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Iconodule
Iconodulism (also iconoduly or iconodulia) designates the religious service to icons (kissing and honourable veneration, incense, and candlelight). The term comes from Neoclassical Greek εἰκονόδουλος (''eikonodoulos'') (from el, εἰκόνα – ''icon (image)'' + el, δοῦλος – ''servant''), meaning "one who serves images (icons)". It is also referred to as iconophilism (also iconophily or iconophilia from el, εἰκόνα – ''icon (image)'' + el, φιλέω – ''love'') designating a positive attitude towards the religious use of icons. In the history of Christianity, iconodulism (or iconophilism) was manifested as a moderate position, between two extremes: iconoclasm (radical opposition to the use of icons) and iconolatry (idolatric veritable (full) adoration of icons). History In contrast to moderate or respectful adoration, various forms of latria of icons (''iconolatry'') were also starting to appear, mainly in popular worship. Since verita ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iconoclastic Controversy
The Byzantine Iconoclasm ( gr, Εικονομαχία, Eikonomachía, lit=image struggle', 'war on icons) were two periods in the history of the Byzantine Empire when the use of religious images or icons was opposed by religious and imperial authorities within the Orthodox Church and the temporal imperial hierarchy. The First Iconoclasm, as it is sometimes called, occurred between about 726 and 787, while the Second Iconoclasm occurred between 814 and 842. According to the traditional view, Byzantine Iconoclasm was started by a ban on religious images promulgated by the Byzantine Emperor Leo III the Isaurian, and continued under his successors. It was accompanied by widespread destruction of religious images and persecution of supporters of the veneration of images. The Papacy remained firmly in support of the use of religious images throughout the period, and the whole episode widened the growing divergence between the Byzantine and Carolingian traditions in what was still a u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Byzantine Iconoclasm
The Byzantine Iconoclasm ( gr, Εικονομαχία, Eikonomachía, lit=image struggle', 'war on icons) were two periods in the history of the Byzantine Empire when the use of religious images or icons was opposed by religious and imperial authorities within the Orthodox Church and the temporal imperial hierarchy. The First Iconoclasm, as it is sometimes called, occurred between about 726 and 787, while the Second Iconoclasm occurred between 814 and 842. According to the traditional view, Byzantine Iconoclasm was started by a ban on religious images promulgated by the Byzantine Emperor Leo III the Isaurian, and continued under his successors. It was accompanied by widespread destruction of religious images and persecution of supporters of the veneration of images. The Papacy remained firmly in support of the use of religious images throughout the period, and the whole episode widened the growing divergence between the Byzantine and Carolingian traditions in what was still ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theodore The Studite
Theodore the Studite ( grc-x-medieval, Θεόδωρος ό Στουδίτης; 759–826), also known as Theodorus Studita and Saint Theodore of Stoudios/Studium, was a Byzantine Greek monk and abbot of the Stoudios Monastery in Constantinople. He played a major role in the revivals both of Byzantine monasticism and of classical literary genres in Byzantium. He is known as a zealous opponent of iconoclasm, one of several conflicts that set him at odds with both emperor and patriarch. Throughout his life he maintained letter correspondences with many important political and cultural figures of the Byzantine empire; this included many women, such as the composer and nun Kassia, who was much influenced by his teachings. Biography Family and childhood Theodore was born in Constantinople in 759. He was the oldest son of Photeinos, an important financial official in the palace bureaucracy, and Theoktiste, herself the offspring of a distinguished Constantinopolitan family. The brother ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iconoclasm
Iconoclasm (from Ancient Greek, Greek: grc, wikt:εἰκών, εἰκών, lit=figure, icon, translit=eikṓn, label=none + grc, wikt:κλάω, κλάω, lit=to break, translit=kláō, label=none)From grc, wikt:εἰκών, εἰκών + wikt:κλάω, κλάω, lit=image-breaking. ''Iconoclasm'' may also be considered as a back-formation from ''iconoclast'' (Greek: εἰκοκλάστης). The corresponding Greek word for iconoclasm is εἰκονοκλασία, ''eikonoklasia''. is the social belief in the importance of the destruction of icons and other images or monuments, most frequently for religious or political reasons. People who engage in or support iconoclasm are called iconoclasts, a term that has come to be figuratively applied to any individual who challenges "cherished beliefs or venerated institutions on the grounds that they are erroneous or pernicious." Conversely, one who reveres or venerates religious images is called (by iconoclasts) an ''Iconolatry, ic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iconoclasm
Iconoclasm (from Ancient Greek, Greek: grc, wikt:εἰκών, εἰκών, lit=figure, icon, translit=eikṓn, label=none + grc, wikt:κλάω, κλάω, lit=to break, translit=kláō, label=none)From grc, wikt:εἰκών, εἰκών + wikt:κλάω, κλάω, lit=image-breaking. ''Iconoclasm'' may also be considered as a back-formation from ''iconoclast'' (Greek: εἰκοκλάστης). The corresponding Greek word for iconoclasm is εἰκονοκλασία, ''eikonoklasia''. is the social belief in the importance of the destruction of icons and other images or monuments, most frequently for religious or political reasons. People who engage in or support iconoclasm are called iconoclasts, a term that has come to be figuratively applied to any individual who challenges "cherished beliefs or venerated institutions on the grounds that they are erroneous or pernicious." Conversely, one who reveres or venerates religious images is called (by iconoclasts) an ''Iconolatry, ic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chalke Gate
The Chalke Gate ( el, ), was the main ceremonial entrance (vestibule (architecture), vestibule) to the Great Palace of Constantinople, Great Palace of Constantinople in the Byzantine period. The name, which means "the Bronze Gate", was given to it either because of the bronze portals or from the gilded bronze tiles used in its roof. The interior was lavishly decorated with marble and mosaics, and the exterior façade featured a number of statues. Most prominent was an icon of Christ which became a major iconodule symbol during the Byzantine Iconoclasm, and a chapel dedicated to the ''Christ Chalkites'' was erected in the 10th century next to the gate. The gate itself seems to have been demolished in the 13th century, but the chapel survived until the early 19th century. History The gate lay on the southeastern corner of the Augustaion, the main ceremonial plaza of the city, with the Hagia Sophia cathedral on the northern side and the Baths of Zeuxippos and the Hippodrome of Con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Icon
An icon () is a religious work of art, most commonly a painting, in the cultures of the Eastern Orthodox, Oriental Orthodox, and Catholic churches. They are not simply artworks; "an icon is a sacred image used in religious devotion". The most common subjects include Christ, Mary, saints and angels. Although especially associated with portrait-style images concentrating on one or two main figures, the term also covers most religious images in a variety of artistic media produced by Eastern Christianity, including narrative scenes, usually from the Bible or the lives of saints. Icons are most commonly painted on wood panels with egg tempera, but they may also be cast in metal, carved in stone, embroidered on cloth, done in mosaic or fresco work, printed on paper or metal, etc. Comparable images from Western Christianity can be classified as "icons", although "iconic" may also be used to describe a static style of devotional image. In the Greek language, the term for icon paintin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Byzantine Empire
The Byzantine Empire, also referred to as the Eastern Roman Empire or Byzantium, was the continuation of the Roman Empire primarily in its eastern provinces during Late Antiquity and the Middle Ages, when its capital city was Constantinople. It survived the fragmentation and fall of the Western Roman Empire in the 5th century AD and continued to exist for an additional thousand years until the fall of Constantinople to the Ottoman Empire in 1453. During most of its existence, the empire remained the most powerful economic, cultural, and military force in Europe. The terms "Byzantine Empire" and "Eastern Roman Empire" were coined after the end of the realm; its citizens continued to refer to their empire as the Roman Empire, and to themselves as Romans—a term which Greeks continued to use for themselves into Ottoman times. Although the Roman state continued and its traditions were maintained, modern historians prefer to differentiate the Byzantine Empire from Ancient Rome ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Libri Carolini
The ''Libri Carolini'' ("Charles' books"), more correctly ''Opus Caroli regis contra synodum'' ("The work of King Charles against the Synod"), is a work in four books composed on the command of Charlemagne in the mid 790s to refute the conclusions of the Byzantine Second Council of Nicaea (787), particularly as regards the matter of sacred images. They are "much the fullest statement of the Western attitude to representational art that has been left to us by the Middle Ages". Two earlier Frankish tracts against images (known in conjunction as the ''Capitulare adversus synodum'') had been sent in 792 to Pope Hadrian I, who had replied with an attempt at a refutation. The ''Libri Carolini'' was then composed as a fuller rebuttal of Hadrian's position. But Charlemagne realized that further controversy with Rome would serve no purpose, and the work was never sent. It remained unknown until it was published by Jean du Tillet in 1549, in the very different context of the debates ove ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frankish Kingdom
Francia, also called the Kingdom of the Franks ( la, Regnum Francorum), Frankish Kingdom, Frankland or Frankish Empire ( la, Imperium Francorum), was the largest post-Roman barbarian kingdom in Western Europe. It was ruled by the Franks during late antiquity and the Early Middle Ages. After the Treaty of Verdun in 843, West Francia became the predecessor of France, and East Francia became that of Germany. Francia was among the last surviving Germanic kingdoms from the Migration Period era before its partition in 843. The core Frankish territories inside the former Western Roman Empire were close to the Rhine and Meuse rivers in the north. After a period where small kingdoms interacted with the remaining Gallo-Roman institutions to their south, a single kingdom uniting them was founded by Clovis I who was crowned King of the Franks in 496. His dynasty, the Merovingian dynasty, was eventually replaced by the Carolingian dynasty. Under the nearly continuous campaigns of Pep ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Council Of Hieria
The iconoclast Council of Hieria was a Christian council of 754 which viewed itself as ecumenical, but was later rejected by the Second Council of Nicaea (787) and by Catholic and Orthodox churches, since none of the five major patriarchs were represented in Hieria. However it is preferred over Second Nicea by some Protestants. The Council of Hieria was summoned by the Byzantine Emperor Constantine V in 754 in the palace of Hieria at Chalcedon. The council supported the emperor's iconoclast position in the Byzantine iconoclasm controversy, condemning the spiritual and liturgical use of iconography as heretical. Opponents of the council described it as the ''Mock Synod of Constantinople'' or the ''Headless Council'' because no patriarchs or representatives of the five great patriarchates were present: the see of Constantinople was vacant; Antioch, Jerusalem and Alexandria were under Islamic dominion; while Rome was not asked to participate. Its rulings were anathematized at th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pope Adrian I
Pope Adrian I ( la, Hadrianus I; died 25 December 795) was the bishop of Rome and ruler of the Papal States from 1 February 772 to his death. He was the son of Theodore, a Roman nobleman. Adrian and his predecessors had to contend with periodic attempts by the Lombards to expand their holdings in Italy at the expense of the papacy. Not receiving any support from Constantinople, the popes looked for help to the Franks. Adrian's tenure saw the culmination of on-going territorial disputes between Charlemagne and his brother Carloman I. The Lombard king Desiderius supported the claims of Carloman's sons to their late father's land, and requested Pope Adrian crown Carloman's sons "Kings of the Franks". When the Pope failed to do so, Desiderius invaded Papal territory and seized the Duchy of the Pentapolis. Charlemagne besieged Pavia and took the Lombard crown for himself. He then restored the Pentapolis to the Papacy as well as some of the captured Lombard territory. Start of papacy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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