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Vorticists
Vorticism was a London-based modernist art movement formed in 1914 by the writer and artist Wyndham Lewis. The movement was partially inspired by Cubism and was introduced to the public by means of the publication of the Vorticist manifesto in ''Blast'' magazine. Familiar forms of representational art were rejected in favour of a geometric style that tended towards a hard-edged abstraction. Lewis proved unable to harness the talents of his disparate group of avant-garde artists; however, for a brief period Vorticism proved to be an exciting intervention and an artistic riposte to Marinetti's Futurism and the post-impressionism of Roger Fry's Omega Workshops. Vorticist paintings emphasised 'modern life' as an array of bold lines and harsh colours drawing the viewer's eye into the centre of the canvas and vorticist sculpture created energy and intensity through 'direct carving'. Prelude to Vorticism In the summer of 1913 Roger Fry, with Duncan Grant and Vanessa Bell, set up ...
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Vorticist Study (1914)
Vorticism was a London-based modernist art movement formed in 1914 by the writer and artist Wyndham Lewis. The movement was partially inspired by Cubism and was introduced to the public by means of the publication of the Vorticist manifesto in ''Blast'' magazine. Familiar forms of representational art were rejected in favour of a geometric style that tended towards a hard-edged abstraction. Lewis proved unable to harness the talents of his disparate group of avant-garde artists; however, for a brief period Vorticism proved to be an exciting intervention and an artistic riposte to Marinetti's Futurism and the post-impressionism of Roger Fry's Omega Workshops. Vorticist paintings emphasised 'modern life' as an array of bold lines and harsh colours drawing the viewer's eye into the centre of the canvas and vorticist sculpture created energy and intensity through 'direct carving'. Prelude to Vorticism In the summer of 1913 Roger Fry, with Duncan Grant and Vanessa Bell, set up th ...
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Rebel Art Centre
Vorticism was a London-based Modernism, modernist art movement formed in 1914 by the writer and artist Wyndham Lewis. The movement was partially inspired by Cubism and was introduced to the public by means of the publication of the Vorticist manifesto in ''Blast (magazine), Blast'' magazine. Familiar forms of representational art were rejected in favour of a geometric style that tended towards a hard-edged Abstract art, abstraction. Lewis proved unable to harness the talents of his disparate group of avant-garde artists; however, for a brief period Vorticism proved to be an exciting intervention and an artistic riposte to Marinetti's Futurism and the post-impressionism of Roger Fry's Omega Workshops. Vorticist paintings emphasised 'modern life' as an array of bold lines and harsh colours drawing the viewer's eye into the centre of the canvas and vorticist sculpture created energy and intensity through 'direct carving'. Prelude to Vorticism In the summer of 1913 Roger Fry, wi ...
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Frederick Etchells
Frederick Etchells (14 September 1886 – 16 August 1973) was an English artist and architect. Biography Etchells was born in Newcastle upon Tyne. His early education was at the London School of Kensington, now known as The Royal College of Art where he studied on the Architectural course under Arthur Beresford Pite (1861–1934) and two years under William Lethaby, which brought him into contact with the Bloomsbury Group. He was a contributor to the Omega Workshops, but was one of those breaking away with Wyndham Lewis; this breakaway began the Rebel Art Centre, with the Rebel Art Movement, somewhat akin to the Dadaists in Paris. The Rebel Art Movement transformed into the Vorticists several of his illustrations appeared in the issues of the literary magazine ''BLAST'' of which there were only two issues. There was a Manifesto, which not all of the artists involved signed up to; Etchells himself excluded his name from the manifesto. However William Roberts later painte ...
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Wyndham Lewis
Percy Wyndham Lewis (18 November 1882 – 7 March 1957) was a British writer, painter and critic. He was a co-founder of the Vorticist movement in art and edited ''BLAST,'' the literary magazine of the Vorticists. His novels include ''Tarr'' (1918) and ''The Human Age'' trilogy, composed of ''The Childermass'' (1928), ''Monstre Gai'' (1955) and ''Malign Fiesta'' (1955). A fourth volume, titled ''The Trial of Man'', was unfinished at the time of his death. He also wrote two autobiographical volumes: '' Blasting and Bombardiering'' (1937) and ''Rude Assignment: A Narrative of my Career Up-to-Date'' (1950). Biography Early life Lewis was born on 18 November 1882, reputedly on his father's yacht off the Canadian province of Nova Scotia.Richard Cork"Lewis, (Percy) Wyndham (1882–1957)" ''Oxford Dictionary of National Biography'', Oxford University Press, 2004. His English mother, Anne Stuart Lewis (née Prickett), and American father, Charles Edward Lewis, separated about 1893. ...
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Kate Lechmere
Kate Elizabeth Lechmere (13 October 1887 – February 1976) was a British painter who with Wyndham Lewis was the co-founder of the Rebel Art Centre in 1914. As far as is known, none of Lechmere's paintings have survived."Women that a movement forgot"
Brigid Peppin, Tate, 1 May 2011. Retrieved 6 November 2014.
She served as a nurse in England during the and had a three-year relationship with the poet and critic before he was killed. After the war she became a successful



Blast (magazine)
''Blast'' was the short-lived literary magazine of the Vorticist movement in Britain. Two editions were published: the first on 2 July 1914 (dated 20 June 1914, but publication was delayed)Black (2004), p. 100 and featured a bright pink cover, referred to by Ezra Pound as the "great MAGENTA cover'd opusculus"; and the second a year later on 15 July 1915. Both editions were written primarily by Wyndham Lewis.Pfannkuchen (2005) The magazine is emblematic of the modern art movement in England, and recognised as a seminal text of pre-war 20th-century modernism. The magazine originally cost 2/6. Background When the Italian futurist Filippo Tommaso Marinetti visited London in 1910, as part of a series of well-publicised lectures aimed at galvanizing support across Europe for the new Italian avant-garde, his presentation at the Lyceum Club, in which he addressed his audience as "victims of ... traditionalism and its medieval trappings", electrified the assembled avant-garde. ...
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David Bomberg
David Garshen Bomberg (5 December 1890 – 19 August 1957) was a British painter, and one of the Whitechapel Boys. Bomberg was one of the most audacious of the exceptional generation of artists who studied at the Slade School of Art under Henry Tonks, and which included Mark Gertler, Stanley Spencer, C.R.W. Nevinson, and Dora Carrington. Bomberg painted a series of complex geometric compositions combining the influences of cubism and futurism in the years immediately preceding World War I; typically using a limited number of striking colours, turning humans into simple, angular shapes, and sometimes overlaying the whole painting a strong grid-work colouring scheme. He was expelled from the Slade School of Art in 1913, with agreement between the senior teachers Tonks, Frederick Brown and Philip Wilson Steer, because of the audacity of his breach from the conventional approach of that time.Jean Moorcroft Wilson — ''Isaac Rosenberg'' (2008) Whether because his faith in the mac ...
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Ezra Pound
Ezra Weston Loomis Pound (30 October 1885 – 1 November 1972) was an expatriate American poet and critic, a major figure in the early modernist poetry movement, and a Fascism, fascist collaborator in Italy during World War II. His works include ''Ripostes'' (1912), ''Hugh Selwyn Mauberley'' (1920), and his 800-page Epic poetry, epic poem, ''The Cantos'' (c. 1917–1962). Pound's contribution to poetry began in the early 20th century with his role in developing Imagism, a movement stressing precision and economy of language. Working in London as foreign editor of several American literary magazines, he helped discover and shape the work of contemporaries such as T. S. Eliot, Ernest Hemingway, and James Joyce. He was responsible for the 1914 serialization of Joyce's ''A Portrait of the Artist as a Young Man'', the 1915 publication of Eliot's "The Love Song of J. Alfred Prufrock", and the serialization from 1918 of Joyce's ''Ulysses (novel), Ulysses''. Hemingway wrote ...
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Edward Wadsworth
Edward Alexander Wadsworth (29 October 1889 – 21 June 1949) was an English artist, closely associated with modernist Vorticism movement. He painted coastal views, abstracts, portraits and still-life in tempera medium and works printed using wood engraving and copper. In the First World War he designed dazzle camouflage for the Royal Navy, and continued to paint nautical themes after the war. Early life and study Wadsworth was born on 29 October 1889 in Cleckheaton, West Yorkshire, and educated at Fettes College in Edinburgh. He studied engineering in Munich between 1906 and 1907, where he studied art in his spare time at the Knirr School. This provoked a change of course, as he attended Bradford School of Art before earning a scholarship to the Slade School of Art, London. His contemporaries at the school included Stanley Spencer, CRW Nevinson, Mark Gertler, Dora Carrington and David Bomberg. Career Wadsworth's work was included in Roger Fry's second Post-Impressionism ...
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Cuthbert Hamilton
Cuthbert Hamilton (1885–1959) was a British artist associated with the Vorticist movement and later with Group X. He was one of the pioneers of abstract art in Britain. Cuthbert Hamilton went to the Slade School of Art and was a contemporary of Wyndham Lewis. In 1912 he helped with decorations for the Cave of the Golden Calf with Wyndham Lewis, and the next year he became part of the Omega Workshops. In 1913 Wyndham Lewis argued with Roger Fry about a commission at the Omega Workshops. Hamilton left the workshops with other artists William Roberts, Frederick Etchells, Edward Wadsworth, and Henri Gaudier-Brzeska. They all supported Wyndham Lewis and united with him in March 1914, when he started the Rebel Art Centre. The artists were later on associated with the Vorticist art movement. Hamilton was one of the names signing the Vorticist manifesto and he also contributed material to the first issue of the Vorticist magazine ''Blast'', (illus xviii ''Group''). He opened the ...
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Kate Lechmere, Cuthbert Hamilton (seated), Edward Wadsworth And Wyndham Lewis 1914
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Camden Town Group
The Camden Town Group was a group of English Post-Impressionist artists founded in 1911 and active until 1913. They gathered frequently at the studio of painter Walter Sickert in the Camden Town area of London. History In 1908, critic Frank Rutter created the Allied Artists Association (AAA), a group separate from the Royal Academy artistic societies and modelled on the French Salon des Indépendants. Many of the artists who became the Camden Town Group exhibited with the AAA. The members of the Camden Town Group included Walter Sickert, Harold Gilman, Spencer Frederick Gore, Lucien Pissarro (the son of French Impressionist painter Camille Pissarro), Wyndham Lewis, Walter Bayes, J. B. Manson, Robert Bevan, Augustus John, Henry Lamb, Charles Ginner, and John Doman Turner. Influences include Vincent van Gogh and Paul Gauguin whose work can clearly be traced throughout this group's work. Their portrayal of much of London before and during World War I is historically intere ...
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