Yōshū Chikanobu
, better known to his contemporaries as , was a Japanese painter and printmaker who was widely regarded as a prolific woodblock artist during the Meiji epoch. Names Chikanobu signed his artwork . This was his . The artist's was ; and it was published in his obituary.See "Yōshū Chikanobu bituary" '' Miyako Shimbun,'' No. 8847 (October 2, 1912). p. 195: "Yōshū Chikanobu, who represented in ''nishiki-e'' the Great Interior of the Chiyoda Castle and was famous as a master of ''bijin-ga,'' had retired to Shimo-Ōsaki at the foot of Goten-yama five years ago and led an elegant life away from the world, but suffered from stomach cancer starting this past June, and finally died on the night of September 28th at the age of seventy-five. His real name being Hashimoto Naoyoshi, he was a retainer of the Sakakibara clan of Takada domain in Echigo province. After the collapse of the Tokugawa Shogunate, he joined the Shōgitai and fought in the Battle of Ueno. After the defeat at U ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Chikanobu Foxfires (1838–1912) of the Utagawa school
{{disambiguation ...
Chikanobu is a Japanese name which can apply to a number of artists of the Edo period: * Kanō Chikanobu (1660–1728) of the Kanō school *Matsuno Chikanobu ( fl. 1720s) of the Kaigetsudō school *Kitagawa Chikanobu ( fl. early 19th century), student of Utamaro *Toyohara Chikanobu , better known to his contemporaries as , was a Japanese painter and printmaker who was widely regarded as a prolific woodblock artist during the Meiji epoch. Names Chikanobu signed his artwork . This was his . The artist's was ; and it w ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Enomoto Takeaki
Viscount was a Japanese samurai and admiral of the Tokugawa navy of Bakumatsu period Japan, who remained faithful to the Tokugawa shogunate and fought against the new Meiji government until the end of the Boshin War. He later served in the Meiji government as one of the founders of the Imperial Japanese Navy. Biography Early life Enomoto was born as a member of a samurai family in the direct service of the Tokugawa clan in the Shitaya district of Edo (modern Taitō, Tokyo). Enomoto started learning Dutch in the 1850s, and after Japan's forced "opening" by Commodore Matthew Perry in 1854, he studied at the Tokugawa shogunate's Naval Training Center in Nagasaki and at the Tsukiji Warship Training Center in Edo. At the age of 26, Enomoto was sent to the Netherlands to study western techniques in naval warfare and to procure western technologies. He stayed in Europe from 1862 to 1867, and became fluent in both the Dutch and English languages. Enomoto returned to Japan on b ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Kyoko Iriye Selden
Kyoko Iriye Selden (入江, 恭子; 1936–2013) was a Japanese scholar of Japanese language and literature and a translator. Biography Kyoko Iriye was born in Tokyo. Her father was a journalist reporting from Paris and Shanghai, and her mother was an English teacher. She attended Seikei High School, and wrote a thesis on Wordsworth at the University of Tokyo, before studying English Literature on a Fulbright Scholarship at Yale University. She taught at Cornell University for twenty-five years, and was a literary translator. She was married to Mark Selden, with whom she had three children and four grandchildren. Selected publications Translations into English of Fiction, History, Biography, Early Childhood Education, and Art * Kodaira Takashi (ed.), ''Tenrō haiku no eiyaku: Seishi, Toshio, Ayako'' (Haiku from the Tenrō School in English Translation: Seishi, Toshio, Ayako) (Yokohama: Shumpūsha, 2014) - translated by Alfred H. Marks and Kyoko Selden. * Suzuki Shin’ ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Edo-e
is a type of Japanese multi-coloured woodblock printing; the technique is used primarily in ukiyo-e. It was invented in the 1760s, and perfected and popularized by the printmaker Suzuki Harunobu, who produced many ''nishiki-e'' prints between 1765 and his death five years later. Previously, most prints had been in black-and-white, coloured by hand, or coloured with the addition of one or two colour ink blocks. A ''nishiki-e'' print is created by carving a separate woodblock for every colour, and using them in a stepwise fashion. An engraver by the name of Kinroku is credited with the technical innovations that allowed so many blocks of separate colours to fit together perfectly on the page, in order to create a single complete image. This style and technique is also known as , referring to Edo, the name for Tokyo before it became the capital. Edo Era Nishiki-e is also known as Edo-e, or azuma-nishiki-e. The technology to produce nishiki-e made printing complex colors and figu ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Fan (implement)
A handheld fan, or simply hand fan, is any broad, flat surface that is waved back-and-forth to create an airflow. Generally, purpose-made handheld fans are folding fans, which are shaped like a sector of a circle and made of a thin material (such as paper or feathers) mounted on slats which revolve around a pivot so that it can be closed when not in use. Hand fans were used before mechanical fans were invented. On human skin, the airflow from handfans increases evaporation which has a cooling effect due to the latent heat of evaporation of water. It also increases heat convection by displacing the warmer air produced by body heat that surrounds the skin, which has an additional cooling effect, provided that the ambient air temperature is lower than the skin temperature – which is typically about . Fans are convenient to carry around, especially folding fans. Next to the folding fan, the rigid hand screen fan was also a highly decorative and desired object among the higher c ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Yōdō Gyokuei
Yodo may refer to: Geography * The Yodo River in Osaka Prefecture, Japan * Yodo, Kyoto, a neighborhood in Fushimi-ku, Kyoto, Japan * Yōdo Station, East Japan Railway station on the Hachikō Line in Yorii, Saitama * Ryŏdo (also spelled Yŏdo), island in Wonsan harbour, Kangwon Province, North Korea People * Yodo-dono (1567 or 69 – 1615), a concubine of Toyotomi Hideyoshi * Yamauchi Yōdō (1827–1872), Japanese daimyō in the Shikoku region in the late Edo period Entertainment * "Yodo", the lead single from the album ''Apex Predator'' by Crooked I * Yōdō, Japanese entertainment agency which represents Yosuke Kishi * "Yōdō", a 2013 episode of Japanese animated series ''Coppelion is a Japanese manga series written and illustrated by Tomonori Inoue. The story follows three high school girls who were genetically engineered to be impervious to radioactivity and sent to Tokyo after the city was contaminated by a nuclear ...'' Other * Japanese cruiser ''Yodo'' ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Toyohara Kunichika
Toyohara Kunichika ( ja, 豊原 国周; 30 June 1835 – 1 July 1900) was a ukiyo-e Japanese woodblock print artist. Talented as a child, at about thirteen he became a student of Tokyo's then-leading print maker, Utagawa Kunisada. His deep appreciation and knowledge of kabuki drama led to his production primarily of yakusha-e, which are woodblock prints of kabuki actors and scenes from popular plays of the time. An alcoholic and womanizer, Kunichika also portrayed women deemed beautiful (''bijinga''), contemporary social life, and a few landscapes and historical scenes. He worked successfully in the Edo period, and carried those traditions into the Meiji period. To his contemporaries and now to some modern art historians, this has been seen as a significant achievement during a transitional period of great social and political change in Japan's history. Early life and education The artist who became known as Toyohara Kunichika was born Ōshima Yasohachi on June ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Utagawa Kuniyoshi
Utagawa Kuniyoshi ( ja, 歌川 国芳, ; January 1, 1798 – April 14, 1861) was one of the last great masters of the Japanese ukiyo-e style of woodblock prints and painting.Nussbaum, Louis Frédéric ''et al'' (2005). "Kuniyoshi" in He was a member of the Utagawa school.Nussbaum, "Utagawa-ryū" in The range of Kuniyoshi's subjects included many genres: landscapes, beautiful women, Kabuki actors, cats, and mythical animals. He is known for depictions of the battles of legendary samurai heroes.Lubow, Arthur "Everything But the Robots: A Kuniyoshi Retrospective Reveals the Roots of Manga,"''New York Magazine.'' March 7, 2010. His artwork incorporated aspects of Western representation in landscape painting and caricature. Life Kuniyoshi was born on January 1, 1798, the son of a silk-dyer, Yanagiya Kichiyemon,Robinson (1961), p. 5 originally named Yoshisaburō. Apparently he assisted his father's business as a pattern designer, and some have suggested that this experience inf ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Keisai Eisen
Keisai Eisen (渓斎 英泉, 1790–1848) was a Japanese ''ukiyo-e'' artist who specialised in ''bijin-ga'' (pictures of beautiful women). His best works, including his ''ōkubi-e'' ("large head pictures"), are considered to be masterpieces of the "decadent" Bunsei Era (1818–1830). He was also known as Ikeda Eisen, and wrote under the name of Ippitsuan. Biography Eisen was born in Edo into the Ikeda family, the son of a noted calligrapher. He was apprenticed to Kanō Hakkeisai, from whom he took the name Keisai, and after the death of his father he studied under Kikugawa Eizan. His initial works reflected the influence of his mentor, but he soon developed his own style. He produced a number of ''surimono'' (prints that were privately issued), erotic prints, and landscapes, including ''The Sixty-nine Stations of the Kiso Kaidō'', which he started and which was completed by Hiroshige. Eisen is most renowned for his ''bijin-ga'' (pictures of beautiful women) which portrayed ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ukiyo-e
Ukiyo-e is a genre of Japanese art which flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica. The term translates as "picture of the floating world". In 1603, the city of Edo (Tokyo) became the seat of the ruling Tokugawa shogunate. The ''chōnin'' class (merchants, craftsmen and workers), positioned at the bottom of the social order, benefited the most from the city's rapid economic growth, and began to indulge in and patronise the entertainment of kabuki theatre, geisha, and courtesans of the pleasure districts; the term ("floating world") came to describe this hedonistic lifestyle. Printed or painted ukiyo-e works were popular with the ''chōnin'' class, who had become wealthy enough to afford to decorate their homes with them. The earliest ukiyo-e works eme ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |