Bijin-ga
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Bijin-ga
is a generic term for pictures of beautiful women () in Japanese art, especially in woodblock printing of the ukiyo-e genre. Definition defines as a picture that simply "emphasizes the beauty of women", and the ''Shincho Encyclopedia of World Art'' defines it as depiction of "the beauty of a woman's appearance". On the other hand, defines as pictures that explore "the inner beauty of women". For this reason, the essence of cannot always be expressed only through the depiction of a , a woman aligning with the beauty image. In fact, in ukiyo-e , it was not considered important that the picture resemble the facial features of the model, and the depiction of women in ukiyo-e is stylized rather than an attempt to create a realistic image; For example, throughout the Edo period (1603-1867), married women had a custom of shaving their eyebrows (), but in , there was a rule to draw the eyebrows for married women. History Ukiyo-e itself is a genre of woodblock prints and pain ...
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Bijin
is a Japanese term which literally means "a beautiful person" and is synonymous with . Girls are usually called , while men are known as and boys are . The term originally derives from the Chinese word (), and the word is used widely in several Asian countries including China, South Korea, North Korea, and Vietnam. Meaning In practice the term means "beautiful woman" because the first kanji character, , has a feminine connotation. The character expressed the concept of beauty by first using the element for "sheep", which must have been viewed as beautiful, and was combined with the element for "big", ultimately forming a new kanji. can also be translated as "a beauty". Its modern meaning was also said to have undergone an internationalization, with the term for the moon and then a lord or ruler on high. People who are called a are usually considered beautiful, charming and harmonious women who wear pretty clothes. In Mandarin Chinese, (Pinyin: ) also means "a beautiful ...
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Bijin
is a Japanese term which literally means "a beautiful person" and is synonymous with . Girls are usually called , while men are known as and boys are . The term originally derives from the Chinese word (), and the word is used widely in several Asian countries including China, South Korea, North Korea, and Vietnam. Meaning In practice the term means "beautiful woman" because the first kanji character, , has a feminine connotation. The character expressed the concept of beauty by first using the element for "sheep", which must have been viewed as beautiful, and was combined with the element for "big", ultimately forming a new kanji. can also be translated as "a beauty". Its modern meaning was also said to have undergone an internationalization, with the term for the moon and then a lord or ruler on high. People who are called a are usually considered beautiful, charming and harmonious women who wear pretty clothes. In Mandarin Chinese, (Pinyin: ) also means "a beautiful ...
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Ukiyo-e Genres
Ukiyo-e is a genre of Japanese art which flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica. The term translates as "picture of the floating world". In 1603, the city of Edo (Tokyo) became the seat of the ruling Tokugawa shogunate. The ''chōnin'' class (merchants, craftsmen and workers), positioned at the bottom of the social order, benefited the most from the city's rapid economic growth, and began to indulge in and patronise the entertainment of kabuki theatre, geisha, and courtesans of the pleasure districts; the term ("floating world") came to describe this hedonistic lifestyle. Printed or painted ukiyo-e works were popular with the ''chōnin'' class, who had become wealthy enough to afford to decorate their homes with them. The earliest ukiyo-e works eme ...
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Ukiyo-e
Ukiyo-e is a genre of Japanese art which flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and ai ... of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; Flora of Japan, flora and Wildlife of Japan#Fauna, fauna; and Shunga, erotica. The term translates as "picture[s] of the floating world". In 1603, the city of Edo (Tokyo) became the seat of the ruling Tokugawa shogunate. The ''chōnin'' class (merchants, craftsmen and workers), positioned at the bottom of Four occupations, the social order, benefited the most from the city's rapid economic growth, and began to indulge in and patronise the entertainment o ...
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Utamaro
Kitagawa Utamaro ( ja, 喜多川 歌麿;  – 31 October 1806) was a Japanese artist. He is one of the most highly regarded designers of ukiyo-e woodblock prints and paintings, and is best known for his ''bijin ōkubi-e'' "large-headed pictures of beautiful women" of the 1790s. He also produced nature studies, particularly illustrated books of insects. Little is known of Utamaro's life. His work began to appear in the 1770s, and he rose to prominence in the early 1790s with his portraits of beauties with exaggerated, elongated features. He produced over 2000 known prints and was one of the few ukiyo-e artists to achieve fame throughout Japan in his lifetime. In 1804 he was arrested and manacled for fifty days for making illegal prints depicting the 16th-century military ruler Toyotomi Hideyoshi, and died two years later. Utamaro's work reached Europe in the mid-nineteenth century, where it was very popular, enjoying particular acclaim in France. He influenced the Eu ...
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Kitagawa Utamaro
Kitagawa Utamaro ( ja, 喜多川 歌麿;  – 31 October 1806) was a Japanese artist. He is one of the most highly regarded designers of ukiyo-e woodblock prints and paintings, and is best known for his ''bijin ōkubi-e'' "large-headed pictures of beautiful women" of the 1790s. He also produced nature studies, particularly illustrated books of insects. Little is known of Utamaro's life. His work began to appear in the 1770s, and he rose to prominence in the early 1790s with his portraits of beauties with exaggerated, elongated features. He produced over 2000 known prints and was one of the few ukiyo-e artists to achieve fame throughout Japan in his lifetime. In 1804 he was arrested and manacled for fifty days for making illegal prints depicting the 16th-century military ruler Toyotomi Hideyoshi, and died two years later. Utamaro's work reached Europe in the mid-nineteenth century, where it was very popular, enjoying particular acclaim in France. He influenced the Eu ...
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Utamaro (1793) Three Beauties Of The Present Time, MFAB 21
Kitagawa Utamaro ( ja, 喜多川 歌麿;  – 31 October 1806) was a Japanese artist. He is one of the most highly regarded designers of ukiyo-e woodblock prints and paintings, and is best known for his ''bijin ōkubi-e'' "large-headed pictures of beautiful women" of the 1790s. He also produced nature studies, particularly illustrated books of insects. Little is known of Utamaro's life. His work began to appear in the 1770s, and he rose to prominence in the early 1790s with his portraits of beauties with exaggerated, elongated features. He produced over 2000 known prints and was one of the few ukiyo-e artists to achieve fame throughout Japan in his lifetime. In 1804 he was arrested and manacled for fifty days for making illegal prints depicting the 16th-century military ruler Toyotomi Hideyoshi, and died two years later. Utamaro's work reached Europe in the mid-nineteenth century, where it was very popular, enjoying particular acclaim in France. He influenced the Eu ...
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Toyohara Chikanobu
, better known to his contemporaries as , was a Japanese painter and printmaker who was widely regarded as a prolific woodblock artist during the Meiji epoch. Names Chikanobu signed his artwork . This was his . The artist's was ; and it was published in his obituary.See "Yōshū Chikanobu bituary" ''Miyako Shimbun,'' No. 8847 (October 2, 1912). p. 195: "Yōshū Chikanobu, who represented in ''nishiki-e'' the Great Interior of the Chiyoda Castle and was famous as a master of ''bijin-ga,'' had retired to Shimo-Ōsaki at the foot of Goten-yama five years ago and led an elegant life away from the world, but suffered from stomach cancer starting this past June, and finally died on the night of September 28th at the age of seventy-five. His real name being Hashimoto Naoyoshi, he was a retainer of the Sakakibara clan of Takada domain in Echigo province. After the collapse of the Tokugawa Shogunate, he joined the Shōgitai and fought in the Battle of Ueno. After the defeat at U ...
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Yōshū Chikanobu
, better known to his contemporaries as , was a Japanese painter and printmaker who was widely regarded as a prolific woodblock artist during the Meiji epoch. Names Chikanobu signed his artwork . This was his . The artist's was ; and it was published in his obituary.See "Yōshū Chikanobu bituary" ''Miyako Shimbun,'' No. 8847 (October 2, 1912). p. 195: "Yōshū Chikanobu, who represented in ''nishiki-e'' the Great Interior of the Chiyoda Castle and was famous as a master of ''bijin-ga,'' had retired to Shimo-Ōsaki at the foot of Goten-yama five years ago and led an elegant life away from the world, but suffered from stomach cancer starting this past June, and finally died on the night of September 28th at the age of seventy-five. His real name being Hashimoto Naoyoshi, he was a retainer of the Sakakibara clan of Takada domain in Echigo province. After the collapse of the Tokugawa Shogunate, he joined the Shōgitai and fought in the Battle of Ueno. After the defeat at Uen ...
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Japanese Art
Japanese art covers a wide range of art styles and media, including ancient pottery, sculpture, ink painting and calligraphy on silk and paper, ''ukiyo-e'' paintings and woodblock prints, ceramics, origami, and more recently manga and anime. It has a long history, ranging from the beginnings of human habitation in Japan, sometime in the 10th millennium BC, to the present-day country. Japan has been subject to sudden invasions of new ideas followed by long periods of minimal contact with the outside world. Over time the Japanese developed the ability to absorb, imitate, and finally assimilate those elements of foreign culture that complemented their aesthetic preferences. The earliest complex art in Japan was produced in the 7th and 8th centuries in connection with Buddhism. In the 9th century, as the Japanese began to turn away from China and develop indigenous forms of expression, the secular arts became increasingly important; until the late 15th century, both religious and sec ...
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Uemura Shōen
was the pseudonym of an artist in Meiji, Taishō and early Shōwa period Japanese painting. Her real name was Uemura Tsune. Shōen was known primarily for her ''bijin-ga,'' or paintings of beautiful women, in the ''nihonga'' style, although she produced numerous works on historical themes and traditional subjects. Shōen is considered a major innovator in the bijin-ga genre despite the fact she often still used it to depict the traditional beauty standards of women. Bijin-ga gained criticism during the Taisho era while Shōen worked due to its lack of evolution to reflect the more modern statuses of women in Japan. During bijin-ga's conception in the Tokugawa, or Edo, period, women were regarded as lower class citizens and the genre often reflected this implication onto its female subjects. Within the Taisho era, women had made several advancements into the Japanese workforce, and artistry specifically was becoming more popular outside of pass times for the elite, which opened ...
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Female Beauty
Physical attractiveness is the degree to which a person's physical features are considered aesthetically pleasing or beautiful. The term often implies sexual attractiveness or desirability, but can also be distinct from either. There are many factors which influence one person's attraction to another, with physical aspects being one of them. Physical attraction itself includes universal perceptions common to all human cultures such as facial symmetry, sociocultural dependent attributes and personal preferences unique to a particular individual. In many cases, humans subconsciously attribute positive characteristics, such as intelligence and honesty, to physically attractive people, a psychological phenomenon called the Halo effect. From research done in the United States and United Kingdom, it was found that objective measures of physical attractiveness and intelligence are positively correlated and that the association between the two attributes is stronger among men than am ...
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