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Edward Wadsworth
Edward Alexander Wadsworth (29 October 1889 – 21 June 1949) was an English artist, closely associated with modernist Vorticism movement. He painted coastal views, abstracts, portraits and still-life in tempera medium and works printed using wood engraving and copper. In the First World War he designed dazzle camouflage for the Royal Navy, and continued to paint nautical themes after the war. Early life and study Wadsworth was born on 29 October 1889 in Cleckheaton, West Yorkshire, and educated at Fettes College in Edinburgh. He studied engineering in Munich between 1906 and 1907, where he studied art in his spare time at the Knirr School. This provoked a change of course, as he attended Bradford School of Art before earning a scholarship to the Slade School of Art, London. His contemporaries at the school included Stanley Spencer, CRW Nevinson, Mark Gertler, Dora Carrington and David Bomberg. Career Wadsworth's work was included in Roger Fry's second Post-Impressionism ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cleckheaton
Cleckheaton is a town in the Metropolitan borough of Kirklees, in West Yorkshire, England. Historically part of the West Riding of Yorkshire, it is situated south of Bradford, east of Brighouse, west of Batley and south-west of Leeds. It is at the centre of the Spen Valley and was the major town in the former borough of Spenborough. Cleckheaton has a history as a mill town and forms part of the Heavy Woollen District. History Early history The Spen Valley was once heavily wooded. Evidence of human habitation in Mesolithic and Neolithic times has been found in the area. Roman remains have been found in the valley and it is thought that roads from York to Chester, and from settlements in Halifax and Wakefield, passed through Cleckheaton. Cleckheaton was in the ancient parish of Birstall. A chapel of ease, known as the White Chapel (later Whitechapel) was established. Textile working The area was very disorganised for a long time after the Norman Conquest and the richest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanley Spencer
Sir Stanley Spencer, CBE RA (30 June 1891 – 14 December 1959) was an English painter. Shortly after leaving the Slade School of Art, Spencer became well known for his paintings depicting Biblical scenes occurring as if in Cookham, the small village beside the River Thames where he was born and spent much of his life. Spencer referred to Cookham as "a village in Heaven" and in his biblical scenes, fellow-villagers are shown as their Gospel counterparts. Spencer was skilled at organising multi-figure compositions such as in his large paintings for the Sandham Memorial Chapel and the ''Shipbuilding on the Clyde'' series, the former being a First World War memorial while the latter was a commission for the War Artists' Advisory Committee during the Second World War. As his career progressed Spencer often produced landscapes for commercial necessity and the intensity of his early visionary years diminished somewhat while elements of eccentricity came more to the fore. Although hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dazzle-ships In Drydock At Liverpool
''Dazzle-ships in Drydock at Liverpool'' is a 1919 painting by the English artist Edward Wadsworth. It is one of Wadsworth's most famous paintings. Creation Wadsworth had been involved with Vorticism, an abstract art movement led by Wyndham Lewis, before he was employed to design dazzle camouflage for ships during World War I. This experience forms the background for ''Dazzle-ships in Drydock at Liverpool''. Legacy The graphic designer Peter Saville was struck by the painting and suggested the title for the album '' Dazzle Ships'' by Orchestral Manoeuvres in the Dark. Saville designed the album's cover and used Wadsworth's painting as inspiration. References Further reading * {{Cite journal, last=Hewison, first=Robert, authorlink=Robert Hewison, year=2015, url=http://www.biennial.com/journal/issue-4/edward-wadsworth-and-the-art-of-dazzle-painting, title=Edward Wadsworth and the Art of Dazzle Painting, journal=Stages, issue=4 External links ''Dazzle-ships in Drydock at Liverp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wassily Kandinsky
Wassily Wassilyevich Kandinsky (; rus, Василий Васильевич Кандинский, Vasiliy Vasilyevich Kandinskiy, vɐˈsʲilʲɪj vɐˈsʲilʲjɪvʲɪtɕ kɐnʲˈdʲinskʲɪj; – 13 December 1944) was a Russian painter and art theorist. Kandinsky is generally credited as one of the pioneers of abstraction in western art, possibly after Hilma af Klint. Born in Moscow, he spent his childhood in Odessa, where he graduated at Grekov Odessa Art School. He enrolled at the University of Moscow, studying law and economics. Successful in his profession—he was offered a professorship (chair of Roman Law) at the University of Dorpat (today Tartu, Estonia)—Kandinsky began painting studies (life-drawing, sketching and anatomy) at the age of 30. In 1896, Kandinsky settled in Munich, studying first at Anton Ažbe's private school and then at the Academy of Fine Arts. He returned to Moscow in 1914, after the outbreak of World War I. Following the Russian Revolu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BLAST (magazine)
''Blast'' was the short-lived literary magazine of the Vorticist movement in Britain. Two editions were published: the first on 2 July 1914 (dated 20 June 1914, but publication was delayed)Black (2004), p. 100 and featured a bright pink cover, referred to by Ezra Pound as the "great MAGENTA cover'd opusculus"; and the second a year later on 15 July 1915. Both editions were written primarily by Wyndham Lewis.Pfannkuchen (2005) The magazine is emblematic of the modern art movement in England, and recognised as a seminal text of pre-war 20th-century modernism. The magazine originally cost 2/6. Background When the Italian futurist Filippo Tommaso Marinetti visited London in 1910, as part of a series of well-publicised lectures aimed at galvanizing support across Europe for the new Italian avant-garde, his presentation at the Lyceum Club, in which he addressed his audience as "victims of ... traditionalism and its medieval trappings", electrified the assembled avant-garde. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zang Tumb Tumb
''Zang Tumb Tumb'' (usually referred to as ''Zang Tumb Tuuum'') is a sound poem and concrete poem written by Filippo Tommaso Marinetti, an Italian futurist. It appeared in excerpts in journals between 1912 and 1914, when it was published as an artist's book in Milan. It is an account of the Battle of Adrianople, which he witnessed as a reporter for ''L'Intransigeant''. The poem uses ''Parole in libertà'' (words in freedom; creative typography) and other poetic impressions of the events of the battle, including the sounds of gunfire and explosions. The work is now seen as a seminal work of modernist art, and an enormous influence on the emerging culture of European avant-garde print. " hemasterpiece of Words-in-freedom and of Marinetti’s literary career was the novel ''Zang Tumb Tuuum''... the story of the siege by the Bulgarians of Turkish Adrianople in the Balkan War, which Marinetti had witnessed as a war reporter. The dynamic rhythms and onomatopoetic possibilities that the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filippo Tommaso Marinetti
Filippo Tommaso Emilio Marinetti (; 22 December 1876 – 2 December 1944) was an Italian poet, editor, art theorist, and founder of the Futurist movement. He was associated with the utopian and Symbolist artistic and literary community Abbaye de Créteil between 1907 and 1908. Marinetti is best known as the author of the first ''Futurist Manifesto'', which was written and published in 1909, and as a co-author of the Fascist Manifesto, in 1919. Childhood and adolescence Emilio Angelo Carlo Marinetti (some documents give his name as "Filippo Achille Emilio Marinetti") spent the first years of his life in Alexandria, Egypt, where his father (Enrico Marinetti) and his mother (Amalia Grolli) lived together ''more uxorio'' (as if married). Enrico was a lawyer from Piedmont, and his mother was the daughter of a literary professor from Milan. They had come to Egypt in 1865, at the invitation of Khedive Isma'il Pasha, to act as legal advisers for foreign companies that were taking part i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wyndham Lewis
Percy Wyndham Lewis (18 November 1882 – 7 March 1957) was a British writer, painter and critic. He was a co-founder of the Vorticist movement in art and edited ''BLAST,'' the literary magazine of the Vorticists. His novels include ''Tarr'' (1918) and ''The Human Age'' trilogy, composed of ''The Childermass'' (1928), ''Monstre Gai'' (1955) and ''Malign Fiesta'' (1955). A fourth volume, titled ''The Trial of Man'', was unfinished at the time of his death. He also wrote two autobiographical volumes: '' Blasting and Bombardiering'' (1937) and ''Rude Assignment: A Narrative of my Career Up-to-Date'' (1950). Biography Early life Lewis was born on 18 November 1882, reputedly on his father's yacht off the Canadian province of Nova Scotia.Richard Cork"Lewis, (Percy) Wyndham (1882–1957)" ''Oxford Dictionary of National Biography'', Oxford University Press, 2004. His English mother, Anne Stuart Lewis (née Prickett), and American father, Charles Edward Lewis, separated about 1893. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grafton Galleries
The Grafton Galleries, often referred to as the Grafton Gallery, was an art gallery in Mayfair, London. The French art dealer Paul Durand-Ruel showed the first major exhibition in Britain of Impressionist paintings there in 1905. Roger Fry's two famous exhibitions of Post-Impressionist works in 1910 and 1912 were both held at the gallery. History The date of foundation of the Grafton Galleries is not certain; some sources give 1873, when it had an address in Liverpool. The gallery was incorporated in London on 16 June 1891, and opened in February 1893, first at 8 Grafton Street, and later, from 1896, in Bond Street. The manager was Francis Gerard Prange. From 1905 or earlier, Roger Fry was an advisor to the gallery; he asked William Rothenstein to advise him on exhibition content. Exhibitions The first London exhibition of the Grafton Galleries opened on 18 February 1893; the last was probably in 1930. The most celebrated exhibitions held there were Paul Durand-Ruel's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-Impressionism
Post-Impressionism (also spelled Postimpressionism) was a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism. Post-Impressionism emerged as a reaction against Impressionists' concern for the naturalistic depiction of light and colour. Its broad emphasis on abstract qualities or symbolic content means Post-Impressionism encompasses Les Nabis, Neo-Impressionism, Symbolism, Cloisonnism, the Pont-Aven School, and Synthetism, along with some later Impressionists' work. The movement's principal artists were Paul Cézanne (known as the father of Post-Impressionism), Paul Gauguin, Vincent van Gogh and Georges Seurat. The term Post-Impressionism was first used by art critic Roger Fry in 1906.Peter Morrin, Judith Zilczer, William C. Agee, ''The Advent of Modernism. Post-Impressionism and North American Art, 1900-1918'', High Museum of Art, 1986 Critic Frank Rutter in a review of the Salon d'Automne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roger Fry
Roger Eliot Fry (14 December 1866 – 9 September 1934) was an English painter and critic, and a member of the Bloomsbury Group. Establishing his reputation as a scholar of the Old Masters, he became an advocate of more recent developments in French painting, to which he gave the name Post-Impressionism. He was the first figure to raise public awareness of modern art in Britain, and emphasised the formal properties of paintings over the "associated ideas" conjured in the viewer by their representational content. He was described by the art historian Kenneth Clark as "incomparably the greatest influence on taste since Ruskin ...In so far as taste can be changed by one man, it was changed by Roger Fry". The taste Fry influenced was primarily that of the Anglophone world, and his success lay largely in alerting an educated public to a compelling version of recent artistic developments of the Parisian avant-garde. Life Born in London, the son of the judge Edward Fry, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Bomberg
David Garshen Bomberg (5 December 1890 – 19 August 1957) was a British painter, and one of the Whitechapel Boys. Bomberg was one of the most audacious of the exceptional generation of artists who studied at the Slade School of Art under Henry Tonks, and which included Mark Gertler, Stanley Spencer, C.R.W. Nevinson, and Dora Carrington. Bomberg painted a series of complex geometric compositions combining the influences of cubism and futurism in the years immediately preceding World War I; typically using a limited number of striking colours, turning humans into simple, angular shapes, and sometimes overlaying the whole painting a strong grid-work colouring scheme. He was expelled from the Slade School of Art in 1913, with agreement between the senior teachers Tonks, Frederick Brown and Philip Wilson Steer, because of the audacity of his breach from the conventional approach of that time.Jean Moorcroft Wilson — ''Isaac Rosenberg'' (2008) Whether because his faith in the mac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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