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Zapolya (play)
''Zapolya: A Christmas Tale'' is a verse play in two parts by Samuel Taylor Coleridge written in December 1815 and January 1816. It was Coleridge's last play and, like '' Osorio'', was rejected by Theatre Royal, Drury Lane. It received its first performance in a production by Thomas Dibdin at the Surrey Theatre in 1816. Plot The first part of the drama presents Raab Kiuprili, a heroic chieftain who confronts Emerick, the usurper of the crown of Illyria. Casimir, Kiuprili's son, turns against his father as a result of Emerick's deceit. Kiuprili is imprisoned with the deposed queen, Zapolya, but they escape with her son and rightful heir, Prince Andreas. In the second part, Zapolya is forced to live in the forest and is separated from Andreas, who is raised as a peasant by Old Bathory, a mountaineer. The play culminates in the defeat of Emerick and the reunification of Zapolya and Andreas. Kiuprili and Casimir are also reconciled. Analysis The play is manifestly influenced by Shakes ...
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Samuel Taylor Coleridge
Samuel Taylor Coleridge (; 21 October 177225 July 1834) was an English poet, literary critic, philosopher, and theologian who, with his friend William Wordsworth, was a founder of the Romantic Movement in England and a member of the Lake Poets. He also shared volumes and collaborated with Charles Lamb, Robert Southey, and Charles Lloyd. He wrote the poems ''The Rime of the Ancient Mariner'' and ''Kubla Khan'', as well as the major prose work ''Biographia Literaria''. His critical work, especially on William Shakespeare, was highly influential, and he helped introduce German idealist philosophy to English-speaking cultures. Coleridge coined many familiar words and phrases, including "suspension of disbelief". He had a major influence on Ralph Waldo Emerson and American transcendentalism. Throughout his adult life, Coleridge had crippling bouts of anxiety and depression; it has been speculated that he had bipolar disorder, which had not been defined during his lifetime.Jamis ...
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Osorio (play)
''Osorio'' is a tragedy in blank verse by Samuel Taylor Coleridge. It was written in 1797 but was unperformed following its rejection by Drury Lane Theatre. Coleridge revised and recast the play sixteen years later, giving it the new title of ''Remorse''. ''Remorse'' met with considerable critical and commercial success when it was first performed in 1813: it ran for twenty nights at Drury Lane and was issued in print three times within the year. Despite the play's success, later critics dismissed the work as an Elizabethan pastiche. Swinburne said ''Remorse'' had "little worth praise or worth memory". Historicist scholars, however, have identified a revolutionary viewpoint embedded within ''Osorio'' which Coleridge, disavowing his youthful radicalism, sought to dilute when he later reformulated the work to create ''Remorse''. Set in sixteenth-century Granada, the play is notable for its use of Gothic elements such as a castle, dungeon, cave and the supernatural. Coleridge's us ...
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Theatre Royal, Drury Lane
The Theatre Royal, Drury Lane, commonly known as Drury Lane, is a West End theatre and Grade I listed building in Covent Garden, London, England. The building faces Catherine Street (earlier named Bridges or Brydges Street) and backs onto Drury Lane. The building is the most recent in a line of four theatres which were built at the same location, the earliest of which dated back to 1663, making it the oldest theatre site in London still in use. According to the author Peter Thomson, for its first two centuries, Drury Lane could "reasonably have claimed to be London's leading theatre". For most of that time, it was one of a handful of patent theatres, granted monopoly rights to the production of "legitimate" drama in London (meaning spoken plays, rather than opera, dance, concerts, or plays with music). The first theatre on the site was built at the behest of Thomas Killigrew in the early 1660s, when theatres were allowed to reopen during the English Restoration. Initially ...
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Thomas John Dibdin
Thomas John Dibdin (21 March 1771 – 16 September 1841) was an English dramatist and songwriter. Life Dibdin was the son of Charles Dibdin, a songwriter and theatre manager, and of "Mrs Davenet", an actress whose real name was Harriett Pitt. He was introduced to the stage at five years old, in his godfather David Garrick’s pageant of ‘’Jubilee of Shakespeare’’. Mrs Siddons was The Venus and the Young Tom Cupid. He was apprenticed to his maternal uncle, a London upholsterer, and later to William Rawlins, afterwards sheriff of London. He summoned his second master unsuccessfully for rough treatment; and after a few years of service he ran away to join a company of country players. From 1789 to 1795 he played all sorts of parts; he worked as a scene painter at Liverpool in 1791; and during this period he composed more than 1,000 songs. His first work as a dramatist was ''Something New'', followed by ''The Mad Guardian'' in 1795. He returned to London in 1795, having m ...
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Surrey Theatre
The Surrey Theatre, London began life in 1782 as the Royal Circus and Equestrian Philharmonic Academy, one of the many circuses that provided entertainment of both horsemanship and drama (hippodrama). It stood in Blackfriars Road, near the junction with Westminster Bridge Road, just south of the River Thames in what is now the London Borough of Southwark. History The ''Royal Circus'' was opened on 4 November 1782 by the composer and song writer, Charles Dibdin (who coined the term "circus" for that usage), aided by Charles Hughes, a well-known equestrian performer. The entertainments were at first performed by children with the goal of its being a nursery for young actors. Delphini, a celebrated buffo, became manager in 1788 and produced a spectacle including a real stag-hunt. Other animal acts followed, including the popular dog act ''Gelert and Victor'', lecture pieces, pantomimes and local spectacles. The popular comedian John Palmer then managed the theatre until 1789 ...
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Illyria
In classical antiquity, Illyria (; grc, Ἰλλυρία, ''Illyría'' or , ''Illyrís''; la, Illyria, ''Illyricum'') was a region in the western part of the Balkan Peninsula inhabited by numerous tribes of people collectively known as the Illyrians. Illyrians spoke the Illyrian language, an Indo-European language, which in ancient times perhaps also had speakers in some parts of Southern Italy. The geographical term Illyris (distinct from ''Illyria'') was sometimes used to define approximately the area of northern and central Albania down to the Aoös valley (modern Vjosa), including in most periods much of the lakeland area. In Roman times the terms Illyria / Illyris / Illyricum were extended from the territory that was roughly located in the area of the south-eastern Adriatic coast (modern Albania and Montenegro) and its hinterland, to a broader region stretching between the Adriatic Sea and the Danube, and from the upper reaches of the Adriatic down to the Ardiaei. From ...
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William Shakespeare
William Shakespeare ( 26 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the " Bard of Avon" (or simply "the Bard"). His extant works, including collaborations, consist of some 39 plays, 154 sonnets, three long narrative poems, and a few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright. He remains arguably the most influential writer in the English language, and his works continue to be studied and reinterpreted. Shakespeare was born and raised in Stratford-upon-Avon, Warwickshire. At the age of 18, he married Anne Hathaway, with whom he had three children: Susanna, and twins Hamnet and Judith. Sometime between 1585 and 1592, he began a successful career in London as an ...
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Shakespeare's Late Romances
The late romances, often simply called the romances, are a grouping of William Shakespeare's last plays, comprising ''Pericles, Prince of Tyre''; ''Cymbeline''; ''The Winter's Tale''; and '' The Tempest''. ''The Two Noble Kinsmen'', of which Shakespeare was co-author, is sometimes also included in the grouping. The term "romances" was first used for these late works in Edward Dowden's ''Shakespeare: A Critical Study of His Mind and Art'' (1875). Later writers have generally been content to adopt Dowden's term. Shakespeare's plays cannot be precisely dated, but it is generally agreed that these comedies followed a series of tragedies including ''Othello'', ''King Lear'' and ''Macbeth''. Shakespeare wrote tragedies because their productions were financially successful, but he returned to comedy towards the end of his career, mixing it with tragic and mystical elements. Shakespeare's late romances were also influenced by the development of tragicomedy and the extreme elaboration of th ...
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The Winter's Tale
''The Winter's Tale'' is a play by William Shakespeare originally published in the First Folio of 1623. Although it was grouped among the comedies, many modern editors have relabelled the play as one of Shakespeare's late romances. Some critics consider it to be one of Shakespeare's " problem plays" because the first three acts are filled with intense psychological drama, while the last two acts are comic and supply a happy ending. The play has been intermittently popular, revived in productions in various forms and adaptations by some of the leading theatre practitioners in Shakespearean performance history, beginning after a long interval with David Garrick in his adaptation ''Florizel and Perdita'' (first performed in 1753 and published in 1756). ''The Winter's Tale'' was revived again in the 19th century, when the fourth " pastoral" act was widely popular. In the second half of the 20th century, ''The Winter's Tale'' in its entirety, and drawn largely from the First Fol ...
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Cymbeline
''Cymbeline'' , also known as ''The Tragedie of Cymbeline'' or ''Cymbeline, King of Britain'', is a play by William Shakespeare set in British Iron Age, Ancient Britain () and based on legends that formed part of the Matter of Britain concerning the early Celtic British King Cunobeline. Although it is listed as a tragedy in the First Folio, modern critics often classify ''Cymbeline'' as a Shakespeare's late romances, romance or even a Shakespearean comedy, comedy. Like ''Othello'' and ''The Winter's Tale'', it deals with the themes of innocence and jealousy. While the precise date of composition remains unknown, the play was certainly produced as early as 1611. Characters ;In Britain * Cymbeline – Modelled on the historical King of Britain, Cunobeline, and father to Imogen * Queen – Cymbeline's second wife and mother to Cloten * Imogen (Cymbeline), Imogen/Innogen – Cymbeline's daughter by a former queen, later disguised as the page Fidele * Posthumus Leonatus – Innoge ...
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William Coxe (historian)
William Coxe (8 June 1828) was an English historian and priest who served as a travelling companion and tutor to nobility from 1771 to 1786. He wrote numerous historical works and travel chronicles. Ordained a deacon in 1771, he served as a rector and then archdeacon of Bemerton near Salisbury from 1786 until his death. Biography William Coxe was born on in Dover Street, Piccadilly, London, the eldest son of William Coxe (c. 17101760), a physician to the king's household, and his wife, Martha, daughter of Paul D'Aranda. He was the older brother of the writer and poet Peter Coxe (c. 1753–1844), who wrote the poem "Social Day". Following his father's death in 1760, his mother married John Christopher Smith, who was Handel's amanuensis. Educated at Marylebone Grammar School (1753–54) and then at Eton College (1754–64), Coxe matriculated to King's College, Cambridge at Easter 1765. He received his BA in 1769, and his MA in 1772. From 1768 to 1771, he was a fellow of Kin ...
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Friedrich Schiller
Johann Christoph Friedrich von Schiller (, short: ; 10 November 17599 May 1805) was a German playwright, poet, and philosopher. During the last seventeen years of his life (1788–1805), Schiller developed a productive, if complicated, friendship with the already famous and influential Johann Wolfgang von Goethe. They frequently discussed issues concerning aesthetics, and Schiller encouraged Goethe to finish works that he had left as sketches. This relationship and these discussions led to a period now referred to as Weimar Classicism. They also worked together on ''Xenien'', a collection of short satirical poems in which both Schiller and Goethe challenge opponents of their philosophical vision. Early life and career Friedrich Schiller was born on 10 November 1759, in Marbach, Württemberg, as the only son of military doctor Johann Kaspar Schiller (1733–1796) and Elisabetha Dorothea Schiller (1732–1802). They also had five daughters, including Christophine, the eldest. ...
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