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Édouard Deldevez
Édouard Marie Ernest Deldevez (31 May 1817 – 6 November 1897) was a French violinist, conductor at important Parisian musical institutions, composer, and music teacher. Biography Deldevez was born and died in Paris. He won many prizes as a violinist. He progressed from violinist at the Paris Opera to conductor. He was principal conductor of the Orchestre de la Société des Concerts du Conservatoire from 1872 to 1885. At the Paris Opéra-Comique Deldevez conducted the revival of ''La Fille du Regiment'' (with Marie Cabel) in 1857, '' Rose et Colas'' (first performance at the theatre, as well as 50th performance in 1862), the premiere of '' Lalla-Roukh'' on 12 May 1862, the first production at the Salle Favart of '' La Servante maîtresse'' on 12 August 1862 ( Galli-Marié's debut at the house), runs of ''La dame blanche'' (including the 1,000th performance there in December 1862), ''Le pré aux clercs'', ''Fra Diavolo'' (including the 500th performance in March 1863), an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Juive
''La Juive'' () (''The Jewess'') is a grand opera in five acts by Fromental Halévy to an original French libretto by Eugène Scribe; it was first performed at the Opéra, Paris, on 23 February 1835. Composition history ''La Juive'' was one of the most popular and admired operas of the 19th century. Its libretto (text) was the work of Eugène Scribe, the prolific dramatic author. Scribe was writing to the tastes of the Opéra de Paris, where the work was first performed – a work in five acts presenting spectacular situations (here the Council of Constance of 1414), which would allow a flamboyant staging in a setting which brought out a dramatic situation which was also underlined by a powerful historical subject. In addition to this, there could be choral interludes, ballet and scenic effects which took advantage of the entire range of possibilities available at the Paris Opera. Because of the story of an impossible love between a Christian man and a Jewish woman, the work ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Montan Berton
Henri-Montan Berton (17 September 1767 – 22 April 1844) was a French composer, teacher, and writer, mostly known as a composer of operas for the Opéra-Comique. Career Henri-Montan Berton was born the son of Pierre Montan Berton.Charlton 2001."Henri-Montan Berton" in Sadie 1992, vol. 1, pp. 453–455. He is principally remembered as a composer of operas, most of which were first performed at the Opéra-Comique. Riding a wave of anti-clericalism which arose at the time of the French Revolution, his first real success was with ''Les rigueurs du cloître'' (23 August 1790), "in which a young nun is saved from entombment at the hands of a corrupt mother superior." The work has been described as the first rescue opera. Later more notable operas include ''Montano et Stéphanie'' (15 April 1799), ''Le délire'' (7 December 1799), and ''La Romance'' (26 January 1804). One of his greatest early successes was ''Aline, reine de Golconde'' (3 September 1803), which was performed in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canon (music)
In music, a canon is a contrapuntal (counterpoint-based) compositional technique that employs a melody with one or more imitation (music), imitations of the melody played after a given duration (music), duration (e.g., quarter rest, one measure, etc.). The initial melody is called the leader (or ''dux''), while the imitative melody, which is played in a different part (music), voice, is called the follower (or ''comes''). The follower must imitate the leader, either as an exact replication of its rhythms and Interval (music), intervals or some transformation thereof. Repeating canons in which all voices are musically identical are called round (music), rounds—"Row, Row, Row Your Boat" and "Frère Jacques" are popular examples. An accompanied canon is a canon accompanied by one or more additional independent parts that do not imitate the melody. History Medieval and Renaissance During the Medieval music, Middle Ages, Renaissance music, Renaissance, and Baroque music, Baroque ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Larsonneur
Charles is a masculine given name predominantly found in English and French speaking countries. It is from the French form ''Charles'' of the Proto-Germanic name (in runic alphabet) or ''*karilaz'' (in Latin alphabet), whose meaning was "free man". The Old English descendant of this word was '' ÄŠearl'' or ''ÄŠeorl'', as the name of King Cearl of Mercia, that disappeared after the Norman conquest of England. The name was notably borne by Charlemagne (Charles the Great), and was at the time Latinized as ''Karolus'' (as in ''Vita Karoli Magni''), later also as '' Carolus''. Some Germanic languages, for example Dutch and German, have retained the word in two separate senses. In the particular case of Dutch, ''Karel'' refers to the given name, whereas the noun ''kerel'' means "a bloke, fellow, man". Etymology The name's etymology is a Common Germanic noun ''*karilaz'' meaning "free man", which survives in English as churl (< Old English ''Ä‹eorl''), which developed its de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Sudre
Jean-François Sudre, also written Sudré (15 August 1787 – 3 October 1862), was a violinist, composer and music teacher who invented a musical language called ''la Langue musicale universelle'' or Solrésol. Sudre was born in Albi in southern France on 15 August 1787. He studied music as a child and, at the age of eighteen, was admitted to the ''Conservatoire de Paris'' on 12 May 1806, where he studied violin under François Habeneck and harmony under Charles Simon Catel. Sudre created a group of musicians who were attempting to develop a way of transmitting language through music. He devised Solrésol in 1827. He trained Édouard Deldevez and Charles Larsonneur to play and interpret his alphabet. A given note would represent a word or a letter of the alphabet. The trio toured France, answering questions from the audience using Sudre's violin. A military application was soon suggested: a bugler on a battlefield could transmit orders to a regiment by playing an appropriate t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Legion D'Honneur
The National Order of the Legion of Honour (french: Ordre national de la Légion d'honneur), formerly the Royal Order of the Legion of Honour ('), is the highest French order of merit, both military and civil. Established in 1802 by Napoleon Bonaparte, it has been retained (with occasional slight alterations) by all later French governments and regimes. The order's motto is ' ("Honour and Fatherland"); its seat is the Palais de la Légion d'Honneur next to the Musée d'Orsay, on the left bank of the Seine in Paris. The order is divided into five degrees of increasing distinction: ' (Knight), ' (Officer), ' (Commander), ' (Grand Officer) and ' (Grand Cross). History Consulate During the French Revolution, all of the French orders of chivalry were abolished and replaced with Weapons of Honour. It was the wish of Napoleon Bonaparte, the First Consul, to create a reward to commend civilians and soldiers. From this wish was instituted a , a body of men that was not an order of c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Le Diable
''Robert le diable'' (''Robert the Devil'') is an opera in five acts composed by Giacomo Meyerbeer between 1827 and 1831, to a libretto written by Eugène Scribe and Germain Delavigne. ''Robert le diable'' is regarded as one of the first grand operas at the Paris Opéra. It has only a superficial connection to the medieval legend of ''Robert the Devil''. The opera was immediately successful from its first night on 21 November 1831 at the Opéra; the dramatic music, harmony and orchestration, its melodramatic plot, its star singers and its sensational stage effects compelled Frédéric Chopin, who was in the audience, to say, "If ever magnificence was seen in the theatre, I doubt that it reached the level of splendour shown in ''Robert''...It is a masterpiece...Meyerbeer has made himself immortal".Brown, ''Robert le diable'', p. 572 ''Robert'' initiated the European fame of its composer, consolidated the fame of its librettist, Scribe, and launched the reputation of the new dire ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Prophète
''Le prophète'' (''The Prophet'') is a grand opera in five acts by Giacomo Meyerbeer, which was premiered in Paris on 16 April 1849. The French-language libretto was by Eugène Scribe and Émile Deschamps, after passages from the ''Essay on the Manners and Spirit of Nations'' by Voltaire. The plot is based on the life of John of Leiden, Anabaptist leader and self-proclaimed "King of Münster" in the 16th century. Performance history After the brilliant success of their grand opera ''Les Huguenots'' (1836), Meyerbeer and his librettist Scribe decided to collaborate again on a piece based on a historical religious conflict. Meyerbeer's great personal wealth and his duties as official court composer to King Frederick William IV of Prussia meant that there was no hurry to complete the opera, and it was more than a decade in the composition and planning. ''Le prophète'' was first performed by the Paris Opera at the Salle Le Peletier on 16 April 1849 in music#Opera, 1849. In the audie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Huguenots
() is an opera by Giacomo Meyerbeer and is one of the most popular and spectacular examples of grand opera. In five acts, to a libretto A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the t ... by Eugène Scribe and Émile Deschamps, it premiered in Paris on 29 February 1836. Composition history ''Les Huguenots'' was some five years in creation. Meyerbeer prepared carefully for this opera after the sensational success of ''Robert le diable'', recognising the need to continue to present lavish staging, a highly dramatic storyline, impressive orchestration and virtuoso parts for the soloists – the essential elements of the new genre of Grand Opera. Meyerbeer and his librettist for ''Robert le Diable'', Eugène Scribe, had agreed to collaborate on an epic work concerning the French War ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hamlet (opera)
''Hamlet'' is a grand opera in five acts of 1868 by the French composer Ambroise Thomas, with a libretto by Michel Carré and Jules Barbier based on a French adaptation by Alexandre Dumas, père, and Paul Meurice of William Shakespeare's play ''Hamlet''.Fauser, Annegret. "Hamlet. Ophélie: Shakespeare in Paris" in ''Hamlet'' CD Booklet (1993), pp. 33–41. Background Ophelia mania in Paris The Parisian public's fascination with Ophelia, prototype of the ''femme fragile'', began in the fall of 1827, when an English company directed by William Abbot came to Paris to give a season of Shakespeare in English at the Odéon. On 11 September 1827 the Irish actress Harriet Smithson played the part of Ophelia in ''Hamlet''. Cairns, David (1969), p. 70. Her mad scene appeared to owe little to tradition and seemed almost like an improvisation, with several contemporary accounts remarking on her astonishing capacity for mime. Her performances produced an extraordinary reaction: men ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guillaume Tell
''William Tell'' (french: Guillaume Tell, link=no; it, Guglielmo Tell, link=no) is a French-language opera in four acts by Italian composer Gioachino Rossini to a libretto by Victor-Joseph Étienne de Jouy and L. F. Bis, based on Friedrich Schiller's play ''Wilhelm Tell,'' which, in turn, drew on the William Tell legend. The opera was Rossini's last, although he lived for nearly 40 more years. Fabio Luisi said that Rossini planned for ''Guillaume Tell'' to be his last opera even as he composed it. The often-performed overture in four sections features a depiction of a storm and a vivacious finale, the "March of the Swiss Soldiers". Paris Opéra archivist Charles Malherbe discovered the original orchestral score of the opera at a secondhand book seller's shop, resulting in its being acquired by the Paris Conservatoire. Performance history ''Guillaume Tell'' was first performed by the Paris Opéra at the Salle Le Peletier on 3 August 1829, but within three performances cuts we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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