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Vakhtangov
Yevgeny Bagrationovich Vakhtangov (also spelled Evgeny or Eugene; russian: Евге́ний Багратио́нович Вахта́нгов; 13 February 1883 – 29 May 1922) was a Russian-Armenian actor and theatre director who founded the Vakhtangov Theatre. He was a friend and mentor of Michael Chekhov.Martin BanhamThe Cambridge guide to theatre Cambridge University Press, 1995, p. 1157:"''Armenian born, Vakhtangov studied law at Moscow University before enrolling at A. I. Adashev’s drama school, where he was taught by, among others, Leopold Sulerzhitsky''." He is known for his distinctive style of theatre, his most notable production being ''Princess Turandot'' in 1922. Early life and education Vakhtangov was born to an Armenian father and a Russian mother in Vladikavkaz, Northern Ossetia. He was educated at Moscow State University for a short time before joining the Moscow Art Theatre in 1911. Career Vakhtangov rose in the ranks at the Moscow Art Theatre, and by 1920 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vakhtangov Theatre
Yevgeny Bagrationovich Vakhtangov (also spelled Evgeny or Eugene; russian: Евге́ний Багратио́нович Вахта́нгов; 13 February 1883 – 29 May 1922) was a Russian-Armenian actor and theatre director who founded the Vakhtangov Theatre. He was a friend and mentor of Michael Chekhov.Martin BanhamThe Cambridge guide to theatre Cambridge University Press, 1995, p. 1157:"''Armenian born, Vakhtangov studied law at Moscow University before enrolling at A. I. Adashev’s drama school, where he was taught by, among others, Leopold Sulerzhitsky''." He is known for his distinctive style of theatre, his most notable production being ''Princess Turandot'' in 1922. Early life and education Vakhtangov was born to an Armenian father and a Russian mother in Vladikavkaz, Northern Ossetia. He was educated at Moscow State University for a short time before joining the Moscow Art Theatre in 1911. Career Vakhtangov rose in the ranks at the Moscow Art Theatre, and by 1920 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turandot (Gozzi)
''Turandot'' (1762) is a '' commedia dell'arte'' play by Count Carlo Gozzi after a supposedly Persian story from the collection ''Les Mille et un jours'' (1710–1712) by François Pétis de la Croix (not to be confused with '' One Thousand and One Nights''). Gozzi's ''Turandot'' was first performed at the Teatro San Samuele, Venice, on 22 January 1762. Gozzi's play has given rise to a number of subsequent artistic endeavours, including combinations of: versions/translations by Schiller, Karl Vollmoeller and Brecht; theatrical productions by Goethe, Max Reinhardt and Yevgeny Vakhtangov; incidental music by Weber, Busoni and Wilhelm Stenhammar; and operas by Busoni, Puccini and Havergal Brian. Original play and performance ''Turandot'' was deliberately written in the Commedia dell'arte style by Gozzi, as part of a campaign in his literary war against the bourgeois, realistic works of Pietro Chiari and Carlo Goldoni. Gozzi was intimate with the out-of work theatre troupe o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Method Acting
Method acting, informally known as The Method, is a range of training and rehearsal techniques, as formulated by a number of different theatre practitioners, that seeks to encourage sincere and expressive performances through identifying with, understanding, and experiencing a character's inner motivation and emotions. These techniques are built on Stanislavski's system, developed by the Russian actor and director Konstantin Stanislavski and captured in his books '' An Actor Prepares'', ''Building a Character'', and ''Creating a Role''. Among those who have contributed to the development of the Method*, three teachers are associated with "having set the standard of its success", each emphasizing different aspects of the approach: Lee Strasberg (the psychological aspects), Stella Adler (the sociological aspects), and Sanford Meisner (the behavioral aspects).Krasner (2000b, 129). The approach was first developed when they worked together at the Group Theatre in New York and lat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanislavski's 'system'
Stanislavski's system is a systematic approach to training actors that the Russian theatre practitioner Konstantin Stanislavski developed in the first half of the twentieth century. His system cultivates what he calls the "art of experiencing" (with which he contrasts the "art of representation").Benedetti (1999a, 201), Carnicke (2000, 17), and Stanislavski (1938, 16—36 "art of representation" corresponds to Mikhail Shchepkin's "actor of reason" and his "art of experiencing" corresponds to Shchepkin's "actor of feeling"; see Benedetti (1999a, 202). It mobilises the actor's conscious thought and will in order to activate other, less-controllable psychological processes—such as emotional experience and subconscious behaviour—sympathetically and indirectly. In rehearsal, the actor searches for inner motives to justify action and the definition of what the character seeks to achieve at any given moment (a "task"). Later, Stanislavski further elaborated the system with a more p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Konstantin Stanislavski
Konstantin Sergeyevich Stanislavski ( Alekseyev; russian: Константин Сергеевич Станиславский, p=kənstɐnʲˈtʲin sʲɪrˈgʲejɪvʲɪtɕ stənʲɪˈslafskʲɪj; 7 August 1938) was a seminal Russian Soviet Federative Socialist Republic, Soviet Russian theatre practitioner. He was widely recognized as an outstanding character actor and the many List of productions directed by Konstantin Stanislavski, productions that he directed garnered him a reputation as one of the leading theatre directors of his generation. His principal fame and influence, however, rests on Stanislavski's system, his "system" of actor training, preparation, and rehearsal technique. Stanislavski (his stage name) performed and directed as an Amateur theatre, amateur until the age of 33, when he co-founded the world-famous Moscow Art Theatre (MAT) company with Vladimir Nemirovich-Danchenko, following a legendary 18-hour discussion. Its influential tours of Europe (1906) and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Chekhov
Mikhail Aleksandrovich Chekhov (russian: Михаил Александрович Чехов; 29 August 1891 – 30 September 1955), known as Michael Chekhov, was an American actor, director, author and theatre practitioner. He was a nephew of the playwright Anton Chekhov and a student of Konstantin Stanislavski. Stanislavski referred to him as his most brilliant student. Although mainly a stage actor, he made a few notable appearances on film, perhaps most memorably as the Freudian analyst in Alfred Hitchcock's '' Spellbound'' (1945), for which he received his only Academy Award nomination. Life He was born in Saint Petersburg, the son of Alexander Chekhov (the elder brother of Anton Chekhov) and his wife Natalya Aleksandrovna Golden. It was his father's second marriage. His mother, a Russian Jew, had been the governess to the children from his father's first marriage. He was raised in a middle-class family; his father was in the Imperial Customs Service and was a moderatel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Dybbuk
''The Dybbuk'', or ''Between Two Worlds'' (russian: Меж двух миров ибук}, trans. ''Mezh dvukh mirov ibuk'; yi, צווישן צוויי וועלטן - דער דִבּוּק, ''Tsvishn Tsvey Veltn – der Dibuk'') is a play by S. Ansky, authored between 1913 and 1916. It was originally written in Russian and later translated into Yiddish by Ansky himself. ''The Dybbuk'' had its world premiere in that language, performed by the Vilna Troupe at Warsaw in 1920. A Hebrew version was prepared by Hayim Nahman Bialik and staged in Moscow at Habima Theater in 1922. The play, which depicts the possession of a young woman by the malicious spirit – known as ''dybbuk'' in Jewish folklore – of her dead beloved, became a canonical work of both Hebrew and Yiddish theatre, being further translated and performed around the world. Characters * Leah, daughter of Sender, a maiden who had come of age and yet her father constantly rejects her suitors * Khanan, a poor Yeshiva stu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vsevolod Meyerhold
Vsevolod Emilyevich Meyerhold (russian: Всеволод Эмильевич Мейерхольд, translit=Vsévolod Èmíl'evič Mejerchól'd; born german: Karl Kasimir Theodor Meyerhold; 2 February 1940) was a Russian and Soviet theatre director, actor and theatrical producer. His provocative experiments dealing with physical being and symbolism in an unconventional theatre setting made him one of the seminal forces in modern international theatre. During the Great Purge, Meyerhold was arrested in June 1939. He was tortured, his wife was murdered, and he was executed on 2 February 1940. Life and work Early life Vsevolod Meyerhold was born Karl Kasimir Theodor Meyerhold in Penza on to Russian-German wine manufacturer Friedrich Emil Meyerhold and his Baltic German wife, Alvina Danilovna (). He was the youngest of eight children.Pitches (2003, pg. 4) After completing school in 1895, Meyerhold studied law at Moscow University but never completed his degree. He was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lee Strasberg
Lee Strasberg (born Israel Strassberg; November 17, 1901 – February 17, 1982) was an American theatre director, actor and acting teacher. He co-founded, with theatre directors Harold Clurman and Cheryl Crawford, the Group Theatre in 1931, which was hailed as "America's first true theatrical collective". In 1951, he became director of the nonprofit Actors Studio in New York City, considered "the nation's most prestigious acting school," and, in 1966, was involved in the creation of Actors Studio West in Los Angeles. Although other highly regarded teachers also developed versions of "The Method," Lee Strasberg is considered to be the "father of method acting in America," according to author Mel Gussow. From the 1920s until his death in 1982, "he revolutionized the art of acting by having a profound influence on performance in American theater and film." From his base in New York, Strasberg trained several generations of theatre and film notables, including Anne Bancroft, D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leopold Sulerzhitsky
Leopold Antonovich Sulerzhitsky (russian: Леопольд Антонович Сулержицкий; September 27, 1872 – December 30, 1916) was a Russian theatre director, painter and pedagogue of Polish descent. He is associated with the Moscow Art Theatre and the household of Leo Tolstoy. Among his many students were Yevgeny Vakhtangov and Michael Chekhov. A native of Zhitomir, Sulerzhitsky pursued study of the visual arts in Kiev. As a schoolboy he was involved in decorating St Volodymyr's Cathedral, working under the likes of Mikhail Vrubel and Viktor Vasnetsov. In 1890 he joined the Stroganov Art School in Moscow but dropped out four years later, due to his "anti-government escapades." Sulerzhitsky, always a colourful personality, turned his attention to theatre and soon became a fixture of Moscow artistic life. Tatyana Tolstaya, one of his schoolmates, introduced him to her famous father. Sulerzhitsky grew fascinated with Leo Tolstoy's ideas of pacifism and anarchism and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moscow Art Theatre
The Moscow Art Theatre (or MAT; russian: Московский Художественный академический театр (МХАТ), ''Moskovskiy Hudojestvenny Akademicheskiy Teatr'' (МHАТ)) was a theatre company in Moscow. It was founded in 1898 by the seminal Russian theatre practitioner Konstantin Stanislavski, together with the playwright and director Vladimir Nemirovich-Danchenko. It was conceived as a venue for naturalistic theatre, in contrast to the melodramas that were Russia's dominant form of theatre at the time. The theatre, the first to regularly put on shows implementing Stanislavski's system, proved hugely influential in the acting world and in the development of modern American theatre and drama. It was officially renamed the Gorky Moscow Art Theatre in 1932. In 1987, the theatre split into two troupes, the Chekhov Moscow Art Theatre and the Gorky Moscow Art Theatre. Beginnings At the end of the 19th-century, Stanislavski and Nemirovich-Danchenk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Gozzi
__NOTOC__ Carlo, Count Gozzi (; 13 December 1720 – 4 April 1806) was an Italian ( Venetian) playwright and champion of Commedia dell'arte. Early life Gozzi was born and died in Venice; he came from a family of minor Venetian aristocracy, the Tiepolos. At a young age, his parents were no longer able to support him financially, so he joined the army in Dalmatia. Three years later, he had returned to Venice and joined the Granelleschi Society. This society was dedicated to the pursuit of preservation of Tuscan literature from the influence of foreign culture; it was particularly interested in saving traditional Italian comedy such as Commedia dell'arte. Works Pietro Chiari and Carlo Goldoni, two Venetian writers, were moving away from the old style of Italian theatre, which threatened the work of the Granelleschi Society. In 1757 Gozzi defended Commedia dell'arte by publishing a satirical poem, ''La tartana degli influssi per l'anno 1756''; and in 1761, in his comedy based on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
