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Vielka
''Ein Feldlager in Schlesien'' (''A Camp in Silesia'') is a Singspiel in three acts by Giacomo Meyerbeer with a German-language libretto by Ludwig Rellstab after Eugène Scribe's ''Le camp de Silésie''. It was first performed at the Hofoper, Berlin, on 7 December 1844; a version with a revised libretto by Charlotte Birch-Pfeiffer, titled ''Vielka'', opened in Vienna on 18 February 1847. Much material from the opera was later reused for Meyerbeer's opéra comique ''L'étoile du nord'' (1854). Background Shortly after Meyerbeer arrived in Berlin in 1842 the opera house was destroyed by a fire. Meyerbeer was invited to compose a brand new work for the festive occasion of the reopening of the opera house. The reigning Prussian king at the time was Frederick William IV, of the house of Hohenzollern. What better theme for this opera than a work celebrating the king's famous ancestor, Frederick the Great? But there was one problem; members of the ruling Hohenzollern family could not be ...
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Giacomo Meyerbeer
Giacomo Meyerbeer (born Jakob Liebmann Beer; 5 September 1791 – 2 May 1864) was a German opera composer, "the most frequently performed opera composer during the nineteenth century, linking Mozart and Wagner". With his 1831 opera ''Robert le diable'' and its successors, he gave the genre of grand opera 'decisive character'. Meyerbeer's grand opera style was achieved by his merging of German orchestra style with Italian vocal tradition. These were employed in the context of sensational and melodramatic libretti created by Eugène Scribe and were enhanced by the up-to-date theatre technology of the Paris Opéra. They set a standard which helped to maintain Paris as the opera capital of the nineteenth century. Born to a rich Jewish family, Meyerbeer began his musical career as a pianist but soon decided to devote himself to opera, spending several years in Italy studying and composing. His 1824 opera '' Il crociato in Egitto'' was the first to bring him Europe-wide reputation, but ...
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L'étoile Du Nord
' (''The North Star'') is an opéra comique in three acts by Giacomo Meyerbeer. The French-language libretto was by Eugène Scribe. The work had its first performance at the Opéra-Comique, Paris, on 16 February 1854. Much of the material, including some plot similarities (with the flautist Frederick the Great substituted by the flautist Peter the Great), derived from Meyerbeer's earlier 1844 Singspiel ''Ein Feldlager in Schlesien''. However, there also are some significant differences, perhaps the most important of which is that it was permissible to actually have Peter the Great take part in the action, which was not the case for Frederick, who had to play his flute off-stage, since members of the Prussian royal family were not permitted to be impersonated on the stage in Berlin where that work had its premiere. Peter does more than just take part in the action, since he ends up being the romantic lead. A notable feature of the opera is the triple march in the finale to ...
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Giacomo Meyerbeer Kriehuber (cropped)
Giacomo is an Italian name. It is the Italian version of the Hebrew name Jacob. People * Giacomo (name), including a list of people with the name Other uses * Giacomo (horse), a race horse, winner of the 2005 Kentucky Derby * ''Giácomo'' (film) (1939), Argentine film written by Armando Discépolo * United Office Building United Office Building, now known as the ''Giacomo'', is a historic Mayan Revival, a subset of art deco, skyscraper in Niagara Falls, New York, US. History The United Office Building was designed by architect James A. Johnson of Esenwein & Joh ...
, also known as ''Giacomo'', a skyscraper in Niagara Falls, New York {{disambiguation ...
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Silesia
Silesia (, also , ) is a historical region of Central Europe that lies mostly within Poland, with small parts in the Czech Republic and Germany. Its area is approximately , and the population is estimated at around 8,000,000. Silesia is split into two main subregions, Lower Silesia in the west and Upper Silesia in the east. Silesia has a diverse culture, including architecture, costumes, cuisine, traditions, and the Silesian language (minority in Upper Silesia). Silesia is along the Oder River, with the Sudeten Mountains extending across the southern border. The region contains many historical landmarks and UNESCO World Heritage Sites. It is also rich in mineral and natural resources, and includes several important industrial areas. The largest city and Lower Silesia's capital is Wrocław; the historic capital of Upper Silesia is Opole. The biggest metropolitan area is the Upper Silesian metropolitan area, the centre of which is Katowice. Parts of the Czech city of Ostrav ...
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Vienna
en, Viennese , iso_code = AT-9 , registration_plate = W , postal_code_type = Postal code , postal_code = , timezone = CET , utc_offset = +1 , timezone_DST = CEST , utc_offset_DST = +2 , blank_name = Vehicle registration , blank_info = W , blank1_name = GDP , blank1_info = € 96.5 billion (2020) , blank2_name = GDP per capita , blank2_info = € 50,400 (2020) , blank_name_sec1 = HDI (2019) , blank_info_sec1 = 0.947 · 1st of 9 , blank3_name = Seats in the Federal Council , blank3_info = , blank_name_sec2 = GeoTLD , blank_info_sec2 = .wien , website = , footnotes = , image_blank_emblem = Wien logo.svg , blank_emblem_size = Vienna ( ; german: Wien ; ba ...
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Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ...
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Joseph Staudigl
Josef Staudigl (the elder) (b. Wöllersdorf, 14 April 1807; d. Vienna, 28 March 1861) was an Austrian bass singer. Life Staudigl attended the school in Wiener Neustadt and, from 1825, was a novice in the Benedictine monastery of Stift Melk. In 1827 he went to Vienna to study surgery there. On account of poverty he began to do some singing as a subsidiary enterprise, for he had possessed a very beautiful voice since childhood. When he won a professional appointment with the Wiener Hofoper, and had gained a great success there, he brought his studies as a medic to an end. He made his mark by taking the place of a singer who was due to appear as Pietro in ''Masaniello'', who fell sick. In 1831 he became ''Hofkapellsänger'' (a court singer) and took part in the oratorio concerts of the Composers' Society. He did some teaching, and one student worthy of mention is Karl Beck, the tenor who in 1850 created the title role in Richard Wagner's opera ''Lohengrin''. Beck had made his ...
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Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ...
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Eduard Mantius
Jacob Eduard Mantius (18 January 1806 – 4 July 1874) was a German operatic tenor, composer and voice teacher. Life Born in Schwerin, at the request of his father, a factory owner, Mantius began studying law at the University of Rostock in the autumn of 1826. A year later, he broke off his studies and moved to Leipzig to study music. He took singing lessons with Christian August Pohlenz, the then director of the Gewandhausorchester. In 1829, he sang the tenor parts at a concert in Halle (Saale) conducted by Gasparo Spontini, the general music director of the Staatsoper Unter den Linden in Berlin. In the same year he became a member of the Sing-Akademie zu Berlin, Berliner Singakademie, which was conducted by Karl Friedrich Zelter. In 1830, King Frederick William III of Prussia appointed him as a singer at his court opera. He made his debut there with great success as Tamino in Mozart's ''Magic Flute''. His sonorous tenor and his acting talent soon made him famous outside of Be ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ...
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