Wakashū

is a historical Japanese term indicating an adolescent boy, used particularly during the Edo period (1603–1867). status was indicated by haircut.

Appearance and ceremonies

properly referred to a boy between the ages at which his head was partially shaven () (about 7–17 years of age), at which point a boy exited early childhood and could begin formal education, apprenticeship, or employment outside the home, and the coming of age ceremony (mid-teens through early 20s), which marked the transition to adulthood. During this period, the wore a distinctive hairstyle, with a small shaved portion at the crown of the head and long forelocks at front and sides, and typically wore kimono with open sleeves (); boys from wealthier families could wear . After the coming of age ceremony, the forelocks were shaved off, giving the adult male hairstyle (), and the boy assumed the adult male style of kimono with rounded sleeves. Although any person would be clearly classified as a child, or adult, the timing of both boundaries of the period were relatively flexible, giving families and patrons the ability to accommodate the development and circumstances of the individual boy.

Sexuality

In Edo-period Japan, adolescent boys were considered as suitable objects of erotic desire for young women, older women, and older men (as long as the latter played an active sexual role). Age was an important, but not crucial aspect of . Thus, older men could sometimes adopt the appearance and manners of . This was the case particularly for male prostitutes, who would not be considered as a suitable object of homoerotic desire for older men ( or ) after reaching adulthood. In 1685 the shogunate reportedly cracked down on the so-called (senior youths) who delayed their coming-of-age ceremony until their middle 20s. One of the stories in ''The Great Mirror of Male Love'' by Ihara Saikaku features a samurai in his 60s.

In the arts

(lit. "the way of boy love") was associated both with erotic discernment (particularly among samurai) and with artistic refinement. In his book ''The Aesthetics of Boy Love'' Taruho Inagaki writes that only "members of a privileged class can understand the delights of boy love". The characteristic beauty of , which lasted only a short time, was compared to cherry blossoms. The cult of youthful male beauty in Japanese literature may be traced as far back as the 11th-century classic '' The Tale of Genji'', whose protagonist is described as "such an attractive figure that the other men felt a desire to see him as a woman".

were prominently featured in Edo-period woodcuts, where they are often distinguishable from the female beauties in the same pictures only by a sword or the shaved spot on the crown of their head. In erotic prints (), they are often depicted as more feminine than their female partners. In some woodcuts, it is unclear whether the characters shown are adolescent boys or female prostitutes posing as to excite their clients.

Prostitution and acting were closely linked in early kabuki theater. Female actors were banned from kabuki in 1629 in an effort to crack down on prostitution, and the roles of women and young boys began to be performed by . However, since the sexual favors of were no less in demand, they were also banned from the stage in 1652, and these roles were taken over by adult actors or actors specializing in adolescent male roles.

Obsolescence

In the Meiji period (1868–1912), the term became obsolete; the first meanings were replaced by the new term , and the last by the related construction ("beautiful boy").

See also

* Catamite
* Greek love
* History of human sexuality
* Homoeroticism
* Homosexuality in ancient Greece
* Homosexuality in ancient Rome
* Homosexuality in China
* Homosexuality in India
* Homosexuality in Pre-Meiji Japan
* Kagema
* Kagemajaya ( ja)
* Pederasty in ancient Greece
* Pederasty

References

{{DEFAULTSORT:Wakashu
Japanese sex terms
History of human sexuality
Japanese words and phrases