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Turandot (Brecht)
''Turandot or the Whitewashers' Congress'' is an epic comedy by the German modernist playwright Bertolt Brecht. It was written during the summer of 1953 in Buckow and substantially revised in light of a brief period of rehearsals in 1954, though it was still incomplete at the time of Brecht's death in 1956 and did not receive its first production until several years later. It premièred on 5 February 1969 at the Zürich Schauspielhaus, in a production directed by Benno Besson and Horst Sagert, with music by Yehoshua Lakner. The story is loosely based on Count Carlo Gozzi's '' commedia dell'arte'' play ''Turandot'' (1762), a production of which Brecht saw in Moscow in 1932, directed by Yevgeny Vakhtangov. From 1930 onwards, Brecht began to develop a version of his own, which became part of a wider complex of projects exploring the role of intellectuals (or " Tuis," as he called them) in a capitalist society. Brecht's protagonist is coarse, lacking the whimsical charm of Gozzi ...
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Whitewash (censorship)
Whitewashing is the act of glossing over or covering up vices, crimes or scandals or exonerating by means of a perfunctory investigation or biased presentation of data."Whitewash", Encyclopædia Britannica, 2003 DVD Ultimate reference suite. Etymology The first known use of the term is from 1591 in England. Whitewash is a cheap white paint or coating of chalked lime that was used to quickly give a uniform clean appearance to a wide variety of surfaces, such as the interior of a barn. Usage In 1800, in the United States, the word was used in a political context, when a Philadelphia ''Aurora'' editorial said that "if you do not whitewash President Adams speedily, the Democrats, like swarms of flies, will bespatter him all over, and make you both as speckled as a dirty wall, and as black as the devil." In the 20th century, many dictatorships, authoritarian and totalitarian states used whitewashing in order to glorify the results of war. For instance, during the Soviet invasion ...
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Horst Sagert
Horst may refer to: Science * Horst (geology), a raised fault block bounded by normal faults or graben People * Horst (given name) * Horst (surname) * ter Horst, Dutch surname * van der Horst, Dutch surname Places Settlements Germany * Horst, Steinburg, a municipality in the district of Steinburg in Schleswig-Holstein * Horst, Lauenburg, a municipality in the district of Lauenburg in Schleswig-Holstein * Horst, Mecklenburg-Vorpommern, a village and district in the municipality of Sundhagen, Mecklenburg-Vorpommern * , a district in the city of Gelsenkirchen, North Rhine-Westphalia * , a town in the municipality of Seevetal, Lower Saxony Netherlands * Horst aan de Maas, a municipality in the province of Limburg ** Horst, Limburg, the municipal seat of Horst aan de Maas * , a hamlet in the municipality of Ermelo, Gelderland * , a village in the municipality of Gilze en Rijen, North Brabant * Schothorst, , and , districts in the city and municipality of Amersfoort, Utrecht Polan ...
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Neologism
A neologism Greek νέο- ''néo''(="new") and λόγος /''lógos'' meaning "speech, utterance"] is a relatively recent or isolated term, word, or phrase that may be in the process of entering common use, but that has not been fully accepted into mainstream language. Neologisms are often driven by changes in culture and technology. In the process of language formation, neologisms are more mature than '' protologisms''. A word whose development stage is between that of the protologism (freshly coined) and neologism (new word) is a ''prelogism''. Popular examples of neologisms can be found in science, fiction (notably science fiction), films and television, branding, literature, jargon, cant, linguistics, the visual arts, and popular culture. Former examples include ''laser'' (1960) from Light Amplification by Stimulated Emission of Radiation; ''robot'' (1941) from Czech writer Karel Čapek's play ''R.U.R. (Rossum's Universal Robots)''; and ''agitprop'' (1930) (a portmanteau of " ...
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Capitalism
Capitalism is an economic system based on the private ownership of the means of production and their operation for Profit (economics), profit. Central characteristics of capitalism include capital accumulation, competitive markets, price system, private property, Property rights (economics), property rights recognition, voluntary exchange, and wage labor. In a market economy, decision-making and investments are determined by owners of wealth, property, or ability to maneuver capital or production ability in Capital market, capital and financial markets—whereas prices and the distribution of goods and services are mainly determined by competition in goods and services markets. Economists, historians, political economists and sociologists have adopted different perspectives in their analyses of capitalism and have recognized various forms of it in practice. These include ''Laissez-faire capitalism, laissez-faire'' or free-market capitalism, anarcho-capitalism, state capi ...
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Tui (intellectual)
The German modernist theatre practitioner Bertolt Brecht invented the term and used it in a range of critical and creative projects, including the material that he developed in the mid-1930s for his so-called ''Tui-Novel''—an unfinished satire on intellectuals in the German Empire and Weimar Republic—and his epic comedy from the early 1950s, '' Turandot or the Whitewashers' Congress''. The word is a neologism that results from the Acronym and initialism, acronym of a word play on "intellectual" ("Tellekt-Ual-In"). According to Mark Clark:Clark, M. W. (July 2006). ''Hero or Villain? Bertolt Brecht and the Crisis Surrounding June 1953''. Journal of Contemporary History. vol. 41 no. 3. pp. 451–475. Brecht routinely referred to the members of the Frankfurt School, particularly Theodor Adorno Theodor is a masculine given name. It is a German form of Theodore. It is also a variant of Teodor. List of people with the given name Theodor * Theodor Adorno, (1903–1969), German ...
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Intellectual
An intellectual is a person who engages in critical thinking, research, and reflection about the reality of society, and who proposes solutions for the normative problems of society. Coming from the world of culture, either as a creator or as a mediator, the intellectual participates in politics, either to defend a concrete proposition or to denounce an injustice, usually by either rejecting or producing or extending an ideology, and by defending a system of values. Etymological background "Man of letters" The term "man of letters" derives from the French term ''belletrist'' or ''homme de lettres'' but is not synonymous with "an academic". A "man of letters" was a literate man, able to read and write, as opposed to an illiterate man in a time when literacy was rare and thus highly valued in the upper strata of society. In the 17th and 18th centuries, the term ''Belletrist(s)'' came to be applied to the ''literati'': the French participants in—sometimes referred to as ...
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Farce
Farce is a comedy that seeks to entertain an audience through situations that are highly exaggerated, extravagant, ridiculous, absurd, and improbable. Farce is also characterized by heavy use of physical humor; the use of deliberate absurdity or nonsense; satire, parody, and mockery of real-life situations, people, events, and interactions; unlikely and humorous instances of miscommunication; ludicrous, improbable, and exaggerated characters; and broadly stylized performances. Genre Despite involving absurd situations and characters, the genre generally maintains at least a slight degree of realism and narrative continuity within the context of the irrational or ludicrous situations, often distinguishing it from completely absurdist or fantastical genres. Farces are often episodic or short in duration, often being set in one specific location where all events occur. Farces have historically been performed for the stage and film. Historical context The term ''farce'' is deri ...
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Grotesque
Since at least the 18th century (in French and German as well as English), grotesque has come to be used as a general adjective for the strange, mysterious, magnificent, fantastic, hideous, ugly, incongruous, unpleasant, or disgusting, and thus is often used to describe weird shapes and distorted forms such as Halloween masks. In art, performance, and literature, however, ''grotesque'' may also refer to something that simultaneously invokes in an audience a feeling of uncomfortable bizarreness as well as sympathetic pity. The English word first appears in the 1560s as a noun borrowed from French, and comes originally from the Italian ''grottesca'' (literally "of a cave" from the Italian ''grotta'', 'cave'; see grotto), an extravagant style of ancient Roman decorative art rediscovered at Rome at the end of the fifteenth century and subsequently imitated. The word was first used of paintings found on the walls of basements of ruins in Rome that were called at that time ''le Gro ...
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Karl Vollmöller
Karl Gustav Vollmöller (or Vollmoeller; 7 May 1878 – 18 October 1948) was a German philologist, archaeologist, poet, playwright, screenwriter, and aircraft designer. He is most famous for the elaborate religious spectacle-pantomime '' The Miracle'' and the screenplay for the celebrated 1930 film ''The Blue Angel'' (''Der blaue Engel''), which made a star of Marlene Dietrich. Life Vollmöller was born in Stuttgart, Württemberg, the son of merchant Robert Vollmöller (1849–1911), who founded his own textile company (''Vollmoeller AG'') in 1881 and, together with his wife Emilie, née Behr (1852–1894), became known as a pioneer of social market economy. His uncle Karl Vollmöller (1848–1922) was a notable Romance philologist and Anglicist; his sister Mathilde Vollmöller (1876–1943) married the painter Hans Purrmann in 1912. He began writing after the early death of his mother in 1894, and went on to study classical philology, art and painting at the universities of Be ...
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Yevgeny Vakhtangov
Yevgeny Bagrationovich Vakhtangov (also spelled Evgeny or Eugene; russian: Евге́ний Багратио́нович Вахта́нгов; 13 February 1883 – 29 May 1922) was a Russian-Armenian actor and theatre director who founded the Vakhtangov Theatre. He was a friend and mentor of Michael Chekhov.Martin BanhamThe Cambridge guide to theatre Cambridge University Press, 1995, p. 1157:"''Armenian born, Vakhtangov studied law at Moscow University before enrolling at A. I. Adashev’s drama school, where he was taught by, among others, Leopold Sulerzhitsky''." He is known for his distinctive style of theatre, his most notable production being ''Princess Turandot'' in 1922. Early life and education Vakhtangov was born to an Armenian father and a Russian mother in Vladikavkaz, Northern Ossetia. He was educated at Moscow State University for a short time before joining the Moscow Art Theatre in 1911. Career Vakhtangov rose in the ranks at the Moscow Art Theatre, and by 1920 ...
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Moscow
Moscow ( , US chiefly ; rus, links=no, Москва, r=Moskva, p=mɐskˈva, a=Москва.ogg) is the capital and largest city of Russia. The city stands on the Moskva River in Central Russia, with a population estimated at 13.0 million residents within the city limits, over 17 million residents in the urban area, and over 21.5 million residents in the metropolitan area. The city covers an area of , while the urban area covers , and the metropolitan area covers over . Moscow is among the world's largest cities; being the most populous city entirely in Europe, the largest urban and metropolitan area in Europe, and the largest city by land area on the European continent. First documented in 1147, Moscow grew to become a prosperous and powerful city that served as the capital of the Grand Duchy that bears its name. When the Grand Duchy of Moscow evolved into the Tsardom of Russia, Moscow remained the political and economic center for most of the Tsardom's history. When th ...
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Turandot (Gozzi)
''Turandot'' (1762) is a '' commedia dell'arte'' play by Count Carlo Gozzi after a supposedly Persian story from the collection ''Les Mille et un jours'' (1710–1712) by François Pétis de la Croix (not to be confused with '' One Thousand and One Nights''). Gozzi's ''Turandot'' was first performed at the Teatro San Samuele, Venice, on 22 January 1762. Gozzi's play has given rise to a number of subsequent artistic endeavours, including combinations of: versions/translations by Schiller, Karl Vollmoeller and Brecht; theatrical productions by Goethe, Max Reinhardt and Yevgeny Vakhtangov; incidental music by Weber, Busoni and Wilhelm Stenhammar; and operas by Busoni, Puccini and Havergal Brian. Original play and performance ''Turandot'' was deliberately written in the Commedia dell'arte style by Gozzi, as part of a campaign in his literary war against the bourgeois, realistic works of Pietro Chiari and Carlo Goldoni. Gozzi was intimate with the out-of work theatre troupe o ...
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