Vladimir Djouloukhadze
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Vladimir Djouloukhadze
Vladimir Djouloukhadze, or Juluhadze, or Djuluhadze, (Russian -Владимир Алексеевич Джулухадзе, Georgian - ვლადიმერ ჟულუხაძე), born in 1952, Tbilisi, Republic of Georgia, USSR, is a Georgian ballet dancer, a former principal of the Georgian National Opera and Ballet Theater of Tbilisi, Ballet Master, teacher, and choreographer. Djouloukhadze is best known as the first performer of the 20th century Georgian ballets and acclaimed for his highly technical and emotional representations of classic roles. Education * 1962-1970 - V. Chabukiani Ballet Art State School, Tbilisi, Georgia Djouloukhadze studied with Tamara Vykhodtseva, Sergei Sologov, choreographer Juri Zaretskii, Margarita Grishkevich (a student of Agrippina Vaganova) and graduated with first honors under the tutelage of the legendary Vakhtang Chabukiani. * 1981-1986 – Russian Academy of T ...
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Tbilisi
Tbilisi ( ; ka, თბილისი ), in some languages still known by its pre-1936 name Tiflis ( ), is the Capital city, capital and the List of cities and towns in Georgia (country), largest city of Georgia (country), Georgia, lying on the banks of the Kura (Caspian Sea), Kura River with a population of approximately 1.5 million people. Tbilisi was founded in the 5th century Anno Domini, AD by Vakhtang I of Iberia, and since then has served as the capital of various Georgian kingdoms and republics. Between 1801 and 1917, then part of the Russian Empire, Tiflis was the seat of the Caucasus Viceroyalty (1801–1917), Caucasus Viceroyalty, governing both the North Caucasus, northern and the Transcaucasia, southern parts of the Caucasus. Because of its location on the crossroads between Europe and Asia, and its proximity to the lucrative Silk Road, throughout history Tbilisi was a point of contention among various global powers. The city's location to this day ensures its p ...
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Carmen Suite (ballet)
''Carmen Suite'' is a one-act ballet created in 1967 by Cuban choreographer Alberto Alonso to music by Russian composer Rodion Shchedrin for his wife, prima ballerina assoluta Maya Plisetskaya. The premiere took place on 20 April 1967 at the Bolshoi Theatre, Moscow. The music, taken from Bizet's opera ''Carmen'' and arranged for strings and percussion, is not a 19th-century pastiche but rather "a creative meeting of the minds," as Shchedrin put it, with Bizet's melodies reclothed in a variety of fresh instrumental colors (including the frequent use of percussion), set to new rhythms and often phrased with a great deal of sly wit. Initially banned by the Soviet hierarchy as "disrespectful" to the opera for precisely these qualities, the ballet has since become Shchedrin's best-known work and has remained popular in the West for what reviewer James Sanderson calls "an iconoclastic but highly entertaining retelling of Bizet's opera."Sanderson, allmusic.com. Structure The ballet is in ...
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Romeo And Juliet (Prokofiev)
''Romeo and Juliet'' (russian: Ромео и Джульетта, Romeo i Dzhulyetta), Op. 64, is a ballet by Sergei Prokofiev based on William Shakespeare's play ''Romeo and Juliet''. First composed in 1935, it was substantially revised for its Soviet premiere in early 1940. Prokofiev reused music from the ballet in three suites for orchestra and a solo piano work. Background and premiere Based on a synopsis created by Adrian Piotrovsky (who first suggested the subject to Prokofiev) and Sergey Radlov, the ballet was composed by Prokofiev in September 1935 to their scenario which followed the precepts of "drambalet" (dramatised ballet, officially promoted at the Kirov Ballet to replace works based primarily on choreographic display and innovation). Following Radlov's acrimonious resignation from the Kirov in June 1934, a new agreement was signed with the Bolshoi Theatre in Moscow on the understanding that Piotrovsky would remain involved. However, the ballet's original happy en ...
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Paquita
''Paquita'' is a ballet in two acts and three scenes originally choreographed by Joseph Mazilier to music by Édouard Deldevez and Ludwig Minkus. Paul Foucher received royalties as librettist. History ''Paquita'' is the creation of French composer Édouard Deldevez and Paris Opéra Ballet Master Joseph Mazilier. It was first presented at the Salle Le Peletier by the Paris Opera Ballet on 1 April 1846 and was retained in the repertory of the Opéra until 1851. In 1847, ''Paquita'' was staged for the first time in Russia for the Imperial Ballet of St. Petersburg by Marius Petipa and Pierre-Frédéric Malavergne, being the first work ever staged by Petipa in Russia. In 1881, Petipa produced a revival of the ballet for which he added new pieces specially composed by Ludwig Minkus. This included the ''Paquita pas de trois'' for the first act and the ''Paquita grand pas classique'' and the ''Mazurka des enfants'' for the last act. Petipa's version of ''Paquita'' was retained in the r ...
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Giselle
''Giselle'' (; ), originally titled ''Giselle, ou les Wilis'' (, ''Giselle, or The Wilis''), is a romantic ballet (" ballet-pantomime") in two acts with music by Adolphe Adam. Considered a masterwork in the classical ballet performance canon, it was first performed by the Ballet du Théâtre de l'Académie Royale de Musique at the Salle Le Peletier in Paris on 28 June 1841, with Italian ballerina Carlotta Grisi as Giselle. It was an unqualified triumph. It became hugely popular and was staged at once across Europe, Russia, and the United States. The ghost-filled ballet tells the tragic, romantic story of a beautiful young peasant girl named Giselle and a disguised nobleman named Albrecht, who fall in love, but when his true identity is revealed by his rival, Hilarion, Giselle goes mad and dies of heartbreak. After her death, she is summoned from her grave into the vengeful, deadly sisterhood of the Wilis, the ghosts of unmarried women who died after being betrayed by their lo ...
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Don Quixote (ballet)
''Don Quixote'' is a ballet in three acts, based on episodes taken from the famous novel ''Don Quixote de la Mancha'' by Miguel de Cervantes. It was originally choreographed by Marius Petipa to the music of Ludwig Minkus and first presented by Moscow's Bolshoi Ballet on . Petipa and Minkus revised the ballet into a more elaborate and expansive version in five acts and eleven scenes for the Mariinsky Ballet, first presented on at the Imperial Bolshoi Kamenny Theatre of St. Petersburg. All modern productions of the Petipa/Minkus ballet are derived from the version staged by Alexander Gorsky for the Bolshoi Theatre of Moscow in 1900, a production the ballet master staged for the Imperial Ballet of St. Petersburg in 1902. History Earlier versions The two chapters of the novel that the ballet is mostly based on were first adapted for the ballet in 1740 by Franz Hilverding in Vienna, Austria. In 1768, Jean Georges Noverre mounted a new version of ''Don Quixote'' in Vienna to ...
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Swan Lake
''Swan Lake'' ( rus, Лебеди́ное о́зеро, r=Lebedínoye ózero, p=lʲɪbʲɪˈdʲinəjə ˈozʲɪrə, link=no ), Op. 20, is a ballet composed by Russian composer Pyotr Ilyich Tchaikovsky in 1875–76. Despite its initial failure, it is now one of the most popular ballets of all time. The scenario, initially in two acts, was fashioned from Russian and German folk tales and tells the story of Odette, a princess turned into a swan by an evil sorcerer's curse. The choreographer of the original production was Julius Reisinger (Václav Reisinger). The ballet was premiered by the Bolshoi Ballet on at the Bolshoi Theatre in Moscow. Although it is presented in many different versions, most ballet companies base their stagings both choreographically and musically on the 1895 revival of Marius Petipa and Lev Ivanov, first staged for the Imperial Ballet on 15 January 1895, at the Mariinsky Theatre in St. Petersburg. For this revival, Tchaikovsky's score was revised by ...
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La Fille Mal Gardée
LA most frequently refers to Los Angeles, the second largest city in the United States. La, LA, or L.A. may also refer to: Arts and entertainment Music * La (musical note), or A, the sixth note * "L.A.", a song by Elliott Smith on ''Figure 8'' (album) * ''L.A.'' (EP), by Teddy Thompson * ''L.A. (Light Album)'', a Beach Boys album * "L.A." (Neil Young song), 1973 * The La's, an English rock band * L.A. Reid, a prominent music producer * Yung L.A., a rapper * Lady A, an American country music trio * "L.A." (Amy Macdonald song), 2007 * "La", a song by Australian-Israeli singer-songwriter Old Man River Other media * l(a, a poem by E. E. Cummings * La (Tarzan), fictional queen of the lost city of Opar (Tarzan) * ''Lá'', later known as Lá Nua, an Irish language newspaper * La7, an Italian television channel * LucasArts, an American video game developer and publisher * Liber Annuus, academic journal Business, organizations, and government agencies * L.A. Screenings, a tel ...
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Vladimir Djouloukhadze As Basilio In 'Don Quixote'
Vladimir may refer to: Names * Vladimir (name) for the Bulgarian, Croatian, Czech, Macedonian, Romanian, Russian, Serbian, Slovak and Slovenian spellings of a Slavic name * Uladzimir for the Belarusian version of the name * Volodymyr for the Ukrainian version of the name * Włodzimierz (given name) for the Polish version of the name * Valdemar for the Germanic version of the name * Wladimir for an alternative spelling of the name Places * Vladimir, Russia, a city in Russia * Vladimir Oblast, a federal subject of Russia * Vladimir-Suzdal, a medieval principality * Vladimir, Ulcinj, a village in Ulcinj Municipality, Montenegro * Vladimir, Gorj, a commune in Gorj County, Romania * Vladimir, a village in Goiești Commune, Dolj County, Romania * Vladimir (river), a tributary of the Gilort in Gorj County, Romania * Volodymyr (city), a city in Ukraine Religious leaders * Metropolitan Vladimir (other), multiple * Jovan Vladimir (d. 1016), ruler of Doclea and a saint ...
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José Limón
José Arcadio Limón (January 12, 1908 – December 2, 1972) was a dancer and choreographer from Mexico and who developed what is now known as 'Limón technique'. In the 1940s, he founded the José Limón Dance Company (now the Limón Dance Company), and in 1968 he created the José Limón Foundation to carry on his work. In his choreography, Limón spoke to the complexities of human life as experienced through the body. His dances feature large, visceral gestures — reaching, bending, pulling, grasping — to communicate emotion. Inspired in part by his teacher Doris Humphrey's and Charles Weidman's theories about the importance of body weight and dynamics, his own Limón technique emphasizes the rhythms of falling and recovering balance and the importance of good breathing to maintaining flow in a dance. He also utilized the dance vocabulary developed by both Doris Humphrey and Charles Weidman, which aimed at demonstrating emotion through dance in a way that was much le ...
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George Balanchine
George Balanchine (; Various sources: * * * * born Georgiy Melitonovich Balanchivadze; ka, გიორგი მელიტონის ძე ბალანჩივაძე; January 22, 1904 (O. S. January 9) – April 30, 1983) was an ethnic Georgian American ballet choreographer who was one of the most influential 20th-century choreographers. Styled as the father of American ballet, he co-founded the New York City Ballet and remained its artistic director for more than 35 years.Joseph Horowitz (2008)''Artists in Exile: How Refugees from 20th-century War and Revolution Transformed the American Performing Arts.''HarperCollins. His choreography is characterized by plotless ballets with minimal costume and décor, performed to classical and neoclassical music. Born in St. Petersburg, Balanchine took the standards and technique from his time at the Imperial Ballet School and fused it with other schools of movement that he had adopted during his tenure on Broadway and in ...
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Theme And Variations (ballet)
''Theme and Variations'' is a ballet choreographed by George Balanchine to the final movement of Tchaikovsky's Orchestral Suite No. 3. The ballet was made for Ballet Theatre (now American Ballet Theatre), and premiered on November 26, 1947, at the City Center 55 Street Theater, with the two leads danced by Alicia Alonso and Igor Youskevitch. The ballet was well-received and was revived by other ballet companies. In 1970, Balanchine incorporated the choreography of ''Theme and Variations'' to ''Suite No. 3'' (now titled '' Tschaikovsky Suite No. 3''), performed by the New York City Ballet. Production Balanchine's ''Theme and Variations'' is set to the final movement of Tchaikovsky's Orchestral Suite No. 3. It was commissioned by Lucia Chase for Ballet Theatre (now American Ballet Theatre). The sets and costumes of the original production were designed by Woodman Thompson. The ballet is plotless and abstract. Like ''Ballet Imperial'' (now titled '' Tschaikovsky Piano Concerto ...
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