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José Limón
José Arcadio Limón (January 12, 1908 – December 2, 1972) was a dancer and choreographer from Mexico and who developed what is now known as 'Limón technique'. In the 1940s, he founded the José Limón Dance Company (now the Limón Dance Company), and in 1968 he created the José Limón Foundation to carry on his work. In his choreography, Limón spoke to the complexities of human life as experienced through the body. His dances feature large, visceral gestures — reaching, bending, pulling, grasping — to communicate emotion. Inspired in part by his teacher Doris Humphrey's and Charles Weidman's theories about the importance of body weight and dynamics, his own Limón technique emphasizes the rhythms of falling and recovering balance and the importance of good breathing to maintaining flow in a dance. He also utilized the dance vocabulary developed by both Doris Humphrey and Charles Weidman, which aimed at demonstrating emotion through dance in a way that was much le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barbara Morgan (photographer)
Barbara Morgan (July 8, 1900 – August 17, 1992) was an American photographer best known for her depictions of modern dancers. She was a co-founder of the photography magazine ''Aperture''. Morgan is known in the visual art and dance worlds for her penetrating studies of American modern dancers Martha Graham, Merce Cunningham, Erick Hawkins, José Limón, Doris Humphrey, Charles Weidman and others. Morgan's drawings, prints, watercolors and paintings were exhibited widely in California in the 1920s, and in New York and Philadelphia in the 1930s. Biography Early life and education Barbara Brooks Johnson was born on July 8, 1900, in Buffalo, Kansas. Her family moved to the West Coast that same year and she grew up on a Southern California peach ranch. Her art training at UCLA, from 1919 to 1923, was based on Arthur Wesley Dow's principles of art “synthesis.” Abstract design was taught parallel to figurative drawing and painting. Art history was taught with significant emph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Broadway Theatre
Broadway theatre,Although ''theater'' is generally the spelling for this common noun in the United States (see American and British English spelling differences), 130 of the 144 extant and extinct Broadway venues use (used) the spelling ''Theatre'' as the proper noun in their names (12 others used neither), with many performers and trade groups for live dramatic presentations also using the spelling ''theatre''. or Broadway, are the theatrical performances presented in the 41 professional theatres, each with 500 or more seats, located in the Theater District and the Lincoln Center along Broadway, in Midtown Manhattan, New York City. Broadway and London's West End together represent the highest commercial level of live theater in the English-speaking world. While the thoroughfare is eponymous with the district and its collection of 41 theaters, and it is also closely identified with Times Square, only three of the theaters are located on Broadway itself (namely the Broadwa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance Magazine
''Dance Magazine'' is an American trade publication for dance published by the Macfadden Communications Group. It was first published in June 1927 as ''The American Dancer''. ''Dance Magazine'' has multiple sister publications, including ''Pointe'', ''Dance Spirit'', ''Dance Teacher'', ''Dance 212'', and ''DanceU101''. ''Dance Magazine'' was owned by Macfadden Communications Group from 2001 to 2016 when it was sold to Frederic M. Seegal, an investment banker with the Peter J. Solomon Company. Description of the collection and its provenance. Editors The first editor and publisher was Ruth Eleanor Howard. Sometime in the 1930s, Paul R. Milton took over as editor. In 1942, the magazine was purchased by Rudolf Orthwine. Lydia Joel became the editor in 1952. In 1970, William Como replaced her, and he was the editor-in-chief until his death in 1989. Richard Philp was the editor-in-chief from 1989 to 1999. Janice Berman took over from Philip late in 1999. Wendy Perron was editor-in-chief ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Connecticut College
Connecticut College (Conn College or Conn) is a private liberal arts college in New London, Connecticut. It is a residential, four-year undergraduate institution with nearly all of its approximately 1,815 students living on campus. The college was founded in 1911 as "Connecticut College for Women" in response to Wesleyan University closing its doors to women in 1909; it shortened its name to "Connecticut College" in 1969 when it began admitting men. Students choose courses from 41 majors, including an interdisciplinary, self-designed major. The college is a member of the New England Small College Athletic Conference. History The college was chartered in 1911 in response to Wesleyan University's decision to stop admitting women. Elizabeth C. Wright and other Wesleyan alumnae convinced others to found this new college, espousing the increasing desire among women for higher education. To that end, the institution was founded as the ''Connecticut College for Women.'' Their initia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Belasco Theatre
The Belasco Theatre is a Broadway theatre, Broadway theater at 111 West 44th Street, between Seventh Avenue (Manhattan), Seventh Avenue and Sixth Avenue, in the Theater District, Manhattan, Theater District of Midtown Manhattan in New York City. Originally known as the Stuyvesant Theatre, it was built in 1907 and designed by architect George Keister for impresario David Belasco. The Belasco Theatre has 1,016 seats across three levels and has been operated by The Shubert Organization since 1948. Both the facade and interior of the theater are List of New York City Landmarks, New York City landmarks. The main facade on 44th Street is made of red brick in Flemish bond, with terracotta decorative elements. The ground floor contains the entrance, while the upper stories are asymmetrical and topped by a pediment. Belasco and his company had their offices in the western wing of the theater. A ten-room duplex penthouse apartment occupies the top of the eastern wing and contained Belas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Limón Technique
Limón (), commonly known as Puerto Limón, is a district, the capital city and main hub of Limón province, as well as of the Limón canton in Costa Rica. It is the seventh largest city in Costa Rica, with a population of over 55,000, and is home of the Afro-Costa Rican community. Part of the community traces its roots to Italian, Jamaican and Chinese laborers who worked on a late nineteenth-century railroad project that connected San José to Puerto Limón. Until 1948, the Costa Rican government did not recognize Afro-Caribbean people as citizens and restricted their movement outside Limón province. As a result of this "travel ban", this Afro-Caribbean population became firmly established in the region, which influenced decisions not to move even after it was legally permitted. Nowadays, there is a significant outflow of Limón natives who move to the country's Central Valley in search for better employment and education. The Afro-Caribbean community speaks Spanish and Limones ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Repertory
A repertory theatre is a theatre in which a resident company presents works from a specified repertoire, usually in alternation or rotation. United Kingdom Annie Horniman founded the first modern repertory theatre in Manchester after withdrawing her support from the Abbey Theatre in Dublin. Horniman's Gaiety Theatre opened its first season in September of 1908. The opening of the Gaiety was followed by the Citizens' Theatre in Glasgow and the Liverpool Repertory Theatre. Previously, regional theatre relied on mostly London touring ensembles. During the time the theatre was being run by Annie Horniman, a wide variety of types of plays were produced. Horniman encouraged local writers who became known as the Manchester School of playwrights. They included Allan Monkhouse, Harold Brighouse, writer of '' Hobson's Choice'', and Stanley Houghton, who wrote '' Hindle Wakes''. Actors who performed at the Gaiety early in their careers included Sybil Thorndike and Basil Dean. From the 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rudolph Nureyev
Rudolf Khametovich Nureyev ( ; Tatar/ Bashkir: Рудольф Хәмит улы Нуриев; rus, Рудо́льф Хаме́тович Нуре́ев, p=rʊˈdolʲf xɐˈmʲetəvʲɪtɕ nʊˈrʲejɪf; 17 March 19386 January 1993) was a Soviet-born ballet dancer and choreographer. Nureyev is regarded by some as the greatest male ballet dancer of his generation.Lord of the dance – Rudolf Nureyev at the National Film Theatre, London, 1–31 January 2003 , by John Percival, '''', 26 December 2002. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Falco
Louis Falco (August 2, 1942 – March 26, 1993) was an American dancer and choreographer. Life and career Louis Falco was born in New York City of southern Italian immigrant parents. He began his study of dance in the 1950s at The Henry Street Playhouse with Murray Louis and Alwin Nikolais. He attended the High School of Performing Arts and as a student began performing with Charles Weidman. In 1960 he began dancing professionally with José Limón, and also appeared with Flower Hujer, Alvin Ailey and Donald McKayle. He danced with the José Limón Dance Company from 1960–70 and danced opposite Rudolf Nureyev in Limon's ''The Moor's Pavane'' on Broadway from 1974-75. His farewell performance was with Luciana Savignano at La Scala Opera House in Milan in ''The Eagle's Nest''. Falco was considered an extraordinarily gifted dancer and charismatic performer. Falco made his debut as a choreographer in 1967. He was one of the first choreographers to experiment with rock bands and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucas Hoving
Lucas Hoving (September 5, 1912 – January 5, 2000) was a modern dancer, choreographer and teacher most famous for the roles he created as an original member of the José Limón Dance Company. Hoving performed opposite Limón in several of the company's best known works, including "The Moor's Pavane" (1949), "The Traitor" (1954), and "Emperor Jones" (1956). He also danced in works by seminal modern dance figures Kurt Jooss, Martha Graham, Agnes De Mille, Doris Humphrey, and Helen Tamiris before forming his own company in 1961. Early life Born Lucas Philippus Hovinga in Groningen, the Netherlands, Hoving studied dance with Florrie Rodrigo and Yvonne Georgi in Amsterdam before earning a scholarship to the Jooss School in Dartington, England. Among his roles with the Jooss Ballet was that of the Standard Bearer in the company's "The Green Table." On a tour to New York with the Jooss Company in 1941, he studied at the Martha Graham School. When the Jooss Company disbanded at the o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Special Services (entertainment)
Special Services was the entertainment branch of the American military. The unit was created on 22 July 1940 by the War Department as part of the Army Service Forces. Special Services not only used its own specially trained and talented troops but also would often engage local performers. Among its activities were staging plays and stage acts, holding concerts, filming documentaries, and providing recreational opportunities for servicemen. Special Services were one of the few U.S. Army units to be racially integrated during World War II. Special Services opened their first Recreational Officer school at Fort Meade Maryland on 1 April 1942. Within the United States Marine Corps, the Special Services Division was the forerunner of today's Special Services Branch. It was formed on 1 March 1943, to provide morale maintaining recreational and informational services to Marine Corps personnel. As of at least 2004, the Special Services Branch was still active within the USMC. Roles Ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary Ellen Moylan
Mary Ellen Moylan (August 24, 1925 – April 28, 2020) was an American ballet dancer. She was one of the first students of George Balanchine's School of American Ballet, and made her New York stage debut in 1942. She had danced with Ballet Russe de Monte Carlo, Ballet Society, Ballet Theatre (now American Ballet Theatre), Metropolitan Opera Ballet, and on Broadway. She was best known for performing Balanchine's works, and was described as "the first great Balanchine dancer". She retired from performing in 1957. Early life and training Mary Ellen Moylan was born on August 24, 1925, in Cincinnati, Ohio, to an Irish builder father and schoolteacher mother. Due to the Great Depression, the family moved to St. Petersburg, Florida, in 1931, when she was six, to find work. Her mother sent her to a local ballet school. When Moylan was eleven, her mother read about the School of American Ballet, newly founded by George Balanchine, from a magazine, and sent Moylan to the school. She first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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