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Théâtre De La Porte Saint-Martin
The Théâtre de la Porte Saint-Martin () is a venerable theatre and opera house at 18, Boulevard Saint-Martin in the 10th arrondissement of Paris. History It was first built very rapidly in 1781 under the direction of (1726–1810) to house the Paris Opéra, whose previous home, the second Salle du Palais-Royal, had burned down on 8 June 1781. The new theatre had a capacity of about 2,000 spectators and included a parterre with the lowest-priced tickets sold only to males who stood throughout the performances, an amphitheatre, and four rows of boxes. The Opéra used the theatre from 27 October 1781 until August 1794."Atlantes et cariatides des grands boulevards - Paris.fr" . The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris
Paris () is the Capital city, capital and List of communes in France with over 20,000 inhabitants, largest city of France. With an estimated population of 2,048,472 residents in January 2025 in an area of more than , Paris is the List of cities in the European Union by population within city limits, fourth-most populous city in the European Union and the List of cities proper by population density, 30th most densely populated city in the world in 2022. Since the 17th century, Paris has been one of the world's major centres of finance, diplomacy, commerce, culture, Fashion capital, fashion, and gastronomy. Because of its leading role in the French art, arts and Science and technology in France, sciences and its early adoption of extensive street lighting, Paris became known as the City of Light in the 19th century. The City of Paris is the centre of the Île-de-France region, or Paris Region, with an official estimated population of 12,271,794 inhabitants in January 2023, or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Auguste Pilati
Auguste Pilati (actual name "Auguste Pilate") (29 September 1810 – 1 August 1877) was a prolific French composer, opera conductor and occasional singer. He employed several pseudonyms including "Auguste Pilati Juliano", "A. P. Juliano", "Ate. P. Juliano", "A. Ruytler", "P. Ruytler", and "Wolfart". He wrote about 40 works for the stage, including operas, operettas, and ballets besides a very large number of popular songs and piano works. Career Born in Bouchain, a small town between Cambrai and Valenciennes in the French département Nord, Pilati studied at the Paris Conservatory where he won a first prize in solfège as early as 1823, but from which he was dismissed. Arthur Pougin (1880) described him as an "extremely fertile composer, whose name is virtually unknown to the public, although he was not without talent" (''"extrêmement fécond, dont le nom est pourtant à peu près inconnu du public, quoiqu'il ne fût point sans talent"''). He seems to have been able to live main ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edmond Rostand
Edmond Eugène Alexis Rostand (, , ; 1 April 1868 – 2 December 1918) was a French poet and dramatist. He is associated with neo-romanticism and is known best for his 1897 play ''Cyrano de Bergerac''. Rostand's romantic plays contrasted with the naturalistic theatre popular during the late nineteenth century. Another of Rostand's works, ''Les Romanesques'' (1894), was adapted to the 1960 musical comedy ''The Fantasticks''. Early life Rostand was born in Marseille, France, into a wealthy and cultured Provençal family. His father was an economist, a poet who translated and edited the works of Catullus, and a member of the Marseille Academy and the Institut de France. Rostand studied literature, history, and philosophy at the Collège Stanislas in Paris, France. Career When Rostand was twenty years old, his first play, a one-act comedy, ''Le Gant rouge'', was performed at the Cluny Theatre, 24 August 1888, but it was almost unnoticed. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cyrano De Bergerac (play)
''Cyrano de Bergerac'' ( , ) is a play written in 1897 by Edmond Rostand. The play includes elements of the life of the 17th-century novelist and playwright Cyrano de Bergerac, along with elements of invention and myth. The entire play is written in verse, in rhyming couplets of twelve syllables per line, very close to the French alexandrine, classical alexandrine form, but the verses sometimes lack a caesura. It is also meticulously researched, down to the names of the members of the Académie française and the Précieuses, ''dames précieuses'' glimpsed before the performance in the first scene. The play has been translated and performed many times, and it is responsible for introducing the word ''panache'' into the English language. The character of Cyrano himself makes reference to "my panache" in the play. The most famous English translations are those by Brian Hooker (poet), Brian Hooker, Anthony Burgess, and Louis Untermeyer. Plot summary Hercule Savinien de Cyrano ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarah Bernhardt
Sarah Bernhardt (; born Henriette-Rosine Bernard; 22 October 1844 – 26 March 1923) was a French stage actress who starred in some of the most popular French plays of the late 19th and early 20th centuries, including by Alexandre Dumas fils, Alexandre Dumas ''fils'', ''Ruy Blas'' by Victor Hugo, ''Fédora'' and ''La Tosca'' by Victorien Sardou, and ''L'Aiglon'' by Edmond Rostand. She played female and male roles, including Shakespeare's Prince Hamlet, Hamlet. Rostand called her "the queen of the pose and the princess of the gesture", and Hugo praised her "golden voice". She made several theatrical tours worldwide and was one of the early prominent actresses to make sound recordings and act in motion pictures. She is also linked with the success of artist Alphonse Mucha, whose work she helped to publicize. Mucha became one of the more sought-after artists of this period for his Art Nouveau style. Biography Early life Henriette-Rosine Bernard was born at 5 rue de L'École-de- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victorien Sardou
Victorien Sardou ( , ; 5 September 1831 – 8 November 1908) was a French dramatist. He is best remembered today for his development, along with Eugène Scribe, of the well-made play. He also wrote several plays that were made into popular 19th-century operas such as ''La Tosca'' (1887) on which Giacomo Puccini's opera ''Tosca'' (1900) is based, and ''Fédora'' (1882) and ''Madame Sans-Gêne (play), Madame Sans-Gêne'' (1893) that provided the subjects for the lyrical dramas ''Fedora (opera), Fedora'' (1898) and ''Madame Sans-Gêne (opera), Madame Sans-Gêne'' (1915) by Umberto Giordano. His play ''Gismonda'', from 1894, was also adapted into an opera of the same name by Henry Février. Early years Victorien Sardou was born at 16 rue Beautreillis (), Paris on 5 September 1831. The Sardous were settled at Le Cannet, a village near Cannes, where they owned an estate, planted with olive trees. A night's frost killed all the trees and the family was ruined. Victorien's father, Antoin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Tosca
''La Tosca'' is a five-Act (drama), act drama by the Nineteenth-century theatre, 19th-century Theatre of France, French playwright Victorien Sardou. It was first performed on 24 November 1887 at the Théâtre de la Porte Saint-Martin in Paris, with Sarah Bernhardt in the title role. Despite negative reviews from the Paris critics at the opening night, it became one of Sardou's most successful plays and was toured by Bernhardt throughout the world in the years following its premiere. The play itself had dropped from the standard theatrical repertoire by the mid-1920s, but its operatic adaptation, Giacomo Puccini's ''Tosca'', has achieved enduring popularity. There have been several other adaptations of the play including two for the Japanese theatre and an English Victorian burlesque, burlesque, ''Tra-La-La Tosca'' (all of which premiered in the 1890s) as well as several film versions. ''La Tosca'' is set in Rome on 17 June 1800 following the French victory in the Battle of Mareng ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges Jacobi
Georges Jacobi (3 February 1840 –13 September 1906) was a German violinist, composer and conductor who was musical director of the Alhambra Theatre in London from 1872 to 1898. His best-known work was probably '' The Black Crook'' (1872) written with Frederick Clay for the Parisian operetta-star Anna Judic and which ran for 310 performances. Although never achieving the standing of Hervé, or Offenbach or Sullivan, he composed over 100 pieces for ballet and the theatre which were popular at the time. Biography Born in Berlin in Germany as Georg Jacobi and a German Jew, his musical education began aged 6. Educated in Paris, he began his musical career as a violinist and in 1861 at the age of twenty-one he was awarded the first prize for violin playing at the Conservatoire de Paris where he also studied composition with Daniel Auber. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexandre Charles Lecocq
Alexandre Charles Lecocq (; 3 June 183224 October 1918) was a French composer, known for his opérettes and opéra comique, opéras comiques. He became the most prominent successor to Jacques Offenbach in this sphere, and enjoyed considerable success in the 1870s and early 1880s, before the changing musical fashions of the late 19th century made his style of composition less popular. His few serious works include the opera ''Plutus (opera), Plutus'' (1886), which was not a success, and the ballet ''Le Cygne (ballet), Le cygne'' (1899). His only piece to survive in the regular modern operatic repertory is his 1872 opéra comique ''La fille de Madame Angot'' (Mme Angot's Daughter). Others of his more than forty stage works receive occasional revivals. After study at the Conservatoire de Paris, Paris Conservatoire, Lecocq shared the first prize with Georges Bizet in an operetta-writing contest organised in 1856 by Offenbach. Lecocq's next successful composition was an opéra-bouffe, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Du Châtelet
The Théâtre du Châtelet () is a theatre and opera house, located in the place du Châtelet in the 1st arrondissement of Paris, France. One of two theatres (the other being the Théâtre de la Ville) built on the site of a ''châtelet'', a small castle or fortress, it was designed by Gabriel Davioud at the request of Baron Haussmann between 1860 and 1862. Originally named the Théâtre Impérial du Châtelet, it has undergone remodeling and name changes over the years. Currently it seats 2,500 people. Description The theatre is one of two apparent twins constructed along the quays of the Seine, facing each other across the open Place du Châtelet. The other is the Théâtre de la Ville. Their external architecture is essentially Palladian entrances under arcades, although their interior layouts differ considerably. At the centre of the plaza is an ornate, sphinx-endowed fountain, erected in 1808, which commemorates Napoleon's victory in Egypt. Origins The Théâtre I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adolphe D'Ennery
Adolphe d'Ennery (; or Dennery; Adolphe Philippe; 17 June 181125 January 1899) was a French playwright and novelist. Life Born in Paris, his real surname was Philippe. He obtained his first success in collaboration with Charles Desnoyer in ''Émile, ou le fils d'un pair de France'' (1831), a drama which was the first of a series of some two hundred pieces written alone or in collaboration with other dramatists. He died in Paris in 1899. Works Among the best of his works is a play about ''Kaspar Hauser'' (1838) with Auguste Anicet-Bourgeois; ''Les Bohémiens de Paris'' (1842) with Eugène Grangé; with Julien de Mallian the play ''Marie-Jeanne, ou la femme du peuple'' (1845), in which Marie Dorval obtained a great success; a drama based on ''Uncle Tom's Cabin'' (1853) with Dumanoir; and '' The Two Orphans'' (1875), perhaps his best piece, with Eugène Cormon. The story was adapted in 1921 by D.W. Griffith as the film '' Orphans of the Storm.'' He wrote the libretto f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Around The World In Eighty Days
''Around the World in Eighty Days'' () is an adventure novel by the French writer Jules Verne, first published in French in 1872. In the story, Phileas Fogg of London and his newly employed French valet Passepartout attempt to circumnavigate the world in 80 days on a wager of £20,000 (equivalent to £ million in ) set by his friends at the Reform Club. It is one of Verne's most acclaimed works. Plot Phileas Fogg is a wealthy English gentleman living a solitary life in London. Despite his wealth, Fogg lives modestly and carries out his habits with mathematical precision. He is a member of the Reform Club, where he spends a large portion of his days and nights. On the morning of 2 October 1872, having dismissed his valet for bringing him shaving water at a temperature slightly lower than expected, Fogg hires Frenchman Jean Passepartout as a replacement. That evening, while at the Club, Fogg gets involved in a discussion regarding an article in ''The Morning Chronicle'' ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
