Characters
;In Britain * Cymbeline – Modelled on the historical King of Britain,Summary
Sources
''Cymbeline'' is grounded in the story of the historical British kingDate and text
The first recorded production of ''Cymbeline'', as noted byCriticism and interpretation
''Cymbeline'' was one of Shakespeare's more popular plays during the eighteenth century, though critics includingBritish identity
Similarities between Cymbeline and historical accounts of theGender and sexuality
Scholars have emphasised that the play attributes great political significance to Imogen's virginity andPerformance history
After the 1611 performance mentioned by Simon Forman, there is no record of production until 1634, when the play was revived at court forAdaptations
Screen adaptations
Stage adaptions
Prior to operatic adaptations only incidental music was composed. The first operatic adaption seems to be composed by Edmond Missa in 1894, under the title "Dinah"; American composerCultural references
In Beethoven’s one operaSee also
* ''Notes and references
Notes
References
Bibliography
Editions of ''Cymbeline''
* * * * *Secondary sources
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *Further reading
* Pino-Saavedra, Yolando, Kurt Ranke, Italo Calvino, J. M. Synge, Violet Paget, Alan Bruford, Peter Christian Asbjørnsen, and Jørgen Moe. "Cymbeline." In Shakespeare and the Folktale: An Anthology of Stories, edited by ARTESE CHARLOTTE, 241-99. PRINCETON; OXFORD: Princeton University Press, 2019. doi:10.2307/j.ctvg25434.11.External links
*