|
Tsuitate No Danjo
''Tsuitate no Danjo'' (, "Man and Woman by a Partitioning Screen", ) is a title given to a multicolour print by the Japanese ukiyo-e artist Kitagawa Utamaro. It depicts a young man and woman by a ''tsuitate'' partitioning screen. The print delivers the feeling of several layers of translucency as the woman peers through the folded cloth of the man's ''haori'' and the man is seen through a silk gauze–covered portion of the ''tsuitate''. Background Ukiyo-e art flourished in Japan during the Edo period from the 17th to 19th centuries, and took as its primary subjects courtesans, kabuki actors, and others associated with the "floating world" lifestyle of the pleasure districts. Alongside paintings, mass-produced woodblock prints were a major form of the genre. In the mid-18th century full-colour ' prints became common, printed using a large number of woodblocks, one for each colour. A prominent genre was ' ("pictures of beauties"), which depicted most often courtesans and ge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Utamaro (c
Kitagawa Utamaro ( ja, 喜多川 歌麿; – 31 October 1806) was a Japanese artist. He is one of the most highly regarded designers of ukiyo-e woodblock prints and paintings, and is best known for his ''bijin ōkubi-e'' "large-headed pictures of beautiful women" of the 1790s. He also produced nature studies, particularly illustrated books of insects. Little is known of Utamaro's life. His work began to appear in the 1770s, and he rose to prominence in the early 1790s with his portraits of beauties with exaggerated, elongated features. He produced over 2000 known prints and was one of the few ukiyo-e artists to achieve fame throughout Japan in his lifetime. In 1804 he was arrested and manacled for fifty days for making illegal prints depicting the 16th-century military ruler Toyotomi Hideyoshi, and died two years later. Utamaro's work reached Europe in the mid-nineteenth century, where it was very popular, enjoying particular acclaim in France. He influenced the Eu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bijin-ga
is a generic term for pictures of beautiful women () in Japanese art, especially in woodblock printing of the ukiyo-e genre. Definition defines as a picture that simply "emphasizes the beauty of women", and the ''Shincho Encyclopedia of World Art'' defines it as depiction of "the beauty of a woman's appearance". On the other hand, defines as pictures that explore "the inner beauty of women". For this reason, the essence of cannot always be expressed only through the depiction of a , a woman aligning with the beauty image. In fact, in ukiyo-e , it was not considered important that the picture resemble the facial features of the model, and the depiction of women in ukiyo-e is stylized rather than an attempt to create a realistic image; For example, throughout the Edo period (1603-1867), married women had a custom of shaving their eyebrows (), but in , there was a rule to draw the eyebrows for married women. History Ukiyo-e itself is a genre of woodblock prints and pain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museum Of Fine Arts, Boston
The Museum of Fine Arts (often abbreviated as MFA Boston or MFA) is an art museum in Boston, Massachusetts. It is the 20th-largest art museum in the world, measured by public gallery area. It contains 8,161 paintings and more than 450,000 works of art, making it one of the most comprehensive collections in the Americas. With more than 1.2 million visitors a year, it is the 52nd–most visited art museum in the world . Founded in 1870 in Copley Square, the museum moved to its current Fenway location in 1909. It is affiliated with the School of the Museum of Fine Arts at Tufts. History 1870–1907 The Museum of Fine Arts was founded in 1870 and was initially located on the top floor of the Boston Athenaeum. Most of its initial collection came from the Athenæum's Art Gallery. Francis Davis Millet, a local artist, was instrumental in starting the art school affiliated with the museum, and in appointing Emil Otto Grundmann as its first director. In 1876, the museum moved to a h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kodansha International
is a Japanese privately-held publishing company headquartered in Bunkyō, Tokyo. Kodansha is the largest Japanese publishing company, and it produces the manga magazines ''Nakayoshi'', ''Afternoon'', ''Evening'', ''Weekly Shōnen Magazine'' and ''Bessatsu Shōnen Magazine'', as well as the more literary magazines ''Gunzō'', ''Shūkan Gendai'', and the Japanese dictionary ''Nihongo Daijiten''. Kodansha was founded by Seiji Noma in 1910, and members of his family continue as its owners either directly or through the Noma Cultural Foundation. History Seiji Noma founded Kodansha in 1910 as a spin-off of the ''Dai-Nippon Yūbenkai'' (, "Greater Japan Oratorical Society") and produced the literary magazine ''Yūben'' () as its first publication. The name ''Kodansha'' (taken from ''Kōdan Club'' (), a now-defunct magazine published by the company) originated in 1911 when the publisher formally merged with the ''Dai-Nippon Yūbenkai''. The company has used its current legal name since ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tuttle Publishing
Tuttle Publishing, originally the Charles E. Tuttle Company, is a book publishing company that includes Tuttle, Periplus Editions, and Journey Editions.Tutttle Publishing: About us Retrieved on April 17, 2010.Grant, T. (1997): ''International directory of company histories'' (Vol. 86, 2nd ed., pp. 404–405). Chicago, IL: Saint James Press. () A company profile describes it as an "International publisher of innovative books on design, cooking, martial arts, language, travel and spirituality with a focus on China, Japan and Southeast Asia."The London Book Fair: Tuttle Publishing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wakashū
is a historical Japanese term indicating an adolescent boy, used particularly during the Edo period (1603–1867). status was indicated by haircut. Appearance and ceremonies properly referred to a boy between the ages at which his head was partially shaven () (about 7–17 years of age), at which point a boy exited early childhood and could begin formal education, apprenticeship, or employment outside the home, and the coming of age ceremony (mid-teens through early 20s), which marked the transition to adulthood. During this period, the wore a distinctive hairstyle, with a small shaved portion at the crown of the head and long forelocks at front and sides, and typically wore kimono with open sleeves (); boys from wealthier families could wear . After the coming of age ceremony, the forelocks were shaved off, giving the adult male hairstyle (), and the boy assumed the adult male style of kimono with rounded sleeves. Although any person would be clearly classified as a child, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ōban
An Ōban (大判) was a monetary ovoid gold plate, and the largest denomination of Tokugawa coinage. Tokugawa coinage worked according to a triple monetary standard, using gold, silver and bronze coins, each with their own denominations. The first Oban – Tenshō Ōban (天正大判) – were minted by the Gotō family under the orders of Hideyoshi , otherwise known as and , was a Japanese samurai and ''daimyō'' (feudal lord) of the late Sengoku period regarded as the second "Great Unifier" of Japan.Richard Holmes, The World Atlas of Warfare: Military Innovations that Changed the Cour ... in 1588.''The Cambridge History of Japan: Early modern Japan'' by John Whitney Hall p.6/ref> The Tenshō Ōban was equivalent to ten Ryō (currency unit), Ryōs, or ten Koban (小判) plates, with a weight of 165 g. Notes References * {{DEFAULTSORT:Oban Coins of Japan Gold coins Modern obsolete currencies Edo period ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Washi
is traditional Japanese paper. The term is used to describe paper that uses local fiber, processed by hand and made in the traditional manner. ''Washi'' is made using fibers from the inner bark of the gampi tree, the mitsumata shrub (''Edgeworthia chrysantha''), or the paper mulberry (''kōzo'') bush. As a Japanese craft, it is registered as a UNESCO intangible cultural heritage. ''Washi'' is generally tougher than ordinary paper made from wood pulp, and is used in many traditional arts. Origami, Shodō, and Ukiyo-e were all produced using ''washi''. ''Washi'' was also used to make various everyday goods like clothes, household goods, and toys, as well as vestments and ritual objects for Shinto priests and statues of Buddha. It was even used to make wreaths that were given to winners in the 1998 Winter Paralympics. ''Washi'' is also used to repair historically valuable cultural properties, paintings, and books at museums and libraries around the world, such as the Louvre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ōkubi-e
An is a Japanese portrait print or painting in the ukiyo-e genre showing only the head or the head and upper torso. Katsukawa Shunkō I (1743–1812) is generally credited with producing the first ōkubi-e. He, along with Katsukawa Shunshō, designed ōkubi-e of male kabuki actors. In the early-1790s, Utamaro designed the first ōkubi-e of beautiful women (''bijin-ga ōkubi-e''). The shogunate authorities banned ōkubi-e in 1800, but the ban was lifted after eight years. Gallery Large head portrait (okubi-e) of kabuki actor Matsumoto Kôshirô IV as Tsurunosuke by Katsukawa Shunko I.JPG, Ōkubi-e of kabuki actor Matsumoto Kōshirō IV as Tsurunosuke, a woodblock print by Katsukawa Shunkō I Kunimasa - taikan, The actor Ichikawa Ebizo in a shibaraku role, 1796.jpg, Woodblock print by Utagawa Kunimasa of kabuki actor Ichikawa Ebizō in a shibaraku role, 1796 Toshusai Sharaku- Otani Oniji, 1794.jpg, Nakazō Nakamura II as Edobee, woodblock print by Sharaku, 1794 Ase o fuku ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Geisha
{{Culture of Japan, Traditions, Geisha {{nihongo, Geisha, 芸者 ({{IPAc-en, ˈ, ɡ, eɪ, ʃ, ə; {{IPA-ja, ɡeːɕa, lang), also known as {{nihongo, , 芸子, geiko (in Kyoto and Kanazawa) or {{nihongo, , 芸妓, geigi, are a class of female Japanese performing artists and entertainers trained in traditional Japanese performing arts styles, such as dance, music and singing, as well as being proficient conversationalists and hosts. Their distinct appearance is characterised by long, trailing kimono, traditional hairstyles and {{transliteration, ja, oshiroi make-up. Geisha entertain at parties known as {{transliteration, ja, ozashiki, often for the entertainment of wealthy clientele, as well as performing on stage and at festivals. Modern geisha are not prostitutes. This misconception originated due to the conflation of Japanese courtesans ({{transliteration, ja, oiran), {{transliteration, ja, oiran reenactors, the extant {{transliteration, ja, tayū, and prostitutes, who ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oiran
is a collective term for the highest-ranking courtesans in Japanese history, who were considered to be above common prostitution, prostitutes (known as ) for their more refined entertainment skills and training in the traditional arts. Divided into a number of ranks within this category, the highest rank of were the , who were considered to be set apart from other due to their intensive training in the traditional arts. Though by definition also engaged in prostitution, higher-ranking had a degree of choice in which customers they took; , in contrast, did not engage in sex work at all. The term originated in Yoshiwara, the Yūkaku, red light district of Edo in the 1750s, and is applied to all ranks of high level courtesans in historical Japan. The services of were well known for being exclusive and expensive, with typically only entertaining the upper classes of society, gaining the nickname for their perceived ability to steal the hearts and match the wits of upper-cl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nishiki-e
is a type of Japanese multi-coloured woodblock printing; the technique is used primarily in ukiyo-e. It was invented in the 1760s, and perfected and popularized by the printmaker Suzuki Harunobu, who produced many ''nishiki-e'' prints between 1765 and his death five years later. Previously, most prints had been in black-and-white, coloured by hand, or coloured with the addition of one or two colour ink blocks. A ''nishiki-e'' print is created by carving a separate woodblock for every colour, and using them in a stepwise fashion. An engraver by the name of Kinroku is credited with the technical innovations that allowed so many blocks of separate colours to fit together perfectly on the page, in order to create a single complete image. This style and technique is also known as , referring to Edo, the name for Tokyo before it became the capital. Edo Era Nishiki-e is also known as Edo-e, or azuma-nishiki-e. The technology to produce nishiki-e made printing complex colors and fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_Three_Beauties_of_the_Present_Time%2C_MFAB_21.6382.jpg "Click for more on -> Bijin-ga")
.jpg "Click for more on -> Kodansha International")
