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Vorticists
Vorticism was a London-based modernist art movement formed in 1914 by the writer and artist Wyndham Lewis. The movement was partially inspired by Cubism and was introduced to the public by means of the publication of the Vorticist manifesto in ''Blast'' magazine. Familiar forms of representational art were rejected in favour of a geometric style that tended towards a hard-edged abstraction. Lewis proved unable to harness the talents of his disparate group of avant-garde artists; however, for a brief period Vorticism proved to be an exciting intervention and an artistic riposte to Marinetti's Futurism and the post-impressionism of Roger Fry's Omega Workshops. Vorticist paintings emphasised 'modern life' as an array of bold lines and harsh colours drawing the viewer's eye into the centre of the canvas and vorticist sculpture created energy and intensity through 'direct carving'. Prelude to Vorticism In the summer of 1913 Roger Fry, with Duncan Grant and Vanessa Bell, set up ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vorticist Study (1914)
Vorticism was a London-based modernist art movement formed in 1914 by the writer and artist Wyndham Lewis. The movement was partially inspired by Cubism and was introduced to the public by means of the publication of the Vorticist manifesto in ''Blast'' magazine. Familiar forms of representational art were rejected in favour of a geometric style that tended towards a hard-edged abstraction. Lewis proved unable to harness the talents of his disparate group of avant-garde artists; however, for a brief period Vorticism proved to be an exciting intervention and an artistic riposte to Marinetti's Futurism and the post-impressionism of Roger Fry's Omega Workshops. Vorticist paintings emphasised 'modern life' as an array of bold lines and harsh colours drawing the viewer's eye into the centre of the canvas and vorticist sculpture created energy and intensity through 'direct carving'. Prelude to Vorticism In the summer of 1913 Roger Fry, with Duncan Grant and Vanessa Bell, set up th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rebel Art Centre
Vorticism was a London-based Modernism, modernist art movement formed in 1914 by the writer and artist Wyndham Lewis. The movement was partially inspired by Cubism and was introduced to the public by means of the publication of the Vorticist manifesto in ''Blast (magazine), Blast'' magazine. Familiar forms of representational art were rejected in favour of a geometric style that tended towards a hard-edged Abstract art, abstraction. Lewis proved unable to harness the talents of his disparate group of avant-garde artists; however, for a brief period Vorticism proved to be an exciting intervention and an artistic riposte to Marinetti's Futurism and the post-impressionism of Roger Fry's Omega Workshops. Vorticist paintings emphasised 'modern life' as an array of bold lines and harsh colours drawing the viewer's eye into the centre of the canvas and vorticist sculpture created energy and intensity through 'direct carving'. Prelude to Vorticism In the summer of 1913 Roger Fry, wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederick Etchells
Frederick Etchells (14 September 1886 – 16 August 1973) was an English artist and architect. Biography Etchells was born in Newcastle upon Tyne. His early education was at the London School of Kensington, now known as The Royal College of Art where he studied on the Architectural course under Arthur Beresford Pite (1861–1934) and two years under William Lethaby, which brought him into contact with the Bloomsbury Group. He was a contributor to the Omega Workshops, but was one of those breaking away with Wyndham Lewis; this breakaway began the Rebel Art Centre, with the Rebel Art Movement, somewhat akin to the Dadaists in Paris. The Rebel Art Movement transformed into the Vorticists several of his illustrations appeared in the issues of the literary magazine ''BLAST'' of which there were only two issues. There was a Manifesto, which not all of the artists involved signed up to; Etchells himself excluded his name from the manifesto. However William Roberts later painte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wyndham Lewis
Percy Wyndham Lewis (18 November 1882 – 7 March 1957) was a British writer, painter and critic. He was a co-founder of the Vorticist movement in art and edited ''BLAST,'' the literary magazine of the Vorticists. His novels include ''Tarr'' (1918) and ''The Human Age'' trilogy, composed of ''The Childermass'' (1928), ''Monstre Gai'' (1955) and ''Malign Fiesta'' (1955). A fourth volume, titled ''The Trial of Man'', was unfinished at the time of his death. He also wrote two autobiographical volumes: '' Blasting and Bombardiering'' (1937) and ''Rude Assignment: A Narrative of my Career Up-to-Date'' (1950). Biography Early life Lewis was born on 18 November 1882, reputedly on his father's yacht off the Canadian province of Nova Scotia.Richard Cork"Lewis, (Percy) Wyndham (1882–1957)" ''Oxford Dictionary of National Biography'', Oxford University Press, 2004. His English mother, Anne Stuart Lewis (née Prickett), and American father, Charles Edward Lewis, separated about 1893. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kate Lechmere
Kate Elizabeth Lechmere (13 October 1887 – February 1976) was a British painter who with Wyndham Lewis was the co-founder of the Rebel Art Centre in 1914. As far as is known, none of Lechmere's paintings have survived."Women that a movement forgot" Brigid Peppin, Tate, 1 May 2011. Retrieved 6 November 2014. She served as a nurse in England during the and had a three-year relationship with the poet and critic before he was killed. After the war she became a successful |
Blast (magazine)
''Blast'' was the short-lived literary magazine of the Vorticist movement in Britain. Two editions were published: the first on 2 July 1914 (dated 20 June 1914, but publication was delayed)Black (2004), p. 100 and featured a bright pink cover, referred to by Ezra Pound as the "great MAGENTA cover'd opusculus"; and the second a year later on 15 July 1915. Both editions were written primarily by Wyndham Lewis.Pfannkuchen (2005) The magazine is emblematic of the modern art movement in England, and recognised as a seminal text of pre-war 20th-century modernism. The magazine originally cost 2/6. Background When the Italian futurist Filippo Tommaso Marinetti visited London in 1910, as part of a series of well-publicised lectures aimed at galvanizing support across Europe for the new Italian avant-garde, his presentation at the Lyceum Club, in which he addressed his audience as "victims of ... traditionalism and its medieval trappings", electrified the assembled avant-garde. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Bomberg
David Garshen Bomberg (5 December 1890 – 19 August 1957) was a British painter, and one of the Whitechapel Boys. Bomberg was one of the most audacious of the exceptional generation of artists who studied at the Slade School of Art under Henry Tonks, and which included Mark Gertler, Stanley Spencer, C.R.W. Nevinson, and Dora Carrington. Bomberg painted a series of complex geometric compositions combining the influences of cubism and futurism in the years immediately preceding World War I; typically using a limited number of striking colours, turning humans into simple, angular shapes, and sometimes overlaying the whole painting a strong grid-work colouring scheme. He was expelled from the Slade School of Art in 1913, with agreement between the senior teachers Tonks, Frederick Brown and Philip Wilson Steer, because of the audacity of his breach from the conventional approach of that time.Jean Moorcroft Wilson — ''Isaac Rosenberg'' (2008) Whether because his faith in the mac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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