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Wāfir
Wāfir (, literally 'numerous, abundant, ample, exuberant') is a meter used in classical Arabic poetry. It is among the five most popular metres of classical Arabic poetry, accounting (alongside ''ṭawīl'', ''basīṭ'', '' kāmil'', and ''mutaqārib'') for 80-90% of lines and poems in the ancient and classical Arabic corpus. Form The metre comprises paired hemistichs of the following form (where "–" represents a long syllable, "u" a short syllable, and "uu" one long or two shorts): :, u – uu – , u – uu – , u – – , Thus, unlike most classical Arabic metres, ''wāfir'' allows the poet to substitute one long syllable for two shorts, an example of the prosodic element known as a ''biceps''. Thus allows ''wāfir'' lines to have different numbers of syllables from each other, a characteristic otherwise only found in '' kāmil'', '' mutadārik'' and some forms of ''basīṭ''. ''Wāfir'' is traditionally represented with the mnemonic (''tafāʿīl'') ' (). History ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mutaqārib
( ar, اَلْعَرُوض, ) is the study of poetic meters, which identifies the meter of a poem and determines whether the meter is sound or broken in lines of the poem. It is often called the ''Science of Poetry'' ( ar, عِلْم اَلشِّعْر, ). Its laws were laid down by Al-Khalīl ibn Aḥmad al-Farāhīdī (d. 786), an early Arab lexicographer and philologist. In his book ( ar, العرض), which is no longer extant, he described 15 types of meter. Later Al-Akhfash al-Akbar described a 16th meter, the . Following al-Khalil, the Arab prosodists scan poetry not in terms of syllables but in terms of vowelled and unvowelled letters, which were combined into larger units known as or "peg" (pl. ) and "cord" (pl. ). These larger units make up feet (, pl. ). Western prosodists, on the other hand, usually analyse the meters in terms of syllables, which can be long (–), short (u) and ''anceps'' (x), that is, a syllable which can be optionally long or short. Certain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meter (poetry)
In poetry, metre ( Commonwealth spelling) or meter (American spelling; see American and British English spelling differences#-re, -er, spelling differences) is the basic rhythm, rhythmic structure of a verse (poetry), verse or Line (poetry), lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, "Prosody (linguistics), prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular typ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poetic Rhythm
In poetry, metre ( Commonwealth spelling) or meter (American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, " prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular types. The familiar type of metre in English-language poetry is called qualitative metre, with stressed syllables coming ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Umayyad
The Umayyad Caliphate (661–750 CE; , ; ar, ٱلْخِلَافَة ٱلْأُمَوِيَّة, al-Khilāfah al-ʾUmawīyah) was the second of the four major caliphates established after the death of Muhammad. The caliphate was ruled by the Umayyad dynasty ( ar, ٱلْأُمَوِيُّون, ''al-ʾUmawīyūn'', or , ''Banū ʾUmayyah'', "Sons of Umayya ibn Abd Shams, Umayyah"). Uthman ibn Affan (r. 644–656), the third of the Rashidun caliphs, was also a member of the clan. The family established dynastic, hereditary rule with Mu'awiya I, Muawiya ibn Abi Sufyan, long-time governor of Syria (region), Greater Syria, who became the sixth caliph after the end of the First Fitna in 661. After Mu'awiyah's death in 680, conflicts over the succession resulted in the Second Fitna, and power eventually fell into the hands of Marwan I from another branch of the clan. Greater Syria remained the Umayyads' main power base thereafter, with Damascus serving as their capital. The Umayyads c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
‘Ulayya Bint Al-Mahdī
Ulayya bint al-Mahdi ( ar, عُلَيّة بنت المهدي, ʿUlayya bint al-Mahdī, 777–825) was an Abbasid princess, noted for her legacy as a poet and musician. Biography ‘Ulayya was one of the daughters of the third Abbasid Caliph al-Mahdi ( r. 775–85), who reigned from 775 to his death in 785, and was noted for promoting poetry and music in his realm. Her mother was a singer and concubine called Maknūna (herself the ''jāriya'' of one al-Marwānīya). Maknunah was a songstress. She was owned by Al-Marwaniyyah. Al-Mahdi, while yet a prince, bought her for 100,000 silver dirhams. She found such favor with the prince that Al-Khayzuran (Al-Mahdi's wife) used to say, "No other woman of his made my position so difficult." She gave birth to Al-Mahdi's daughter Ulayya. It appears that, with her father dying early in her life, ‘Ulayya was brought up by her half-brother Harun al-Rashid (r. 786–809). ‘Ulayya was a princess, and, like her half-brother Ibrahim ibn al-Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hausa Language
Hausa (; /; Ajami: ) is a Chadic language spoken by the Hausa people in the northern half of Nigeria, Ghana, Cameroon, Benin and Togo, and the southern half of Niger, Chad and Sudan, with significant minorities in Ivory Coast. Hausa is a member of the Afroasiatic languages, Afroasiatic language family and is the most widely spoken language within the Chadic languages, Chadic branch of that family. Ethnologue estimated that it was spoken as a first language by some 47 million people and as a second language by another 25 million, bringing the total number of Hausa speakers to an estimated 72 million. In Nigeria, the Hausa-speaking film industry is known as Hausa-language cinema, Kannywood. Classification Hausa belongs to the West Chadic languages subgroup of the Chadic languages group, which in turn is part of the Afroasiatic languages, Afroasiatic language family. Geographic distribution Native speakers of Hausa, the Hausa people, are mostly found in southern ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fula Language
Fula ,Laurie Bauer, 2007, ''The Linguistics Student’s Handbook'', Edinburgh also known as Fulani or Fulah (, , ; Adlam: , , ), is a Senegambian language spoken by around 30 million people as a set of various dialects in a continuum that stretches across some 18 countries in West and Central Africa. Along with other related languages such as Serer and Wolof, it belongs to the Atlantic geographic group within Niger–Congo, and more specifically to the Senegambian branch. Unlike most Niger-Congo languages, Fula does not have tones. It is spoken as a first language by the Fula people ("Fulani", ff, Fulɓe, link=no) from the Senegambia region and Guinea to Cameroon, Nigeria, and Sudan and by related groups such as the Toucouleur people in the Senegal River Valley. It is also spoken as a second language by various peoples in the region, such as the Kirdi of northern Cameroon and northeastern Nigeria. Nomenclature Several names are applied to the language, just as to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hebrew Language
Hebrew (; ; ) is a Northwest Semitic language of the Afroasiatic language family. Historically, it is one of the spoken languages of the Israelites and their longest-surviving descendants, the Jews and Samaritans. It was largely preserved throughout history as the main liturgical language of Judaism (since the Second Temple period) and Samaritanism. Hebrew is the only Canaanite language still spoken today, and serves as the only truly successful example of a dead language that has been revived. It is also one of only two Northwest Semitic languages still in use, with the other being Aramaic. The earliest examples of written Paleo-Hebrew date back to the 10th century BCE. Nearly all of the Hebrew Bible is written in Biblical Hebrew, with much of its present form in the dialect that scholars believe flourished around the 6th century BCE, during the time of the Babylonian captivity. For this reason, Hebrew has been referred to by Jews as '' Lashon Hakodesh'' (, ) since an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jarir Ibn Atiyah
Jarir ibn Atiyah al-Khatfi Al-Tamimi ( ar, جرير بن عطية الخطفي التميمي) () was an Arab poet and satirist. He was born in the reign of Najd Arabia, and was a member of the tribe Kulaib, a part of the Banu Tamim. He was a native of al-Yamamah, but also spent time in Damascus at the court of the Umayyad caliphs. Little is known of his early life, but he succeeded in winning the favor of Al-Hajjaj bin Yousef, the governor of Iraq. Already famous for his verse, he became more widely known by his feud with rival poets Farazdaq and Akhtal. Later he went to Damascus and visited the court of the caliph Abd al-Malik and that of his successor, Al-Walid I. From neither of these did he receive a warm welcome. He was, however, more successful with Umar II, and was the only poet received by the pious caliph. His verse, like that of his contemporaries, is largely satire and eulogy A eulogy (from , ''eulogia'', Classical Greek, ''eu'' for "well" or "true", ''logia' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hazaj Meter
Hazaj meter is a quantitative verse meter frequently found in the epic poetry of the Middle East and western Asia. A musical rhythm of the same name is based on the literary meter. Hazaj in Arabic poetry Like the other meters of the ''al-ʿarūḍ'' system of Arabic poetry, the basic rhyme unit of hazaj meter compositions is a closed couplet—a ''bayt'' "distich" (literally "tent")—of two hemistichs known as ''miṣrāʿ''s ("tent flaps"). Characteristic of the hazaj meter (in relation to the other ''al-ʿarūḍ'' meters) is its leading iamb, that is, the first two syllables of its prosodic feet are short-long. This syllable pair (the ''watid'', "peg") is then repeated at fixed points along the length of a line, and two variable syllables (the ''sabab'', "guy-wire"s) are "tied" to each instance of it. The hazaj measure is thus nominally tetrasyllabic. Its two common variations are: : In classical Arabic the hazaj is generally used in a dimeter version of four feet. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabic Poetry
Arabic poetry ( ar, الشعر العربي ''ash-shi‘ru al-‘Arabīyyu'') is the earliest form of Arabic literature. Present knowledge of poetry in Arabic dates from the 6th century, but oral poetry is believed to predate that. Arabic poetry is categorized into two main types, rhymed or measured, and prose, with the former greatly preceding the latter. The rhymed poetry falls within fifteen different meters collected and explained by al-Farahidi in ''The Science of ‘ Arud''. Al-Akhfash, a student of al-Farahidi, later added one more meter to make them sixteen. The meters of the rhythmical poetry are known in Arabic as "seas" (''buḥūr''). The measuring unit of seas is known as "''taf‘īlah''," and every sea contains a certain number of taf'ilas which the poet has to observe in every verse (''bayt'') of the poem. The measuring procedure of a poem is very rigorous. Sometimes adding or removing a consonant or a vowel can shift the ''bayt'' from one meter to another. Also, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
