Etymo ...
of images of deified emperors, of portraits of his ancestors, and of Christ, Apollonius,
Orpheus Orpheus (; Ancient Greek: Ὀρφεύς, classical pronunciation: ; french: Orphée) is a Thracian bard, legendary musician and prophet in ancient Greek religion. He was also a renowned poet and, according to the legend, travelled with Jaso ...
and
Abraham Abraham, ; ar, , , name=, group= (originally Abram) is the common Hebrew patriarch of the Abrahamic religions, including Judaism, Christianity, and Islam. In Judaism, he is the founding father of the special relationship between the Jew ...
. Saint
Irenaeus Irenaeus (; grc-gre, Εἰρηναῖος ''Eirēnaios''; c. 130 – c. 202 AD) was a Greek bishop noted for his role in guiding and expanding Christian communities in the southern regions of present-day France and, more widely, for the dev ...
, () in his ''Against Heresies'' (1:25;6) says scornfully of the Gnostic Carpocratians: On the other hand, Irenaeus does not speak critically of icons or portraits in a general sense—only of certain gnostic sectarians' use of icons. Another criticism of image veneration appears in the non-canonical 2nd-century
Acts of John The ''Acts of John'' refers to a collection of stories about John the Apostle that began circulating in written form as early as the 2nd-century AD. Translations of the ''Acts of John'' in modern languages have been reconstructed by scholars from ...
(generally considered a
gnostic Gnosticism (from grc, γνωστικός, gnōstikós, , 'having knowledge') is a collection of religious ideas and systems which coalesced in the late 1st century AD among Jewish and early Christian sects. These various groups emphasized pe ...
work), in which the
Apostle John John the Apostle ( grc, Ἰωάννης; la, Ioannes ; Ge'ez: ዮሐንስ;) or Saint John the Beloved was one of the Twelve Apostles of Jesus according to the New Testament. Generally listed as the youngest apostle, he was the son of Zebedee ...
discovers that one of his followers has had a portrait made of him, and is venerating it: Later in the passage John says, "But this that you have now done is childish and imperfect: you have drawn a dead likeness of the dead." At least some of the hierarchy of the Christian churches still strictly opposed icons in the early 4th century. At the Spanish non-ecumenical
Synod of Elvira The Synod of Elvira ( la, Concilium Eliberritanum, es, Concilio de Elvira) was an ecclesiastical synod held at Elvira in the Roman province of Hispania Baetica, now Granada in southern Spain.. Its date has not been exactly determined but is belie ...
() bishops concluded, "Pictures are not to be placed in churches, so that they do not become objects of worship and adoration". Bishop
Epiphanius of Salamis Epiphanius of Salamis ( grc-gre, Ἐπιφάνιος; c. 310–320 – 403) was the bishop of Salamis, Cyprus, at the end of the 4th century. He is considered a saint and a Church Father by both the Eastern Orthodox and Catholic Churches. He g ...
, wrote his letter 51 to John, Bishop of Jerusalem () in which he recounted how he tore down an image in a church and admonished the other bishop that such images are "opposed ..to our religion". Elsewhere in his ''Church History'',
Eusebius Eusebius of Caesarea (; grc-gre, Εὐσέβιος ; 260/265 – 30 May 339), also known as Eusebius Pamphilus (from the grc-gre, Εὐσέβιος τοῦ Παμφίλου), was a Greek historian of Christianity, exegete, and Christian ...
reports seeing what he took to be portraits of Jesus,
Peter Peter may refer to: People * List of people named Peter, a list of people and fictional characters with the given name * Peter (given name) ** Saint Peter (died 60s), apostle of Jesus, leader of the early Christian Church * Peter (surname), a sur ...
and
Paul Paul may refer to: *Paul (given name), a given name (includes a list of people with that name) * Paul (surname), a list of people People Christianity *Paul the Apostle (AD c.5–c.64/65), also known as Saul of Tarsus or Saint Paul, early Chri ...
, and also mentions a bronze statue at
Banias Banias or Banyas ( ar, بانياس الحولة; he, בניאס, label=Modern Hebrew; Judeo-Aramaic, Medieval Hebrew: פמייס, etc.; grc, Πανεάς) is a site in the Golan Heights near a natural spring, once associated with the Greek g ...
/ Paneas under Mount Hermon, of which he wrote, "They say that this statue is an image of Jesus"; further, he relates that locals regarded the image as a memorial of the healing of the
woman with an issue of blood Jesus healing the bleeding woman (or "woman with an issue of blood" and other variants) is one of the miracles of Jesus in the Gospels, miracles of Jesus recorded in the synoptic gospels (, , ). __TOC__ Context In the Gospel accounts, this mir ...
by Jesus (Luke 8:43–48), because it depicted a standing man wearing a double cloak and with arm outstretched, and a woman kneeling before him with arms reaching out as if in supplication. John Francis Wilson suggests the possibility that this refers to a pagan bronze statue whose true identity had been forgotten; some have thought it to represent Aesculapius, the Greek god of healing, but the description of the standing figure and the woman kneeling in supplication precisely matches images found on coins depicting the bearded emperor
Hadrian Hadrian (; la, Caesar Trâiānus Hadriānus ; 24 January 76 – 10 July 138) was Roman emperor from 117 to 138. He was born in Italica (close to modern Santiponce in Spain), a Roman ''municipium'' founded by Italic settlers in Hispania B ...
() reaching out to a female figure—symbolizing a province—kneeling before him. When asked by Constantia (Emperor
Constantine Constantine most often refers to: * Constantine the Great, Roman emperor from 306 to 337, also known as Constantine I *Constantine, Algeria, a city in Algeria Constantine may also refer to: People * Constantine (name), a masculine given name ...
's half-sister) for an image of Jesus, Eusebius denied the request, replying: "To depict purely the human form of Christ before its transformation, on the other hand, is to break the commandment of God and to fall into pagan error." Hence
Jaroslav Pelikan Jaroslav Jan Pelikan Jr. (December 17, 1923 – May 13, 2006) was an American scholar of the history of Christianity, Christian theology, and medieval intellectual history at Yale University. Early years Jaroslav Jan Pelikan Jr. was born on Dec ...
calls Eusebius "the father of iconoclasm". After the emperor Constantine I extended official toleration of Christianity within the Roman Empire in 313, huge numbers of pagans became converts. This period of
Christianization Christianization ( or Christianisation) is to make Christian; to imbue with Christian principles; to become Christian. It can apply to the conversion of an individual, a practice, a place or a whole society. It began in the Roman Empire, conti ...
probably saw the use of Christian images became very widespread among the faithful, though with great differences from pagan habits. Robin Lane Fox states "By the early fifth century, we know of the ownership of private icons of saints; by , we can be sure that the inside of a saint's shrine would be adorned with images and votive portraits, a practice which had probably begun earlier." When Constantine himself () apparently converted to Christianity, the majority of his subjects remained pagans. The
Roman Imperial cult The Roman imperial cult identified emperors and some members of their families with the divinely sanctioned authority (''auctoritas'') of the Roman State. Its framework was based on Roman and Greek precedents, and was formulated during the early ...
of the divinity of the emperor, expressed through the traditional burning of candles and the offering of incense to the emperor's image, was tolerated for a period because it would have been politically dangerous to attempt to suppress it. In the 5th century the courts of justice and municipal buildings of the empire still honoured the portrait of the reigning emperor in this way. In 425
Philostorgius Philostorgius ( grc-gre, Φιλοστόργιος; 368 – c. 439 AD) was an Anomoean Church historian of the 4th and 5th centuries. Very little information about his life is available. He was born in Borissus, Cappadocia to Eulampia and Cart ...
, an allegedly
Arian Arianism ( grc-x-koine, Ἀρειανισμός, ) is a Christological doctrine first attributed to Arius (), a Christian presbyter from Alexandria, Egypt. Arian theology holds that Jesus Christ is the Son of God, who was begotten by God t ...
Christian, charged the Orthodox Christians in Constantinople with
idolatry Idolatry is the worship of a cult image or "idol" as though it were God. In Abrahamic religions (namely Judaism, Samaritanism, Christianity, the Baháʼí Faith, and Islam) idolatry connotes the worship of something or someone other than the A ...
because they still honored the image of the emperor Constantine the Great in this way. Dix notes that this occurred more than a century before the first extant reference to a similar honouring of the image of Christ or of his apostles or saints known today, but that it would seem a natural progression for the image of Christ, the King of Heaven and Earth, to be paid similar veneration as that given to the earthly Roman emperor. However, the Orthodox, Eastern Catholics, and other groups insist on explicitly distinguishing the veneration of icons from the worship of idols by pagans.


Theodosius to Justinian

After adoption of Christianity as the only permissible Roman state religion under
Theodosius I Theodosius I ( grc-gre, Θεοδόσιος ; 11 January 347 – 17 January 395), also called Theodosius the Great, was Roman emperor from 379 to 395. During his reign, he succeeded in a crucial war against the Goths, as well as in two ...
, Christian art began to change not only in quality and sophistication, but also in nature. This was in no small part due to Christians being free for the first time to express their faith openly without persecution from the state, in addition to the faith spreading to the non-poor segments of society. Paintings of martyrs and their feats began to appear, and early writers commented on their lifelike effect, one of the elements a few Christian writers criticized in pagan art—the ability to imitate life. The writers mostly criticized pagan works of art for pointing to false gods, thus encouraging idolatry. Statues in the round were avoided as being too close to the principal artistic focus of pagan cult practices, as they have continued to be (with some small-scale exceptions) throughout the history of
Eastern Christianity Eastern Christianity comprises Christian traditions and church families that originally developed during classical and late antiquity in Eastern Europe, Southeastern Europe, Asia Minor, the Caucasus, Northeast Africa, the Fertile Crescent and ...
. Nilus of Sinai ( ), in his ''Letter to Heliodorus Silentiarius'', records a miracle in which St.
Plato of Ankyra Plato ( ; grc-gre, Πλάτων ; 428/427 or 424/423 – 348/347 BC) was a Greek philosopher born in Athens during the Classical period in Ancient Greece. He founded the Platonist school of thought and the Academy, the first institut ...
appeared to a Christian in a dream. The Saint was recognized because the young man had often seen his portrait. This recognition of a religious apparition from likeness to an image was also a characteristic of pagan pious accounts of appearances of gods to humans, and was a regular ''topos'' in hagiography. One critical recipient of a vision from
Saint Demetrius of Thessaloniki Saint Demetrius (or Demetrios) of Thessalonica ( el, Ἅγιος Δημήτριος τῆς Θεσσαλονίκης, (); bg, Димитър Солунски (); mk, Свети Димитрија Солунски (); ro, Sfântul Dumitru; sr ...
apparently specified that the saint resembled the "more ancient" images of him—presumably the 7th-century mosaics still in
Hagios Demetrios The Church of Saint Demetrius, or Hagios Demetrios ( el, Άγιος Δημήτριος), is the main sanctuary dedicated to Saint Demetrius, the patron saint of Thessaloniki (in Central Macedonia, Greece), dating from a time when it was the se ...
. Another, an African bishop, had been rescued from Arab slavery by a young soldier called Demetrios, who told him to go to his house in Thessaloniki. Having discovered that most young soldiers in the city seemed to be called Demetrios, he gave up and went to the largest church in the city, to find his rescuer on the wall.Robin Cormack, "Writing in Gold, Byzantine Society and its Icons", 1985, George Philip, London, During this period the church began to discourage all non-religious human images—the Emperor and donor figures counting as religious. This became largely effective, so that most of the population would only ever see religious images and those of the ruling class. The word ''icon'' referred to any and all images, not just religious ones, but there was barely a need for a separate word for these.


Luke's portrait of Mary

It is in a context attributed to the 5th century that the first mention of an image of Mary painted from life appears, though earlier paintings on catacomb walls bear resemblance to modern icons of Mary.
Theodorus Lector Theodorus Lector ( el, Θεόδωρος Ἀναγνώστης, ''Theodoros Anagnostes'') was a lector, or reader, at the Hagia Sophia in Constantinople during the early sixth century. He wrote two works of history; one is a collection of sources ...
, in his 6th-century ''History of the Church'' 1:1 stated that Eudokia (wife of emperor
Theodosius II Theodosius II ( grc-gre, Θεοδόσιος, Theodosios; 10 April 401 – 28 July 450) was Roman emperor for most of his life, proclaimed ''Augustus (title), augustus'' as an infant in 402 and ruling as the eastern Empire's sole emperor after ...
, 460) sent an image of the "
Mother of God ''Theotokos'' (Greek: ) is a title of Mary, mother of Jesus, used especially in Eastern Christianity. The usual Latin translations are ''Dei Genitrix'' or ''Deipara'' (approximately "parent (fem.) of God"). Familiar English translations are " ...
" named Icon of the Hodegetria from Jerusalem to
Pulcheria Aelia Pulcheria (; grc-gre, Πουλχερία; 19 January 398 or 399 – July 453) was an Eastern Roman empress who advised her brother emperor Theodosius II during his minority and then became wife to emperor Marcian from November 450 to he ...
, daughter of
Arcadius Arcadius ( grc-gre, Ἀρκάδιος ; 377 – 1 May 408) was Roman emperor from 383 to 408. He was the eldest son of the ''Augustus'' Theodosius I () and his first wife Aelia Flaccilla, and the brother of Honorius (). Arcadius ruled the ea ...
, the former emperor and father of Theodosius II. The image was specified to have been "painted by the Apostle Luke."
Margherita Guarducci Margherita Guarducci (20 December 1902, in Florence – 2 September 1999, in Rome) was an Italian archaeologist, classical scholar, and epigrapher. She was a major figure in several crucial moments of the 20th century academic community. A student ...
relates a tradition that the original icon of Mary attributed to Luke, sent by Eudokia to Pulcheria from Palestine, was a large circular icon only of her head. When the icon arrived in Constantinople it was fitted in as the head into a very large rectangular icon of her holding the Christ child and it is this composite icon that became the one historically known as the Hodegetria. She further states another tradition that when the last Latin Emperor of Constantinople, Baldwin II, fled Constantinople in 1261 he took this original circular portion of the icon with him. This remained in the possession of the Angevin dynasty who had it likewise inserted into a much larger image of Mary and the Christ child, which is presently enshrined above the high altar of the Benedictine Abbey church of
Montevergine 250px, The Sanctuary of Montevergine. The Montevergine, also known as Partenio or Monti di Avella, is a limestone massif in Campania, central Italy, part of the Apennine chain. It is located near Avellino, in the ''comune'' of Mercogliano. It h ...
. Unfortunately this icon was subjected to repeated repainting over the subsequent centuries, so that it is difficult to determine what the original image of Mary's face would have looked like. However, Guarducci also states that in 1950 an ancient image of Mary at the Church of
Santa Francesca Romana Santa Francesca Romana ( it, Basilica di Santa Francesca Romana), previously known as Santa Maria Nova, is a Roman Catholic church situated next to the Roman Forum in the rione Campitelli in Rome, Italy. History An oratory putatively was est ...
was determined to be a very exact, but reverse mirror image of the original circular icon that was made in the 5th century and brought to Rome, where it has remained until the present. In later tradition the number of icons of Mary attributed to Luke would greatly multiply; the
Salus Populi Romani ''Salus Populi Romani'' (''Protectress'', or more literally ''health'' or ''salvation'', ''of the Roman People'') is a Roman Catholic title associated with the venerated image of the Blessed Virgin Mary in Rome. This Byzantine art, Byzantine ...
, the
Theotokos of Vladimir , other_title_1 = Our Lady of Vladimir , other_language_2 = uk, Вишгородська ікона Божої Матері , other_title_2 = Vyshgorod Mother of God , wikidata = Q546241 , image = Virgin of Vladimir.jpg , image_upright = 1 ...
, the
Theotokos Iverskaya The ''Panagia Portaitissa'' ( el, Παναγία Πορταΐτισσα; ka, ივერიის ღვთისმშობლის ხატი) also known as the ''Iviron Theotokos'' or ''Iverskaya'' in Russian, is an Orthodox Christianity, ...
of
Mount Athos Mount Athos (; el, Ἄθως, ) is a mountain in the distal part of the eponymous Athos peninsula and site of an important centre of Eastern Orthodox monasticism in northeastern Greece. The mountain along with the respective part of the penins ...
, the
Theotokos of Tikhvin The Theotokos of Tikhvin is one of the most celebrated Orthodox Christian icons. It is said to be one of the icons written by St. Luke the Evangelist. According to tradition, in the 5th century, the icon was transferred from Jerusalem to Constan ...
, the
Theotokos of Smolensk A Hodegetria , ; russian: Одиги́трия, Odigítria ; Romanian: Hodighitria, or Virgin Hodegetria, is an iconographic depiction of the Theotokos (Virgin Mary) holding the Child Jesus at her side while pointing to him as the source of sal ...
and the
Black Madonna of Częstochowa The Black Madonna of Częstochowa ( pl, Czarna Madonna / Matka Boska Częstochowska; la, Imago thaumaturga Beatae Virginis Mariae Immaculatae Conceptae, in Claro Monte, lit=Miraculous Image of the Immaculate Conception, the Blessed Virgin Mary ...
are examples, and another is in the cathedral on St Thomas Mount, which is believed to be one of the seven painted by St. Luke the Evangelist and brought to India by St. Thomas.
Ethiopia Ethiopia, , om, Itiyoophiyaa, so, Itoobiya, ti, ኢትዮጵያ, Ítiyop'iya, aa, Itiyoppiya officially the Federal Democratic Republic of Ethiopia, is a landlocked country in the Horn of Africa. It shares borders with Eritrea to the ...
has at least seven more. Bissera V. Pentcheva concludes, "The myth f Luke painting an iconwas invented in order to support the legitimacy of icon veneration during the
Iconoclastic controversy The Byzantine Iconoclasm ( gr, Εικονομαχία, Eikonomachía, lit=image struggle', 'war on icons) were two periods in the history of the Byzantine Empire when the use of religious images or icons was opposed by religious and imperial au ...
" th and 9th centuries, much later than most art historians put it By claiming the existence of a portrait of the Theotokos painted during her lifetime by the evangelist Luke, the
iconodule Iconodulism (also iconoduly or iconodulia) designates the religious service to icons (kissing and honourable veneration, incense, and candlelight). The term comes from Neoclassical Greek εἰκονόδουλος (''eikonodoulos'') (from el, ε ...
s "fabricated evidence for the apostolic origins and divine approval of images." In the period before and during the
Iconoclastic Controversy The Byzantine Iconoclasm ( gr, Εικονομαχία, Eikonomachía, lit=image struggle', 'war on icons) were two periods in the history of the Byzantine Empire when the use of religious images or icons was opposed by religious and imperial au ...
, stories attributing the creation of icons to the New Testament period greatly increased, with several apostles and even Mary herself believed to have acted as the artist or commissioner of images (also embroidered in the case of Mary).


Iconoclast period

There was a continuing opposition to images and their misuse within Christianity from very early times. "Whenever images threatened to gain undue influence within the church, theologians have sought to strip them of their power". Further, "there is no century between the fourth and the eighth in which there is not some evidence of opposition to images even within the Church". Nonetheless, popular favor for icons guaranteed their continued existence, while no systematic apologia for or against icons, or doctrinal authorization or condemnation of icons yet existed. The use of icons was seriously challenged by Byzantine Imperial authority in the 8th century. Though by this time opposition to images was strongly entrenched in Judaism and Islam, attribution of the impetus toward an iconoclastic movement in Eastern Orthodoxy to Muslims or Jews "seems to have been highly exaggerated, both by contemporaries and by modern scholars". Though significant in the history of religious doctrine, the Byzantine controversy over images is not seen as of primary importance in Byzantine history; " w historians still hold it to have been the greatest issue of the period". The Iconoclastic Period began when images were banned by Emperor
Leo III the Isaurian Leo III the Isaurian ( gr, Λέων ὁ Ἴσαυρος, Leōn ho Isauros; la, Leo Isaurus; 685 – 18 June 741), also known as the Syrian, was Byzantine Emperor from 717 until his death in 741 and founder of the Isaurian dynasty. He put an en ...
sometime between 726 and 730. Under his son
Constantine V Constantine V ( grc-gre, Κωνσταντῖνος, Kōnstantīnos; la, Constantinus; July 718 – 14 September 775), was Byzantine emperor from 741 to 775. His reign saw a consolidation of Byzantine security from external threats. As an able ...
, a council forbidding image veneration was held at Hieria near Constantinople in 754. Image veneration was later reinstated by the Empress Regent Irene, under whom another council was held reversing the decisions of the previous iconoclast council and taking its title as
Seventh Ecumenical Council The Second Council of Nicaea is recognized as the last of the first seven ecumenical councils by the Eastern Orthodox Church and the Catholic Church. In addition, it is also recognized as such by the Old Catholic Church, Old Catholics, the Ang ...
. The council anathemized all who hold to iconoclasm, i.e. those who held that veneration of images constitutes idolatry. Then the ban was enforced again by Leo V in 815. Finally, icon veneration was decisively restored by Empress Regent Theodora in 843. From then on all Byzantine coins had a religious image or symbol on the
reverse Reverse or reversing may refer to: Arts and media * ''Reverse'' (Eldritch album), 2001 * ''Reverse'' (2009 film), a Polish comedy-drama film * ''Reverse'' (2019 film), an Iranian crime-drama film * ''Reverse'' (Morandi album), 2005 * ''Reverse'' ...
, usually an image of Christ for larger denominations, with the head of the Emperor on the obverse, reinforcing the bond of the state and the divine order.


Acheiropoieta

The tradition of (, literally "not-made-by-hand") accrued to icons that are alleged to have come into existence miraculously, not by a human painter. Such images functioned as powerful
relic In religion, a relic is an object or article of religious significance from the past. It usually consists of the physical remains of a saint or the personal effects of the saint or venerated person preserved for purposes of veneration as a tangi ...
s as well as icons, and their images were naturally seen as especially authoritative as to the true appearance of the subject: naturally and especially because of the reluctance to accept mere human productions as embodying anything of the divine, a commonplace of Christian deprecation of man-made "
idol Idol or Idols may refer to: Religion and philosophy * Cult image, a neutral term for a man-made object that is worshipped or venerated for the deity, spirit or demon that it embodies or represents * Murti, a point of focus for devotion or medit ...
s". Like icons believed to be painted directly from the live subject, they therefore acted as important references for other images in the tradition. Beside the developed legend of the ''mandylion'' or
Image of Edessa According to Christian tradition, the Image of Edessa was a holy relic consisting of a square or rectangle of cloth upon which a miraculous image of the face of Jesus had been imprinted—the first icon ("image"). The image is also known as the M ...
was the tale of the
Veil of Veronica The Veil of Veronica, or (Latin for sweat-cloth), also known as the Vernicle and often called simply the Veronica, is a Christian relic consisting of a piece of cloth said to bear an image of the Holy Face of Jesus produced by other than huma ...
, whose very name signifies "true icon" or "true image", the fear of a "false image" remaining strong.


Stylistic developments

Although there are earlier records of their use, no
panel Panel may refer to: Arts and media Visual arts * Panel (comics), a single image in a comic book, comic strip or cartoon; also, a comic strip containing one such image *Panel painting, in art, either one element of a multi-element piece of art ...
icons earlier than the few from the 6th century preserved at the
Greek Orthodox The term Greek Orthodox Church (Greek language, Greek: Ἑλληνορθόδοξη Ἐκκλησία, ''Ellinorthódoxi Ekklisía'', ) has two meanings. The broader meaning designates "the Eastern Orthodox Church, entire body of Orthodox (Chalced ...
Saint Catherine's Monastery Saint Catherine's Monastery ( ar, دير القدّيسة كاترين; grc-gre, Μονὴ τῆς Ἁγίας Αἰκατερίνης), officially the Sacred Autonomous Royal Monastery of Saint Katherine of the Holy and God-Trodden Mount Sinai, ...
in
Egypt Egypt ( ar, مصر , ), officially the Arab Republic of Egypt, is a transcontinental country spanning the northeast corner of Africa and southwest corner of Asia via a land bridge formed by the Sinai Peninsula. It is bordered by the Mediter ...
survive, as the other examples in Rome have all been drastically over-painted. The surviving evidence for the earliest depictions of Christ, Mary and saints therefore comes from wall-paintings,
mosaic A mosaic is a pattern or image made of small regular or irregular pieces of colored stone, glass or ceramic, held in place by plaster/mortar, and covering a surface. Mosaics are often used as floor and wall decoration, and were particularly pop ...
s and some carvings. They are realistic in appearance, in contrast to the later stylization. They are broadly similar in style, though often much superior in quality, to the mummy portraits done in wax ( encaustic) and found at
Fayyum Faiyum ( ar, الفيوم ' , borrowed from cop,  ̀Ⲫⲓⲟⲙ or Ⲫⲓⲱⲙ ' from egy, pꜣ ym "the Sea, Lake") is a city in Middle Egypt. Located southwest of Cairo, in the Faiyum Oasis, it is the capital of the modern Faiyum ...
in Egypt. As can be judged from such items, the first depictions of Jesus were generic, rather than portrait images, generally representing him as a beardless young man. It was some time before the earliest examples of the long-haired, bearded face that was later to become standardized as the image of Jesus appeared. When they did begin to appear there was still variation.
Augustine of Hippo Augustine of Hippo ( , ; la, Aurelius Augustinus Hipponensis; 13 November 354 – 28 August 430), also known as Saint Augustine, was a theologian and philosopher of Berber origin and the bishop of Hippo Regius in Numidia, Roman North Af ...
(354–430) said that no one knew the appearance of Jesus or that of Mary. However, Augustine was not a resident of the Holy Land and therefore was not familiar with the local populations and their oral traditions. Gradually, paintings of Jesus took on characteristics of portrait images. At this time the manner of depicting Jesus was not yet uniform, and there was some controversy over which of the two most common icons was to be favored. The first or "Semitic" form showed Jesus with short and "frizzy" hair; the second showed a bearded Jesus with hair parted in the middle, the manner in which the god Zeus was depicted. Theodorus Lector remarked that of the two, the one with short and frizzy hair was "more authentic". To support his assertion, he relates a story (excerpted by John of Damascus) that a pagan commissioned to paint an image of Jesus used the "Zeus" form instead of the "Semitic" form, and that as punishment his hands withered. Though their development was gradual, it is possible to date the full-blown appearance and general ecclesiastical (as opposed to simply popular or local) acceptance of Christian images as venerated and miracle-working objects to the 6th century, when, as Hans Belting writes, "we first hear of the church's use of religious images". "As we reach the second half of the sixth century, we find that images are attracting direct veneration and some of them are credited with the performance of miracles". Cyril Mango writes, "In the post-Justinianic period the icon assumes an ever increasing role in popular devotion, and there is a proliferation of miracle stories connected with icons, some of them rather shocking to our eyes". However, the earlier references by Eusebius and Irenaeus indicate veneration of images and reported miracles associated with them as early as the 2nd century.


Symbolism

In the icons of Eastern Orthodoxy, and of the Early Medieval West, very little room is made for artistic license. Almost everything within the image has a symbolic aspect. Christ, the saints, and the angels all have halos. Angels (and often
John the Baptist John the Baptist or , , or , ;Wetterau, Bruce. ''World history''. New York: Henry Holt and Company. 1994. syc, ܝܘܿܚܲܢܵܢ ܡܲܥܡܕ݂ܵܢܵܐ, Yoḥanān Maʿmḏānā; he, יוחנן המטביל, Yohanān HaMatbil; la, Ioannes Bapti ...
) have wings because they are messengers. Figures have consistent facial appearances, hold attributes personal to them, and use a few conventional poses. Archangels bear a thin staff and sometimes a mirror. Colour plays an important role as well. Gold represents the radiance of Heaven; red, divine life. Blue is the colour of human life, white is the
Uncreated Light In Eastern Orthodox Christian theology, the Tabor Light ( grc, Φῶς τοῦ Θαβώρ "Light of Tabor", or "Uncreated Light", "Divine Light"; russian: Фаворский свет "Taboric Light"; Georgian: თაბორის ნათე ...
of God, only used for
resurrection Resurrection or anastasis is the concept of coming back to life after death. In a number of religions, a dying-and-rising god is a deity which dies and is resurrected. Reincarnation is a similar process hypothesized by other religions, which ...
and transfiguration of Christ. In icons of Jesus and Mary, Jesus wears red undergarment with a blue outer garment (representing God becoming human) and Mary wears a blue undergarment with a red overgarment (representing a human who was granted gifts by God), and thus the doctrine of
deification Apotheosis (, ), also called divinization or deification (), is the glorification of a subject to divine levels and, commonly, the treatment of a human being, any other living thing, or an abstract idea in the likeness of a deity. The term has ...
is conveyed by icons. Letters are symbols too. Most icons incorporate some calligraphic text naming the person or event depicted. Even this is often presented in a stylized manner.


Miracles

In the Eastern Orthodox Christian tradition there are reports of particular
wonderworking Thaumaturgy is the purported capability of a magician to work magic or other paranormal events or a saint to perform miracles. It is sometimes translated into English as wonderworking. A practitioner of thaumaturgy is a "thaumaturge", "thaumat ...
icons that exude
myrrh Myrrh (; from Semitic, but see '' § Etymology'') is a gum-resin extracted from a number of small, thorny tree species of the genus ''Commiphora''. Myrrh resin has been used throughout history as a perfume, incense and medicine. Myrrh mi ...
(fragrant, healing oil), or perform
miracle A miracle is an event that is inexplicable by natural or scientific lawsOne dictionary define"Miracle"as: "A surprising and welcome event that is not explicable by natural or scientific laws and is therefore considered to be the work of a divin ...
s upon petition by believers. When such reports are verified by the Orthodox hierarchy, they are understood as miracles performed by God through the prayers of the saint, rather than being magical properties of the painted wood itself. Theologically, all icons are considered to be sacred, and are miraculous by nature, being a means of spiritual communion between the heavenly and earthly realms. However, it is not uncommon for specific icons to be characterised as "miracle-working", meaning that God has chosen to glorify them by working miracles through them. Such icons are often given particular names (especially those of the Virgin Mary), and even taken from city to city where believers gather to venerate them and pray before them. Islands like that of
Tinos Tinos ( el, Τήνος ) is a Greek island situated in the Aegean Sea. It is located in the Cyclades archipelago. The closest islands are Andros, Delos, and Mykonos. It has a land area of and a 2011 census population of 8,636 inhabitants. Tinos ...
are renowned for possessing such "miraculous" icons, and are visited every year by thousands of
pilgrim A pilgrim (from the Latin ''peregrinus'') is a traveler (literally one who has come from afar) who is on Pilgrimage, a journey to a holy place. Typically, this is a physical journey (often on foot) to some place of special significance to the a ...
s.


Eastern Orthodox teaching

The Eastern Orthodox view of the origin of icons is generally quite different from that of most secular scholars and from some in contemporary Roman Catholic circles: "The Orthodox Church maintains and teaches that the sacred image has existed from the beginning of Christianity", Léonid Ouspensky has written. Accounts that some non-Orthodox writers consider legendary are accepted as history within Eastern Orthodoxy, because they are a part of church tradition. Thus accounts such as that of the miraculous "image not made by hands", and the weeping and moving "Mother of God of the Sign" of Novgorod are accepted as fact: "Church Tradition tells us, for example, of the existence of an Icon of the Savior during His lifetime (the 'Icon-Made-Without-Hands') and of Icons of the Most-Holy Theotokos aryimmediately after Him." Eastern Orthodoxy further teaches that "a clear understanding of the importance of Icons" was part of the church from its very beginning, and has never changed, although explanations of their importance may have developed over time. This is because icon painting is rooted in the theology of the Incarnation (Christ being the of God) which did not change, though its subsequent clarification within the Church occurred over the period of the first seven Ecumenical Councils. Icons also aerved as tools of edification for the illiterate faithful during most of the history of
Christendom Christendom historically refers to the Christian states, Christian-majority countries and the countries in which Christianity dominates, prevails,SeMerriam-Webster.com : dictionary, "Christendom"/ref> or is culturally or historically intertwine ...
. Thus, icons are words in painting; they refer to the history of salvation and to its manifestation in concrete persons. In the Orthodox Church, "icons have always been understood as a visible gospel, as a testimony to the great things given man by God the incarnate Logos". In the Council of 860 it was stated that "all that is uttered in words written in syllables is also proclaimed in the language of colors". Eastern Orthodox find the first instance of an image or icon in the Bible when God made man in his own image (Septuagint Greek ), in Genesis 1:26–27. In Exodus, God commanded that the Israelites not make any graven image; soon afterwards, however, he commanded that they make graven images of cherubim and other like things, both as statues and woven on tapestries. Later, Solomon included still more such imagery when he built the first temple. Eastern Orthodox believe these qualify as icons, in that they were visible images depicting heavenly beings and, in the case of the cherubim, used to indirectly indicate God's presence above the Ark. In the
Book of Numbers The book of Numbers (from Greek Ἀριθμοί, ''Arithmoi''; he, בְּמִדְבַּר, ''Bəmīḏbar'', "In the desert f) is the fourth book of the Hebrew Bible, and the fourth of five books of the Jewish Torah. The book has a long and com ...
it is written that God told Moses to make a bronze serpent, ''
Nehushtan In the biblical Books of Kings ( 2 Kings 18:4; written c. 550 BC), the Nehushtan (Hebrew: ''Nəḥuštān'' ) is the name given to the bronze image of a serpent on a pole. The image is described in the Book of Numbers, where Yahweh instructed M ...
'', and hold it up, so that anyone looking at the snake would be healed of their snake bites. In John 3, Jesus refers to the same serpent, saying that he must be lifted up in the same way that the serpent was. John of Damascus also regarded the brazen serpent as an icon. Further, Jesus Christ himself is called the "image of the invisible God" in Colossians 1:15, and is therefore in one sense an icon. As people are also made in God's images, people are also considered to be living icons, and are therefore "
censed A thurible (via Old French from Medieval Latin ) is a metal censer suspended from chains, in which incense is burned during worship services. It is used in Christian churches including the Roman Catholic, Eastern Orthodox, Assyrian Church of t ...
" along with painted icons during Orthodox prayer services. According to John of Damascus, anyone who tries to destroy icons "is the enemy of Christ, the Holy Mother of God and the saints, and is the defender of the Devil and his demons". This is because the theology behind icons is closely tied to the Incarnational theology of the humanity and divinity of Jesus, so that attacks on icons typically have the effect of undermining or attacking the Incarnation of Jesus himself as elucidated in the Ecumenical Councils.
Basil of Caesarea Basil of Caesarea, also called Saint Basil the Great ( grc, Ἅγιος Βασίλειος ὁ Μέγας, ''Hágios Basíleios ho Mégas''; cop, Ⲡⲓⲁⲅⲓⲟⲥ Ⲃⲁⲥⲓⲗⲓⲟⲥ; 330 – January 1 or 2, 379), was a bishop of Ca ...
, in his writing ''On the Holy Spirit'', says: "The honor paid to the image passes to the prototype". He also illustrates the concept by saying, "If I point to a statue of Caesar and ask you 'Who is that?', your answer would properly be, 'It is Caesar.' When you say such you do not mean that the stone itself is Caesar, but rather, the name and honor you ascribe to the statue passes over to the original, the archetype, Caesar himself." This is thus the approach to icons; to kiss an icon of Jesus, in the Eastern Orthodox view, is to show love towards Jesus himself, not mere wood and paint making up the physical substance of the icon. Worship of the icon as somehow entirely separate from its prototype is expressly forbidden by the Seventh Ecumenical Council. Icons are often illuminated with a candle or jar of oil with a wick. (Beeswax for candles and olive oil for oil lamps are preferred because they burn very cleanly, although other materials are sometimes used.) The illumination of religious images with lamps or candles is an ancient practice pre-dating Christianity. File:Eastern Orthodox prayer corner.jpg, A fairly elaborate
Eastern Orthodox Eastern Orthodoxy, also known as Eastern Orthodox Christianity, is one of the three main branches of Chalcedonian Christianity, alongside Catholicism and Protestantism. Like the Pentarchy of the first millennium, the mainstream (or "canonical") ...
icon corner as would be found in a private home. File:Vsex skorbyashix Radost (litografia).jpg, A precious Russian icon of
Joy of All Who Sorrow In Eastern Orthodox and Eastern Catholic Christianity, the Joy of all who sorrow, or the Joy of all afflicted (russian: Всех скорбящих Радость) is a title given to the Theotokos (Mary, the mother of Jesus). The iconography is ...
,
1862 Events January–March * January 1 – The United Kingdom annexes Lagos Island, in modern-day Nigeria. * January 6 – French intervention in Mexico: French, Spanish and British forces arrive in Veracruz, Mexico. * January ...
. File:Italo-Byzantinischer Maler des 13. Jahrhunderts 001.jpg, A somewhat disinterested treatment of the emotional subject and painstaking attention to the throne and other details of the material world distinguish this
Italo-Byzantine Italo-Byzantine is a style term in art history, mostly used for medieval paintings produced in Italy under heavy influence from Byzantine art. It initially covers religious paintings copying or imitating the standard Byzantine icon types, but pa ...
work by a medieval Sicilian master from works by imperial icon-painters of
Constantinople la, Constantinopolis ota, قسطنطينيه , alternate_name = Byzantion (earlier Greek name), Nova Roma ("New Rome"), Miklagard/Miklagarth (Old Norse), Tsargrad ( Slavic), Qustantiniya (Arabic), Basileuousa ("Queen of Cities"), Megalopolis (" ...
.


Icon painting tradition by region


Byzantine Empire

Of the icon painting tradition that developed in Byzantium, with Constantinople as the chief city, we have only a few icons from the 11th century and none preceding them, in part because of the Iconoclastic reforms during which many were destroyed or lost, and also because of plundering by the
Republic of Venice The Republic of Venice ( vec, Repùblega de Venèsia) or Venetian Republic ( vec, Repùblega Vèneta, links=no), traditionally known as La Serenissima ( en, Most Serene Republic of Venice, italics=yes; vec, Serenìsima Repùblega de Venèsia, ...
in 1204 during the
Fourth Crusade The Fourth Crusade (1202–1204) was a Latin Christian armed expedition called by Pope Innocent III. The stated intent of the expedition was to recapture the Muslim-controlled city of Jerusalem, by first defeating the powerful Egyptian Ayyubid S ...
, and finally the
Fall of Constantinople The Fall of Constantinople, also known as the Conquest of Constantinople, was the capture of the capital of the Byzantine Empire by the Ottoman Empire. The city fell on 29 May 1453 as part of the culmination of a 53-day siege which had begun o ...
in 1453. It was only in the
Komnenian period The Byzantine Empire was ruled by emperors of the Komnenos dynasty for a period of 104 years, from 1081 to about 1185. The ''Komnenian'' (also spelled ''Comnenian'') period comprises the reigns of five emperors, Alexios I, John II, Manuel I, A ...
(1081–1185) that the cult of the icon became widespread in the Byzantine world, partly on account of the dearth of richer materials (such as mosaics,
ivory Ivory is a hard, white material from the tusks (traditionally from elephants) and teeth of animals, that consists mainly of dentine, one of the physical structures of teeth and tusks. The chemical structure of the teeth and tusks of mammals is ...
, and
vitreous enamel Vitreous enamel, also called porcelain enamel, is a material made by fusing powdered glass to a substrate by firing, usually between . The powder melts, flows, and then hardens to a smooth, durable vitreous coating. The word comes from the Lati ...
s), but also because an ''
iconostasis In Eastern Christianity, an iconostasis ( gr, εἰκονοστάσιον) is a wall of icons and religious paintings, separating the nave from the sanctuary in a Church (building), church. ''Iconostasis'' also refers to a portable icon stand t ...
'' a special screen for icons was introduced then in ecclesiastical practice. The style of the time was severe, hieratic and distant. In the late Comnenian period this severity softened, and emotion, formerly avoided, entered icon painting. Major monuments for this change include the murals at Daphni Monastery () and the Church of St. Panteleimon near
Skopje Skopje ( , , ; mk, Скопје ; sq, Shkup) is the capital and largest city of North Macedonia. It is the country's political, cultural, economic, and academic centre. The territory of Skopje has been inhabited since at least 4000 BC; r ...
(1164). The
Theotokos of Vladimir , other_title_1 = Our Lady of Vladimir , other_language_2 = uk, Вишгородська ікона Божої Матері , other_title_2 = Vyshgorod Mother of God , wikidata = Q546241 , image = Virgin of Vladimir.jpg , image_upright = 1 ...
() is probably the most representative example of the new trend towards spirituality and emotion. The tendency toward emotionalism in icons continued in the Paleologan period, which began in 1261. Palaiologan art reached its pinnacle in mosaics such as those of
Chora Church '' '' tr, Kariye Mosque'' , image = Chora Church Constantinople 2007 panorama 002.jpg , caption = Exterior rear view , map_type = Istanbul Fatih , map_size = 220px , map_caption ...
. In the last half of the 14th century, Palaiologan saints were painted in an exaggerated manner, very slim and in contorted positions – a style known as the Palaiologan Mannerism, of which Ochrid's Annunciation is a superb example. After 1453, the Byzantine tradition was carried on in regions previously influenced by its religion and culture—in the Balkans, Russia, and other Slavic countries,
Georgia Georgia most commonly refers to: * Georgia (country), a country in the Caucasus region of Eurasia * Georgia (U.S. state), a state in the Southeast United States Georgia may also refer to: Places Historical states and entities * Related to the ...
and
Armenia Armenia (), , group=pron officially the Republic of Armenia,, is a landlocked country in the Armenian Highlands of Western Asia.The UNbr>classification of world regions places Armenia in Western Asia; the CIA World Factbook , , and ''Ox ...
in the Caucasus, and among Eastern Orthodox minorities in the Islamic world. In the Greek-speaking world
Crete Crete ( el, Κρήτη, translit=, Modern: , Ancient: ) is the largest and most populous of the Greek islands, the 88th largest island in the world and the fifth largest island in the Mediterranean Sea, after Sicily, Sardinia, Cyprus, and ...
, ruled by
Venice Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400  ...
until the mid-17th century, was an important centre of painted icons, as home of the
Cretan School Cretan School describes an important school of icon painting, under the umbrella of post-Byzantine art, which flourished while Crete was under Venetian rule during the late Middle Ages, reaching its climax after the Fall of Constantinople, becom ...
, exporting many to Europe.


Crete

Crete was under Venetian control from 1204 and became a thriving center of art with eventually a , or organized painter's guild, the
Guild of Saint Luke The Guild of Saint Luke was the most common name for a city guild for painters and other artists in early modern Europe, especially in the Low Countries. They were named in honor of the Evangelist Luke, the patron saint of artists, who was ide ...
, on Western lines. Cretan painting was heavily patronized both by Catholics of Venetian territories and by Eastern Orthodox. For ease of transport, Cretan painters specialized in panel paintings, and developed the ability to work in many styles to fit the taste of various patrons.
El Greco Domḗnikos Theotokópoulos ( el, Δομήνικος Θεοτοκόπουλος ; 1 October 1541 7 April 1614), most widely known as El Greco ("The Greek"), was a Greek painter, sculptor and architect of the Spanish Renaissance. "El G ...
, who moved to
Venice Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400  ...
after establishing his reputation in Crete, is the most famous artist of the school, who continued to use many Byzantine conventions in his works. In 1669 the city of Heraklion, on Crete, which at one time boasted at least 120 painters, finally fell to the Turks, and from that time Greek icon painting went into a decline, with a revival attempted in the 20th century by art reformers such as Photis Kontoglou, who emphasized a return to earlier styles.


Russia

Russian icons are typically paintings on wood, often small, though some in churches and monasteries may be as large as a table top. Many religious homes in Russia have icons hanging on the wall in the —the "red" corner (see
Icon corner The icon corner, sacred corner or red corner, ( el, εικονοστάσι - meaning red, bright-shining, or beautiful corner) is a small worship space prepared in the homes of Eastern Orthodox, Greek-Catholic and Roman Catholic Christians. It ...
). There is a rich history and elaborate
religious symbolism A religious symbol is an iconic representation intended to represent a specific religion, or a specific concept within a given religion. Religious symbols have been used in the military in many countries, such as the United States military chapl ...
associated with icons. In Russian churches, the
nave The nave () is the central part of a church, stretching from the (normally western) main entrance or rear wall, to the transepts, or in a church without transepts, to the chancel. When a church contains side aisles, as in a basilica-type ...
is typically separated from the
sanctuary A sanctuary, in its original meaning, is a sacred place, such as a shrine. By the use of such places as a haven, by extension the term has come to be used for any place of safety. This secondary use can be categorized into human sanctuary, a saf ...
by an ''
iconostasis In Eastern Christianity, an iconostasis ( gr, εἰκονοστάσιον) is a wall of icons and religious paintings, separating the nave from the sanctuary in a Church (building), church. ''Iconostasis'' also refers to a portable icon stand t ...
'', a wall of icons. The use and making of icons entered
Kievan Rus' Kievan Rusʹ, also known as Kyivan Rusʹ ( orv, , Rusĭ, or , , ; Old Norse: ''Garðaríki''), was a state in Eastern and Northern Europe from the late 9th to the mid-13th century.John Channon & Robert Hudson, ''Penguin Historical Atlas of ...
following its conversion to Orthodox Christianity from the Eastern Roman (Byzantine) Empire in 988 AD. As a general rule, these icons strictly followed models and formulas hallowed by usage, some of which had originated in Constantinople. As time passed, the Russians—notably
Andrei Rublev Andrei Rublev ( rus, Андре́й Рублёв, p=ɐnˈdrʲej rʊˈblʲɵf , also transliterated as ''Andrey Rublyov'') was a Muscovite icon painter born in the 1360s who died between 1427 and 1430 in Moscow. He is considered to be one of the ...
and
Dionisius Dionisius (russian: Диони́сий, variously transliterated as ''Dionisy'' or ''Dionysiy''; also Dionisius the Wise; c. 1440 – 1502) was acknowledged as a head of the Moscow school of icon painters at the turn of the 15th and 16th ...
—widened the vocabulary of iconic types and styles far beyond anything found elsewhere. The personal, improvisatory and creative traditions of Western European religious art are largely lacking in Russia before the 17th century, when
Simon Ushakov Simon (Pimen) Fyodorovich Ushakov (Russian: Симон (Пимен) Федорович Ушаков) (1626 – 25 June 1686) was a leading Russian icon painter of the late 17th-century. Together with Fyodor Zubov and Fyodor Rozhnov, he is ...
's painting became strongly influenced by religious paintings and engravings from Protestant as well as Catholic Europe. In the mid-17th century, changes in liturgy and practice instituted by
Patriarch Nikon of Moscow Nikon ( ru , Ни́кон, Old Russian: ''Нїконъ''), born Nikita Minin (''Никита Минин''; 7 May 1605 – 17 August 1681) was the seventh Patriarch of Moscow and all Rus' of the Russian Orthodox Church, serving officially from ...
resulted in a split in the
Russian Orthodox Church , native_name_lang = ru , image = Moscow July 2011-7a.jpg , imagewidth = , alt = , caption = Cathedral of Christ the Saviour in Moscow, Russia , abbreviation = ROC , type ...
. The traditionalists, the persecuted "Old Ritualists" or "
Old Believers Old Believers or Old Ritualists, ''starovery'' or ''staroobryadtsy'' are Eastern Orthodox Christians who maintain the liturgical and ritual practices of the Russian Orthodox Church as they were before the reforms of Patriarch Nikon of Moscow bet ...
", continued the traditional stylization of icons, while the State Church modified its practice. From that time icons began to be painted not only in the traditional stylized and nonrealistic mode, but also in a mixture of Russian stylization and Western European realism, and in a Western European manner very much like that of Catholic religious art of the time. The
Stroganov School Stroganov School (''Строгановская школа'' in Russian) is a conventional name for the last major Russian icon-painting school, which thrived under the patronage of the fabulously rich Stroganov family of merchants in the late 16t ...
and the icons from
Nevyansk Nevyansk (russian: Невья́нск) is a town and the administrative center of Nevyansky District in Sverdlovsk Oblast, Russia, located on the Neyva River ( Ob's basin) on the eastern slope of the Middle Urals, north of Yekaterinburg. Pop ...
rank among the last important schools of Russian icon-painting. File:Descent into Hell by Dionisius and workshop (Ferapontov monastery).jpg, Muscovite Mannerism: ''
Harrowing of Hell In Christian theology, the Harrowing of Hell ( la, Descensus Christi ad Inferos, "the descent of Christ into Hell" or Hades) is an Old English and Middle English term referring to the period of time between the Crucifixion of Jesus and his re ...
'', by
Dionisius Dionisius (russian: Диони́сий, variously transliterated as ''Dionisy'' or ''Dionysiy''; also Dionisius the Wise; c. 1440 – 1502) was acknowledged as a head of the Moscow school of icon painters at the turn of the 15th and 16th ...
and his workshop. File:rublev's saviour.jpg, Christ the Redeemer (1410s, by
Andrei Rublev Andrei Rublev ( rus, Андре́й Рублёв, p=ɐnˈdrʲej rʊˈblʲɵf , also transliterated as ''Andrey Rublyov'') was a Muscovite icon painter born in the 1360s who died between 1427 and 1430 in Moscow. He is considered to be one of the ...
).


Romania

In
Romania Romania ( ; ro, România ) is a country located at the crossroads of Central Europe, Central, Eastern Europe, Eastern, and Southeast Europe, Southeastern Europe. It borders Bulgaria to the south, Ukraine to the north, Hungary to the west, S ...
, icons painted as reversed images behind glass and set in frames were common in the 19th century and are still made. The process is known as
reverse glass painting Reverse painting on glass is an art form consisting of applying paint to a piece of glass and then viewing the image by turning the glass over and looking through the glass at the image. Another term used to refer to the art of cold painting and g ...
. "In the Transylvanian countryside, the expensive icons on panels imported from Moldavia, Wallachia, and Mt. Athos were gradually replaced by small, locally produced icons on glass, which were much less expensive and thus accessible to the Transylvanian peasants".


Serbia

The earliest historical records about icons in Serbia dates back to the period of
Nemanjić dynasty The House of Nemanjić ( sr-Cyrl, Немањић, Немањићи; Nemanjić, Nemanjići, ) was the most prominent dynasty of Serbia in the Middle Ages. This princely, royal, and later imperial house produced twelve Serbian monarchs, who rul ...
. One of the notable schools of
Serb The Serbs ( sr-Cyr, Срби, Srbi, ) are the most numerous South Slavic ethnic group native to the Balkans in Southeastern Europe, who share a common Serbian ancestry, culture, history and language. The majority of Serbs live in their na ...
icons was active in the
Bay of Kotor The Bay of Kotor ( Montenegrin and Serbian: , Italian: ), also known as the Boka, is a winding bay of the Adriatic Sea in southwestern Montenegro and the region of Montenegro concentrated around the bay. It is also the southernmost part of the hi ...
from the 17th century to the 19th century.
Trojeručica ''Bogorodica Trojeručica'' (Serbian Cyrillic: Богородица Тројеручица, Greek: Παναγία Τριχερούσα, Panagia Tricherousa, meaning ''"Three-handed Theotokos"'') or simply ''Trojeručica'' (Тројеручица, ...
meaning "Three-handed Theotokos" is the most important icon of the
Serbian Orthodox Church The Serbian Orthodox Church ( sr-Cyrl, Српска православна црква, Srpska pravoslavna crkva) is one of the autocephalous (ecclesiastically independent) Eastern Orthodox Christian denomination, Christian churches. The majori ...
and main icon of
Mount Athos Mount Athos (; el, Ἄθως, ) is a mountain in the distal part of the eponymous Athos peninsula and site of an important centre of Eastern Orthodox monasticism in northeastern Greece. The mountain along with the respective part of the penins ...
.


Egypt and Ethiopia

The
Coptic Orthodox Church of Alexandria The Coptic Orthodox Church ( cop, Ϯⲉⲕ̀ⲕⲗⲏⲥⲓⲁ ⲛ̀ⲣⲉⲙⲛ̀ⲭⲏⲙⲓ ⲛ̀ⲟⲣⲑⲟⲇⲟⲝⲟⲥ, translit=Ti.eklyseya en.remenkimi en.orthodoxos, lit=the Egyptian Orthodox Church; ar, الكنيسة القبطي ...
and
Oriental Orthodoxy The Oriental Orthodox Churches are Eastern Christian churches adhering to Miaphysite Christology, with approximately 60 million members worldwide. The Oriental Orthodox Churches are part of the Nicene Christian tradition, and represent ...
also have distinctive, living icon painting traditions. Coptic icons have their origin in the Hellenistic art of Egyptian Late Antiquity, as exemplified by the
Fayum mummy portraits Mummy portraits or Fayum mummy portraits are a type of naturalistic painted portrait on wooden boards attached to upper class mummies from Roman Egypt. They belong to the tradition of panel painting, one of the most highly regarded forms of ar ...
. Beginning in the 4th century, churches painted their walls and made icons to reflect an authentic expression of their faith.


Aleppo

The Aleppo School was a school of icon-painting, founded by the priest
Yusuf al-Musawwir Yusuf ( ar, يوسف ') is a male name of Arabic origin meaning "God increases" (in piety, power and influence).From the Hebrew יהוה להוסיף ''YHWH Lhosif'' meaning "YHWH will increase/add". It is the Arabic equivalent of the Hebrew name ...
(also known as Joseph the Painter) and active in
Aleppo )), is an adjective which means "white-colored mixed with black". , motto = , image_map = , mapsize = , map_caption = , image_map1 = ...
, which was then a part of the
Ottoman Empire The Ottoman Empire, * ; is an archaic version. The definite article forms and were synonymous * and el, Оθωμανική Αυτοκρατορία, Othōmanikē Avtokratoria, label=none * info page on book at Martin Luther University) ...
, between at least 1645 and 1777.


Western Christianity

Although the word "icon" is not generally used in
Western Christianity Western Christianity is one of two sub-divisions of Christianity ( Eastern Christianity being the other). Western Christianity is composed of the Latin Church and Western Protestantism, together with their offshoots such as the Old Catholic ...
, there are religious works of art which were largely patterned on Byzantine works, and equally conventional in composition and depiction. Until the 13th century, icon-like depictions of sacred figures followed Eastern patterns—although very few survive from this early period. Italian examples are in a style known as
Italo-Byzantine Italo-Byzantine is a style term in art history, mostly used for medieval paintings produced in Italy under heavy influence from Byzantine art. It initially covers religious paintings copying or imitating the standard Byzantine icon types, but pa ...
. From the 13th century, the Western tradition came slowly to allow the artist far more flexibility, and a more realist approach to the figures. If only because there was a much smaller number of skilled artists, the quantity of works of art, in the sense of panel paintings, was much smaller in the West, and in most Western settings a single
diptych A diptych (; from the Greek δίπτυχον, ''di'' "two" + '' ptychē'' "fold") is any object with two flat plates which form a pair, often attached by hinge. For example, the standard notebook and school exercise book of the ancient world w ...
as an altarpiece, or in a domestic room, probably stood in place of the larger collections typical of Orthodox "icon corners". Only in the 15th century did production of painted works of art begin to approach Eastern levels, supplemented by mass-produced imports from the
Cretan School Cretan School describes an important school of icon painting, under the umbrella of post-Byzantine art, which flourished while Crete was under Venetian rule during the late Middle Ages, reaching its climax after the Fall of Constantinople, becom ...
. In this century, the use of icon-like portraits in the West was enormously increased by the introduction of old master prints on paper, mostly woodcuts which were produced in vast numbers (although hardly any survive). They were mostly sold, hand-coloured, by churches, and the smallest sizes (often only an inch high) were affordable even by peasants, who glued or pinned them straight onto a wall. With the Reformation, after an initial uncertainty among early Lutherans, who painted a few icon-like depictions of leading Reformers, and continued to paint scenes from Scripture, Protestants came down firmly against icon-like portraits, especially larger ones, even of Christ. Many Protestants found these idolatrous. File:Archangel Michael Hajdudorog.JPG, A Western-style icon of the archangel Michael (archangel), Michael in the Greek Catholic Iconostasis of the Cathedral of Hajdúdorog File:Czestochowska.jpg, An icon of the
Black Madonna of Częstochowa The Black Madonna of Częstochowa ( pl, Czarna Madonna / Matka Boska Częstochowska; la, Imago thaumaturga Beatae Virginis Mariae Immaculatae Conceptae, in Claro Monte, lit=Miraculous Image of the Immaculate Conception, the Blessed Virgin Mary ...
, one of the national symbols of Poland. File:Icon Cathedral 3.jpg, alt=Icon of the Melanesian Martyrs at Canterbury Cathedral (Anglican Communion), Icon of the Melanesian Brotherhood martyrs at Canterbury Cathedral (Anglican Communion) File:Chapkanov-Saint-Nicholas.jpg, A modern metal icon of Saint Nicholas by the Bulgarian artist Georgi 'Chapa' Chapkanov. This depiction differs radically from traditional Orthodox iconography. Legislative Council of the Falkland Islands, Gilbert House, Stanley, Falkland Islands.


Catholic Church view

The Catholic Church accepted the decrees of the Iconodulism, iconodule Seventh ecumenical council, Seventh Ecumenical Council regarding images. There is some minor difference, however, in the Catholic attitude to images from that of the Orthodox. Following Gregory the Great, Catholics emphasize the role of images as the , the "Bible of the Poor", from which those who could not read could nonetheless learn. Catholics also, however, share the same viewpoint with the Orthodox when it comes to image veneration, believing that whenever approached, sacred images are to be shown reverence. Though using both flat wooden panel and stretched canvas paintings, Catholics traditionally have also favored images in the form of three-dimensional statuary, whereas in the East, statuary is much less widely employed.


Lutheran view

A joint Lutheran–Orthodox statement made in the 7th Plenary of the Lutheran–Orthodox Joint Commission, in July 1993 in Helsinki, reaffirmed the ecumenical council decisions on the nature of Christ and the veneration of images:


See also

* Analogion * Christian symbolism * Early Christian art and architecture * Holy card * Iconoclasm * Orans * Podea * Proskynetarion * Religious image * Warsaw Icon Museum * Icon of Christ of Latomos


Notes


References

*


Further reading

* *


External links


"Iconography"
at ''Orthodox Wiki''
''Orthodox Iconography''
by Elias Damianakis
"A Discourse in Iconography"
by John of Shanghai and San Francisco, ''Orthodox Life'' Vol. 30, No. 1 (January–February 1980), pp. 42–45 (via Archangel Books).
"The Iconic and Symbolic in Orthodox Iconography"
at ''Orthodox Info''
"Icon & Worship—Icons of Karakallou Monastery, Mt.Athos"''Ikonograph''
– contemporary Byzantine icon studio, iconography school, and Orthodox resources]
"Orthodox Iconography"
Theodore Koufos at ''Ikonograph''

– gallery, at ''Ikonograph''
''Iconography Guide''
– free e-learning site

by icon painter Paul Azkoul
"Explanation of Orthodox Christian Icons"
from Church of the Nativity
"Concerning the Veneration of Icons"
from Church of the Nativity
"Holy Icons: Theology in Color"
from Antiochian Orthodox Archdiocese

from ''Macedonian Heritage''
"Icons"
from Greek Orthodox Archdiocese of America
''Icon Art''
– gallery of icons, murals, and mosaics (mostly Russian) from the 11th to the 20th century
''Eikonografos''
– collection of Byzantine icons
''My World of Byzantium''
by Bob Atchison, on the Deësis icon of Christ at Hagia Sophia, and four galleries of other icons {{Authority control Eastern Orthodox icons, Christian iconography Christian religious objects Christian terminology Eastern Christian liturgical objects Sacramentals