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Vakhtangov Theatre
Yevgeny Bagrationovich Vakhtangov (also spelled Evgeny or Eugene; russian: Евге́ний Багратио́нович Вахта́нгов; 13 February 1883 – 29 May 1922) was a Russian-Armenian actor and theatre director who founded the Vakhtangov Theatre. He was a friend and mentor of Michael Chekhov.Martin BanhamThe Cambridge guide to theatre Cambridge University Press, 1995, p. 1157:"''Armenian born, Vakhtangov studied law at Moscow University before enrolling at A. I. Adashev’s drama school, where he was taught by, among others, Leopold Sulerzhitsky''." He is known for his distinctive style of theatre, his most notable production being ''Princess Turandot'' in 1922. Early life and education Vakhtangov was born to an Armenian father and a Russian mother in Vladikavkaz, Northern Ossetia. He was educated at Moscow State University for a short time before joining the Moscow Art Theatre in 1911. Career Vakhtangov rose in the ranks at the Moscow Art Theatre, and by 1920 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vladikavkaz
Vladikavkaz (russian: Владикавка́з, , os, Дзæуджыхъæу, translit=Dzæwdžyqæw, ;), formerly known as Ordzhonikidze () and Dzaudzhikau (), is the capital city of the North Ossetia-Alania, Republic of North Ossetia-Alania, Russia. It is located in the southeast of the republic at the foothills of the Caucasus Mountains, situated on the Terek River. The city's population was 311,693 as of the Russian Census (2010), 2010 Census. As a result, Vladikavkaz is one of the most populous cities in the North Caucasus region. The city is an Industrial sector, industrial and transport, transportation centre. Manufactured products include processed zinc and lead, machinery, chemical substance, chemicals, clothing and food products. Etymology From 1931 to 1944 and from 1954 to 1990, its name in both Russian and Ossetic languages was ''Ordzhonikidze'' () (after Grigory Ordzhonikidze, Sergo Ordzhonikidze, a Georgian Bolshevik), and from 1944 to 1954 it was officially called ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lee Strasberg
Lee Strasberg (born Israel Strassberg; November 17, 1901 – February 17, 1982) was an American theatre director, actor and acting teacher. He co-founded, with theatre directors Harold Clurman and Cheryl Crawford, the Group Theatre in 1931, which was hailed as "America's first true theatrical collective". In 1951, he became director of the nonprofit Actors Studio in New York City, considered "the nation's most prestigious acting school," and, in 1966, was involved in the creation of Actors Studio West in Los Angeles. Although other highly regarded teachers also developed versions of "The Method," Lee Strasberg is considered to be the "father of method acting in America," according to author Mel Gussow. From the 1920s until his death in 1982, "he revolutionized the art of acting by having a profound influence on performance in American theater and film." From his base in New York, Strasberg trained several generations of theatre and film notables, including Anne Bancroft, D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cancer
Cancer is a group of diseases involving abnormal cell growth with the potential to invade or spread to other parts of the body. These contrast with benign tumors, which do not spread. Possible signs and symptoms include a lump, abnormal bleeding, prolonged cough, unexplained weight loss, and a change in bowel movements. While these symptoms may indicate cancer, they can also have other causes. Over 100 types of cancers affect humans. Tobacco use is the cause of about 22% of cancer deaths. Another 10% are due to obesity, poor diet, lack of physical activity or excessive drinking of alcohol. Other factors include certain infections, exposure to ionizing radiation, and environmental pollutants. In the developing world, 15% of cancers are due to infections such as ''Helicobacter pylori'', hepatitis B, hepatitis C, human papillomavirus infection, Epstein–Barr virus and human immunodeficiency virus (HIV). These factors act, at least partly, by changing the genes of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Habimah
The Habima Theatre ( he, תיאטרון הבימה ''Te'atron HaBima'', lit. "The Stage Theatre") is the national theatre of Israel and one of the first Hebrew language theatres. It is located in Habima Square in the center of Tel Aviv. History Habima was founded by in Białystok (then in Grodno Governorate, Russian Empire) in 1912. Menahem Gnessin was one of its cofounders and early actors. Because its performances were in Hebrew, invoked the Jewish folk tradition, and dealt with issues of the Jewish people, soon it was banned by Russian authorities, and the theatre troupe was forced to become a travelling one. Beginning in 1918, the theatre operated under the auspices of the Moscow Art Theatre, which some consider its actual beginning. It encountered difficulties under the Soviet government as well, after the Russian Revolution. Konstantin Stanislavsky arranged for the mainly Jewish Polish actors to be trained by Yevgeny Vakhtangov. The People's Commissar for Nationali ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Dybbuk
''The Dybbuk'', or ''Between Two Worlds'' (russian: Меж двух миров ибук}, trans. ''Mezh dvukh mirov ibuk'; yi, צווישן צוויי וועלטן - דער דִבּוּק, ''Tsvishn Tsvey Veltn – der Dibuk'') is a play by S. Ansky, authored between 1913 and 1916. It was originally written in Russian and later translated into Yiddish by Ansky himself. ''The Dybbuk'' had its world premiere in that language, performed by the Vilna Troupe at Warsaw in 1920. A Hebrew version was prepared by Hayim Nahman Bialik and staged in Moscow at Habima Theater in 1922. The play, which depicts the possession of a young woman by the malicious spirit – known as ''dybbuk'' in Jewish folklore – of her dead beloved, became a canonical work of both Hebrew and Yiddish theatre, being further translated and performed around the world. Characters * Leah, daughter of Sender, a maiden who had come of age and yet her father constantly rejects her suitors * Khanan, a poor Yeshiva stu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Gozzi
__NOTOC__ Carlo, Count Gozzi (; 13 December 1720 – 4 April 1806) was an Italian ( Venetian) playwright and champion of Commedia dell'arte. Early life Gozzi was born and died in Venice; he came from a family of minor Venetian aristocracy, the Tiepolos. At a young age, his parents were no longer able to support him financially, so he joined the army in Dalmatia. Three years later, he had returned to Venice and joined the Granelleschi Society. This society was dedicated to the pursuit of preservation of Tuscan literature from the influence of foreign culture; it was particularly interested in saving traditional Italian comedy such as Commedia dell'arte. Works Pietro Chiari and Carlo Goldoni, two Venetian writers, were moving away from the old style of Italian theatre, which threatened the work of the Granelleschi Society. In 1757 Gozzi defended Commedia dell'arte by publishing a satirical poem, ''La tartana degli influssi per l'anno 1756''; and in 1761, in his comedy based on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turandot (Gozzi)
''Turandot'' (1762) is a '' commedia dell'arte'' play by Count Carlo Gozzi after a supposedly Persian story from the collection ''Les Mille et un jours'' (1710–1712) by François Pétis de la Croix (not to be confused with '' One Thousand and One Nights''). Gozzi's ''Turandot'' was first performed at the Teatro San Samuele, Venice, on 22 January 1762. Gozzi's play has given rise to a number of subsequent artistic endeavours, including combinations of: versions/translations by Schiller, Karl Vollmoeller and Brecht; theatrical productions by Goethe, Max Reinhardt and Yevgeny Vakhtangov; incidental music by Weber, Busoni and Wilhelm Stenhammar; and operas by Busoni, Puccini and Havergal Brian. Original play and performance ''Turandot'' was deliberately written in the Commedia dell'arte style by Gozzi, as part of a campaign in his literary war against the bourgeois, realistic works of Pietro Chiari and Carlo Goldoni. Gozzi was intimate with the out-of work theatre troupe o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gestus
''Gestus'' (, from Latin meaning "gesture, attitude, carriage") is an acting technique developed by the German theatre practitioner Bertolt Brecht. It carries the sense of a combination of physical gestures and "gist" or attitude. It is a means by which "an attitude or single aspect of an attitude" is revealed, insofar as it is "expressible in words or actions."Willett (1964, 42). ''Gestus'', as the embodiment of an attitude, carries at least two distinct meanings in Brecht's theatre: first, the uncovering or revealing of the motivations and transactions that underpin a dramatic exchange between the characters; and second, the " epic" narration of that character by the actor (whether explicitly or implicitly). In the first sense, that of anatomizing the character, a ''Gestus'' reveals a specific ''aspect'' of a character: rather than his metaphysical, subconscious or other psychological dimensions, a ''Gestus'' makes visible a character's social relations and the causality of his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Demonstration (acting)
'Demonstration' is a monstration that serves as proof in storytelling. Demonstration is a central part of the Brechtian approach to acting. It implies a definite distance built into the actor's manner of playing a character (in contrast to the absolute identification with a character demanded by the Stanislavski-influenced "method acting Method acting, informally known as The Method, is a range of training and rehearsal techniques, as formulated by a number of different theatre practitioners, that seeks to encourage sincere and expressive performances through identifying with, u ..." approach). References Bertolt Brecht theories and techniques {{theatre-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Princess Turandot - 1922
Princess is a regal rank and the feminine equivalent of prince (from Latin ''princeps'', meaning principal citizen). Most often, the term has been used for the consort of a prince, or for the daughter of a king or prince. Princess as a substantive title Some princesses are reigning monarchs of principalities. There have been fewer instances of reigning princesses than reigning princes, as most principalities excluded women from inheriting the throne. Examples of princesses regnant have included Constance of Antioch, princess regnant of Antioch in the 12th century. Since the President of France, an office for which women are eligible, is ''ex-officio'' a Co-Prince of Andorra, then Andorra could theoretically be jointly ruled by a princess. Princess as a courtesy title Descendants of monarchs For many centuries, the title "princess" was not regularly used for a monarch's daughter, who, in English, might simply be called "Lady". Old English had no female equivalent of "prince ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bertolt Brecht
Eugen Berthold Friedrich Brecht (10 February 1898 – 14 August 1956), known professionally as Bertolt Brecht, was a German theatre practitioner, playwright, and poet. Coming of age during the Weimar Republic, he had his first successes as a playwright in Munich and moved to Berlin in 1924, where he wrote ''The Threepenny Opera'' with Kurt Weill and began a life-long collaboration with the composer Hanns Eisler. Immersed in Marxist thought during this period, he wrote didactic ''Lehrstücke'' and became a leading theoretician of epic theatre (which he later preferred to call "dialectical theatre") and the . During the Nazi Germany period, Brecht fled his home country, first to Scandinavia, and during World War II to the United States, where he was surveilled by the FBI. After the war he was subpoenaed by the House Un-American Activities Committee. Returning to East Berlin after the war, he established the theatre company Berliner Ensemble with his wife and long-time collaborator ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Practitioner
A theatre practitioner is someone who creates theatrical performances and/or produces a theoretical discourse that informs his or her practical work. A theatre practitioner may be a director, dramatist, actor, designer or a combination of these traditionally separate roles. ''Theatre practice'' describes the collective work that various theatre practitioners do. The term was not ordinarily applied to theatre-makers prior to the rise of modernism in the theatre. Instead, theatre praxis from Konstantin Stanislavski's development of his system is described through Vsevolod Meyerhold's biomechanics, Antonin Artaud's Theatre of cruelty, Bertolt Brecht's epic, and Jerzy Grotowski's poor theatre. Contemporary theatre practitioners include Augusto Boal with his Theatre of the Oppressed, Dario Fo's popular theatre, Eugenio Barba's theatre anthropology, and Anne Bogart's viewpoints Viewpoints is a technique of dance composition that acts as a medium for thinking about and acting upon m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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