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Blast (magazine)
''Blast'' was the short-lived literary magazine of the Vorticist movement in Britain. Two editions were published: the first on 2 July 1914 (dated 20 June 1914, but publication was delayed)Black (2004), p. 100 and featured a bright pink cover, referred to by Ezra Pound as the "great MAGENTA cover'd opusculus"; and the second a year later on 15 July 1915. Both editions were written primarily by Wyndham Lewis.Pfannkuchen (2005) The magazine is emblematic of the modern art movement in England, and recognised as a seminal text of pre-war 20th-century modernism. The magazine originally cost 2/6. Background When the Italian futurist Filippo Tommaso Marinetti visited London in 1910, as part of a series of well-publicised lectures aimed at galvanizing support across Europe for the new Italian avant-garde, his presentation at the Lyceum Club, in which he addressed his audience as "victims of ... traditionalism and its medieval trappings", electrified the assembled avant-garde. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wyndham Lewis
Percy Wyndham Lewis (18 November 1882 – 7 March 1957) was a British writer, painter and critic. He was a co-founder of the Vorticist movement in art and edited ''BLAST,'' the literary magazine of the Vorticists. His novels include ''Tarr'' (1918) and ''The Human Age'' trilogy, composed of ''The Childermass'' (1928), ''Monstre Gai'' (1955) and ''Malign Fiesta'' (1955). A fourth volume, titled ''The Trial of Man'', was unfinished at the time of his death. He also wrote two autobiographical volumes: '' Blasting and Bombardiering'' (1937) and ''Rude Assignment: A Narrative of my Career Up-to-Date'' (1950). Biography Early life Lewis was born on 18 November 1882, reputedly on his father's yacht off the Canadian province of Nova Scotia.Richard Cork"Lewis, (Percy) Wyndham (1882–1957)" ''Oxford Dictionary of National Biography'', Oxford University Press, 2004. His English mother, Anne Stuart Lewis (née Prickett), and American father, Charles Edward Lewis, separated about 1893. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Joyce
James Augustine Aloysius Joyce (2 February 1882 – 13 January 1941) was an Irish novelist, poet, and literary critic. He contributed to the modernist avant-garde movement and is regarded as one of the most influential and important writers of the 20th century. Joyce's novel ''Ulysses'' (1922) is a landmark in which the episodes of Homer's ''Odyssey'' are paralleled in a variety of literary styles, particularly stream of consciousness. Other well-known works are the short-story collection ''Dubliners'' (1914), and the novels ''A Portrait of the Artist as a Young Man'' (1916) and ''Finnegans Wake'' (1939). His other writings include three books of poetry, a play, letters, and occasional journalism. Joyce was born in Dublin into a middle-class family. He attended the Jesuit Clongowes Wood College in County Kildare, then, briefly, the Christian Brothers-run O'Connell School. Despite the chaotic family life imposed by his father's unpredictable finances, he excelled at the Jesuit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suffragettes
A suffragette was a member of an activist women's organisation in the early 20th century who, under the banner "Votes for Women", fought for the right to vote in public elections in the United Kingdom. The term refers in particular to members of the British Women's Social and Political Union (WSPU), a women-only movement founded in 1903 by Emmeline Pankhurst, which engaged in direct action and civil disobedience. In 1906, a reporter writing in the '' Daily Mail'' coined the term ''suffragette'' for the WSPU, derived from suffragist (any person advocating for voting rights), in order to belittle the women advocating women's suffrage. The militants embraced the new name, even adopting it for use as the title of the newspaper published by the WSPU. Women had won the right to vote in several countries by the end of the 19th century; in 1893, New Zealand became the first self-governing country to grant the vote to all women over the age of 21. When by 1903 women in Britain h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wassily Kandinsky
Wassily Wassilyevich Kandinsky (; rus, Василий Васильевич Кандинский, Vasiliy Vasilyevich Kandinskiy, vɐˈsʲilʲɪj vɐˈsʲilʲjɪvʲɪtɕ kɐnʲˈdʲinskʲɪj; – 13 December 1944) was a Russian painter and art theorist. Kandinsky is generally credited as one of the pioneers of abstraction in western art, possibly after Hilma af Klint. Born in Moscow, he spent his childhood in Odessa, where he graduated at Grekov Odessa Art School. He enrolled at the University of Moscow, studying law and economics. Successful in his profession—he was offered a professorship (chair of Roman Law) at the University of Dorpat (today Tartu, Estonia)—Kandinsky began painting studies (life-drawing, sketching and anatomy) at the age of 30. In 1896, Kandinsky settled in Munich, studying first at Anton Ažbe's private school and then at the Academy of Fine Arts. He returned to Moscow in 1914, after the outbreak of World War I. Following the Russian Revolu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jessica Dismorr
Jessica Stewart Dismorr (3 March 1885 – 29 August 1939) was an English painter and illustrator. Dismorr participated in almost all of the avant-garde groups active in London between 1912 and 1937 and was one of the few English painters of the 1930s to work in a completely abstract manner. She was one of only two women members of the Vorticist movement and also exhibited with the Allied Artists Association, the Seven and Five Society and the London Group. She was the only female contributor to Group X and displayed abstract works at the 1937 Artists' International Association exhibition. Poems and illustrations by Dismorr appeared in several avant-garde publications including ''Blast'', ''Rhythm'' and an edition of ''Axis''. Early life Dismorr was born at Gravesend in Kent, the fourth of five daughters born to Mary Ann Dismorr, née Clowes, and John Stewart Dismorr, a rich businessman with property interests in South Africa, Canada and Australia. The family moved to Hampstea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lawrence Atkinson
Lawrence Atkinson (1873–1931) was an English artist, musician and poet. Early life Atkinson was born at Chorlton upon Medlock, near Manchester, on 17 January 1873.''Wyndham Lewis and Vorticism''. Tate Gallery, London, 1956, p. 27. He began by moving to Paris and studying musical composition, but moved back to London and began to paint, apparently painting mainly landscapes in a style influenced by Matisse and the Fauves (almost all of these works are lost). Vorticism His style changed radically when he was introduced to the work of Wyndham Lewis and the vorticists. He also wrote poetry, in a Modernist Modernism is both a philosophical and arts movement that arose from broad transformations in Western society during the late 19th and early 20th centuries. The movement reflected a desire for the creation of new forms of art, philosophy, an ... style. Death Atkinson died in Paris on 21 September 1931. References External links ''Wheels'' at The Modernist Journals P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Helen Saunders
Helen Saunders (4 April 1885 – 1 January 1963) was an English painter associated with the Vorticist movement. Biography Helen Saunders (pronounced ''Saːnders'') was born in Bedford Park, Ealing, London. She studied at the Slade School of Art in 1907, attending three days a week till the Spring term. She later attended the Central School of Arts and Crafts which offered more technical training than the Slade. By 1912 Saunders' work had become "recognisably Post Impressionist", and in February her painting "Rocks, North Devon" was accepted by The Friday Club (an exhibiting group set up by Vanessa Bell). She exhibited works at Galerie Barbazanges and at the Allied Artists Association. Saunders exhibited in the Twentieth Century Art exhibition at the Whitechapel Gallery in 1914, one of the first British artists to work in a nonfigurative style. In 1915 she became associated with the Vorticists through the artist Wyndham Lewis, signing the Vorticist's manifesto in the first e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Roberts (painter)
William Patrick Roberts (5 June 1895 – 20 January 1980) was a British artist. In the years before the First World War Roberts was a pioneer, among English artists, in his use of abstract images. In later years he described his approach as that of an "English Cubist". In the First World War he served as a gunner on the Western Front, and in 1918 became an official war artist. Roberts's first one-man show was at the Chenil Gallery in London in 1923, and a number of his paintings from the twenties were purchased by the Contemporary Art Society for provincial galleries in the UK. In the 1930s it could be argued that Roberts was artistically at the top of his game; but, although his work was exhibited regularly in London and, increasingly, internationally, he always struggled financially. This situation became worse during the Second World War – although Roberts did carry out some commissions as a war artist. Roberts is probably best remembered for the large, complex and colo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grotesque (Stephenson Blake Typefaces)
The Stephenson Blake Grotesque fonts are a series of sans-serif typefaces created by the type foundry Stephenson Blake of Sheffield, England, mostly around the beginning of the twentieth century. Stephenson Blake's grotesque faces are in the traditional nineteenth-century "grotesque" style of sans-serif, with folded-up letterforms and a solid structure not intended for extended body text. Forming a sprawling series, they include several unusual details, such as an 'r' with a droop, a bruised-looking 'G' and 'C' with inward curls on the right, very short descenders and considerable variation in stroke width, creating a somewhat eccentric, irregular impression. Much less even in colour than later families like Univers and Helvetica, they were very commonly used in British commercial printing in the metal type era, with a revival of interest as part of a resurgence of use of such "industrial" sans-serifs around the 1950s. Writing in ''The Typography of Press Advertisement'' (1956) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concrete Poetry
Concrete poetry is an arrangement of linguistic elements in which the typographical effect is more important in conveying meaning than verbal significance. It is sometimes referred to as visual poetry, a term that has now developed a distinct meaning of its own. Concrete poetry relates more to the visual than to the verbal arts although there is a considerable overlap in the kind of product to which it refers. Historically, however, concrete poetry has developed from a long tradition of shaped or patterned poems in which the words are arranged in such a way as to depict their subject. Development Though the term ‘concrete poetry’ is modern, the idea of using letter arrangements to enhance the meaning of a poem is old. Such shaped poetry was popular in Greek Alexandria during the 3rd and 2nd centuries BCE, although only the handful which were collected together in the Greek Anthology now survive. Examples include poems by Simmias of Rhodes in the shape of an egg, wings and a ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Book Size
The size of a book is generally measured by the height against the width of a leaf, or sometimes the height and width of its cover. A series of terms is commonly used by libraries and publishers for the general sizes of modern books, ranging from ''folio'' (the largest), to ''quarto'' (smaller) and ''octavo'' (still smaller). Historically, these terms referred to the format of the book, a technical term used by printers and bibliographers to indicate the size of a leaf in terms of the size of the original sheet. For example, a quarto (from Latin ''quartō'', ablative form of ''quartus'', fourth) historically was a book printed on sheets of paper folded in half twice, with the first fold at right angles to the second, to produce 4 leaves (or 8 pages), each leaf one fourth the size of the original sheet printed – note that a ''leaf'' refers to the single piece of paper, whereas a ''page'' is one side of a leaf. Because the actual format of many modern books cannot be determined fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ford Madox Ford
Ford Madox Ford (né Joseph Leopold Ford Hermann Madox Hueffer ( ); 17 December 1873 – 26 June 1939) was an English novelist, poet, critic and editor whose journals ''The English Review'' and ''The Transatlantic Review'' were instrumental in the development of early 20th-century English and American literature. Ford is now remembered for his novels ''The Good Soldier'' (1915), the ''Parade's End'' tetralogy (1924–1928) and ''The Fifth Queen'' trilogy (1906–1908). ''The Good Soldier'' is frequently included among the great literature of the 20th century, including the Modern Library 100 Best Novels, ''The Observer''′s "100 Greatest Novels of All Time", and ''The Guardian''′s "1000 novels everyone must read". Early life Ford was born in Wimbledon in London to Catherine Madox Brown and Francis Hueffer, the eldest of three; his brother was Oliver Madox Hueffer and his sister was Juliet Hueffer, the wife of David Soskice and mother of Frank Soskice. Ford's father, who bec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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