|
Paquita
''Paquita'' is a ballet in two acts and three scenes originally choreographed by Joseph Mazilier to music by Édouard Deldevez and Ludwig Minkus. Paul Foucher received royalties as librettist. History ''Paquita'' is the creation of French composer Édouard Deldevez and Paris Opéra Ballet Master Joseph Mazilier. It was first presented at the Salle Le Peletier by the Paris Opera Ballet on 1 April 1846 and was retained in the repertory of the Opéra until 1851. In 1847, ''Paquita'' was staged for the first time in Russia for the Imperial Ballet of St. Petersburg by Marius Petipa and Pierre-Frédéric Malavergne, being the first work ever staged by Petipa in Russia. In 1881, Petipa produced a revival of the ballet for which he added new pieces specially composed by Ludwig Minkus. This included the ''Paquita pas de trois'' for the first act and the ''Paquita grand pas classique'' and the ''Mazurka des enfants'' for the last act. Petipa's version of ''Paquita'' was retained in the r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marius Petipa
Marius Ivanovich Petipa (russian: Мариус Иванович Петипа), born Victor Marius Alphonse Petipa (11 March 1818), was a French ballet dancer, pedagogue and choreographer. Petipa is one of the most influential ballet masters and choreographers in ballet history. Marius Petipa is noted for his long career as ''Premier maître de ballet'' (''First Ballet Master'') of the St. Petersburg Imperial Theatres, making him Ballet Master and principal choreographer of the Imperial Ballet (today known as the Mariinsky Ballet), a position he held from 1871 until 1903. Petipa created over fifty ballets, some of which have survived in versions either faithful to, inspired by, or reconstructed from the original. Among these works, he is most noted for ''The Pharaoh's Daughter'' (1862); ''Don Quixote'' (1869); ''La Bayadère'' (1877); '' Le Talisman'' (1889); '' The Sleeping Beauty'' (1890); ''The Nutcracker'' (choreographed jointly with Lev Ivanov) (1892); ''Le Réveil de Flor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludwig Minkus
Ludwig Minkus (russian: link=no, Людвиг Минкус), also known as Léon Fyodorovich Minkus (23 March 1826, Vienna – 7 December 1917, Vienna), was a Jewish-Austrian composer of ballet music, a violin virtuoso and teacher. Minkus is noted for the music he composed while serving as the official Composer of Ballet Music to the St. Petersburg Imperial Theatres in Russia. During his long career, he wrote for the original works and numerous revivals staged by the renowned Ballet Masters Arthur Saint-Léon and Marius Petipa. Among the composer's most celebrated compositions was his score for '' La source'' (1866; composed jointly with Léo Delibes), ''Don Quixote'' (1869); and ''La Bayadère'' (1877). Minkus also wrote supplemental material for insertion into already existing ballets. The most famous and enduring of these pieces is the ''Grand Pas classique'' from the ballet ''Paquita'', which was added by Marius Petipa especially for a revival of the ballet staged for the ben ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anna Pavlova
Anna Pavlovna Pavlova ( , rus, Анна Павловна Павлова ), born Anna Matveyevna Pavlova ( rus, Анна Матвеевна Павлова; – 23 January 1931), was a Russian prima ballerina of the late 19th and the early 20th centuries. She was a principal artist of the Imperial Russian Ballet and the Ballets Russes of Sergei Diaghilev. Pavlova is most recognized for her creation of the role of ''The Dying Swan'' and, with her own company, became the first ballerina to tour around the world, including performances in South America, India and Australia. Early life Anna Matveyevna Pavlova was born in the Preobrazhensky Regiment hospital, Saint Petersburg where her father, Matvey Pavlovich Pavlov, served. Some sources say that her parents married just before her birth, others—years later. Her mother, Lyubov Feodorovna Pavlova, came from peasants and worked as a laundress at the house of a Russian-Jewish banker, Lazar Polyakov, for some time. When Anna rose to f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sergeyev Collection
The Sergeyev Collection is a collection of choreographic notation, musical materials, designs for décor and costumes, theatre programs, photos and other items that document the repertory of the Mariinsky Ballet, Imperial Ballet (precursor of the Kirov/Mariinsky Ballet) of St. Petersburg, Russia at the turn of the 20th century. The majority of the choreographic notations document with varying degrees of detail the original works and revivals of the renowned choreographer Marius Petipa, who served as ''Premier Maître de ballet'' of the St. Petersburg Imperial Theatres. The collection also documents a few ballets by Lev Ivanov, who served as second ''Maître de ballet''. Also included in the collection are choreographic notation documenting dances from various operas by both Petipa and Ivanov, respectively. The ''Sergeyev Collection'' is named after Nicholas Sergeyev, ' of the St. Petersburg Imperial Theatres from 1903 to 1918, who brought the collection out of Russia after the Russi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mariinsky Ballet
The Mariinsky Ballet (russian: Балет Мариинского театра) is the resident classical ballet company of the Mariinsky Theatre in Saint Petersburg, Russia. Founded in the 18th century and originally known as the Imperial Russian Ballet, the Mariinsky Ballet is one of the world's leading ballet companies. Internationally, the Mariinsky Ballet continues to be known by its former Soviet name the Kirov Ballet. The Mariinsky Ballet is the parent company of the Vaganova Ballet Academy, a leading international ballet school. History The Mariinsky Ballet was founded in the 1740s, following the formation of the first Russian dance school in 1738. The Imperial Theatre School, as it was originally known, was established on 4 May 1738, at the Winter Palace in Saint Petersburg. It would become the predecessor of today's Vaganova Academy of Russian Ballet. The school's founder director was the French ballet master and teacher Jean-Baptiste Landé and the purpose of cr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Mazilier
Joseph Mazilier (1 March 1801 in Marseilles – 19 May 1868 in Paris) was a 19th-century French dancer, balletmaster and choreographer. He was born as ''Giulio Mazarini''. He was most noted for his ballets ''Paquita'' (1844) and '' Le Corsaire'' (1856). He created the role of James in ''La Sylphide'' with Marie Taglioni. Marie Guy-Stéphan debuted in ''Aelia et Mysis'' at the Paris Opéra when she moved in 1853 to Paris. Ballets *'' La Gypsy'' (1839) *''La Vendetta'' (1839) *'' Le Diable Amoureux'' (1840) *''Lady Henrietta, or the Servant of Greenwich'' (''Lady Henriette, ou la Servante de Greenwich'') (1944) *'' Le Diable à Quatre'' (1845) *''Paquita'' (1846) *''Betty'' (1846) *''Griseldis, ou les Cinq sens'' (1848) *''Vert-vert'' (''Green-Green'') (1851) *''Orfa'' (1852) *''Aelia et Mysis, ou l'Atellane'' (1853) *''Jovita, ou les Boucaniers'' (1853) *''La Fonti'' (1855) *'' Le Corsaire'' (1856) *''Les Elfes'' (1856) *'' Marco Spada ou La Fille du Bandit'' (1857) *''Une fête ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salle Le Peletier
The Salle Le Peletier or Lepeletier (sometimes referred to as the Salle de la rue Le Peletier or the Opéra Le Peletier) was the home of the Paris Opera from 1821 until the building was destroyed by fire in 1873. The theatre was designed and constructed by the architect François Debret on the site of the garden of the Hôtel de Choiseul on the rue Lepeletier. Due to the many changes in government and management during the theatre's existence, it had a number of different official names, the most important of which were: Théâtre de l'Académie Royale de Musique (1821–1848), Opéra-Théâtre de la Nation (1848–1850), Théâtre de l'Académie Nationale de Musique (1850–1852), Théâtre de l'Académie Impériale de Musique (1852–1854), Théâtre Impérial de l'Opéra (1854–1870), and Théâtre National de l'Opéra (1870–1873). History When Louis XVIII of France, King Louis XVIII's nephew, Charles Ferdinand, Duke of Berry, Charles Ferdinand, duc de Berry, was fatally ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexei Ratmansky
Alexei Osipovich Ratmansky (russian: Алексей Осипович Ратманский, born August 27, 1968) is a Russian-American choreographer and former ballet dancer. From 2004 to 2008 he was the director of the Bolshoi Ballet. He left Russia in 2008. As of April 2014 he was the artist in residence at the American Ballet Theatre. Training and performance career Ratmansky was born in St. Petersburg and trained under Pyotr Pestov and Alexandra Markeyeva at the Bolshoi Ballet School. He graduated in 1986. He then danced in Kyiv and was a principal dancer with the Ukrainian National Ballet, Royal Winnipeg Ballet and Royal Danish Ballet. Choreographic and administrative careers Ratmansky's choreographic career first became notable with his staging of the ballet ''Dreams of Japan'' for the State Ballet of Georgia in 1998. ''Dreams'' and ''Charms of Mannerism'', choreographed in 1997, were both created for Nina Ananiashvili. ''Dreams'' earned the Golden Mask Award fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gitanos
The Romani in Spain, generally known by the exonym () or the endonym ''Calé'', belong to the Iberian Cale Romani subgroup, with smaller populations in Portugal (known as ) and in Southern France. Their sense of identity and cohesion stems from their shared value system, expressed among the as the ('Gypsy laws'). Traditionally, they maintain their social circles strictly within their patrigroups, as interaction between patrigroups increases the risk of feuding, which may result in fatalities. The emergence of Pentecostalism has impacted this practice, as the lifestyle of Pentecostal ''gitanos'' involves frequent contact with ''gitanos'' from outside their own patrigroups during church services and meetings. Data on ethnicity are not collected in Spain, although the public pollster CIS estimated in 2007 that the number of ''gitanos'' present in Spain is probably around one million. Name The term ''gitano'' evolved from the word ''egiptano'' ("Egyptian"), which was the Old ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yelena Andreyanova
Elena Ivanovna Andreïanova , sometimes spelt Yelena Andreyanova (Russian Елена Ивановна Андреянова), 13 July 1819 St. Petersburg - 28 October 1857 Paris, was a Russian ballerina. She is considered to be the outstanding Russian ballerina of the romantic genre, but her life was one full of tragedy. Biography Little is known about her childhood. At ten-years of age she entered the St. Petersburg Drama school. Among her teachers were Philippe Taglioni and his daughter Marie Taglioni. She graduated in 1837, and joined the Mariinsky ballet troop where she was the first Russian dancer to interpret the title roles in Giselle (1842), La Peri (1844 ) and Paquita (1847). She became the mistress of the Director of the Imperial Theater, Alexander Guedeonov. Antagonism developed between Guedenov and Andreianova when guest French ballerinas Marie Taglioni and Fanny Elssler, were given some of her parts and got acclaim from audiences instead of her. To pla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Lacotte
Pierre Lacotte (born 4 April 1932) is a French ballet dancer and choreographer who specialised in the reconstruction of lost choreographies of romantic ballets. His mother was an affirmed musician and he manifested very early his interest for dance. After an initial reluctance, his family surrendered to his stubbornness so that Lacotte could become a student of Gustave Ricaux, who taught at the Paris Opera. In 1946 he was engaged in the Paris Opera Ballet and in 1953 became a principal dancer. Among his teachers at the Paris Opera Ballet School where Lubov Egorova, Carlotta Zambelli and the choreographer Serge Lifar, who chose Paulette Dynalix, Claude Bessy and Lacotte as the three interpretive dancers of ''Septuor'', a single-act ballet presented in Paris on 25 January 1950. In 1955 he left the Paris Opera to become a soloist dancer and was invited to perform all over the world. Subsequently, Lacotte founded a ballet company named ''Les Ballets de la Tour Eiffel''. He choreogr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Édouard Deldevez
Édouard Marie Ernest Deldevez (31 May 1817 – 6 November 1897) was a French violinist, conductor at important Parisian musical institutions, composer, and music teacher. Biography Deldevez was born and died in Paris. He won many prizes as a violinist. He progressed from violinist at the Paris Opera to conductor. He was principal conductor of the Orchestre de la Société des Concerts du Conservatoire from 1872 to 1885. At the Paris Opéra-Comique Deldevez conducted the revival of ''La Fille du Regiment'' (with Marie Cabel) in 1857, '' Rose et Colas'' (first performance at the theatre, as well as 50th performance in 1862), the premiere of '' Lalla-Roukh'' on 12 May 1862, the first production at the Salle Favart of '' La Servante maîtresse'' on 12 August 1862 ( Galli-Marié's debut at the house), runs of ''La dame blanche'' (including the 1,000th performance there in December 1862), ''Le pré aux clercs'', ''Fra Diavolo'' (including the 500th performance in March 1863), an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
