Kate Lechmere
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Kate Lechmere
Kate Elizabeth Lechmere (13 October 1887 – February 1976) was a British painter who with Wyndham Lewis was the co-founder of the Rebel Art Centre in 1914. As far as is known, none of Lechmere's paintings have survived."Women that a movement forgot"
Brigid Peppin, Tate, 1 May 2011. Retrieved 6 November 2014.
She served as a nurse in England during the and had a three-year relationship with the poet and critic before he was killed. After the war she became a successful



Fownhope
Fownhope is a village in Herefordshire, England, an area of outstanding natural beauty on the banks of the River Wye. The population of the village at the 2011 Census was 999. The village has a church, St. Mary's Parish Church; primary school, St. Mary's C of E Primary School; medical centre, Fownhope Medical Centre; two pubs, the Green Man and the New Inn; two hotels, Bowen's Bed & Breakfast and Ferry Lane Bed & Breakfast (both of which are bed and breakfast hotels); a fitness/leisure centre, Wye Leisure and butchers, John A Pritchard & Son. There is a village hall and a recreation/sports field and pavilion, both of which are well used by the many clubs and societies in the village, and in the centre is the village Fire Station. On the northern outskirts of the village, towards Hereford, the Lucksall campsite is situated on the river by the Holme Lacy bridge. It is owned by Sir Eli Cartwright whose family owned most of Hereford in the 19th Century. The nearby Wye Valley Walk ...
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Omega Workshops
The Omega Workshops Ltd. was a design enterprise founded by members of the Bloomsbury Group and established in July 1913. Shone, Richard. (1999) ''The Art of Bloomsbury: Roger Fry, Vanessa Bell and Duncan Grant''. Princeton: Princeton University Press, pp. 137-138. It was located at 33 Fitzroy Square in London, and was founded with the intention of providing graphic expression to the essence of the Bloomsbury ethos.''Omega Workshops''
Victoria University Library, Toronto, 1997. Archived at Internet Archive.
The Workshops were also closely associated with the and the artist and critic

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Voluntary Aid Detachment
The Voluntary Aid Detachment (VAD) was a voluntary unit of civilians providing nursing care for military personnel in the United Kingdom and various other countries in the British Empire. The most important periods of operation for these units were during World War I and World War II. Although VADs were intimately bound up in the war effort, they were not military nurses, as they were not under the control of the military, unlike the Queen Alexandra's Royal Army Nursing Corps, the Princess Mary's Royal Air Force Nursing Service, and the Queen Alexandra's Royal Naval Nursing Service. The VAD nurses worked in field hospitals, i.e., close to the battlefield, and in longer-term places of recuperation back in Britain. World War I The VAD system was founded in 1909 with the help of the British Red Cross and Order of St John. By the summer of 1914 there were over 2,500 Voluntary Aid Detachments in Britain. Of the 74,000 VAD members in 1914, two-thirds were women and girls.
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Helen Saunders
Helen Saunders (4 April 1885 – 1 January 1963) was an English painter associated with the Vorticist movement. Biography Helen Saunders (pronounced ''Saːnders'') was born in Bedford Park, Ealing, London. She studied at the Slade School of Art in 1907, attending three days a week till the Spring term. She later attended the Central School of Arts and Crafts which offered more technical training than the Slade. By 1912 Saunders' work had become "recognisably Post Impressionist", and in February her painting "Rocks, North Devon" was accepted by The Friday Club (an exhibiting group set up by Vanessa Bell). She exhibited works at Galerie Barbazanges and at the Allied Artists Association. Saunders exhibited in the Twentieth Century Art exhibition at the Whitechapel Gallery in 1914, one of the first British artists to work in a nonfigurative style. In 1915 she became associated with the Vorticists through the artist Wyndham Lewis, signing the Vorticist's manifesto in the first e ...
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Jessica Dismorr
Jessica Stewart Dismorr (3 March 1885 – 29 August 1939) was an English painter and illustrator. Dismorr participated in almost all of the avant-garde groups active in London between 1912 and 1937 and was one of the few English painters of the 1930s to work in a completely abstract manner. She was one of only two women members of the Vorticist movement and also exhibited with the Allied Artists Association, the Seven and Five Society and the London Group. She was the only female contributor to Group X and displayed abstract works at the 1937 Artists' International Association exhibition. Poems and illustrations by Dismorr appeared in several avant-garde publications including ''Blast'', ''Rhythm'' and an edition of ''Axis''. Early life Dismorr was born at Gravesend in Kent, the fourth of five daughters born to Mary Ann Dismorr, née Clowes, and John Stewart Dismorr, a rich businessman with property interests in South Africa, Canada and Australia. The family moved to Hampstea ...
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The Vorticists At The Restaurant De La Tour Eiffel, Spring 1915
''The Vorticists at the Restaurant de la Tour Eiffel, Spring 1915'' is a 1961–1962 painting by the English artist William Roberts. It depicts the Vorticist group gathered at a French restaurant in London. Description The painting shows a crowded table inside the restaurant of the Hôtel de la Tour Eiffel at 1 Percy Street, London. Around the table are the key members of Vorticism, a British abstract art movement that flourished briefly in the 1910s. The six seated men are, from left to right: Cuthbert Hamilton, Ezra Pound, William Roberts, Wyndham Lewis, Frederick Etchells and Edward Wadsworth. Etchells holds a copy of the first issue of the Vorticist magazine ''Blast''. In the doorway to the left are the movement's two female members, Jessica Dismorr and Helen Saunders. Standing to the right are the waiter Joe and the restaurant's proprietor, Rudolph Stulik. Creation The Tour Eiffel restaurant had been visited frequently by the Poets' Club of T. E. Hulme, including F. ...
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William Roberts (painter)
William Patrick Roberts (5 June 1895 – 20 January 1980) was a British artist. In the years before the First World War Roberts was a pioneer, among English artists, in his use of abstract images. In later years he described his approach as that of an "English Cubist". In the First World War he served as a gunner on the Western Front, and in 1918 became an official war artist. Roberts's first one-man show was at the Chenil Gallery in London in 1923, and a number of his paintings from the twenties were purchased by the Contemporary Art Society for provincial galleries in the UK. In the 1930s it could be argued that Roberts was artistically at the top of his game; but, although his work was exhibited regularly in London and, increasingly, internationally, he always struggled financially. This situation became worse during the Second World War – although Roberts did carry out some commissions as a war artist. Roberts is probably best remembered for the large, complex and colo ...
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Soho Square
Soho Square is a garden square in Soho, London, hosting since 1954 a ''de facto'' public park let by the Soho Square Garden Committee to Westminster City Council. It was originally called King Square after Charles II, and a much weathered statue of the monarch has stood in the square, with an extended interruption, since 1661, one year after the restoration of the monarchy. Of the square's 30 buildings (including mergers), 16 are listed (have statutory recognition and protection). During the summer, Soho Square hosts open-air free concerts. By the time of the drawing of a keynote map of London in 1746 the newer name for the square had gained sway. The central garden and some buildings were owned by the Howard de Walden Estate, main heir to the Dukedom of Portland's great London estates. At its centre is a listed mock "market cross" building, completed in 1926 to hide the above-ground features of a contemporary electricity substation; small, octagonal, with Tudorbethan ...
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Frith Street
Frith Street is in the Soho area of London. To the north is Soho Square and to the south is Shaftesbury Avenue. The street crosses Old Compton Street, Bateman Street and Romilly Street. History Frith Street was laid out in the late 1670s and early 1680s and evidently named after Richard Frith, a wealthy builder. In the 18th and early 19th centuries many artistic and literary people came to live in Soho, and several of them settled in this street. The painter John Alexander Gresse was here in 1784, the year of his death. John Horne Tooke, philologist and politician, lived here in about 1804; John Constable lived here in 1810–11; John Bell, the sculptor, in 1832–33; and William Hazlitt wrote his last essays while he was lodging at no. 6 Frith Street prior to his death there in 1830. The lithographic artist Alfred Concanen had a studio at no. 12 for many years.Irons, Neville - 'Alfred Concanen, Master Lithographer' ''Irish Arts Review'' Vol. 4, No. 3 (Autumn 1987) ...
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Ethel Kibblewhite
Ethel (Dolly) Kibblewhite (1873–1947Ferguson, 2012, p. 273.) was the host of an important artistic and literary salon in London in the 1910s. The salon was held at her home at 67 Frith Street and presided over by the poet and critic T.E. Hulme. Early life Born Ethel Curtis, Kibblewhite was the oldest daughter of Thomas Figgis Curtis, a stained glass maker, and his wife Mary. Her sister, Dora Curtis, was also an artist. The two sisters studied drawing under Fred Brown, latterly at the Slade School of Art. Marriage Ethel married Gilbert Kibblewhite in London in 1900. They moved to Storrington in West Sussex where Gilbert became the manager of a dairy farm which his father had bought for him. The marriage was unsuccessful as Gilbert was unable to control his temper, causing Ethel to several times flee from him with their children Peter and Diana (later the lutanist Diana Poulton). On one occasion when they were separated, Gilbert arrived at his father in law's house at Rustingt ...
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David Bomberg
David Garshen Bomberg (5 December 1890 – 19 August 1957) was a British painter, and one of the Whitechapel Boys. Bomberg was one of the most audacious of the exceptional generation of artists who studied at the Slade School of Art under Henry Tonks, and which included Mark Gertler, Stanley Spencer, C.R.W. Nevinson, and Dora Carrington. Bomberg painted a series of complex geometric compositions combining the influences of cubism and futurism in the years immediately preceding World War I; typically using a limited number of striking colours, turning humans into simple, angular shapes, and sometimes overlaying the whole painting a strong grid-work colouring scheme. He was expelled from the Slade School of Art in 1913, with agreement between the senior teachers Tonks, Frederick Brown and Philip Wilson Steer, because of the audacity of his breach from the conventional approach of that time.Jean Moorcroft Wilson — ''Isaac Rosenberg'' (2008) Whether because his faith in the mac ...
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