Yuanlingshan
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Yuanlingshan
Yuanlingshan () is a form of round-collared upper garment (called ) in ; it is also referred as () or () when used as a robe (called ). The and were both developed under the influence of from the Donghu people in the early Han dynasty and later on by the (including the Xianbei people) in the Six dynasties period. The is a formal attire usually worn by men, though it was also fashionable for women to wear it in some dynasties, such as in the Tang dynasty. In the Tang dynasty, the could also transform into the . There are also specific forms of and which are named based on its decorations and construction; for example, the (), also called () for short, , (), (), and (). Terminology The term is literally translated as "round collar shirt", being composed of the Chinese characters (), which literally translates to round collar and (), literally translated as "shirt". The term is literally translated as "round collar robe (or gown)", being composed of the Ch ...
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Hufu (clothing)
(; ), also referred as clothing, nomadic dress, 'barbarian' clothing or dress, or foreign dress, is a generic term which refers to any clothing which was worn in ancient China and its surrounding regions by non-Han Chinese people. This term is also used to refer to foreigner's dress or clothing of foreign origins in ancient China. The introduction of -style garments and attire in China occurred by the time of King Wuling of Zhao. Terminology The term '' was adopted to refer to the non-Han Chinese population which could include the ancient 'Hu' northern nomadic people, such as. the Xiongnu, as well as the people from the Western regions such as Sogdians, the Sasanid Persian, the Turkic people (), Uyghur ( or ), Tibetans (), and the Khitans () who lived in the north and west regions of the empire. Cultural significance and distinction The traditional way to distinguish between and , Chinese clothing, is by looking direction of the garment collar. Chinese collar customs ...
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Fanlingpao
Fanlingpao (), sometimes referred as kuapao () and hufu (Chinese: 胡服) in the Tang dynasty when they feature double overturned lapels, is a type of paofu with lapels. It was categorized as Hufu instead of Hanfu due to its association with clothing of the foreigners who came from the Silk road. Fanlingpao were first introduced in China during the Northern Wei dynasty and became popular in Northern Qi. The custom of wearing fanlingpao were then inherited and further developed in the Sui and Tang dynasties. The fanlingpao could be transformed into a round collar robe, called yuanlingpao, in the Tang dynasty through the use of buttons. The fanlingpao shows foreign influences, which are mostly likely from the Persian, Sassanian Persian, Iranian Sogdian, and Turkic. Fanlingpao were popular fashion during Tang dynasty for both men and women and showed the popularity of Hufu-style clothing during this period; it was considered hufu while yuanlingpao was categorized as a form Han ...
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Round Collar Robe
Round collar robe, also called () and in China, (; ; ) in Korea, was a style of , a Chinese robe, worn in ancient China, which was long enough to cover the entire body of its wearer. The Chinese was developed under the influences of the worn by the and by the (including the Xianbei). Depending on time period, the Chinese also had some traces of influences from the worn by the Sogdian. The Chinese continued to evolve, developing distinctive Chinese characteristics with time and lost its connotation. It eventually became fully integrated in the system for the imperial and court dress attire. Under the influence of ancient China, the Chinese was adopted by the rest of the East Asian cultural sphere. History China The appearance of collars in , including those used in the round collar robe, occurred during the Eastern Han dynasty where clothing with round collars started to be used as an inner garment under the of the . Later on, the clothing customs of the ...
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Garment Collars In Hanfu
Garment collars in are diverse and come in several shapes, including (cross-collars, overlapping collars at the front which closed on the right or left sides), , , , , . Some forms of collars were indigenous to China while others had been adopted from the of other non-Han Chinese ethnic minorities and/or from the clothing worn by foreigners. Cultural significance '/ right lapel Chinese robes, such as the ' and the ' as a general term, as well as Chinese jackets must typically cover the right part of their garment. Styles of garments which overlapping at the front and closes to the right side are known as ' (). The closure is a style which originated in China and can be traced back to the Shang dynasty. The is also an important symbol of the Han Chinese ethnicity. The closure was eventually adopted by other ethnic minorities and was also spread to neighbouring countries, such as Korea and Japan. '/ left lapel Chinese people also wore another form of closure known a ...
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Hanfu
''Hanfu'' () is the traditional styles of clothing worn by the Han Chinese. There are several representative styles of ''hanfu'', such as the (an upper-body garment with a long outer skirt), the (an upper-body garment with a long underskirt), the and the , and the (an upper-body garment with ku trousers). Traditionally, ''hanfu'' consists of a ''paofu'' robe, or a ''ru'' jacket worn as the upper garment with a ''qun'' skirt commonly worn as the lower garment. In addition to clothing, hanfu also includes several forms of accessories, such as headwear, footwear, belts, jewellery, and handheld fans. Nowadays, the hanfu is gaining recognition as the traditional clothing of the Han ethnic group, and has experienced a growing fashion revival among young Han Chinese people in China and in the overseas Chinese diaspora. After the Han dynasty, ''hanfu'' developed into a variety of styles using fabrics that encompassed a number of complex textile production techniques, part ...
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Panling Lanshan
Panling lanshan (盤領襴衫), also referred as lanshan (襴衫), is a traditional Chinese attire for men. It is a specific form of round collar robe, known as yuanlingpao, which is characterized with the use of hem, called hanglan (横襕), also referred as lan (襕)). The panling lanshan was a new type of garment, developed in the Northern and Southern dynasties through the localization of the round-collar garments which had been introduced by the ethnic minorities, such as the Xianbei. Panling lanshan continued to be worn in the Tang Dynasty. The panling lanshan along with the ''futou'' (幞頭; black cap) was used as the Tang dynasty attire of scholars and officials. The scholars' attire in the succeeding dynasties followed the style of the ''panling lanshan'' of the Tang dynasty. It is also a formal attire worn by scholars and students (生員) taking the imperial examination in Ming Dynasty. History Round collar robes, including the panling (盤領) robes, were introd ...
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Ru (upper Garment)
Ru (), sometimes referred as (), (), and (), is a form of traditional Chinese upper garment, or coat, or jacket, which typically has a right closure; however, some of them can also have a front central opening. It is a daily upper garment for women of the Han Chinese ethnic. It can be worn in combination with a skirt in a style called , or a pair of trousers in a style called . The shape and structure of Chinese upper garment, generally referred as (), varied depending on the time period. Clothing style which overlaps and closes to the right originated in China and are referred as being (). The style of which overlaps at the front and closes on the right right in a y-shaped, is known as () and started to be worn in the Shang dynasty. Since then the had been one of the major symbols of the Sino Kingdom and eventually spread throughout Asia. The structure of the jackets worn in the late Qing shared some features of those worn by the Han ethnics in the Ming dynasty. Althou ...
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Paofu
(), also known as () for short, is a form of a long, one-piece robe in , which is characterized by the natural integration of the upper and lower part of the robe which is cut from a single fabric. The term is often used to refer to the and the . The was worn since the Zhou dynasty and became prominent in the Han dynasty.' The was a unisex, one-piece robe; while it was worn mainly by men, women could also wear it. It initially looked similar to the ancient ; however, these two robes are structurally different from each other.'''' With time, the ancient disappeared while the evolved gaining different features in each succeeding dynasties; the continues to be worn even in present day. The term refers to the "long robe" worn by ancient Chinese, and can include several form of Chinese robes of various origins and cuts, including '','' , '','' ', ', '. Terminology The term () is composed of the Chinese characters 《》, which literally means "robe", and 《》which literal ...
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Cao Wei
Wei ( Hanzi: 魏; pinyin: ''Wèi'' < : *''ŋjweiC'' < : *''ŋuiC'') (220–266), known as Cao Wei or Former Wei in historiography, was one of the three major states that competed for supremacy over China in the period (220–280). With its capital initially located at , and thereafter

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Japanese Dragon
Japanese dragons (, ''Nihon no ryū'') are diverse legendary creatures in Japanese mythology and folklore. Japanese dragon myths amalgamate native legends with imported stories about dragons from China, Korea and the Indian subcontinent. The style and appearance of the dragon was heavily influenced by the Chinese dragon, especially the three-clawed ''long'' (龍) dragons which were introduced in Japan from China in ancient times. Like these other East Asian dragons, most Japanese ones are water deities associated with rainfall and bodies of water, and are typically depicted as large, wingless, serpentine creatures with clawed feet. Indigenous Japanese dragons The c. 680 AD ''Kojiki'' and the c. 720 AD '' Nihongi'' mytho-histories have the first Japanese textual references to dragons. "In the oldest annals the dragons are mentioned in various ways," explains de Visser, "but mostly as water-gods, serpent- or dragon-shaped." The ''Kojiki'' and ''Nihongi'' mention several a ...
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Sui Dynasty
The Sui dynasty (, ) was a short-lived imperial dynasty of China that lasted from 581 to 618. The Sui unified the Northern and Southern dynasties, thus ending the long period of division following the fall of the Western Jin dynasty, and laying the foundations for the much longer lasting Tang dynasty. Founded by Emperor Wen of Sui, the Sui dynasty capital was Chang'an (which was renamed Daxing, modern Xi'an, Shaanxi) from 581–605 and later Luoyang (605–18). Emperors Wen and his successor Yang undertook various centralized reforms, most notably the equal-field system, intended to reduce economic inequality and improve agricultural productivity; the institution of the Five Departments and Six Board (五省六曹 or 五省六部) system, which is a predecessor of Three Departments and Six Ministries system; and the standardization and re-unification of the coinage. They also spread and encouraged Buddhism throughout the empire. By the middle of the dynasty, the newly unifi ...
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Pottery Figurine Of Wei, Jin, Or Southern-Northern Dynasties (10369962173)
Pottery is the process and the products of forming vessels and other objects with clay and other ceramic materials, which are fired at high temperatures to give them a hard and durable form. Major types include earthenware, stoneware and porcelain. The place where such wares are made by a ''potter'' is also called a ''pottery'' (plural "potteries"). The definition of ''pottery'', used by the ASTM International, is "all fired ceramic wares that contain clay when formed, except technical, structural, and refractory products". In art history and archaeology, especially of ancient and prehistoric periods, "pottery" often means vessels only, and sculpted figurines of the same material are called "terracottas". Pottery is one of the oldest human inventions, originating before the Neolithic period, with ceramic objects like the Gravettian culture Venus of Dolní Věstonice figurine discovered in the Czech Republic dating back to 29,000–25,000 BC, and pottery vessels that were ...
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